‘Reno’, stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. The garden including rare plants supplied by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Rare photograph of an historically important weatherboard cottage in St John's Parade.Colour positive transparency (slide) of the garden of 'Reno' in St John's Parade, Kew (demolished 1977). historic houses -- kew (vic.), reno -- st john's parade -- kew (vic.)

‘Reno’, stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. The garden including rare plants supplied by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Rare photograph of an historically important weatherboard cottage in St John's Parade.Colour positive transparency (slide) of the former summerhouse in the garden of 'Reno' in St John's Parade, Kew (demolished 1977). historic houses -- kew (vic.), reno -- st john's parade -- kew (vic.)

‘Reno’, stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. The garden including rare plants supplied by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Partial view, north side of the weatherboard cottage in St John's Parade, Kew, known as 'Reno' (demolished 1977). Architectural elements revealed in this photo by John T Collins include: two wing, hip roof construction; external buildings at angles to main wing; corrugated iron roofing [over shingles]; brick chimney external to building; unvarnished/unpainted external weatherboards. General dilapidated condition. "Kew 'Reno' 10 St Johns Pde / John Collins, 11 Anderson Road, Hawthorn East, 3123, Film 35B Exposure 27"reno - st john's parade -- kew (vic.), john t collins

‘Reno’, stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. The garden including rare plants supplied by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Partial view, side of the weatherboard cottage in St John's Parade, Kew, known as 'Reno' (demolished 1977). Architectural elements revealed in this photo by John T Collins include: hip roof construction; corrugated iron roofing [over shingles]; unvarnished/unpainted external weatherboards; Externally opening 1860s-style casement window. General dilapidated condition. "Kew 'Reno' 10 St Johns Pde / John Collins, 11 Anderson Road, Hawthorn East, 3123, Film 35B Exposure 26"reno - st john's parade -- kew (vic.), john t collins

‘Reno’, stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. The garden including rare plants supplied by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Side of the original, relocated summer house of 'Reno' at 10 St John's Parade, Kew, (demolished 1977). Architectural elements revealed in this photo by John T Collins include: four-sided construction; trellis and weatherboard walls; corrugated iron roofing. Re-use as woodshed. General dilapidated condition. "Kew 'Reno' 10 St Johns Pde / John Collins, 11 Anderson Road, Hawthorn East, 3123, Film 35B Exposure 24"reno - st john's parade -- kew (vic.), john t collins

Tarli GLOVER Tarli Glover undertook a Bachelor of Arts at Ballarat College of Advanced Education [now Federation University] between 1980 and 1983, majoring in Fine Art Painting. Based in Central Victoria, she has been practicing professionally for over three decades and has exhibited widely throughout Australia. While Tarli's work covers a wide range of creative disciplines’ she concentrate’s primarily on painting, drawing and multi-media works with a focus on both landscape and figurative genres. Her work leans toward semi abstract symbolism and representation. This triptych was part of Tarli Glover's final year folio in 1983. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A painted triptych by Tarli Glover with the following titles: .1) 'Bits and Speechless Pieces' .2) 'A Grimace on Obscurity' .3) 'Keeping the Interval'art, artwork, tarli glover, theatre, triptyc, oil on board, ballarat college of advanced education, alumni

