21 page spiral bound booklet 'Thematic Environmental History - Aboriginal History' Final report prepared for City of Greater Bendigo, June 2013. Adopted by Council 31 July 2013. Illustrated with colour photos. Outlines Aboriginal life on the plains and forests. Prepared by Lovell Chen, architects and heritage consultantsLovell Chen

A ballad of the border raiders. Poetry.Cloth-bound hardcover book. Stains to front cover and damage to cloth in bottom right corner.Heavy quality paper with uneven edges/ragged appearance. Front flyleaf missing, evidence of previous hinge repair. Staining to front page pages. 118 pp. Fair condition.Nil.scottish poetry, whitburgh cottage collection

The first weekly number of The Girl's Own Paper appeared on 3 January 1880. As with its male counterpart The Boy's Own Paper, the magazine was published by the Religious Tract Society (which subsequently became Lutterworth Press). In October 1929, the title became The Girl's Own Paper and Woman's Magazine but in 1930 the Woman's Magazine became a separate publication. In December 1947 the name was changed to The Girl's Own Paper and Heiress. By 1951 it was called Heiress incorporating the Girl's Own Paper. In 1956 Heiress closed down, and the name "Girl's Own Paper" ceased to exist. J. Hossack was probably James Hossack. The Hossacks were staunch Presbyterians.The Girl's Own Paper was an important and positive influence on generations of girls and women, and a vital outlet for women's writing and ideas, for more than three-quarters of a century.A black/white magazine with a masthead at the top of the front cover. The masthead is based on the sculpture The Spirit of Love and Truth by Joseph Edwards. There are black / white illustrations of young ladies and dogs on the cover. It contains, stories, educational articles, poetry, music and a serial.on front - "J. Hossack, Orbost"magazine literature-children's girl's-own-paper

Book. ALEC H CHISHOLM COLLECTION. A 91 page soft cover book of poems (Australian poetry) by Norma L. Davis. Published in 1943 by Angus & Robertson and printed by Halstead Press, Sydney. Catalogue sticker '2039 DAV' on spine.Norma L Davisbooks, collections, poetry, alec h chisholm collection, poetry, norma l. davis

Nulla Nulla - Aboriginal Hunting Stick This is a piece of very heavy timber that appears to be an aboriginal artifact. It is a carved rod approximately 700mm long with a diameter of 27mm. And natural longitudinal ruts. The ends of the rod are smoothly shaped but one end is slightly pointed. The handle end has a carved inscription with the letters 'M G'M C

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph taken at Cat Bay by H. R. Balfour showing shells left from innumerable Aboriginal feasts c. 1800local history, photography, aboriginal feast site, black & white photograph, aborigines, shell fish feasts, cat bay, john jenner, bryant west, h r balfour

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph taken at Cat Bay by H. R. Balfour showing shells left from innumerable Aboriginal feasts. c.1800local history, photography, aboriginal feast site, black & white photograph, aborigines, shell fish feasts, cat bay, h r balfour, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph taken at Cat Bay by H. R. Balfour showing shells left from innumerable Aboriginal feasts. c. 1800local history, photography, aboriginal feast site, black & white photograph, aborigines, shell fish feasts, cat bay, h r balfour, john jenner, bryant west

In 1861 the Lake Tyers Mission Station was established by the Church of England missionary Reverend John Bulmer, to house some of the Gunaikurnai survivors of the conflict. The peninsula, which has a lake on each side, was known to its traditional owners as Bung Yarnda.A black and white photograph of an older, bearded Aboriginal man. He is sitting outdoors in front of a leafy bush. He is wearing a suit.Black Andy of Lake Tyers ORBOST 1/3/21 L.G.W. photo 741lake-tyers photograph

Digitised directly from 'Blackfellows of Australia' by Charles Barrett and A.S. Kenyon (Sun Books)Black and white depiction of an Aboriginal woman wearing a possum skin cloak. She is Yarruun Parpur Tarneen of the Morporr Tribe, Victoria aborigine, aboriginal, yarruun parpur tarneen, morporr tribe

Digitised directly from 'Blackfellows of Australia' by Charles Barrett and A.S. Kenyon (Sun Books)Black and white Image of four painted Aboriginal men and a number of dogs. Two of the men point spears towards each other. aborigine, aboriginal, spears, south australia, dogs

Pink plastic bound report of 29 pages. Contents include Aboriginal Programs, People with Disabilities, Women's Trade and Technical Program.equal opportunity initiatives, aboriginal programs, aboriginal child care certificate, aboriginal welfare studies certificate, disability, women's trade and technical program, linda bland, l. bird, w. lovett, d. rose, leoda atkinson, kate denyer, lucy taylor, audrey gibbs, dianne nikkleson, marie bird, anne goodfellow, lily saylor, aborigines, aboriginal education centre, cordell kent, ballarat and district aboriginal co-operative ltd, aboriginal studies, john morris, shane everard, ann-marie harris, julie baulch, tracey coleman, don dalton, michele scott, laurell pearse, christine pearce, margaret o'mara, kerrie cross, women

