CEMA Art Collection Previously located in History HouseThe painting depicts a large stone building with two smaller buildings in the foreground. Within the foreground is a small patch of dirt and grass with a side view of a small building to the right and a front and side view of a small stone building to the left. In the background is the large building which features two chimmneys. To the left of the building is a leafless tree and pale blue sky. The work has a gold and green frame with glass.Front: "GREENMOUNT" (brown, lower left) TRAVIS WEBBER (brown, lower right) 23 (white sticker attached to glass Back: (No inscriptions)

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the pin has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Small rectangular gold metal pin with a faceted pink stone inlay on the proper left side and a faceted clear stone on the proper right side. Two raised flower motifs on the proper right side. The 10k stamped on the back surface suggests it is made of 10 karat gold.The abraded areas on the clasp on the back expose underlying silver coloured metal indicating that the clasp is plated."Sarah / SC / 10 YRS / Coventry" raised inscription on the front surface. "® cTo / 10 K" stamped on the lower proper left side of the back surface, indicating 10 karat gold. The ® symbol indicates that the manufacturer's mark is federally registered with the US Patent and Trademark Office. The 'cTo' is the trademark by O. C. Tanner Jewelry Co. in Salt Lake City, U.S.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, pin, jewellery pin

BHS CollectionBendigo Advertiser ''The way we were'' from 2003. School's in: Woodstock on Loddon state school no. 3492, in 1949. Back left to right: Merryn Bell, John Barry, Ellen Cooper, Reg Stone, George Hamilton. Front: Keith Burrows, Ron Bell, Margaret Bell, Lorna Hamilton, Grace Hamilton, Patricia Magee, Barbara Wishart, Graham Stone. The clip is in a folder.newspaper, bendigo advertiser, the way we were

This is a set of 15 photographs of a visit to the Army Survey Regiment, by the Regimental Sergeant-Major of the Australian Army (RSM-A) WO1 Kevin (Lofty) Wendt OAM, BEM on the 10th of August 1989. He was taken on a tour through the production facilities and messes. RSM-A WO1 Kevin (Lofty) Wendt OAM, BEM was the 2nd RSM to be appointed to the position of RSM-A, the most senior Warrant Officer position in the Australian Army. His appointment was from 1987 to 1990. On this occasion he was escorted by WO1 Neville Stone, who was the RSM of the Army Survey Regiment from 1988 to 1990. Refer to item 6437.16P for photos of the production facilities tour.This is a set of 15 photographs of a visit to the Army Survey Regiment (ASR) , Fortuna, Bendigo by the Regimental Sergeant-Major of the Australian Army (RSM-A) WO1 Kevin (Lofty) Wendt OAM, BEM on the 10th of August 1989. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1989. L to R: ASR RSM WO1 Neville Stone, RSM-A WO1 Kevin (Lofty) Wendt OAM, BEM. .2) - Photo, black & white, 1989. L to R: WO2 Rowan Gillies, SGT Noel McNamara, SGT Bruce Hammond, SGT Roger Rees, WO2 George Graham. .3) - Photo, black & white, 1989. L to R: unidentified, WO2 Steve Egan. WO1 Trevor Osborne, RSM-A WO1 Kevin (Lofty) Wendt OAM, BEM, unidentified, SGT Frank Lenane. .4) - Photo, black & white, 1989. L to R: ASR RSM WO1 Neville Stone, John ‘Stormy’ Tempest, SSGT Brad Peppler. .5) - Photo, black & white, 1989. L to R: RSM-A WO1 Kevin (Lofty) Wendt OAM, BEM, WO2 Barry Lutwyche OAM, SGT Steve Burke, SGT Frank Lenane, SGT Peter Imeson. .6) to .9) - Photo, black & white, 1989. Dinner is served - unidentified Catering Corps staff. .10) - Photo, black & white, 1989. Dinner is served - L to R: RSM-A WO1 Kevin (Lofty) Wendt OAM, BEM, ASR RSM WO1 Neville Stone. .11) - Photo, black & white, 1989. Dinner is served - L to R: ASR RSM WO1 Neville Stone, RSM-A WO1 Kevin (Lofty) Wendt OAM, BEM, WO1 Stevo Hinic, WO2 George Graham, unidentified, SSGT Brad Peppler, SGT Bob Garritty, SGT Paul Hopes. .12) - Photo, black & white, 1989. Dinner is served - unidentified Catering Corps staff. .13) - Photo, black & white, 1989. L to R: SGT Greg Anderson, RSM-A WO1 Kevin (Lofty) Wendt OAM, BEM. .14) - Photo, black & white, 1989. L to R: unidentified, SSGT Rick van der Bom. .15) - Photo, black & white, 1989. L to R: SGT Greg Anderson, unidentified, back of RSM-A WO1 Kevin (Lofty) Wendt OAM, BEM, unidentified..1P to .15P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Black and white photographWritten on rear of backing sheet, "Clearing hail stones, 18th January 1963. Outside Olympic shopping centre".

Catalogue card reads, 'Council ceremonies. Unveiling stone at Poppet Head, 1985 and then opening of Poppet Head 1987'.

Catalogue card reads, 'Council ceremonies unveiling stone at Poppet Head 1985 and then opening of Poppet Head 1987'.

Catalogue card reads, 'Council ceremonies. Unveiling stone at Poppet Head 1985 and then opening of Poppet Head 1987'.

Catalogue card reads, 'Council ceremonies. Unveiling stone at Poppet Head 1985 and then opening of Poppet Head 1987.'

Catalogue card reads, 'Council ceremonies. Unveiling stone at Poppet Head 1985 and then opening of Poppet Head 1987.'