'Black Day' was part of a series of paintings drawn from a larger body of work produced over a four-year period exploring the 'harsher side' of the Australian landscape and the aftermath of extreme weatehr events and climatic occurences of fire, flood, drough and wind. Although loosely based on real places and events, the works are essentially fictional with ideas gleaned from popular media - telveision, Internet, magazines and newspapers. While my return to abstraction and landcape painting from figuration has been relatively recent, the natural environment has always been informed by my artistic practice regardless of subject matter, and has had always informed my artistic practice regardless of subject matter, and has had a long-standing influence on the aesthetics, the compositional structre and imagery in my work. The flattening of the picture plane and the prominent horizontal and vertical marks in my composition are informed by a response to both natural and man-made interventions in the land - the muted and restricted colour palette echoing my response to extrems in environmental changes, particulalry of cental and western ditrict Victoria. Created in the studio environment, I consisder this boxy of work as being imaginative 'conglomerates' which reflect varying perspectives and textural interpretrations of the land - defining and expresssing my response to particular and significant climatic, environmental events and my personal experiances. September 2012Tarli GLOVER Tarli Glover undertook a Bachelor of Arts at Ballarat College of Advanced Education [now Federation University] between 1980 and 1983, majoring in Fine Art Painting. Based in Central Victoria, she has been practicing professionally for over three decades and has exhibited widely throughout Australia. While Tarli's work covers a wide range of creative disciplines’ she concentrate’s primarily on painting, drawing and multi-media works with a focus on both landscape and figurative genres. Her work leans toward semi abstract symbolism and representation. This item is part of the Federation University Art Collection and was purchased for the collection by Vice Chancellor David Battersby. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Acrylic on canvas paintingart, artwork, glover, tarli glover, bushfire, alumni, available

Tarli GLOVER Tarli Glover undertook a Bachelor of Arts at Ballarat College of Advanced Education [now Federation University] between 1980 and 1983, majoring in Fine Art Painting. Based in Central Victoria, she has been practicing professionally for over three decades and has exhibited widely throughout Australia. While Tarli's work covers a wide range of creative disciplines’ she concentrate’s primarily on painting, drawing and multi-media works with a focus on both landscape and figurative genres. Her work leans toward semi abstract symbolism and representation. This item is part of the Federation University Art Collection and was purchased for the collection by Vice Chancellor David Battersby. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, glover, tarli glover, fire, bushfire, firetruck, cfa, country fire authority, alumni, available

Initially donations were thanked by individuals or via typed notes. The next step was the use of pre-printed certificates of honour, which could then have the donor's name hand-written or typed in. These examples are interesting as they show the use of the initial draft of the guiding light symbol, of a black outline flame and semi-circle on a white background, and the continuance of the circle, but in white on a black background. Light blue flowery motifs vertically fill the top left hand side and horizontally the bottom right hand side of the page. Signed by the President (unknown/John Wicking) and Secretary (John Wilson) they were presented to staff of the Association for their contribution of $11,000 for the Guiding Light Appeal in 1968, the staff of the Blind Citizens Community Centre for their $5000 contribution in 1974, and the staff of Mirridong for their $1500 contribution in 1974. A4 sized certificates with blue decoration and black and white AFB half circle logassociation for the blind, fundraising, john wicking

Demonstrates domestic items manufactured soon after the establishment of the tramway systems in Ballarat.Ash Tray - white glazed on front, unglazed rear with gold edge trim, light weight China in the shape of a "spade" with an image of the intersection of Sturt St and Lydiard St from the Post Office looking at the buildings on the south side of Sturt St including the Town Hall with two electric trams and the tram lines in the view. One of the trams is hauling a trailer. Possibly made mid to late 1900's. On rear has the makers stamp of "W&R Stoke on Trent" http://nicholnack.com.au/wiltshaw-robinson-patterns/index.php - accessed details that it is the mark of Wiltshaw and Robinson.tramways, trams, ash tray, sturt st, lydiard st, town hall

White paper catalogue with brown printing for a sale on account of Parks Victoria, on 27th February 1997 at San Remo. For sale were marine & general service equipment, boat, crane, forklift, metal shop and woodworking machinery, pnu. & power tools, outboard motor, winches, trailers, hardwood & railway line, office furniture & equipment, nuts & bolts and hydraulic underwater tools. Announcement printed in the front of catalogue mentions that J. H. Curnow & Son Pty. Ltd. Are combining their name with the Dyett family and trading as Curnow Dyett, Real Estate Agents, Auctioneers and Qualified Valuers.business, auctioneers, curnow dyett, ian dyett collection - auction catalogue - parks victoria, leigh hart, ian dyett, curnow dyett, j h curnow & son pty ltd

