"Jack Gerdsen" Collection.Brown leather Sam Browne belt with shoulder strap, the belt has a brass buckle and a number of brass ring attachments for additional fittings.passchendaele barracks trust, leather, sam browne belt, army, jack gerdsen

Ammunition Basic pouch, webbing, khaki colour, folding flap lid with brass press stud, rear has a brass buckle for attaching a shoulder strap plus 2 brass keepers for attaching to a webbing belt, stamped lettering on inside.On inside stamped in black, “ 24. ? ?. L 1942”basic pouch, webbing, equipment

The beginning of standardised weights and measures began In Victoria when the Melbourne Observatory received sets of standard weights and measures, which had been tested in Britain against the then British Imperial standards. These included the primary standard yard and pound for the Colony of Victoria. Other standards of weights and measure held by shires and the administrative body's within the colony could then be compared to these primary standards. A Weights and Measures Act was passed in Victoria in 1862, establishing local inspectors throughout the colony. By the 1870s each local council and shire in Victoria held a set of standards that were used to test scales, weights and dry measures used by wholesalers, factories and shops. Every ten years the councils’ standards would themselves need to be rechecked against the Victorian Standards. The checking was done by the Victorian Customs Department in the 19th century, but with the transfer of responsibility for customs to the Federal Government in 1901, weights and measures function was retained by the Victorian Government and was shifted to the Melbourne Observatory. In 1904, a new building was erected at the south end of the Great Melbourne Telescope House, where the standard weights and measures and testing equipment was installed. This room had a large whirling apparatus for testing air meters and became known as the Whirling Room. When the Melbourne Observatory closed in 1944, the Weights and Measures Branch was formed to continue and this branch remained at the Observatory site unit until 1995. J & M Ewan History: J&M Ewan was a Melbourne firm that began by selling retail furniture and wholesale ironmongery. They had substantial warehouses situated at the intersection of 81-83 Elizabeth and Little Collins Streets, the business was established by James M Ewan in 1852. Shortly afterwards he went into partnership with William Kerr Thomson and Samuel Renwick. When Ewan died in 1868 his partners carried on and expanded the business under his name J & M Ewan. The business was expanded to provide a retail shop, counting-house and private offices. Wholesale warehouses adjoined these premises at 4, 6 and 10 Little Collins Street, West. This company provided and sold a large and varied amount of imported goods into the colony that consisted of agriculture equipment, building materials, mining items as well as steam engines, tools of all types and marble fireplaces. They also supplied the Bronze measuring containers in the Flagstaff Hill collection and the probability is that these containers were obtained by the local Melbourne authority that monitored weights and measures in the mid to late 19th century. The company grew to employ over 150 people in Melbourne and opened offices at 27 Lombard St London as well as in New Zealand and Fiji. The company also serviced the Mauritius islands and the pacific area with their steamship the Suva and a brig the Shannon. Robert Bate History: Robert Brettell Bate (1782-1847) was born in Stourbridge, England, one of four sons of Overs Bate, a mercer (a dealer in textile fabrics, especially silks, velvet's, and other fine materials)and banker. Bate moved to London, and in 1813 was noticed for his scientific instrument making ability through the authority of the “Clockmakers Company”. Sometime in the year 1813 it was discovered that one Robert Brettell Bate, regarded as a foreigner in London had opened a premises in the Poultry selling area of London. He was a Mathematical Instrument maker selling sundials and other various instruments of the clock making. In 1824, Bate, in preparation for his work on standards and weights, leased larger premises at 20 and 21 Poultry, London, at a rental of four hundred pounds per annum. It was there that Bate produced quality metrological instruments, which afforded him the recognition as one of one of the finest and principal English metrological instrument-makers of the nineteenth century. English standards at this time were generally in a muddle, with local standards varying from shire to shire. On 17 June 1824, an Act of Parliament was passed making a universal range of weights, measures, and lengths for the United Kingdom, and Bate was given the job of crafting many of the metrological artifacts. He was under instruction from the renown physicist Henry Kater F.R.S. (1777-1835) to make standards and to have them deposited in the principal cities throughout the United Kingdom and colonies. Bate experimented with tin-copper alloys to find the best combination for these items and by October 1824, he had provided Kater with prototypes to test troy and avoirdupois pounds, and samples with which to divide the troy into grams. Bate also cast the standard for the bushel, and by February 1825, had provided all the standards required of him by the Exchequer, Guildhalls of Edinburgh, and Dublin. In 1824, he also made a troy pound standard weight for the United States, which was certified for its accuracy by Kater and deposited with the US Mint in 1827. Kater, in his address to the Royal Society of London, acknowledged Bate's outstanding experimentation and craftsmanship in producing standards of weights, measures, and lengths. An example of a dry Bronze measuring container made specifically for J & M Ewan by possibly the most important makers of measurement artefacts that gives us today a snapshot of how imperial weights and measures were used and how a standard of measurement for merchants was developed in the Australian colonies based on the Imperial British measurement system. The container has social significance as an item retailed by J & M Ewan and used in Victoria by the authorities who were given legal responsibility to ensure that wholesalers and retailers of dry goods sold in Victoria were correct. The container was a legal standard measure so was also used to test merchants containers to ensure that their distribution of dry goods to a customer was correct.Maker Possibly Robert Brettell Blake or De Grave, Short & Co Ltd both of LondonContainer brass round for measuring quantities- Has brass handles & is a 'Bushel' measurement. 'Imperial Standard Bushel Victoria' engraved around container. Container bronze round shape for measuring dry quantities has brass handles & is a 'Bushel' measurement"IMPERIAL STANDARD BUSHEL" engraved around the top of the container. VICTORIA engraved under "J & M Ewan & Co London and Melbourne" engraved around the bottom of the container.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, standard measure, bushel, bushel measurement, j & m ewan, dry measurement, victorian measurement standard, bronze container, melbourne observatory, robert brettell bate

