Booklet titled "PTC Enterprise agreement" dated 1992, to remain in force until 1/1/1993. Lists all the unions involved (17 + Victorian Trades Hall), consultative mechanisms, objective, implementation strategy, bargaining, productivity, wage increases and national standards. Has an Appendix regarding peripheral and incidental duties, a summary of 20 key issues.Demonstrates a PTC document with regard to a industrial relations agreement of 1992.Booklet - 12 A4 pages centre stapled.ptc, tramways, railways, unions, union agreements, wages, agreements

Invitation card to the opening of the Vision Resource Centre at Kooyong in 1989.1 invitation card, white with blue writing and AFB logo, and 1 envelope addressed to Mr and Mrs Neil Maxwellnon-fictionThe President, Mrs Diana J. Jones and Members of the Committee of the Association for the Blind have pleasure in inviting Mr & Mrs N Maxwell to be present at the Official Opening of the Vision Resource Centre 454 Glenferrie Road, Kooyong by His Excellency, Dr Davis McCaughey, A.C. Governor of Victoria, on Wednesday 3rd May 1989, at 2.30pm Refreshments will be served after the ceremony AFB logoassociation for the blind, elizabeth maxwell, neil maxwell

Found in bible (3803.1) when catalogued (9 November 2006).Dried flowers afixed to card.Front: [Arabic words] (upper centre). F.K. King/-ican (ink, lower right). Flowers from Gethsemane (print, lower centre).

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

Changes over earlier FE model were minimal and primarily cosmeticAs manufactured by GMH4 door sedan, blue in colour chrome features including side strips, grille and bumpers and headlight surrounds.Holden emblem boot centre chrome lettering on bonnet, holden emblem grille centre special with Holden emblem on rear quarter panelsvehicle, fc, sedan, holden

Owned by Elf Dusting, daughter of George Dusting. Dusting family early residents of Portland.Framed colour lithograph behind glass, depicting stores and locations in Portland and Heywood. Title in decorative letters in centre of page and name of printer at bottom centre.Front: (no inscriptions) Back: (no inscriptions)dustings family

Maggie's Peak where the Chautauqua concerts were overlooked.The photo shows a rock ridge with a small peak at it's centre. There is a tiny patch of blue showing through the cloudy sky on the top, just right of centre.scenery, grampians ranges

Two colour photographs: 1. Eltham Community Centre, Pitt Street, looking north 2. Eltham Community Centre, Pitt Street, looking northeltham, eltham community centre, buildings, construction

Two colour photographs: 1. Eltham Community Centre, Pitt Street, looking north 2. Eltham Community Centre, Pitt Street, looking northeltham, eltham community centre, buildings, construction

The Centre of a Community, a brief history of the Eaglehawk and Long gully Community Health Centre. 68 pages. B&W photos and illustrations Ray Wallace EditorRay Wallace ( editor )eaglehawk, health, community health centre, eaglehawk, long gully, health, community health centre.

Bendigo Archive & Heritage Centre Part 1: Situation Analysis. Issue: June 2005. 43 pages. Colour photographs & map. Archive & Heritage Centre.SED Consultingbendigo, hospital, archive and heritage centre, archive & heritage centre

New panel hearing for Blackburn Shopping Centre beginning July 9th at Nunawading Arts Centre. Appeal for support of residents. Newsletter 10 June 1990.resident action, blackburn village residents group, city of nunawading

Large round piece of abrasive stone with holer in centre in which is inserted a metal shaft and handle. This is mounted into the centre of a wooden bench with four legs and bracing.trades, blacksmithing, carpentry

Black and white photograph of the exterior of the Waste Transfer and Recycling Centre, Burwood Highway, Vermont South. White flowers front right. Name on side of centre.waste transfer and recycling centre vermont south

Metal RAR badge in the centre of the Wood plaque. The yellow and red cloth is behind the metal badge, the 5th/7th Battalion is in the bottom centre part of the plaque

Black and white photograph of Ron Coster, Drug Recovery Centre Manager, at Eastlakes Drug Recovery Centre Golf Links Road Lakes Entrance Victoriabusinesses

The unit symbol of 1st Battalion of the Royal Regiment of Fusiliers is fixed to the wood in the centre of the plaque. The metal plate is in the top centre of the plaque with the writing of "Presented to 5/6th Battalion the Royal Victoria Regiment from 1 RRF Nov 1992" in the bottom centre of the plaque.