Two photographs a,b, laminated upon pink cardboard illustrating Easter Fair Floats. [a] Float based upon utility towing trailer in Mitchell St in front of Cliff Morrisons with Hopetown Hotel on right. Numerous placards displayed by adults and children riding on float. Handwritten caption below reads 'Another Mother's Club Easter ' PROTEST' Float. [b] Float carrying fancy dress adults based upon truck tray displaying numerous placards relating to Bendigo Baths protest. Handwritten caption above reads 'Mother's Club- Easter Fair Protest - Mid 1950's.bendigo, institutions, golden square primary school

Divided back postcard featuring a photograph of the opening of The North Melbourne Electric Tramway and Lighting Co. tramway at Moonee Ponds on 11-10-1906. Photo shows the opening car with a trailer and at least three other tramcars behind. Rear shows Sears Photo, J. Atken Printer Moonee Ponds. Has a Victorian 1d stamp with a 31-12-1906 date stamp. Note written to Master Furphy of Rushworth Post Office, possibly from a Flo P. Dated 30-12-06. .1 - black and white print of this photo - ex Keith Kings.trams, tramways, essendon, nmetl, puckle st, opening, tramcars, trailers

322 - Black and white Illustration, reproduction of a Victorian Railways Photograph of the Sorrento Steam Tram at the Sorrento Back beach. Printed on heavy card, with caption, source and by Stephen Watson as Card No. 104. Shows the steam locomotive and two cross bench trailers. Photo c1900? Note this photo is reproduced by a number of web sites - 2/9/13, and shows that the illustration has been cropped horizontally. .1- A4 size copy print - see inscriptions. .2 - Original from a Rose Series Postcard - P298, copy added from the Keith Kings collection. Could be a reproduced Postcard.On rear of .1 in ink "Copy neg 20/10/82" and "Herald" in bottom right hand corner on rear.trams, tramways, steam trams, sorrento

'Maj. R.M. Shadforth'1. THIS IS AN OFFICER'S PATTERN KHAKI JACKET. IT HAS FOUR POCKETS. IT HAS A 50MM WIDE BELT OF SAME MATERIAL. THE BUTTONS ARE DARKENED. THE BUTTON MOTIF IS AUSTRALIAN MILITARY FORCES. ON THE COLLARS ARE DARKENED RISING SUN BADGES ON THE EPPAULETTES ARE THE RANK BADGES OF A LT.COLONEL. There is a semi detached ribbon Bar on the left breast - War Medal 1939-45. Australian Service Medal Efficiency Decoration. 2. Trousers, long Khaki, same material as jacket. Button up fly buttons - Khaki Bakelite. 3. Peak cap, Australian leather strap with Infantry Corps Badge.Jacket - on the label inside jacket is docket 3198, Jan 13 1942. Factory No. 2853. Name Maj. R.M. Shadforth. Jacket - Officer Khaki Drill - 38 Batt.uniform, 38th batt, shadforth, passchendaele barracks trust

"This is a revised edition of the original 1919 Regimental History" "From the beaches of Anzac Cove to the gas ridden trenches of the Western Front" "The pyramids to the rolling plains of Stone Henge" "Ground traversed by the Twenty-Second (Victorian) Infantry Battalion during World War One"Hard cover book with dust cover. Hard cover cardboard with grey coloured buckram , gold coloured print on front and spine. Illustrated with purple over red diamond colour patch. Dust cover, paper, pinkish/orange glossy coloured background, purple coloured print on front, spine and back. Illustrated with purple over red diamond colour patch (small) front and back and black and white photograph of a group of soldiers 'somewhere in France. 245 pages, cut, plain, semi gloss white. Illustrated - black and white photographs and maps.Front fly leaf - printed donation label - "Donated by 39th Australian Infantry Battalion (1941-43) Association Inc www.39battalion.com" Top right front flyleaf - printed label with handwritten in black ink "No. 120 of 500"books, military, history, wwi