From the collection of Ken YoungWas a very important method of communication from approximately 1910 onwards. Morse Code was used by the Armed Forces up till 1960Brass base plate with two coils attached by a metal bar screwed down with a cross bar. The silver metal bar has two brass screws, one of which moves the bar to tap on the brass frame beneath it to emit the signalcommunication, telegraphic

Army green waist webbing belt with a brass clasp buckle and brass sliding keepers. There are two additional brass webbing attachments towards the centre rear of the belt. There are multiple sewn in inserts on the inside of the belt to allow for additional webbing to be attached."C.G.C.F.^ 1988 LARGE"passchendaele barracks trust, webbing belt, equipment

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of an ornate bandstand built on a grassed area and set high with seven wooden steps leading up to the platform. Under the domed roof, wrought iron lacework extends between the six supporting columns and an ornate, waist-high lacework balustrade encloses the space. At ground level, the bandstand is enclosed by a fence and in the background are leafy trees. Within the bandstand a brass band can be seen performing. The band is the St. Hilda's Band with Frank Wright as its conductor. The place is Windsor.Written in pencil on the back - St. Hilda's, Frank Wright Conductor, Windsor, 24/5/34frank wright, conductor, brass band, st hilda's band, windsor, bandstand, wrought iron lacework

Five dog tags, one brass, one homemade silver metal, one silver metal and two brown leather belonging to Private William West 1268 5th Pioneer Battalion who served during WW1. He enlisted in 1915 was wounded in 1917 and returned to Australlia in 1918One gold and two silver metal and two brown leather identification tags Brass wrist tag: W. West 1268 5th Pioneers Batt. A.I.F. Homemade silver metal wrist tag: W. West 5th Poineer BTN AIF Silver metal tag: Front; Next of Kin Mrs A.M West VIC Nt Creswick Aust. Back; 1268 W. West D 29 AI CE Brown leather tag: West. W 1268 5 PNRS AIF CE Brown leather tag on neck string: West. W 1268 5 PNRS AIF CEdog tags, wwi, world war 1, 5th battalion, aif