This glider type was designed by Jim Maupin in United States in the 1970s. The prototype first flew in 1978. It is a design intended as suitable for amateur construction using wood (principally Douglas Fir and Birch plywood). It is understood that hundreds of sets of plans have been sold. It is not known how many Woodstocks have been built but there are at least 3 flyable examples in existence in Australia. Over time the design has been altered increasing the wingspan from 11.9 metres to 12.6 metres and then to 13.1 metres for Types 1, 2 and 3 respectively. Some builders of Woodstock gliders have also made their own changes to the Jim Maupin design. The construction of the Museum’s Woodstock (a “Woodstock 1”) was commenced by Ken Davies who, due to age related health difficulties, was unable to finish the project. The project was taken over by James Garay and was completed in 2001. It is registered with the Gliding Federation of Australia as GFA/HB123 and allocated letters VH-IKL. It is practically a new aircraft with very few flying hours logged. VH-IKL differs from the original Woodstock 1 design in one respect in that the rear fuselage has been modified to enable the tailplane to be removed for de-rigging. The Museum holds technical drawings prepared by Ken Davies in relation to this feature of the glider. James Garay kindly donated VH-IKL to the Australian Gliding Museum in March 2013. An example of a successful glider-sailplane design for amateur construction from the 1970s.Home built single seat sailplane of wooden construction finished in a light desert sand colour with aboriginal art theme markings.Marked with registration – VH-IKLaustralian gliding, glider, sailplane, woodstock, maupin, davies, garay, woody roo

Wooden shield with metal detail of a crown above a hand holding a dagger over Aboriginal weapons - boomerang, axe and nulla nullaVindigoplaque, vendetta plaque ship

Wooden shield with emblem gold bordered ships crown, blue centre with legal wig and bouquet of flowers and aboriginal weapons belowplaque, aboriginal, onslow

Alphabetical listing of some place names across Australia, Includes Aboriginal and European names with a good description of the place and origin of the name.place names, gazetteers

Collection of documents from various sources put into one folderSignificant because it directs the reader to sources of further research about the aboriginal culture in the district.Looseleaf folder containing photocopies of various documents, maps, extracts from books all pertaining to the aboriginal prehistory of the Peterborough area.girrai wurrung, peterborough aboriginal history

WWII HISTORICAL BOOKLET. ISSUED TO SERVICEMEN BY COMMAND OF THE MILITARY BOARD.Handbook of Pidgin English. Dated 31st August 1941. Belonging to Andrew Bishop VX37033. A short vocabulary of Aboriginal Pidgin English.

This artwork is thought to be a group project associated with Koorie Education at the Gippslnd Centre for Art and Design. Large painting with Aboriginal flag and motifs. If you have information on this artwork or artist/s please use the email link below. artwork, artist, gippsland campus, aboriginal

Part of the collection of "William Anthony THEODORE DSM", PM 2981. REFER CAT NO.7926P FOR HIS SERVICE.Dark brown heavy metal plaque shield with image of Aboriginal man kneeling on ground with a Crown on top. Borders with rope shape.william anthony theodore dsm, shield, aboriginal depiction

Published in 1952 when the author was 21 years old.A forty-four pages book titled: Nunee an Aboriginal folk story by Johanne Alsop. On the cover a drawing of a boomerang, emu, kangaroo, platypus and the face of a young aboriginal boy. There are drawing throughout the book also by Johanne Alsop. On the back drawing of a hippogriff and the words: With compliments of the Vacuum oil company Aileen and John Ellison Collection.On the front cover in black pen L. J. Ellison.aboriginal folklore, literature, mythology

Bonnie Fagan's County is Wadawurrung. Most of her early learning about her Aboriginality came from the father.Aboriginal dot painting telling the artist's learning journey. Bonnie Fagan wrote of this work: "Ochres reflect my connection with the land of my traditional Wadawurrung Country. Yellow ochre forms the background and white ochre defines my pathway, showing where I have traveled from my past and where I am heading in my future. I use reddish ochres for the larger dots along my pathway to show my footprint and for the smaller dots that ripple outwards to show how I've had some influence, either good or bad. The white lines show my pathway with an entry point from my past marking the start of my journey, a middle part showing were my life will continue. Through the middle part, my teenage years, the pathway is very windy. These years were sometime quite difficult and I struggled. The two circle areas symbolize two chapters in my life, first as a child and then as an adult, when I've felt mostly positive and safe. They are periods when I've been very open to learning, gathering knowledge from people and experiences that I trusted, and the circles within the circles symbolize the layers of support, of experience, of connection and of learning that I experienced. Strong visual symbols at the base of the painting under the first circle area represent the key figures in my learning through my childhood: my father (represented by the traditional symbol, of a man with a spear) and my mothers with me as a small child, The spirit of my paternal grandmother, my Nan, hovers above my childhood circle and near the pathway through to my teenage years, showing the strength of her influence and how she was always there guiding me." (Robyn Brandenburg and Jacqueline Z, Wilson [Eds] Pedagogies for the Future: Leading Quality Learning and Teaching in Higher Education, Sense Publishers, The Netherlands, 2013, pp40-41)bonnie fagan, bonnie chew, wadawurrung, artists, artwork, aboriginal