One of a collection of thirty-six photographs selected for inclusion in the National Photographic Index of Australian BirdsColour Photograph - Kookaburra held in hand. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, kookaburra

One of a collection of thirty-six photographs selected for inclusion in the National Photographic Index of Australian BirdsColour Photograph - newly hatched Eastern Rosellas in nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, eastern rosellas

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Black Swan's nest and eggs. Rhyll Swamp. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, black swan's nest, birds eggs, rhyll swamp, phillip island

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Yellow Robin sitting on nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, yellow robin, birds nests

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Yellow Robin perched on edge of nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, yellow robin, birds nests

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - nest and eggs of the Yellow Robin. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, yellow robin, birds nests

One of a collection of thirty-six photographs selected for representation in the National Photographic Index of Australian BirdsColour Photograph - Yellow Robin perched above nest. Bryant West Albumlocal history, photographs, national history, birds, coloured photograph, yellow robin, birds nests

Children from Banyule contributed their writing and artwork to a book called "Of bugs and birds and magical things".News clipping, black text, colour image.winston hills pre-school, yarra plenty regional library, banyule city council

items in collection relating to the Jackson Family..1) Badge pressed metal silver and yellow colours, shows a bird with scroll underneath, has single clip on the rear. .2) Badge pressed metal silver colour, curved shape centre shows depiction of a person holding a large "X", around that is an inscription..1) "Waterloo - Royal Scots Greys" .2) "The Highlanders", "Black Watch"badges, british, waterloo, black watch

Framed embroidered banner – a souvenir of World War Two. A multi-coloured map of Australia, a bird carrying a letter, an Australian military badge, camels and a mosque are depicted on a dark blue background. At the bottom there is a photo, a 1939 associate badge, a dog tag and a brass plaque. 'In Honour of Corp Benjamin Ackroyd VX 5001. Souvenir of Palestine, The Mosque of Omar 1941.'world war two, embroidery, 1941, souvenir, palestine, mosque, omar

Camisole. Sleeveless. 5cm wide embroidered lace edges the neckline and arm holes. A 7cm wide peplum, with a spoke stitched hem. Three lace loops are sewn into the back of garment, two of which enclose the blue bird, and pink flower embroidery. Machine stitched.costume, female, underwear

black and white image ( copy ) image shows Sandhurst horse and cattle market, (Jones, Bird & Co.,) T. Baldwin's hair cutting and shaving saloon, Argus office. Market Square, Bendigo. People outside on footpath, and standing in driveway of horse and cattle market.place, bendigo, market square, bendigo, gold mining, horse and cattle market, jones, bird & co., t. baldwins, argus

black and white copy: elevated view of Bendigo from Lower Pall Mall. Titled 'Birds eye view of Bendigo' on image. Treed area in foreground, townscape behind, ranges on skyline. In grey lead on back: view of Bendigo from Lower Pall Mallunknownplace, land, bendigo

Typed notes on the Bendigo Whipstick. Notes include soiltyes and origin, the origin of the word mallee, suggestions of the origin of the name Whipstick, the mallee eucalypts found there, eucalyptus production, the wattles , wildflowers and their flowering times and the Mallee Fowl. A brief description of the bird's nesting is also included.document, the bendigo whipstick, mallee eucalypts, hakea wattle, 'golden arrow' tour, orchids, birds, mallee fowl

White cotton pillowcase with embroidered and applique design. In the right hand corner a design in blue and green of birds over scenery and water. In left hand side an appliqued duck in lemon with blue edging and a small design of flowers - blue, pink and yellow and green grass.toys, dolls' accessories

Paraffin lamp with clear glass oil reservoir and stand. Oil reservoir is spherical in shape and has a bird pattern embossed while stand has a fluted base with decorative rivets and turns. On top of oil reservoir is a brass wick holder. It seems to be missing the chimney."An Qing China" is imprinted on interior of base along with an "A" in a circle. Chinese characters/letters are also imprinted on base interior and can be translated to the same as the English.lighting, kerosene & oil, light, lamp, paraffin, oil, birds, glass.

Earl INGELBY (1939- ) After training at RMIT in 1960s, Earl Ingleby worked and undertook further training in Europe before returning to Australia in late 1969. He currently lives and works in Creswick, Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Three framed lithographs featuring birds by Earl Inglby. The works are printedby J.A. Hoskin and Son. .1) Kingfisher .2) Kite .3) of a group of 3 framed lithographs. This work depicts a Kite. Gift in memory of Dr Janis Fraillon, Creswick 1990-2002Lower edge "5/50 Kite Litho E. Ingleby"art, artwork, earl ingleby, kite, bird, available, fauna

The photograph was taken when the students from Bulla and Mickleham Primary Schools combined to attend a camp at Beechworth in 1988. During that time the children were engaged in a number of different outdoor activities as a component of their outdoor education. Recognising some of the native birds of the area was one of their activities where the children experiences the birds actually landing on them.The varied activities that the children engaged in at the school camp helped to give them a better appreciation and understanding of the natural environment. A non-digital coloured photograph of a group of children with some adults in a bushland area, trying to encourage a flock of crimson rosellas to come closer by feeding them.school camps, beechworth, native birds, crimson rosellas

