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PDF of the first copy
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Please acknowledge the item’s source, creator and title (where known)
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Have a question? Contact Robin Boyd Foundation
Cover page of the second copy
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This media item is licensed under Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). You may share (i.e. copy, distribute, transmit) this item provided that you attribute the content source and copyright holder; do not use the content for commercial purposes; and do not rework (i.e. alter, transform, build upon) the material.
Please acknowledge the item’s source, creator and title (where known)
© Copyright of Estate of Robin Boyd, courtesy of the Robin Boyd Foundation.
Image created by the Robin Boyd Foundation
Have a question? Contact Robin Boyd Foundation
PDF of the second copy
Can you reuse this media without permission? Yes
Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
This media item is licensed under Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0). You may share (i.e. copy, distribute, transmit) this item provided that you attribute the content source and copyright holder; do not use the content for commercial purposes; and do not rework (i.e. alter, transform, build upon) the material.
Please acknowledge the item’s source, creator and title (where known)
© Copyright of Estate of Robin Boyd, courtesy of the Robin Boyd Foundation.
Image created by the Robin Boyd Foundation
Have a question? Contact Robin Boyd Foundation
Boyd discusses the things that influence architects to devise form, particularly the relationship between the engineer and architect. He gives a history of the Opera House and Jørn Utzon's creative process in relation to debates around functionalism and the justification for sculptural forms.
Typewritten (c copy), pencil edits. 2nd copy 34 q 4-6 missing, quarto, 34 pages. (Two copies)