"Captain C.J. Swatton"1. Jacket, woollen, black. Four front pockets. Top two held shut with brass buttons. Chest held shut with four brass buttons. Epaulettes have the 3 brass pips of a Captain. The button motif is for R.A.A.S.C. 2. Trousers, black, woollen. Red stripe on side. 3. Belt, woollen, black. Two pronged brass buckle.1. Written on lining, left arm is name "Swatton". 2. Written on inside of trouser pocket is "Swatton".c.m.f. services, uniform, army, captain c.j. swatton, passchendaele barracks trust

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Letter from Frank Packer of Belle Vue (Manchester) Limited to Frank Wright, 1952Frank Wright Esq., 14, Highbury Grange, London, N.5. Dear Mr. Wright, We have pleasure in enclosing cheque for 10 pounds 10 shillings being the fee and expenses for adjudicating at our 100th Annual September Brass Band Contest held on Saturday, the 6th inst. The Centenary Contest was certainly the greatest of them all, the competing Bands being twenty of the World's best. It was the finest entry the Belle Vue "September" has ever obtained. The awards were very well received, your decisions appear to have given entire satisfaction. I would like ot place on record my appreciation of the able and efficient manner in which you carried out your duties, and trust that the arrangements made for your comfort were in every wat satisfactory. I send along my best wishes and kind regards, and hope to have the pleasure of your co-operation again on some future occasion. Yours faithfully, Belle Vue (Manchester) Limited Frank Parker Brass Band Contest Manager. belle vue, frank wright, letter, adjudicator, brass band

This is a photograph of Mr Clem Heather, band leader. Clem Heather was a Forestry employee in Orbost, The Orbost Workers' Band was started in 1889 by Donald and Archie Munro. The band folded after the town was devastated by floods in 1893. Charles Spink reformed the group in 1905. It split in 1908 and the breakaway band was named the Orbost Workers Band. The two bands, The Orbost Workers and Orbost Town Band would often compete against each other. Eventually, in 1913, the two bands amalgamated to form the Orbost Municipal band. The old Orbost Municipal Band recorded its last meeting in 1941 -a lack of effort and membership. The new Orbost Municipal Band was restarted by Clem Heather (a previous member) on Wednesday 20th September, 1961 and continued into the late 1980s when lack of interest caused it to become defunct.This is a pictorial record associated with the Orbost Brass Band. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many membersA black / white photograph of a man in a brass band uniform. He is holding a brass instrument (French horn?). It is under glass in a white wooden frame.on front -????????? Orbostheather-clem orbost-brass-band music recreation

Items in the collection re John D Gardiner No 2832, refer Cat No 5892.2 for his service history..1) Badge brass with the letters "R E", two lugs on the rear. .2) Badge brass with the letters "N F", two lugs on the rear.badges, uniform

Donors listed the original owner as Frank FITZGERALD of Moonee Ponds.Two Tone brass & copper coloured brass bugle with silver coloured metal mouth piece. Mouth piece is secured to bugle with a loop of cored.At top of bugle: Etched: “Rolestone Lark Hill” At top of bugle: Stamped: “Henry Potter & Co, 38 West St, Charing Cross Road London 1915” At side of bugle: Etched: “R Jacobson”musical instruments - brass section, bugle

Leather belt, brown, money pouch attached & 1 brass button, copper wire stitching, 2 brass buckles, 2 leather straps.Anterior surface of belt: “VII DG [star of David] T00002 Williamson South Africa”uniform - army, costume accessories - male, trades-leatherworking, passchendaele barracks trust

The ship was built in 1953 by Ferguson Shipbuilders of Port Glasgow, Scotland for the Port Phillip Sea Pilots organisation (Melbourne)as a pilot cutter. The ship was launched in 16th April 1953 and more information is required on the bell specifically.Brass bell with brass ringer and macrame plaited clapper. Smooth cast top and bottom and rough cast in between. The rough cast hanger is on the top.The inscription on the rough cast is "Brisbane Trader/Melbourne/1969. bell, ship

