Black and white photograph of Lesley Hills and Lorraine Poulter with milk billies and Mountford's house in background c1942Digital copy of black and white photograph.lesley hills, lorraine poulter

Black and white photograph of Margie Hope, Lesley Hills, Lorraine Poulter and Elinor Partington.Digital copy of black and white photograph.

Black and white photograph of William Roy and City Girl c1940Digital copy of black and white photograph.william roy

Eric Barclay age 3 (approximately) in 1941, standing with my scooter in Henry Street Grace Park. Outside Mrs Bowles' house which later became the home of Mr and Mrs Dunstone; parents of Maurice (deceased) and Les who lives in Greensborough.Mid 20th century photo of child.Black and white photograph of child with scooter. Digital copy. Includes caption.Handwritten caption.barclay family, eric barclay

The marriage of Elinor Partington to Kevin Rowe at the Greensborough Methodist Church, Main Street, May 1960. Left to right: Alan Partington, Wyn Partington, Elinor Partington, Kevin Rowe, Hilda Rowe.One of a series of Partington wedding photographs taken at the old Methodist Church.Digital copy of black and white photographelinor partington, kevin rowe

The marriage of Gary Partington to Beverley Peet at the Greensborough Methodist Church, Main Street, 1964. Bev with grandmothers: Left to right: Annie May Partington (nee Medhurst), Beverley Peet and Beverley's grandmother.One of a series of Partington wedding photographs taken at the old Methodist Church.Digital copy of black and white photographannie may partington, beverley peet

The marriage of Elinor Partington to Kevin Rowe at the Greensborough Methodist Church, Main Street, May 1960. Left to right: Elinor Partington, Kevin Rowe.One of a series of Partington wedding photographs taken at the old Methodist Church.Digital copy of black and white photographelinor partington, kevin rowe

The marriage of Elinor Partington to Kevin Rowe at the Greensborough Methodist Church, Main Street, May 1960. Left to right: Jennifer Butterworth, Trevor Partington, Elinor Partington, Kevin Rowe, [child] Kerry Mellor.One of a series of Partington wedding photographs taken at the old Methodist Church.Digital copy of black and white photographelinor partington, kevin rowe

The marriage of Gary Partington to Beverley Peet at the Greensborough Methodist Church, Main Street, 1964. Left to right: Lyn Lobb, [child] Melinda Fort, Gary Partington, Bev Peet, [unnamed best man and bridesmaid]One of a series of Partington wedding photographs taken at the old Methodist Church.Digital copy of black and white photographbeverley peet, gary partington, partington family

The marriage of Faye Partington to Eric Fort at the Greensborough Methodist Church, Main Street, 1957. Left to right: Karin Anderson [child], Faye Partington.One of a series of Partington wedding photographs taken at the old Methodist Church.Digital copy of black and white photographpartington family, faye fort (nee partington)

The marriage of Faye Partington to Eric Fort at the Greensborough Methodist Church, Main Street, 1957. Faye Partington.One of a series of Partington wedding photographs taken at the old Methodist Church.Digital copy of black and white photographpartington family, faye fort (nee partington)

The marriage of Faye Partington to Eric Fort at the Greensborough Methodist Church; Main Street; 1957. Faye and Eric Fort leave the Church with flower girl Karin Anderson.One of a series of Partington wedding photographs taken at the old Methodist Church.Digital copy of black and white photographpartington family, faye fort (nee partington), eric fort

The marriage of Faye Partington to Eric Fort at the Greensborough Methodist Church, Main Street, 1957. Faye and Eric Fort sign the register with Reverend Watson.One of a series of Partington wedding photographs taken at the old Methodist Church.Digital copy of black and white photographpartington family, faye fort (nee partington), eric fort

This copy of an original photograph created in the early 1900s details the "horse and cart" era when the normal transportation of the day was, in this rural setting, exclusively by horse and cart. The importance of this particular photograph to the subjects can be seen by the formal suits worn by both subjects.The natural bush and grassed backdrop have not been "touched up". The dray behind the horses is barely visible (fog like aperture). The lad , John Cooper was 14 years old when this photograph was taken. Both were in the process of harnessing four horses to "hook up" on the dray behind them. From their attire it looks like a trip to town or "the church".This photograph of life on a rural property in the early 1900 shows the rough and hard (physically) life in rural areas before great mechanical revolution/evolution post World War II. This was a time in the Kiewa Valley when most transportation was by horse drawn carriages and transportation routes where dirt roads with potholes. The significance of a local pioneer "family" encapsulated by this photograph cannot be reproduced as effectively in any other form. This digitised scanned copy of an original photograph of four work horses is on 200gms Fujicolor (Fujifilm) Crystal Archive paper has a silver side on which the image has been printed and a matt reverse side.The darker slightly "blurred" image has had a white frame placed over it at the time of encapsulation to provide the finished photo with a frame. This method highlights and focuses the view into the photograph. It is a clever way to permit the eyes to focus into the image to give it a greater third dimensional aspect. on the reverse side hand written(in pencil) "John Cooper & Paddy Cullen (itinerant worker) on grandfathers place (opposite Nesta Drews place) (orange Grove). "Grandfather emigrated from England with Ryders""orange grove " property, early tawonga life style, john cooper, paddy cullen, harnessing working horses

