Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This triangular piece of the fresco is of a cherub's face.Label: 'This is from the "Southesk" ballroom 14-7-70'ordsall, southesk, cullis hill & co.

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This roughly square piece of the plasterwork shows a woman's head. Given the size of the face, it is believed that this section of the fresco represents one of the four 'geographic depictions of the earth including the seasons, night and morning'.Label: 'This is from the Southesk Ballroom 14-7-70'cullis hill & co., fresco, ordsall, southesk

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.A fragment of the painted domed ceiling of the drawingroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This rectangular fragment of painted plaster is a small section of the rectangular frieze of neo-gothic scenes that were a feature of the drawingroom ceiling. The fragment differs from those remaining from the ballroom in that it includes a section of gold leaf.Label: 'This is from "Southesk" drawing room'ordsall, southesk, cullis hill & co., halfey, john

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The house at 7 Hume Street was designed in 1955 by the modernist architect Douglas Alexandra (1922-2000). Between 1951 and 1996, Alexandra completed a number of significant projects including a regional art gallery and library complex at Hamilton, Victoria (1958-59). The residence in Hume Street is included in the RAIA Victorian Chapter's 20th Century Buildings Register. The house, and another residence in Molesworth Street (1961), is one of his notable residential projects. The aerial property illustration of the house by Margaret Picken was commissioned by the real estate agent Woodards in 1998. Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 7 Hume Street, Kew by Margaret Picken.7 HUME ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORN artist -- margaret picken 1950-, 7 hume street - kew (vic)., d.d. alexandra - architect, property illustrations -- buildings -- kew (vic.)

Possibly used for testing students plant knowledge. Four botanical specimens as follows: .1) Unidentified dried plant specimen with attached handwritten tag ' I Grade/ No. 3' and tied with pink ribbon. .2) Originally housed inside buff coloured envelope, printed on front 'On His Majesty's Service' (underlined) and 'Department of Agriculture,/ Viticultural Station,/ Rutherglen / / 190'. .3) Unidentified dried plant specimen with attached handwritten tag ' Grade 1/ No.5' and tied with pink ribbon. .4) Originally housed inside buff coloured envelope, printed on front 'On His Majesty's Service' (underlined) and 'Department of Agriculture,/ Viticultural Station,/ Rutherglen / / 190'. .5) Unidentified dried plant specimen with attached handwritten tag ' Grade 1/ No.7' and tied with pink ribbon. .6) Originally housed inside buff coloured envelope, printed on front 'On His Majesty's Service' (underlined) and 'Department of Agriculture,/ Viticultural Station,/ Rutherglen / / 190'. .7) Unidentified dried plant specimen (possibly identical to .2) with attached handwritten tag ' Grade 1/ No.13' and tied with pink ribbon. .8) Originally housed inside buff coloured envelope, printed on front 'On His Majesty's Service' (underlined) and 'Department of Agriculture,/ Viticultural Station,/ Rutherglen / / 190'. .9) Leather covered board with remnant elastic. Possibly used for displaying specimens. Envelope printed on front top centre 'On His Majesty's Service' (underlined), Bottom left 'Department of Agriculture,/ Viticultural Station,/ Rutherglen / / 190 ', Top right 'Department of Agriculture. Victoria. Frank Stamp', top left, 'This envelope can only be lawfully used by Government officials on public business. Any use by officials on private business, or by others under any circumstances, is punishable'. Embossed on envelop seal with the word 'Victoria' enclosed in a buckle and belt, crown in centre.botanical specimen,, department of agriculture, rutherglen, school of mines, ballarat, ballarat school of mines, botany, rutherglen, speciman, plant, plant identification

Murray Comrie Collection. Information collated by Murray Comrie: Photo after 1886 and before 1899. Shows bakers shop at corner of Commercial Rd and Poverty St, bakery stables and horse. Clouston's, Renshaw's Victoria House, Golden Age Hotel, Renshaw's Commerce House and Post Office. This is an original photographic postcard. Monochrome photographic postcard. View of part of Commercial Road and Poverty Streets, Tarnagulla, from a position on Poverty Street behind the Bank site. Premises on Commercial Road which are visible include the Golden Age Hotel and Renshaw's Drapers.Text near bottom edge: 'Johnsn & Co. Ararat' and 'Tarnagulla'.tarnagulla, commerce, shops, businesses, streetscapes, horses, stables, poverty street, commercial road, main street, golden age hotel, renshaw's, bakery, clouston's