Step wooden with brass foot plate screwed by 4 brass screws step secured by 2 bolts. 610mmL x 135mmW x 70mmD.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Indicative of mementoes issued at time of important occasionSmall round badge with Coat of Arms and City of Nunawading on a cream background which is mounted on a brass button. Has a brass pin and fastener attached.City of Nunawadingcivic mementoes, souvenirs, numismatics, medals - civic

Brass Kempthorne lantern ( Shaped like small water canister with lens on front) brass Wire type handle with clip on rear to attach to bicycleOn clip LAMPS ELECTRIC No KEMPTHORNE. AUST 1943 D^D

Arts Nouveau brass picture frame mounted on wood with a circular glazed insert for a photograph. The brass frame depicts a woman reaching towards a lily.picture frame, art nouveau

Associated with Captain William Robertson, Captain of the S.S.Casino, Port Fairy Naval Reserve,Naval Dress Sword and scabard: Naval Dress Sword with brass handle with safety catch and gold thread tassle. Scabard of leather with brass decorationsSword and Crown E.R.VII- Owen Harries 15 Russell Street Landportlocal history, arms, edged weapons, captain william robertson, s.s.casino, port fairy naval reserve, belfast and koroit steam navigation co., boxer rebellion

British pattern webbing gaiter, left only. Khaki in colour, 2 side adjustments leather straps. brass buckle and brass ends on straps.“N. CUST, RAF, 1940. T. CHENETTY” (crossed out) ^.passchendaele barracks trust, equipment, gaiter

Issued to "WO1 D. Fields"Brown leather Sam Browne belt with shoulder strap. the belt has a brass buckle and a number of brass ring attachment points for additional fittings.passchendaele barracks trust, sam browne belt, army, wo1 d fields

Webbing ankle gaiters, 2 brass buckles and brass on end of straps on each gaiter, khaki colour, reinforced on lower half inside gaiter.1. & 2. J.A. Holmes V246172passchendaele barracks trust, webbing, gaiters

Pince-nez were a style of spectacles that held on to a person's nose by a spring mechanism and was popular in the late 19th and early 20th centuries in European cultures.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A pair of brass pince-nez styled spectacles.glasses, eyewear, fashion