This ledger was kept by the management of a rural property in Marlo, East Gippsland. Entries were made by Hugh Cameron and Alaster Cameron. Their property was reputed to be the largest private dairy producer in Australia at one stage. (ref. Mary Gilbert) Some station owners or managers kept records like diaries, wage and ration books, and registers of births, deaths and marriages. This one records federal transactions, costs of produce and payments for share farming at Brodribb and Marl, as well as a list of donations made. Hugh Cameron (1850-1921) was on the Orbost Shire council from 1892-1915. His son Alaster was also an Orbost Shire councillor representing the East riding from 1932 to 1954. Hugh died at Orbost on 3rd May 1921, aged 71, and was buried on 5th May at the Orbost cemetery. (more info. in O.D.H.S. newsletter -Tambo Shire)This is an example of record keeping on rural properties in the first half 20th century. It is associated with the Cameron family who were early settlers in the Orbost district.A large leather bound ledger with a dark blue patterned cover and suede leatherette binding and corners. There are pages with alphabetical indexing. Some pages are ruled for accounts. All entries are hand-written in blue or black ink.There is blotting paper inside.on spine on red leatherette in gold print - " "STATION LEDGER" and on black in gold print - "CLOVERDALE"cameron-marlo dairy-farm-cameron agriculture-records station-ledger-cameron

After surviving the Depression Years many market gardeners changed to poultry farming and egg supply to build a multi million dollar industry . Women were able to follow the fashion trends even if they still made the clothes themselves. The City of Moorabbin was declared in 1934. A lady's beige silk nightgown with a lace bodice and long waist ties c1930. Bias cutsilk, machine lace, lingerie, clothing, moorabbin, cheltenham, bentleigh, early settlers, market gardeners, blackburn nance, city of moorabbin, poultry farmers, dairy farmers,

Early settlers were self reliant and made their own clothes. This nightgown is a good example of the dressmaking and craftwork skills of the women A lady's white cotton full length nightgown with handmade lacework on yoke and sleeve cuffsclothing, dressmaking, craftwork, lacework, early settlers, pioneers, moorabbin, bentleigh, cheltenham, cotton, lace

This white, cotton, short-sleeved blouse with eyelet work for a young woman is an example of the dressmaking skills of the women pioneer settlers and market gardeners of the Moorabbin Shire c 1900.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. A white, cotton, short-sleeved blouse, with eyelet work for a young woman .brighton, moorabbin, pioneers, dendy henry, market gardeners, dressmakers, craft work, maggs geoff

Gertrude Augusta "Gussy" Moran was an American tennis player who was active in the late 1940s and 1950s. Dress designer Ted Tinling created a daring ensemble for the lanky American tennis player. The white dress offered a sculpted bodice, a tight waist and an unusually short skirt. Moran asked him what would happen if the breeze blew her skirt around Tinling then gave her a pair of silk lace underwear. Women around the world were very impressed and made copies of these bloomers commonly known as 'Gorgeous Gussys'A good example of the fashion c1950 when fancy underwear became popular after tennis player Gertrude Moran wore frilly pants under her tennis skirt.A lady's beige satin bloomers with lace and elastic . Known as 'Gorgeous Gussys' clothing ,underwear, dressmaking, early settlers, market gardeners, post world war 2 estates, moorabbin, bentleigh , ormond, moran gertrude, gorgweous gussy, tinling teddy, tennis, reed gladys,

This type of a lady's mop cap in white cotton with lace edging was commonly worn by women in the early settler households of Moorabbin Shire c1910 This Lady's mop cap in white cotton, with lace edging is typical of the head and hair protection worn by women in Moorabbin Shire c1910 A Lady's mop cap in white cotton with lace edging. clothing, hats, hair covers, housewear, housework, dressmaking, knitting, craftwork, wool, early settlers, market gardeners, moorabbin shire, city of moorabbin, cheltenham, bentleigh, ormond, moorabbin, hunt ailsa,

This pair of hand crocheted white cotton gloves is an example of the style worn by women in the Shire of Moorabbin c1930 Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and these fine lace gloves were hand knitted and used by her family. 1 pair of lady's white cotton hand crafted fine lace gloves .

A typical long black crepe skirt worn by women in Moorabbin Shire c1910 whilst doing housework during spring and summerTypical day wear skirt worn by women in the early settler families of Moorabbin Shire c1910 The family of Nance Blackburn were early settlersA woman's full length black crepe skirt with side fasteners, pleats and side inserted pockets blackburn nance, early settlers, moorabbin, cheltenham, bentleigh clothing, dressmaking, moorabbin shire

Unopened brown jug depicting Roll of Honour of 7 RAR from 1965 - 1990No 170 List of names of Honour Rollcommemorative jug, 7 rar

36 pages : illustrations ; 30 cm.non-fictionCemetery tour focusing on early history of Lang Lang Cemetery and 18 burials.lang lang (vic.), lang lang cemetery, clara and john wuchatsch, henry and christina cozens, william and elizabeth alloway, william and ellen garnham, mary flintoft, henry hughes, john and rachel bartlett, jane and louisa pickersgill, robert and catherine henderson, fanny stephens, george and silas baker, james and dorcas baker, james and agnes nelson, walter frank mackie, susannah norquay, rev. daniel and sarah gunson, william and sarah priestly, john and elizabeth albon