Wal and Bernie Dodkins, rented the house from Miss Reynolds probably from around 1938 until they left in the 1970s to become caretakers at the Kangaroo Ground Tower. Lyn Dodkins (wife of Graeme Hardiman) was born there and lived in this house for her first 19 years. [Graeme Hardiman email 5 Aug 2022]Six colour photographs of old cottage corner Main and Reynolds roads at Research in 1986. The cottage was built by/for Grandfather Reynolds and was demolished 2 Mar 1987. Three views show widening of Main Road.houses, main road, reynolds road, research (vic.), lyn dodkins, wal dodkins, bernie dodkins, miss reynolds

House has been modified. Metal framed windows replaced sash, dormer window added to landing at top of internal stairs. Yallourn houses were offered at very low cost when coal deposits under the town were to be accessed in the 1970s.Owner/residents Alister and Wendy Balfour. (Both deceased in 2014c.)Colour photograph of a dwelling at 29 Marlin Drive. A two storey timber home with dormer window through gable roof of simulated tiling. Six steps leading up to front door. A well maintained home relocated from the coal town of Yallourn. Lake Tyers Victoriahouses, heritage study

House provided by the community for Miss Hammarstrom and family after Mr Hammerstrom, a fisherman, was lost at sea in 1926. The Age newspaper collected 400 pounds in an appeal to support the family. House was originally timber clad. Also one other colour photograph similar, side of building, fibro cladding and two brick chimneys.Colour photograph of a small fibro cement cottage. Corrugated iron gable roof, two substantial brick chimneys, at 43 Roadknight Street, Lakes Entrance Victoria houses, accommodation, heritage study

The first settler to occupy the Marlo township area was James Stirling around the year 1875. He built a bark hut on the bluff that had two rooms, bark walls, earthen floors and a shingle roof. By 1884, this structure had expanded to a 9 roomed accommodation house and in 1886 became the Marlo Hotel when a liquor license was granted. The Governor-in-Council declared Marlo to be a township on 18 February 1889. During May 1889, the government surveyor, E.L. Bruce set out 19 sections of the new township, with the first sales of subdivided land occurring the following May. At this time, Stirling's Marlo Hotel was the unofficial hub for the community. It was a general store, accommodation house and the unofficial post office, with settlers taking turns in bringing the mail from Orbost or Cunningham. This continued until Aug 1942, and in 1969 was located in a house adjacent to the Marlo Hotel, before being transferred to the Marlo General Store in this year. The official Post Office List states the Marlo Post Office opened around 1902. in 1925, the "Marlo House" (a nine room accommodation guest house) was granted a liquor licence. The "Marlo House" became "The Marlo Hotel". The Marlo Hotel was popular with many Orbost and district settlers, who travelled to Marlo by horseback or buggy. The Marlo Hotel, perched on the hill overlooking the estuaries and the entrance is a significat building in Marlo. Established in 1886, it has been operating for over 120 yearsA black / white photograph of the Marlo Hotel. Patrons are standing on the verandah and lawns. A horse-drawn carriage is on the left. The photograph is on a green buff card with a rough edge on R H side.on back - " Old Marlo Hotel"marlo-house marlo-hotel stirling-james

A4 purple two ring folder that contains four illustrated articles about the Royal Australian Survey Corps written by Dr Bob Williams. Article 1. A brief history from a memorable event in 1915 - Gallipoli. A tribute to Australia's Military Mapmakers Videre Parare Est, 1910-2000. Article 2. Fortuna's role in the story, Reflections of a military mapmaker. Military Mapmakers of "Fortuna" The house of the Army Survey Regiment - Royal Australian Survey Corps. Article 3. A Political Imperative - An amazing surveying and mapping operation. Impossible to Map! Papua New Guinea. Article 4. Military Mapmakers. The farther backward you can look; the farther forward you can see. Dr Bob Williams served in the Royal Australian Survey Corps from 1965 as a Sapper in the Royal Australian Survey Corps and retired from the Army in 1991 as a Major to join DSTO continuing his career in the spatial sciences. A4 purple two ring folder that contains four illustrated articles about the Royal Australian Survey Corps written by Dr Bob Williams. Article 1. A brief history from a memorable event in 1915 - Gallipoli. A tribute to Australia's Military Mapmakers Videre Parare Est, 1910-2000. Article 2. Fortuna's role in the story, Reflections of a military mapmaker. Military Mapmakers of "Fortuna" The house of the Army Survey Regiment - Royal Australian Survey Corps. Article 3. A Political Imperative - An amazing surveying and mapping operation. Impossible to Map! Papua New Guinea. Article 4. Military Mapmakers. The farther backward you can look; the farther forward you can see.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

