Child's well worn leather boot found under the floor of a Sea Pilot's terrace house in Gellibrand Street. It was a custom for local people to place a child's shoe under the floorboards of a house to 'ward off evil spirits'.Child's boot, circa 1850sboot, folklore

Returned Soldier's Ball held in Wangaratta on 9th August 1937 Captain Mulder and Jim Boyd were floor stewards. A special set of four couples in full regimental dress danced the Quadrilles and other set dances.First Military Ball held in Wangaratta and due to its success it was decided to make it an annual event. Black and white unframed photograph of large group of men and women in front of stage with flags in backgroundA momento of the Ret. Soldiers Ball Wangaratta 9.8.371937, wangaratta, returned soldier's ball

Black and white photograph of the 'New Times' building in Pall Mall, next to myer. The top has a rather ornate masonry design. The lower edge of the guttering of the top verandah and the lower edge of the guttering at floor level of the top floor is a very ornate lacework display.Centre bottom is hitching post for horses. Signage on the building reads Manufacturers of Boots and Shoes, Abbott & Co is also faintly displayed. An adult male, and female standing next to the hitching post. A young man has his right arm draped over the hitching post and two other young people to his right. Two other young boys are standing between two posts on the left side. The business to the left is using two posts to support bags that are ready for sale. A male in white is at the very left of the photo.buildings, commercial, abbotts boot & shoe manufacturers

Two items all related to Lirrewa 1/Three copies of auctioneer’s brochure for sale of Lirrewa showing a sketch and floor plan. Auctioneer GA Thomson & Co 2/Colour photograph of Lirrewa, c 1983, undated and unsignedlirrewa, lirrewa grove, stables, brooks gl, thomson ga & co, estate agents, murrumbeena road, murrumbeena, lofts, slate tiles, house names, flats

Floor track in the 1921 infants room (now staff room). Wall recess appears in some 1900-1906 school group photographs which used the east end wall as their backdrop with Head Teacher John Brown present.Handwritten (HG's) information and details in blue ink on reverse sidedalton street, eltham primary school, renovations, building construction, buildings, eltham state school no. 209

One of Phillip Islands earliest industries was chicory farming. The first kiln was constructed in 1870. The chicory scoop was used for turning the chicory over on a mesh floor above the furnace. This scoop was imported from Europe in the late 1880's.Chicory scoop with wooden handle, wooden scoop and steel joins and reinforcments.phillip island, wood, steel, tool, chicory, kiln, chicory scoop

This container could be filled with hot water and put on the floor of a train so that passengers could warm their feet by placing their feet near the container. A blanket could be put over the warmer to contain the heat. This foot warmer was used on trains. A galvanised iron container with a screwable stopper at the top and metal handles on both ends. foot-warmer metal-foot-warmer

Looking through Pioneers Memorial Columns. The photo shows the ground floor of the Pioneers memorial with the Corinthian pillars supporting the dome. The directional pedestal is in the center installed in c 1947. The Stawell township is in the background with the sun setting behind the Grampians.Looking through Pioneers Memorial Columns with the directional pedestal in the center. The view shows the Stawell township in the background and the sun setting behind the Grampians.Carol Anne Jonesstawell

The Forest Hill Hall was built before the 1960s and is situated on the South East side of the intersection of Canterbury and Springvale Rds.The hall seats 70 and can supply tables chairs and a stove. The floor is timber and there is a disability access. There are no parties allowedColoured photograph of a green building with a yellow door. Forest Hill Hall is printed on a board above the doorforest hill hall, halls

Photos of Legacy Widow Glad Cousens in the Technical Bookshop. They had just undergone a refurbishment and the photo was printed in the Answer Newsletter in April 1996. The Bookshop rented their premises from Legacy as it occupied part of the ground floor on Swanston St. A record of the type of activities Legacy provided for fundraising and as a social outlet for the widows.Colour photo x 2 Mrs Glad Cousens in the Technical Bookshop.widows, activities

The board was probably from the School of Mines Library, located on the 1st floor of the Administration Building in Lydiard Street. Changes have been made to some times for Tuesday and Friday. The E J Tippett Library was opened in 1978 at the SMB Campus.Wooden board with bevelled and painted edge in blue-grey. Front surface painted black with gold coloured letters and numbers. Two bolts, washers and nuts for fixing, held in position by central wooden strip pinned on back by four screws.ballarat school of mines and industries, library, e. j. t. tippett

This was an artist (unknown) impression of the proposed ground floor and surrounding area of the QVWC. This did not eventuate due to heritage and funding restrictions. Probably commissioned by QVWC Inc. - created before the act came into effect and the first Trust appointed or meeting occurred. A3 copy of an impression of what the QVWC site was to be.heritage site, architectural plan, women's centre

Phar Lap tobacco tin, produced in Melbourne 1931 - 1932 is an early example of the use of the name and image of any Australian notable, in this case a racehorse, the tobacco referred to in the family as "The sweepings from the stable floor" due to its poor quality.Produced in, Victoria during 1931-1932 Phar Lap tobacco was Phar Lap tobacco tin, It is considered Australia's most desirable tobacco tin due to its rarity. An early example of the use of the name and image of an Australian icon the tobacco was often referred to as "The sweepings from the stable floor" due to its poor quality.Rectangular metal tin with a hinged lid. On the lid is lithographed an image of the horse's head and within a scroll the words PharLap Fine cut tobacco. Significant rusting to tin and wear to lithographic detail tobacco

10-page Ringwood City News volume 1, number 8, 24th August 1984. Weekly circulation of 30,000 when combined with Croydon City News. Ringwood local office: Rossprint, 1st floor, 23 Ringwood St, Ringwood, 870-3666. 1 Devon St, Croydon - phone 725-2555. Free. Publisher Ash Long.

