Thank you note from Zara Holt to Patricia and Robin Boyd for their message of sympathy on the death of Prime Minister Harold Holt on 17 December 1967 by drowning.Handwritten note

Hardcover w/Dust Jacketink front page 'Patricia Boyd London Dec 50'; newspaper clippings/The Herald 19/12/1950 "Rearming of Germany'/Airletter to Mr & Mrs Robin Boyd c/o Bank of New South Wales London from Mandywalsh st library

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. During this time, the Boyds purchased this set of melamine kitchen canisters. They were used for flour, sugar, rice and biscuits etc. Both Robin and Patricia liked melamine, and also had melamine serving dishes. Seven melamine containers with coloured exteriors (ranging from white through yellowy-green, orange and black) with black interiors and teak lids. Height ranges from 100-200mm, width ranges from 110-170mm, Base measures 100-155mmcookware, walsh st kitchenware, robin boyd

Robin Boyd was the editor and designer of this volume. Lines was an annual journal of the Students Society of the R.V.I.A. This is a very rare copy. Most articles have a byline, but the ones without are perhaps by Robin Boyd. There is such an article 'An Australian Architecture?" (2 pages) which is perhaps by Boyd. The journal also contains an article 'The Democratic City' by architect Dr Ernst Fuchs and an article 'An Australian School of Painting?' by John Reed, Deputy President Contemporary Art Society, founder of Heidi with his wife Sunday Reed.rvia, architecture, ernst fuchs, roy simpson, john reed, walsh st library

Two invoices to Robin Boyd for the windowalls and additional door frames at 290 Walsh Street. The three windowwall items are drawn with specifications. In 1952-53, Robin Boyd designed the Stegbar ‘Windowall’ - a prefabricated, structural framing/glazing system - to create a wall of windows. These ‘Windowalls’ were used extensively in domestic architecture across Australia from the 1950s to the 1970s. Boyd also designed the factory and showrooms for Stegbar Limited. The Walsh Street Archive holds exterior and interior perspectives of the building. Two foolscap pages. stegbar, windowall, ohm2022, ohm2022_35

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The R Haughton James House (former) was built to a design by Robin Boyd in 1956-57. With its unusual plan form, this is one of Robin Boyd’s most important residential commissions of the period. The house was identified in heritage study as being of architectural significance at the state level. Alterations to the house were made in 1967, 1989, and 1999. This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 82 Molesworth Street, Kew by Margaret Picken.MARGARET PICKEN © 2001 / 82 MOLESWORTH ST, KEW ~ HOCKING STUARTartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 82 molesworth street - kew (vic)

This pair of RS161 Grant Featherston Contour Settees (1951) were previously in the Boyd home in Camberwell. Robin Boyd designed the Ivanhoe home and Grant and Mary Featherston (1967).Two two-seater settees, with four timber cigar shaped legs with round flat metal brass feet. Olive green/copper loose weave fabric. Wool/silk blend fabric. Twenty five self-covered buttons. Curvaceous contour shape.walsh st furnishings, settee, featherston, robin boyd

The Wharf Labourers building (1915-16), by architect Robert Joseph Haddon was at 480 Flinders Lane. The copper features on the were given to Robin Boyd when the building was demolished.Black and white photographwharf labourers building, robin boyd

Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 1. Aerial perspective (same as item PL136 but watercolour and pastel)Sketch, Watercolour on dyeline

South Yarra Gallery display of Barry Kay set for film 'Don Quixote' - reports who was at the viewing - Mrs Robin Boyd reported to be there, along with Miss Lillian Wightman.south yarra gallery, patricia boyd, mrs robin boyd, walsh st library

A letter from Hector Crawford, Managing Director of Crawford Productions, asking for Robin Boyd's ideas on the development of a series of programmes titled 'Export Action' to be produced for the Department of Trade.Crawford Productions and Robin Boyd also explored ideas for other television productions, besides the successful 'The Flying Dogtor" series.export action, department of trade, robin boyd, crawford productions

This letter from Betty Parsons, Acting organiser, University of the Air, thanks Robin Boyd for agreeing to undertake a series of University of the Air programmes under the title "Australian Design".