In 1792 John Manners had set up a workshop making woodworking planes at 14 Saracens Lane Glasgow. He also had employed an apprentice Alexander Mathieson (1773-1851). But in the following year at Saracen's Lane, the 1841 census describes Alexander Mathieson as a master plane-maker now at 38 Saracen Lane with his son Thomas Adam working with him as a journeyman plane-maker. Presumably, Alexander must have taken over the premises and business of John Manners.  Now that the business had Thomas Adam Mathieson working with his father it gradually grew and became more diversified, and it is recorded at the time by the Post-Office Glasgow Annual Directory that by 1847/8 Alexander Mathieson was a "plane, brace, bit, auger & edge-tool maker". In 1849 the firm of James & William Stewart at 65 Nicolson Street, Edinburgh was taken over and Thomas was put in charge of the business, trading under the name Thomas A. Mathieson & Co. as plane and edge-tool makers. Thomas's company went on to acquire the Edinburgh edge-tool makers “Charles & Hugh McPherson” and took over their premises in Gilmore Street. In the Edinburgh directory of 1856/7, the business is recorded as being Alexander Mathieson & Son, plane and edge-tool makers at 48 Nicolson Street and Paul's Work, Gilmore Street Edinburgh. The 1851 census Alexander is recorded as working as a tool and plane-maker employing eight men. Later that year Alexander died and his son Thomas took over the business. Under the heading of an edge-tool maker in the 1852/3 Post-Office Glasgow Annual Directory the firm is now listed as Alexander Mathieson & Son, with further entries as "turning-lathe and vice manufacturers". By the early 1850s, the business had moved to 24 Saracen Lane. The directory for 1857/8 records that the firm had moved again only a few years later to East Campbell Street, off the Gallowgate area, and that through further diversification was also manufacturing coopers' and tinmen's tools. The ten-yearly censuses report the firm's growth in 1861 stating that Thomas was a tool manufacturer employing 95 men and 30 boys; in 1871 he had 200 men working for him and in 1881 300 men. By 1899 the firm had been incorporated as Alexander Mathieson & Sons Ltd, even though only Alexander's son Thomas appears ever to have joined the firm so the company was still in his fathers' name. In September 1868 Thomas Mathieson put a notice in the newspapers of the Sheffield & Rotherham Independent and the Sheffield Daily Telegraph stating that his firm had used the trade-mark of a crescent and star "for some time" and that "using or imitating the Mark would be proceeded against for infringement". The firm had acquired its interest in the crescent-and-star mark from the heirs of Charles Pickslay, the Sheffield cutler who had registered it with the Cutlers' Company in 1833 and had died in 1852. The year 1868 seems also to be the one in which the name Saracen Tool Works was first adopted; not only does it figure at the foot of the notice in the Sheffield press, it also makes its first appearance in the firm's entry in the Post-Office Glasgow Annual Directory in the 1868/9 edition. As Thomas Mathieson's business grew, so too did his involvement in local public life and philanthropy. One of the representatives of the third ward on the town council of Glasgow, he became a river bailie in 1868, a magistrate in 1870 and a preceptor of Hutcheson's Hospital in 1878. He had a passion for books and was an "ardent Ruskinian". He served on the committee handling the bequest for the setting up of the Mitchell Library in Glasgow. When he died at Coulter Maynes near Biggar in 1899, he left an estate worth £142,764.  Company's later years: Both Thomas's sons, James Harper and Thomas Ogilvie were involved in the continuing life of the firm. James followed in his father's footsteps in becoming a local public figure. He was appointed Deputy Lieutenant of the County of the City of Glasgow and was made a deacon of the Incorporation of the Hammermen of Glasgow in 1919. His brother Thomas Ogilvie was recorded as tool manufacturer and employer in the 1911 census. Thomas Ogilvie's son Thomas Alastair Sutherland Ogilvie Mathieson was born in 1908 took a rather different approach to engineering, however, by becoming a racing driver. In 1947 he wed the French film actress Mila Parély. The firm had won many awards at world fairs for their goods. At the Great Exhibition, London, 1851. Prize medal for joiners' tools in the class of Cutlery & Edge Tools, Great London Exposition, 1862. Prize medal honoris causa. International Exhibition, Melbourne, 1880. Gold medal International Exhibition of Industry, Science and Art, Edinburgh, 1886. Prize medalThe firm of Alexander Mathieson & Sons was one of the leading makers of hand tools in Scotland. Its success went hand in hand with the growth of the shipbuilding industries on the Firth of Clyde in the nineteenth century and the emergence of Glasgow as the "second city of the Empire". It also reflected the firm's skill in responding to an unprecedented demand for quality tools by shipyards, cooperage's and other industries, both locally and far and wide.Spirit level, brass in ebony wooden casing.Has "18C Warranted" stamped on barrel.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, spirit level, level, mathieson of glasgow, builders level, spirit level, alexander mathieson & sons, tool maker, wood working plane, john manners, thomas adam mathieson, james & william stewart, james harper, thomas ogilvie, machine manufacturer

Issued to W. J. Woodyardhe Returned from Active Service Badge (RASB) is issued to Australian Defence Force personnel who have rendered warlike service. Its purpose is to enable individuals to display their involvement in warlike service while in civilian attire, where the wearing of a medal denoting such service is not appropriate or possible. The ability for veterans to wear a badge recognising the service and sacrifice involved in rendering war service to Australia is a befitting tribute to these veterans. As the award of the RASB is not governed by statute, it has been the practice of Australian Governments to determine conditions of eligibility for each conflict in accordance with the circumstances existing at the time. Contemporarily, it is awarded automatically with the Australian Active Service Medal 1945-75 and current Australian Active Service Medal http://www.vvaa.org.au/rasb.htmBrass Returned from Active Service Badgeactive service, returned from active service badge, r.a.s. badge