Black fabric has a geometric type all-over silk embroidered pattern, woven into the fabric. Three panels of fabric make up the skirt, with a lower rounded panel at the hemline, to complete the circular skirt. Above the hemline, two bands 0f plain satin fabric, approximately three cms wide, are stitched in overlapping semi-circles, approximately six cms apart. Ends of these strips are cut to a point, and finished with a tiny black, glistening button. Waistline has a 2.5cm band, fastened with metal hook and eyes. Black fringed braid around hemline.costume, female, long black skirt with satin/button trim

Rectangular chart made from printed and coated paper on a fabric base. The chart is mounted at either end on timber batons using small metal tacks. The upper baton is semi-circular in cross-section while the lower baton is circular in cross-section. Two screwed metal eyelets have been attached at either end of the upper baton for use in hanging the chart. A short length of white cotton tape is attached to the mid-point of the upper baton with a metal tack. the tape is used to secure the chart after it has been rolled up.The word 'DISLOCATIONS' is written on the back at the top margin, in black and red ink. The words 'ST JOHN'S GATE, LONDON E.C.1' and a logo for the St John Ambulance Association are printed on the bottom edge at the front of the chart (RHS).medical chart, human body

Primitive Methodism was seen to originate in a full day of prayer or "Camp Meeting" held at Mow Cop in 1807, and this led, in 1811, to two groups joining together; the 'Camp Meeting Methodists' and the 'Clowesites', led by Hugh Bourne and William Clowes respectively.Commemorative plate in Royal Semi-Porcelain by Wood and Sons of Burslem, Staffordshire, issued in 1907, to mark the centenary of the Primitive Methodists' first camp meeting, held at Mow Cop on 31 May 1807. The plate is decorated with transfer prints, heightened with gold lustre, depicting preachers Hugh Bourne and William Clowes together with notable chapels of the movement, all to be found in "the Potteries". The reverse printed with details of the movement's membership beneath the title, "What God Hath Wrought!", this all enclosed within a scrolled cartouche below which is the Registration No.491901 together with the Maker's Mark. primitive methodist centenary, hugh bourne, william clowes

Pamphlet - DL - 3 fold, two colour printed on semi gloss white paper, titled "Why the public transport system must become the public transport service", c1990 describing changes proposed by the Public Transport Corporation to revitalise Melbourne's Public Transport. Notes changes to contracting out cleaning of vehicles, transforming the system to a service, improved security and calling for tenders to provide night buses on nine metro routes. Features a photo of tram 2032 by Parliament. Has "Authorised by the Public Transport Corporation" line above the word "Victoria"trams, tramways, pamphlets, ptc, buses, contracts, melbourne, public transport

From the Snowy River Mail October 4 1978 page 9 - " A MOBILE BAND - Although Orbost Municipal Band participated in Saturday's Primary School workathon, members feet didn't touch the ground. They idi it bthe easywayon the trailer of a truck. The band encouraged walkers with stirring music along the road to Marlo." The first Orbost Brass Band was formed in 1889. Around 1908 the town band split and the Orbost Workers' Band was formed. Eventually the two bands merged in 1913 to reform as the Orbost Municipal Band under conductorship of Charles Spink. The band continued for many years but was later disbanded and again reformed. This was to happen a number of times, the last time being in 1961 and continuing through to the late 1970's. Further info and Ref: In Times Gone By - Deborah Hall This is a pictorial record of the Orbost Municipal Band. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.A black / white photograph showing a group of uniformed band members sitting on folding chair s on the tray of a large flat bed truck. They are holding musical instruments. A young boy is sitting on the edge of the tray and three other children are standing on the road nearby.on back - information from S.R.M.music orbost-municipal-band entertainment recreation