Christine Eaton and Deborah Hall are in the photographs. The photographs are connected to Adult Learning TAFE and CEP. The Orbost Education Centre is a community based not-for-profit local organisation. It has been in operation since 1976. The programs respond to the needs of the community and short courses are delivered throughout the year for people of all ages and backgrounds. The basis is promoting learning, connectedness and belonging. It is supported by funding from the community, state government and non-government organisations.These photographs are associated with the history of adult education in Orbost. The organisation still exists in Orbost.Three black / white photographs related to Adult Education. 3098.12 shows three people with a large sign, " ORBOST NEIGHBOURHOOD RESOURCE CENTRE". 3098.13 is of three people in an office with a desk and computer. 3098.14 is a classroom with adult students each with a computer. education-adult-orbost computers-education education-technology

History of the War Memorial Following the end of the First World War, communities across Victoria and Australia typically erected memorials which were predominantly statues, cenotaphs, avenues of honour and plaques. The Shire of Eltham established the Avenue of Honour at the gateway to the shire as well as an obelisk at the corner of Main Road and Bridge street and the Shire of Eltham War Memorial Tower at Kangaroo Ground. After the Second World War communities once again desired to preserve the memories of those who served and paid the ultimate sacrifice. Resources were scarce so there was a transition away from the traditional style memorials that sprang up post 1918 to one of building facilities that would provide ongoing benefit to the community. Even before the end of the Second World War, the citizens of Eltham began to consider an appropriate form of memorial for those from the area who fought and died in the First and Second World Wars. In 1943 the Eltham Women’s Auxiliary raised funds for the construction of buildings to be established on land to be purchased for the proposed War Memorial. On March 27th, 1945, the Eltham District Progress Association called a meeting of local people who in turn set up and registered the Eltham War Memorial Trust Inc. As a focus for the purpose of the memorial, the newspaper notice read:- ‘Those who have had a member of their family in the fighting services will want to see that the form of a memorial we are concerned with is the one which will be a constant reminder to us of those who fought for us and the little ones for whom they fought and died.’ At that meeting it was decided the Memorial should take the form of a baby health centre along with a creche and children’s library. In late 1945, the newly formed Eltham War Memorial Trust purchased the land at 903-907 Main Road Eltham from Miss Shillinglaw, which once formed part of the Shillinglaw farm on Lot 90 of Holloway’s 1851 “Little Eltham” subdivision. The Governor of Victoria, General Sir Dallas Brooks, laid the foundation stone on November 24th, 1950, in memory of those who fell in the Second World War. The Eltham Infant Welfare Centre was opened November 15th, 1952, the Pre-school on December 1st, 1956, and the Children’s Library in 1961. In late 1966 the children’s library service was integrated into the Heideberg Regional Library Service and the building was officially renamed the Eltham War Memorial Hall. Following the opening of the Eltham Infant Welfare Centre, work began in 1953 planning for the entrance to the grounds, which is signaled by a wrought iron arch entitled “Eltham War Memorial” . In 1954 the Eltham War Memorial Trust decided that a legacy provided by the late Councillor Ernest James Andrew (d. 29 March 1950) in memory of his wife, Mrs. Ellen Andrew (d. 13 July 1946) and who are both buried at Eltham Cemetery, should be used to fund the construction of the entrance. A metal plate inscribed to this effect was attached to the gates. Work on the Memorial Gardens was undertaken throughout the following decade, with a Memorial Forecourt included in the final 1956 plans for the Pre-School Centre. A quote was accepted by the Trust in 1963 for the implementation of a memorial garden, which included grading of a sixty-five foot strip at the rear of the Trust buildings and construction of concrete paths. The stone retaining walls at the front of the site were installed in 1968 when Main Road was widened and it is believed that the Memorial Gates were relocated at that time also. Eltham Senior Citizens Centre In 1964, Eltham Shire Council purchased a section of land from the Trust at the northern end of the site, as a provision for Country Fire Authority buildings. At the same time the Elderly Citizens Club proposed a Senior Citizens Centre on the south western section of the Trust’s property. This was approved by the Trust with the provision that the building was constructed in ‘accord’ with those already existing. In 1965 Council took on board the plans for the Senior Citizens Centre and applied for a government grant. These could only be awarded if Council owned the site. In 1962 the Trust had resolved to hand over the assets to Council once the Memorial Gardens were completed. This was in line with Health Department requirements that grants for the ongoing operation and maintenance of the three facilities would only be made once the the facilities were completed and handed over to Council. In 1965 the Department of Health further demanded substantial alterations to the Pre-School playground as a result of the pending impact of the planned Senior Citizens Centre and Main Road duplication. As a consequence, handover of the Trust’s assets to Council was initiated with a formal ceremony held in the Children’s Library on August 28th, 1965. The Trust continued on as a committee of management for another twelve months. Plans and specifications for the Senior Citizens Centre were prepared by March 1966. Council obtained a grant from the Government which covered one third of the cost and the building was completed by April 1967. Whilst the Senior Citizens Centre is contained within the original Eltham War Memorial building precinct, it was not part of the original Memorial and was not funded by the Eltham War Memorial Trust.At centre of book are the minutes of the 6th, 7th, 8th and 9th Annual Meetings (1952-1955) 32.5 x 20.5 x 1 cm; burgundy hard endcovers with burgundy cloth spine binding; contents almost separated from spine and cover plates; 94 pageseltham children's library, eltham infant welfare centre, eltham pre-school, eltham war memorial hall, eltham war memorial trust, meeting minutes, minute book, women's auxiliary

Port of Portland Authority archivesFront: (no inscriptions) Back: 4 -3/8 (centre left, red pen) P (centre, blue pen) 6½ (lower centre, red pen) 12.12¾ (upper right, pencil) 8036 (upper right, blue pen)port of portland archives