Catalogue card reads, 'Council Ceremonies. Unveiling stone at Poppet Head 1985 and then opening of Poppet Head, 1987'.

Catalogue card reads, 'Council ceremonies. Unveiling stone at Poppet Head 1985 and then opening of Poppet Head 1987.'

Commemorative engraved silver trowel in a black leather box with a blue silk and velvet lining. Trowel is decorated and has an inscription and hallmark on the front. It has plain bone handle. "Presented to Mrs S.G.King on the occasion on the laying of the memorial stone of the Hotham Hill Wesleyan Church Dec 16th 1872"

Small metal tobacco tin with red, gold and blue hinged lidOn lid: Stone entrance gate inside red and gold semi-circle, "Temple Bar Sweet Slice Tobacco".tobacco tins, smoking equipment

This bottle came from the general store of Russell and Powell of Fairy Street Warrnambool. This store sold an extensive range of imported wines and spirits as well as tea, clothing materials and hardware. Samuel Giffen Russell, born in Belfast, Ireland, established his store in Warrnambool in 1878 and took Joseph Powell as a partner in 1881. The business premises in Fairy Street were built in 1882. Giffen Russell was Mayor of Warrnambool from 1898 to 1900. By the early 1900s the firm had a store in Bank Street, Port Fairy and was known as Giffen Russell and Company and the business continued under that name until the late 1940s, the proprietor at that time being Harry Lynch. The Lynch family carried on this business until the second decade of the 21st century. This stoneware bottle is of some importance as it is one of the few items we have that came from the long-established Warrnambool general store of S.Giffen Russell.This is a stone bottle in cream and brown tonings. It has a circular base and body with a short neck and a moulded top opening. There is a screw top. The inscription on the bottle is in black print.‘Russell & Powell Warrnambool and Port Fairy’ russell & powell, warrnambool, giffen russell & co., warrnambool

This demijohn came from the produce store of T. Redford and Co. Thomas Redford came to Warrnambool in 1864 and worked in the produce store at the corner of Fairy and Timor Streets. This had been established by Redford’s uncle, Frederick Stevens in 1857. Thomas Redford became the proprietor of this produce store in 1879 with the trading name of T. Redford & Co. Thomas Redford was a noted sportsman in Warrnambool (cricket and football) and was a Town Councillor from 1884 to 1890. His son, a Major in World War One, was killed at the battle of the Nek in 1915. Thomas Redford senior died in 1907 but the firm of T. Redford & Co continued on until the early 1920s. This demijohn is of significance as a memento of an important produce business in Warrnambool – the firm of T. Redford & Co was in existence for over 40 years. This is a stone demijohn with a cream-coloured base and body and a brown top and brown handle. The circular opening has a metal top. The maker’s name is etched into the top section. ‘T. Redford & Co Warrnambool’t. redford & co, warrnambool, demijohn, carboy, brewing

Photo shows steam boiler equipment. Stone chimneys feature in middle of photo. Quarry rockface ^& bushes in background. 'Blurred' leaves appear in bottom right corner.H/GAP0612 NANNAquarrying, mt difficult quarry

Sepia toned photograph of Constable Michael Scanlan's grave stone mounted onto card with embossed scalloped, leaf and ribbon design at top and along top sides.michael scanlan, stringybark creek, police murders, hunt for the kelly gang, edward kelly, ned kelly

Sepia coloured photograph of Constable Thomas Lonigan's grave stone mounted onto card with embossed scalloped. leaf and ribbon design at top and along top sidesthomas lonigan, stringybark creek, police murders, hunt for the kelly gang, edward kelly, ned kelly

Greenstone hammer approx. 4 inches at sharp end of stone with rough hewn end approx 3 inches with prominent raised areas that appear to enhance grip. No are no inscriptions but the raised markings appear to be deliberately poisitioned for firmer grip.

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in a band uniform and hat, carrying a case. Behind is the stone wall, window and grating of a building. The man is Frank Wright. The place is Sydney.Written in pen of the back - Frank Wright (20) Sydney. Easter 1922. Taken by Vernon Holt Printed on back - Post, Correspondencefrank wright, vernon holt, ballarat, sydney, cornet, conductor

A tie pin is a neckwear-controlling device, originally worn by wealthy English gentlemen to secure the folds of their cravats. They were first popularized at the beginning of the 19th century. Cravats were made of silk, satin, lace and lightly starched cambric, lawn and muslin, and stickpins were necessary accoutrements to keep these expensive fabrics in place and safe. Stickpins commonly used pearls and other precious gemstones set in gold or other precious metals and were designed specifically for their owners. By the 1860s, wearing cravats had been embraced by the English upper middle classes with a consequently lower quality of materials and designs used in both the neckwear and in the stickpins used to keep it in place. By the 1870s Americans had embraced stickpins and designs were mass-producedThe family of Lorna Risstrom were early settlers in Moorabbin ShireA tie-stud and chain in a small, blue velvet covered, silk lined, hinged jewellery box with . The tie-stud has a red stone set in gold metalmoorabbin, bentleigh, cheltenham, early settlers, pioneers, market gardneners, jewellery, risstrom lorna, tie-pins, tie- studs, cravats, silk, lace,

Black and white photograph. Stone or brick building in foreground. Poppet head to the left. Chimney in front of timber building on right fence. Inscriptions: 'Victoria Quartz', on front.topic, mining

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Exterior, Museum of Modern Art (1939), New York, New York, USA. (Architects: Philip L. Goodwin, Edward Durell Stone.)Made in Australia / 14 / JUL 69M2 / Encircled 39 (Handwritten) / 92 (Handwritten)new york, slide