Johnson Brothers were a British tableware manufacturer and exporter that was noted for its early introduction of "semi-porcelain" tableware. It was among the most successful of the Staffordshire potteries which produced tableware, much of it exported from the 1890s through the 1960s. They were also important manufacturers of large bathroom ceramics. The company was founded in 1883, but from 1968 to 2015 it operated as a part of the Wedgwood Group. However, after the Wedgwood Group was acquired by Fiskars in 2015, the production of Johnson Brothers was discontinued. The company's name derives from the names of the company's founders. The four original "Johnson Brothers" were Alfred, Frederick, Henry, and Robert. Their father married the daughter of a master potter, Alfred Meakin. In 1883, Alfred and Frederick Johnson began production at defunct pottery, known as the Charles Street Works, that they had purchased at a bankruptcy sale in Hanley, Stoke-on-Trent. At first, they specialised in the manufacture of durable earthenware, which they called "White Granite". The success of this venture led to rapid expansion. In 1888, the Rev. Henry Johnson joined them, followed ten years later by a fourth brother, Robert Johnson. Having established a solid reputation producing basic "whiteware", the company developed a product known as "semi-porcelain", a range of pottery that had the characteristics of fine china, but the durability of ironstone ware. This kind of tableware soon became very popular in the United States due to its durability and low cost. In 1889, the Hanley pottery was opened, later the Alexander pottery, and in 1891 the Imperial Works Pottery. In 1896, the Trent Sanitary Works was opened for the production of non-tableware products, and Alfred Johnson left the business to establish his pottery. By 1898, Robert Johnson had relocated to New York City to manage Johnson Brothers' rapid expansion into the North American market. An item that gives a snapshot into the emerging market for tableware that was reasonably priced and serviceable. The company produced "whiteware" but the innervation of the pottery line called semi-porcelain changed the industry. This allowed potteries to produce fashionable pottery items that were affordable to all social classes of the time. Bowl white ceramic decorative with floral decoration around lip. On base, "Royal Ironside China, Johnson Bros England" & crest of lion and unicorn flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, bowl, china bowl, lion and unicorn crest, table ware, kitchen ware, white ware, johnson brothers

Colour slide, Kodak, fawn cardboard of W2 313, after a fire at Balaclava Junction at 11am (?) on 10/6/1959 stored at Preston Workshops. Photographed from Oakover Road. The tram body straightening bay is to the west of the tram and a ballast trailer to the east. Photo taken on 4/7/1959. Keith Kings, the photographer has extensive notes hand written on the slide - that the tram was scrapped on 17/7/1959 and that it was the first W2 to be scrapped. Probably the last time 313 was photographed. Slide Number K(a)(2887) See image htd4268i2 for an extract from the MMTB Board Meeting of 27/8/1959 about the fire.Extensive handwriting on rear in ink and that it was photographed at 1/100, F4.trams, tramways, w2 class, preston workshops, scrapped trams, fire, tram 313

Black and white print of a donated negatives. Print made 8/1998. Various photos taken by Ron Fluck or other members of the Fluck family of various tour buses during the late 1940's and early 1950's. 886.1 - Mylor Service bus Ford V8, SA234990, Strathalbyn 5-1-1951 - standing alongside is Ron Fluck's first wife Joan (advised by Ron 09/2007) 886.2 - Pykes Cadillac Panorama Hotel, Sublime point, Bulli Pass NSW and Ron Fluck, 29-6-1951. 886.3 - Bonds REO #6, West Vic. (see also 886.9) 886.4 - Marks Ballarat, 2 Ansairs, TL943 and TL 975, Ocean Road, Melba Gully Crowes Vic - 25-3-1951. 886.5 - Parlourcars White bus, No. 29, Melbourne Hills Warburton - 13-8-1950 886.6 - Cellulose Bus, semi trailer, Millicent - 24-10-1947 with Claude Perkins Pty Ltd. hardware store in background. 886.7 - Kilkenny - Morphett - Henley Beach bus service, breakdown, Grange Road, Findon, Chev. car, Ron Fluck and D.Kay, 22-1-1949. Photo by E.G.Fluck. 886.8 - As for 886.2, NSW TV 338. 886.9 - Bonds Reo #6, Side Load, SA 2337, Diamond T motor, S.E. of SA - 23-10-1947. All images replaced by high res scan of the negatives 17/1/2019/tramways, trams, mylor service, parlourcars, bonds, marks of ballarat