This book was used by Orbost Cemetery Trust to record letters written especially to provide a running account of the trust's activities. Although the cemetery was officially gazetted in November, 1891, it seemed certain that burials had taken place before that time. The early trusts were diligent in their record keeping and visionary in their planning.The original Trust members approved by the Public Health Department included C. N. Henderson, E. Watt (Ernest), D. Munro (Donald), M. R. Coote (Massy) and James Cameron (recorded at the first meeting of the Trust dated 29th May 1891. The first mention of a Mr. C. Richardson wasn’t until 25th February 1916 whilst the cemetery was under the control of the Orbost Shire Council with select councillors on the committee. Orbost Cemetery is an important part of Orbost's history. Its records are essential in research of local history.A grey covered letter book used by the Orbost Cemetery Trust to record letters written between 1894 and 1907.On spine-Letter Bookorbost-cemetery letter-book

A black and white photograph, undated, of the house at 36 St. Georges Road, Elsternwick, named Aloha.photographs, house names, st. georges road, aloha, elsternwick, houses

Digital photograph of timber house with tiled roof Photographer unknown, dated 19/10/2011crosbie road, murrumbeena, timber house

When the local Wycheproof Masonic Lodge closed the Honour Roll was hung in the Wycheproof Court House. A unique plaque believed to be the only one for Wycheproof with these two servicemen's names being members of the Wycheproof Masonic Lodge.Large polished wooden Honour Roll WW11 with columns and arch surround named in gold leaf. Heading - A.F & A.MASONS OF VICTORIA. WYCHEPROOF LODGE NO. 181. Members who paid the Supreme Sacrifice WW11. Brothers: O.T. HETHERINGTON J.L. WARNEFOR GOD KING & COUNTRYmasons. honour roll ww11. supreme sacrifice.

Digital images of houses at 17 Doris Street Greensborough, before and after redevelopment 2020-2022Part of a collection of miscellaneous historical images with a connection to the local area.Digital photographs. doris street greensborough

History of a house built in Nepean Street in the 1960s by its owner, and still occupied by the family in 2020.1 p. typescript, with two colour photocopieswhan family, nepean street greensborough

Photograph shows house with anti-Plenty Gorge Park sign, Gorge Road South MorangPart of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.plenty gorge, plenty gorge metropolitan park, melbourne and metropolitan board of works

Busy port of Melbourne and Sandridge beachfront where the Bethel church was built on the Custom House land.Medium size framed print francois cogne (1829-1883), hobson's bay, sandridge, williamstown, bethel church, reverend kerr johnston, 1812-1887, customs house, artwork-paintings

Photograph of Grimshaw Street looking towards Cordner's house. Note the two-level road and no footpath.Digital copy of black and white photograph.simons family, grimshaw street greensborough, cordner family

Advertising for 36 Orana Drive Watsonia, 3 bedroom house, sold December 2018 for $715,000. Colour page from real estate magazine.orana drive watsonia

Advertising for 156 Nell Street Greensborough, 3 bedroom house, sold October 2018 for $712,500. Colour advertising leaflet and folded sales brochurenell street greensborough

Information and photos of the house at 3 St Helena Road Greensborough, for sale in 2017, built in the 1920s.This photograph and text was copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Article and photograph sourced from social media.st helena road greensborough, greensborough houses

4 bedroom house, auctioned February 2012 for $555,000 (sold again in October 2016 for $838,000)Real estate advertising leaflet, 1 sheet, printed in colour both sidesmari close greensborough

221 Plenty River Drive Greensborough. Three bedroom house, sold for $649,950 in July 2017. Real estate advertising leaflet, 1 sheet, printed in colour both sides. plenty river drive greensborough

Bundoora's Vasey House resident and Geelong supporter Ron Olney turned 100 in August 2015.News clipping, black text, colour image.vasey house bundoora, ron olney

Part of a set of photographs showing some of the older homes in Greensborough. This house is in Parkview Avenue Greensborough.Digital copy of colour photographhouses in greensborough, parkview avenue greensborough

Hand made from old house timber by Harry Gilham. Was still in position in June 2012. Colour photographeltham living and learning centre