Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing exterior wall including fire escape.villa alba museum, conservation photographs, victorian architecture, cement render, fire escapes

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior walls of Villa Alba with added building, later demolished, at left.villa alba museum, conservation photographs, victorian architecture, cement render

Letter from R. Anderson, 20th January, 1972, to W. Heraud Esq, 12 Church Street, Eaglehawk regarding the verandah on the MUIOOF Hall, Eaglehawk. Mr. Anderson enclosed sheet of suggestions regarding the renovation, prepared by Richard Farrar, architect. manchester united independent order of oddfellows, eaglehawk hall, richard farrar, ray anderson

Boyd discusses the things that influence architects to devise form, particularly the relationship between the engineer and architect. He gives a history of the Opera House and Jørn Utzon's creative process in relation to debates around functionalism and the justification for sculptural forms.Typewritten (c copy), pencil edits. 2nd copy 34 q 4-6 missing, quarto, 34 pages. (Two copies)functionalism, le corbusier, ronchamp chapel, sculpture, guggenheim gallery, jørn utzon, sydney opera house, robin boyd, manuscript

Boyd questions the public's and architect's architectural taste - especially developing a style that would define Australian Architecture. He addresses the lack of commissioning of Modern Architects while Modern Architecture became the main preference in architecture 30 years prior to the written text. Frustrations towards people selecting styles that are 'familiar' rather than trying to be 'avant-garde'. Otherwise, Boyd challenges architects looking towards American Architecture as precedents.This appears to be a unpublished lecture. It is marked up for presentation with slides (indicates LIGHTS) when delivering a speech.Handwritten (pencil), quarto, 15 (page numbers on centre top up to 16, page 10 missing) pagesSpots of coffee stainsaustralian school, architecture, american embassy in new delhi, walter richmond butler, robin boyd, manuscript

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Suburban architecture, possibly Australia or New ZealandMade in Australia / 27 / APR 67M4 / Encircled 16 (Handwritten) / Encircled 1 (Handwritten)slide, robin boyd

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Unknown location, probably New ZealandMade in Australia / 21 / APR 67M7slide, robin boyd

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Hydroelectic power station in New ZealandMade in Australia / 13 / APR 67M7new zealand, slide

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Hydroelectic power station in New ZealandMade in Australia / 14 / APR 67M7new zealand, slide

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Hydroelectic power station in New ZealandMade in Australia / 16 / APR 67M7new zealand, slide

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Hydroelectic power station in New ZealandMade in Australia / 12 / APR 67M7new zealand, slide

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. General views, New ZealandMade in Australia / 17 / APR 67M7new zealand, slide

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. General views, New ZealandMade in Australia / 19 / APR 67M7new zealand, slide

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. General views, New ZealandMade in Australia / 20 / APR 67M7new zealand, slide

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. General views, New ZealandMade in Australia / 24 / APR 67M7new zealand, slide

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. General views, New ZealandMade in Australia / 26 / APR 67M7new zealand, slide

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Freyberg Place and the Pioneer Women’s Memorial Hall (now called Ellen Melville Centre), Auckland, New ZealandMade in Australia / 37 / APR 67M7slide, robin boyd

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Unknown location, probably New Zealand or CanadaMade in Australia / 18 / APR 67M7slide, robin boyd

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Mountains, unknown location, probably New ZealandMade in Australia / 25 / APR 67M7slide, robin boyd

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Hydroelectic power station in New ZealandMade in Australia / 15 / APR 67M7slide, robin boyd

Robin Boyd was an invited speaker at the 1967 New Zealand Institute of Architects Conference held in Queenstown, New Zealand. From New Zealand, he travelled on to Montreal, Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67. Colour slide in a mount. Unknown streetscene, probably New ZealandMade in Australia / 36 / APR 67M7slide, robin boyd

The Gauge Tower was designed by architect Henry Richards CaselliReproduction of an architectural drawing of the Ballarat School of Mines Gauge Tower as reproduced in a Ballarat School of Mines Annual report.henry caselli, henry richards caselli, ballarat school of mines, gauge tower

The architect of the Ballarat Woollen Mill was Henry Richards Caselli.Colour photograph of a red brick woollen mill at Ballarat, known as the Sunnyside Woollen Mill, or the Ballarat Woollen Mill. ballarat woollen mill, sunnyside woollen mill, mount pleasant, chimney, henry richards caselli

Church designed by Harry French, notable Bairnsdale architect.Colour photograph of St Columbs Anglican Church, Princes Highway. Timber Church with gable roof, gable roof on porch and chancel. Windows of porch and chancel differ in shape of top from windows of nave. All have coloured glass. Swan Reach Victoriareligion, buildings

Three photographs and one photocopied photograph of St. Mary’s Anglican Church Caulfield. All are undated and photographers are unknown. The first has paddocks in the foreground with the church in the distance. Also included are three lithographs of an architectural sketch of the proposed church from Illustrated Australian News 1870-1874, page 148.st. mary’s church, caulfield, reed and barnes, architects, caulfield, illustrated australian news

Hardcover with Dust Jacketarchitects, american architects, biography, architectural history, 20th century, walsh st library

Bendigo Advertiser "The way we were" from 1999. Hope park: built in 1867 by architect David Weir, he literally tried to make his home his castle and had two acres of vines and by 1872 he was calling himself a vigneron.newspaper, bendigo advertiser, the way we were