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Black and white photograph of a man dressed in a light jacket and trousers, carrying a brief case. He is standing at the entrance of building with a wide doorway which has an ornate carving over the door frame. A light and dark chequer board tiled floor can be seen inside. Thick vine covers the outer wall above the door. The man is Frank Wright.frank wright, composer, adjudicator, musician

This item was donated as a photograph of Louisa Morrison. Louisa (or Luisa) Rosanna Morrison nee Haag came from an early settler family in the farming community of Wandin. The woman photographed is in her old age. If this is indeed Louisa Morrison, the photograph would date from the early 1940s, since she died in 1946 at the age of 70. However the costume and the style of the photo suggest an earlier date, possibly the early 1900s. This could be Louisa's mother, Emma Martha Haynes, or mother-in-law Margaret (McNeil) Morrison. The woman is shown in a garden, probably because the family were farmers/orchardists. Louisa married Daniel McNeil Morrison, who was nine years her senior , in 1900. They had four children and farmed Morrisons' Orchard in Old Hereford Road, Mt Evelyn. The Morrison home was to become the important community house in Mt Evelyn, Morrison House. Morrison Reserve is part of their land, as was Yarra Hills Secondary College, Mt Evelyn Special Developmental School and the Reserve and Athletics facilities, including a tennis club. In 1981 the land title was changed to the Shire of Lillydale, who purchased the land and established the Morrison House Community House from 1976 (ie before they legally owned the land).This picture is of social significance as it is the only reputed picture of Louisa Morrison nee Haag.Brown round cornered frame with gold colour on inner frame. Painted plaster on frame chipped on top right. Coloured (painted) photograph of seated woman in upholstered chair with large brown cushion behind her. Garden setting. Black floor length dress, high necked, long sleeved. White cap on head. White cloth showing at neck.Bottom right hand corner, signature "F. RAPHAEL". Reverse: four inscriptions, one on each straight side, stamped in ink. Top: "MADE IN / AUSTRALIA". Right side: "THIS MOUNTING IS SPECIALLY DESIGNED AND / SELECTED WORKMANSHIP AND MATERIALS / GUARANTEED". Bottom: Table, 1 row, 2 columns. 1st cell: "STYLE / 1". 2ND CELL: "PRICE / 3 GNS". Left: box with 2 columns, 1 row. Left most column is divided horizontally into two, as is the 2nd column, but at a lower level. This creates four cells. Top left: "STYLE 1". Bottom left "PRICE 2 GNS". Top right: "TO BE SOLD AT PRICE MARKED OPPOSITE ONLY ON CONDITION THAT SAME IS MOUNTED ON ONE OF OUR SAMPLE STUDIES". Bottom left: "EMPIRE ART COMPANY LIMITED".louisa, morrison, haag, morrison house, farming, orchard, mt evelyn, photograph, wandin

Cart was operated by the Briagolong Rabbit Suppression League. It was purchased by the donor at the clearing sale for Jim Kelly in the late 1980s/early 1990s. Jim was the son of the main organiser of the Briagolong Rabbit Suppression League. Copies of the Minutes and accounts have been obtained, and are catalogued separately. Wood on cart was in much degraded condition, whole cart repaired by George Parker of the Stratford and District Historical Society, 2010.Rabbit poison cart by T.H. Hicks of Sydney. Consists of wooden frame and floor 80cm high, wheels with cast iron hubs. Chain-driven from one wheel, operator's seat at rear, with a lever mechanism to control the trench forming attachment. Horse shafts 2.6 metres long. Serial number is cast in one side of the bait bin, and not on the other."Ideal" / T.H. Hicks / Patentee / Nth Botany No 5102 / N.S.W.rabbits, vermin destruction

Dress first worn at wedding of Miss Margery Rudd and then in 1973 for the wedding of Miss Sharlene Barry (now Draeger)1950's claret crushed velvet floor length dress with cream lace around the high square neckline and around cuffs on long sleeves. 25 velvet covered buttons down back. Waist comes to a point at back with inverted pleat falling from point at back waist line. Sash is separated with press stud fastening and a bow effect.costume, female ceremonial

Also known as 'Platform Rocker', 'Spring Rocker', and 'Dexter Rocker'. Unlike traditional rockers it does not tend to creep along the floor when used. Carved wooden rocking chair, originally covered with a red velvet on the back and brown leather criss-crossing on seat. It has now been re-upholstered in Old Gold, cotton damask brocade.furniture, domestic