A list of 35 names, including Malcolm Fraser, Kenneth Myer, and George and Raymond Tsindos, who sent telegrams and notes about Robin's Commander of British Empire honour.Original and carbon copy. Envelope with handwritten instructions to Sonia from Robyn Boyd to destroy original congratulatory letter after creating list with names of authors.

These BFK Butterfly chairs were used in the living room in Robin Boyd's first family home in Camberwell. The BKF was originally designed in Argentina, later becoming popular throughout the world.A pair of BKF Butterfly chair. Black iron/steel. They have a canvas sling hung from the frame's highest points, creating a suspended seatwalsh st furnishings, robin boyd

A set of crockery and cutlery was designed for the Australian Pavilion at Expo 1967 in Montreal Canada. Robin Boyd is thought to have designed the crockery. The cutlery design was by Stuart Devlin (item F131).Expo '67 Plateexpo 67, walsh st miscellaneous, robin boyd

A set of crockery and cutlery was designed for the Australian Pavilion at Expo 1967 in Montreal Canada. Robin Boyd is thought to have designed the crockery (item F130). The cutlery design was by Stuart Devlin.A sample set of cutlery in a blue fabric cloth casingexpo 67, walsh st miscellaneous, robin boyd

This is a tribute to Mr Penleigh Boyd, Robin Boyd's father, on his death, written by a fellow artist J. S. Macdonald. Mr Penleigh Boyd died on 27 November 1923.walsh st library, tribute

Announcement that Sir Arthur Stephenson has been elected an honorary Fellow of the American Institute of Architects. He is the second Australian to be so honoured - Robin Boyd being the first in 1960.walsh st library

Photographs relate to Mr C T Robin's property, "Corrong" Hopetoun, 1944, W E Brown & Sons' property "Cambacanya", Hopetoun 1945, during a period of low rainfall.MALLEE PHOTOGRAPHSsheep breeding - history dorset horn sheep sheep stations - history, robins, mr c t - corrong, hopetoun brown, w e - w e brown & son, corrong hopetoun, cambacanya hopetoun, sheep breeding - history, dorset horn sheep, sheep stations - history

The photo is part of a set provided by Robin Harris of his early life (1953-1962) in 'The Shack' at Antonio Park. See ND5241 for his story 'When Antonio Park was home'.)Black & white photograph of the Shack in Antonio Park (1953-1962) showing the eastern side which faced Deep Creek Road. See ND5241 for history.antonio park mitcham, the shack, whitehorse road, mitcham, no.627, harris. robin, bushfire - 1962

The photo is part of a set provided by Robin Harris of his early life (1953-1962) in 'The Shack' at Antonio Park. See ND5241 for his story 'When Antonio Park was home'.)Black & white photograph of Mark Coleclough feeding 'Clumpy Jim'. The horse belonged to a neighbour. The paddock later became part of the Antonio Park Primary School. See ND5241 for history.antonio park mitcham, coleclough. mark, whitehorse road, mitcham, no. 627, bushfire - 1962

This article reports on the opening of Tower Hill new history centre, opened the day before. Robin Boyd was the architect who designed the centre, which was designed to fit in naturally with the surroundings,tower hill, walsh st library

Hal Porter writes a very disparaging review of the republishes "The Australian Ugliness" by Robin Boyd, first published in 1960. He uses a poem by Kenneth Slessor to contrast the views of Boyd.Some handwritten notes indicating displeasure.walsh st library

Letter from Peter Ryan, Director of Melbourne University Press, to Patricia Davies confirms that Penguin will reprint Robin Boyd's 'Australia's Home'. The letter (item D274) was enclosed with letter.Typed on MUP letterhead

This letter writer asks Robin Boyd whether he can make use of his skills and offer employment when he is released from Pentridge Prison in Feb 1996.Handwritten, 2 pages

This letter from Martin Elk, a fourth former at Peninsula Grammar School and questioning why Robin Boyd's design for the Fishbowl shop is not an example of ‘Featurism’ that Boyd objects to so vigorously.Handwritten, photocopy, 1 pagefeaturism, fishbowl