The album is a collection of items of interest, mainly newspaper cuttings, from 1982, 1983 and 1984. The folder contains information and records relating to the Warrnambool Bird Observers' Group and includes records relating to Lake Pertobe, Tower Hill, The Maam, Kelly's Swamp, Nirranda, Allansford, Timboon, and Port Fairy. They were collected by Jill Heathcote (1927-2011), a Dennington resident who was for many years a member of the Warrnambool and District Historical Society, the Warrnambool Bird Observers' Group and the Warrnambool Field Naturalists Group. The cuttings and bird records reflect her interest in both local history and natural history. These two items are of considerable interest, particularly to those interested in local natural history. The scanning of the items has been completed.1. One brown plastic folder sold commercially for the storage of photographs and documents. The cover has an ornamental gilt border. The folder contains 24 cardboard pages and plastic sheets. The pages are bound with two metal screws. There are 77 items stored in this folder, most of them being newspaper cuttings dealing with natural history from 1982-3-4. The collector of the items in the folders was Jill Heathcote. 2. Black folder containing handwritten notes, articles, charts and typed listsjill heathcote, natural history, warrnambool

Souveniered by Billy Bird, No VX113169, 2/14 Batt AIF. Refer Cat No 1601 for service details.Coin, Japanese, possibly aluminium. The sides have grooves in the diameter.Japanese writing on both sides.souveniers, coins,, japanese

This White Goshawk is the white colour morph of the Grey Goshawk. Is a moderate-sized hawk that measures 38 - 55 cm in length, and has a wingspan of 70 - 110 cm. It is native to Australia, and found in rainforest, forests, open forest and thickly-wooded watercourses. It mostly occurs in southeastern and northwestern Australia, and in Tasmania, all Grey Goshawks are white-phase. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This White Goshawk is white all over, with hints of beige around its eyes. The bird's legs are a yellow-beige colour, and its beak grey and white. This specimen stands on a perch, mounted upon a wooden platform, and has an identification tag tied around its leg.Swing tag: 5. / White Goshawk / See Catalogue, page 2 / Mount: 5 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, hawk, white goshawk, accipitridae

This magazine promotes the protection of wildlife and the need for proper management of national parks. Its editor Crosbie Morrison lobbied for a National Parks Authority which was finally set up under Morrison's directorship in 1957. During the 1940's and 1950's Crosbie Morrison (1900 - 1958) became Australia's best known naturalist. As a journalist with commercial radio and the Australian Broadcasting Commission, he made regular national nature study broadcasts to schools and other radio listeners for 20 years. He was the editor of Wild Life, a magazine which fostered interest in Australia's natural history and conservation, from 1938-54. (ref. CHAH web-site) This magazine reflects the work and legacy of Crosbie Morrison who campaigned for Victoria's national park system.A 398 pp soft covered magazine with green covers. The title "WILD LIFE and OUTDOORS" is in black print.Below this is a coloured drawing of two women camping on the edge of a cliff. One is hanging on to the edge looking at a bird's nest. The magazine contains articles and photographs in black / white print.on front cover - "M. Gilbert' in red penmagazine-wild-life morrison-crosbie natural-history natural-science

Handkerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five handkerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother.This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as handkerchiefs to their loved ones at home.White linen painted with an image of a lady in red crinoline dress with black lined pattern around bottom of dress. Three blue birds on the left side.and surrounded by semicircles of flowers around bottom half of hankerchief. Bordered with pink printed line and hemmed in green stitching.warrnambool,, world war 1 hankerchief, printed silk hankerchief, redman hankerchief, crinoline lady hankerchief

Item relates to S W Ross VX78589, refer 3147 for his service details..1) War Medal 1939 - 1945. One side has head of George VI, the reverse shows a triumphant lion holding a bird headed monster to the ground. .2) Plain cardboard box to suit. .3) Sheet of paper summarising conditions of award & guidance for wearing..1) Inscription on Medal: VX78589 S W ROSS. .2) Written in blue ink on box: Medals. .3) Handwritten in ink on sheet of paper: Returned from Active Service badge. Total Awards = One VX78589 S W ROSS. Note: 2 numbers shown. Original 12277, then later with a different pen 12274. 12274 is the correct No on the RAS badge.medals, military, containers

Portland Town CouncilHand-coloured photograph on glass of an elderly man with white hair parted on the left and a full white beard. He is wearing a dark suit, white shirt and blue cravat. Mounted in brown matt, under glass in wooden (birds-eye?) frame with inner gold frame.Front: Thomas Must, Esq./1864-6- (black text on brass plaque).opalotype, photography, hand coloured, tint, portrait photography

Historically this item could be a valuable antique worn originally by a wealthy upper class woman. The fine hand painted pictures with gold boarders and porcelain body suggests the item was bought either in Europe or Britain and brought into Australia in the late 19 th to early 20 th century by a wealthy landed gentryThis item is a reflection of both the fashion mode of the 1800s to mid 1900s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHead of pin is six sided, domed top made of porcelain. Two sides have hand painted pictures of grapes, two sides with flower arrangement , two sides detailing cypress tree tips of branch, top has flowers and leaves with hidden small birdshat pin, porcelain hat accessory, millinery clothing