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Central Hall, Tara Hall, circa 1957. The central hallway and grand staircase of Tara Hall (previously named Byram, Goathland and Lowan). This photograph provides the clearest evidence of the scale and building materials selected by Edward George Kilburn, of Ellerker & Kilburn, for the industrialist George Ramsden in 1888. These include the murals on the second floor, the use of skylights, and the vaulted wooden panelling. byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

Documentary evidence records that in 1888 Henry Eeles, stationer, was the first owner and occupier of this two-storey mansion. At that date the building was given an N.A.V.of £275 and Eeles was recorded as the owner of the house until at least 1910, when the thirteen-roomed mansion attracted an N.A.V. of £190. The house is quite typical of time, and it bears a remarkable resemblance to 3 Molesworth Street, the architect of which has not been established. (Kew Conservation Study, 1988)Colour photographic positive of one of 'La Verna' (formerly 'Heathfield'). The house is two storeyed and clad in render. It is ltaIianate in styling and is dominated by a two storeyed loggia that spans two facades. At ground floor level it has rounded arches supponed on cast iron colonettes, and above, has colonettes that support stilted segmental arches. (Kew Conservation Study, 1988)heathfield -- sackville street --- kew (vic), la verna -- sackville street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Victorian villa of Hawthorn brick. Built in 1890 and with Grade B heritage listing by the City of Boroondara. Rear additions and alterations in 1999. Replacement verandah roof and floor in 2020. Stone fence has been replaced with a palisade fence. The pen and ink architectural drawing on drafting film of 72 Charles Street, Kew was made by Margaret Picken in 1997.72 CHARLES ST., KEW / MARGARET PICKEN ~97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 72 charles street -- kew (vic.)

Drawing - titled - "Carlton - Proposed new control room and remodelling of existing control room", coloured with a water colour brush, showing the proposed extensions to the Carlton control room, drawing Number S842, dated 9-5-1961. Shows the ground and first floors, mess room, offices, stairs and control room layout. Has the external elevations and sections.Has some pencil notations front and back re lights and sketch.trams, tramways, carlton, control centre, power supply, electrical engineering, electrical switching

The photograph shows Tottie Todd with her Tainsh relatives - her cousins Lizzy Tainsh and Jane Hicks, and her uncle (by marriage) Thomas Hicks. Tottie was born Eliza Jane Todd to parents John Todd and Jane Tainsh in 1883.Black and white photograph taken at the wedding of Eliza ("Tottie") Todd and Alex Begg. Photograph shows groom and two other men in formal attire, bride and attendant in long gowns holding flower bouquets, two flower girls in short dresses and large hats, one standing the other seated in front of her on the floor, both holding bouquets."Bride "Tottie" Todd, groom Alex Begg, Bank Manager Kerang. Right hand end: Thomas Francis Hicks. From left to right: Lizzie Tainsh, daughter of William Tainsh and cousin of Tottie Todd; Charlie Bennett of Linton; Tottie (nee Todd) Begg; Alex Begg; Jane Hicks, daughter of Thomas Hicks; Thomas Francis Hicks, uncle of Tottie; front Lily Todd, sister of Tottie." "Mrs Todd made flowers / no wire used".tottie todd, weddings, thomas francis hicks, lizzie tainsh, charlie bennett, alex begg, jane hicks, lily todd

The tape has not been played. It appears to be a tape made to promote Legacy for a Legacy Appeal as it was with other tapes of that type and purpose.A record that Legacy used audio recording for promotion.Cardboard box containing audio film.AH/ Mr. Ivan Layton Legacy House, 3rd Floor, 293 Swanston St, Melbourne. Armstrong audio/video Pty Ltd, Sound Recording Studios, 180 Bank Street, Sth Melbourne, PO Box 296, Victoria 3205 Australia. Telephone (03) 699 1844 Cables 'Studio' Melb Australia.legacy appeal, legacy promotion

Visitors in a Bialik classroom, standing in front of students seated on the floor, c. 1970s. One visitor is holding a copy of the Bialik College Choir record 'Hear Our Voices', produced in 1977. Please contact [email protected] to request access to this record.

Photograph of Bendigo Tram 22 at the depot, side on view and end on showing the destination of "Depot". Shows the straight sill or floor of the tram which made boarding difficult. Former MMTB No. 153. It was not a popular tram due to the high steps and was scrapped in 1956.Yields information about Bendigo tram 22.Photograph, black and white, with notes on rear.In ink "No 22 car Bendigo 1947" and Ken Magor stamp on both.tramways, trams, bendigo, tram 22

Knife used to puncture and retrieve wool samples from within bales. Knife was used by Maurice Dalton, who was foreman of the show floor at Dennys Lascelles (bow truss building) until his retirement after 34 years with the company (1941-1977).Wood handle with metal protruding from both the top and bottom of handle. Bottom of handle may be a 'rooster’s tale' as is common in a Farrier's knife (It is possible this knife was originally a Farrier's knife before being repurposed). Top of the knife is approximately half the size of the handle with a sharped edge which has dulled over time.