Displayed in History House and Maritime Discovery Centre.Admella shipwreckSilver Medal awarded to James Kean by Victorian Colonists for Heroic Exertions, in saving life.. from the wreck of the Admella Silver Medal with detailed relief designs on both sides. Broken silver loop on top. Inverse: Detailed scene of a manned rowboat being launched to rescue a foundering ship. On horizon line are two ships with smoke stacks. A large banner and anchor design in the sky bears the words "Hope to the Last". Obverse: Laurel wreath and a braid motif encircle the central text. At top of design is a depiction of an eye and eyebrow with stylised rays radiating in semi-circle.Front: Inverse: The Admella Steamer wrecked on her passage from Adelaide to Melbourne of Cape Northumberland/ 6 August 1859 (around edge) Back: Obverse: Awarded to/James Kean/by the Victorian Colonists/for/heroic exertions,/in saving life/(under divine providence)/from the/wreck of the Admella.admella, portland lifeboat

This nurse's collar, cap and apron would have been worn by student nurses at the Alfred Hospital in Melbourne in the 1960's. Although the style did not change much from earlier years the length of the skirt had shortened. The white semi circular collar has a single row of drawn thread work 1.5 centimeters from the outer edge and is made of starched cotton fabric. The cap is made of a half circle of fine white cotton lawn with a turn back front edge bearing the Alfred Hospital emblem. It has a tape casing about 1.5 centimeters from the edge which contains a thin tape for gathering up the edge of the cap. The white cotton apron has a 5 panel skirt, a waistband with four covered buttons and a bib front which went over the shoulders and buttoned at the back of the waistband.The collar has written in black marker - D.L.Ross E.37; Also written in black marker - E980; A tape printed and machine stitched on - L.A. Holberton The cap has a printed emblem - Alfred Hospital Incorp. Melbourne, Service and Care The apron has written in black maker - M Taylor; E877; J. Williamsalfred hospital, nursing, nurse uniform, student nurse uniform, nurse apron, nurse cap, nurse collar, apron, costume, textiles

40 paged booklet - ''The Ruskin All-about'' (covering the Municipality of Bendigo facilities and activities), printed by The Ruskin Press, 1955. ''assisted by the Municipal Council and its officers and office-bearers of other organizations and associations''. Contents: Abbreviations; Baby Health Centres; Bus services; By-laws and regulations; Churches; Classified advertisers; Community activities; Doctors and surgery hours; Facts on the city; Friendly Societies; Hospitals; Magazine section; Maps; Message from the Mayor; Miscellaneous; Municipal services; The Municipality; Public and semi-public utilities; Schools and kindergartens; Sporting and recreation. Information on the forthcoming Olympic Games.Ruskin Publishing Pty. Ltd., 37 Swanston Street Melbourne.bendigo, tourism, guide

Chinese gold scales. Wooden scale holder (a) two part wooden device secured at end of handle with a metal pin to allow swivelling of both pieces. At end of handle, two pieces 'violin' shaped to hold scale and weights. This enabled placement of scales within holder. Bottom piece has indent for scale pan, weight and long handle. Chinese scale (b) thin cream handle marked with inch graduations, without numbers. Separately suspended from handle with thick cotton is a small semi-circular lead weight and a round brass scale pan.gold mining, mining equipment, chinese gold scales