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Eltham District Historical Society Inc
Photograph, Memorial plaque erected in 1985 marking the site of the private cemetery and adjacent to the home of some of earliest pioneers of the Greensborough District, 1990c
Erected by the Rotary Club of Greensborough at the request of The Diamond Valley Shire Council and Nillumbik Historical Society as part of the Victorian 150th Anniversary commemorations. Names include James Whatmough, Margaret Whatmough, Many Ann Whatmough, Benjamin Whatmough, Jessie Whatmough, Robert Partington and James Partington.Photograph originally located in a magnetic style album titled 'Greensborough Bypass 1990s 5' suffering significant degradation. No information contained in album or on reverse of photos except where noted. Relocated to archival photosafe storage.greensborough, rotary club of greensborough, robert partington, nillumbik historical society, margaret whatmough, many ann whatmough, jessie whatmough, james whatmough, james partington, early settlers, diamond valley shire, cemetery, benjamin whatmough -
Flagstaff Hill Maritime Museum and Village
Bench
Bench wooden trestle leg style sail maker's bench with one raised post, one drill hole for fid; end of bench enclosed by wood to form tray to prevent tools from rolling off. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Hook
Hook metal shoe button hook with handle. Relief printing (Get It At Read's Prahran. Made in USA) on back of metal handle. Handle features diamond style pattern. Donated by Barry Wilson, Koroit 1979.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shoe button hook -
Bendigo Historical Society Inc.
Photograph - BLACK AND WHITE PHOTOGRAPH OF FOUR MALES
black and white PHOTOGRAPH OF four males wearing Victorian style clothing - rear of card show two logos for Turbull & Sons Artists , 75 Jamaica St Glasgow - Licencees of Vander Weyde's Patent Process.photograph, person, male, turbull & sons artists , 75 jamaica st glasgow - licencees of vander weyde's patent process -
Port Melbourne Historical & Preservation Society
Article - Newspaper article, "Berth of a Nation. How the world made its way to Port Melbourne", The Saturday Age, Anson Cameron, "Berth of a Nation. How the world made it's way to Port Melbourne.", 25 Jan 2014
Newspaper article called "Berth of a Nation. How the world made its way to Port Melbourne." from the Satrurday Age Life & Style (parts of 4 pages) by Anson Cameron; dated January 25, 2014.transport - shipping, immigration, migrants, armed services - army, armed services - navy, piers and wharves - station pier, anson cameron, patris, fairsky, zuiderkruls, the neptunia, world war i, world war ii -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, tightly designed repeat pattern of abstract flowers in a fan shape in cream on a green ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Villa Alba Museum
Decorative object - Wallpaper sample of a Morris & Co design, 1970–1979
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co design. Monochrome, repeat pattern of fleur de lys and acanthus leaves in green on a paler green ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history -
Forests Commission Retired Personnel Association (FCRPA)
Safety hardhats
The Forests Commission took safety very seriously, long before it became standard practice in the bush. The Chairman of the Commission, Alan Threader, personally chaired the safety committee Sandy Dobbin was appointed as the first "safety officer" in the early 1970s There were many innovations including safety boots and safety hardhats. Safety hardhats. One new hat with "two trees" FCV logo. One with hat with older style FCV sticker belonging to District Forester Col Almond (decorated with logos from the amalgamated CFL agencies). -
Whitehorse Historical Society Inc.
Textile - Embroidered Panel, circa 1930
From the estate of Jenny Lang, Pearcedale Road, NunawadingBeige linen cloth has, across the centre, a spray of embroidered stylised flowers in pinks,oranges,mauves and yellows and is surrounded by stylised leaves and dots in browns and greens. The style is needle painting in short and long stitchhandcrafts, embroidery -
Whitehorse Historical Society Inc.
Clothing - Gloves
Full length white kid or doeskin leather evening gloves. Pull-on style featuring wrist openings fastened with three artificial pearl beads. Three darts along back of hand and double stitched seams.costume accessories, glove accessories -
Whitehorse Historical Society Inc.
Footwear - Shoes
Shoes were worn with a matching handbag NA4168.Black kid court shoes with brown suede on the instep and toward the heel. Tan leather trim separates the black leather from the brown suede. Heels are black leather Cuban style. The matching handbag is NA4163.Margaret Jcostume, female footwear -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1920c
Black and white photograph showing entrance to Gippsland Lakes from ocean Bass Strait. People in 1920s style dress on boardwalk. Kiosk on beach closed. Vegetation either side of boardwalk. Lakes Entrance Victoriajetties, ocean, waterways -
Tennis Australia
Ball container , Ball, Circa 1990
A sealed clear plastic container of three Wilson multicoloured 'Whackers' tennis balls. Plastic reclosure cap over ring-pull style metal lid. Materials: Metal, Ink, Rubber, Plastic, Synthetic materialtennis -
Tennis Australia
Ball container , Ball, Circa 1990
A sealed clear plastic container of three Wilson multicoloured 'Peppers' tennis balls. Plastic reclosure cap over ring-pull style metal lid. Materials: Metal, Ink, Rubber, Plastic, Synthetic materialtennis -
Tennis Australia
Ball container , Ball, Circa 1990
A sealed clear plastic container of three Wilson multicoloured 'Peppers' tennis balls. Plastic reclosure cap over ring-pull style metal lid. Materials: Metal, Ink, Rubber, Plastic, Synthetic materialtennis -
Surrey Hills Historical Society Collection
Photograph, 'Monserrat', 26A Wandsworth Road, Surrey Hills c 1888
This home was formerly known as ‘Guildford’ and was built in 1888. 'Guildford' / ‘Monserrat’ originally fronted Mont Albert Road. 1888-c1900 George Jobbins, architect 1900-04 William Holmes, designer of the electrification of Melbourne suburban railways 1906-22 Philip Parer family - Phillip Parer was one of 5 Parer sons & 3 daughters who came to Australia from Spain from the 1850s onwards. The family set up a catering business. 1922-23 George Dicker family, later of Mont Albert Road After the frontage was sold, the entrance to 'Monserrat' became Wandsworth Road. A black and white photograph of a Italian Boom style house, with a double row of iron lace, and pairs of verandah columns in place of the usual single ones. The roof structure is elaborate and with chimney pots on the substantial Victorian chimneys.wandsworth road, surrey hills, architects, catering business, chimneys, house names, italian boom style, mont albert road, (mr) george jobbins, 'guildford', 'monserrat', (mr) phillip parer, spanish families, (mr) william holmes, (mr) george dicker -
Surrey Hills Historical Society Collection
Photograph, "Warlingham", 85 Guildford Road, Surrey Hills, c1910
This photo was taken in c1910. ‘Warlingham’ has many typical Victorian features and has been restored and extended. The first owner was Thomas Kennedy Vernon Coburn, a solicitor. His wife was Sara Ethelwyn (Winnie) Cornell; they married on 26 March 1890. They had a large family and their eldest son (Arthur Wheeler Coburn) was born at 'Wannacul' Surrey Hills on 11 January 1891. The Coburns seem to have moved often and Thomas was declared insolvent in 1894, in part it would seem as a result of the land crash. The next owner was George Lumsden, grocer who is believed to have been there 1892-1896. He was married to Emma Louise Sim. During the years c1913-1919 Mr William Joseph Trenerry (manufacturer) and his wife Elsie (nee Capon) lived here. In the 1919 electoral roll the house name is given as 'Mosman', which may be a reference to Elsie Trenerry's origins; she came from Sydney. See also SHP1927 and SHP1384. A black and white photograph of a Victorian style house with lacework around the verandah. There is a lady and young girl with plaits wearing her school uniform standing in front of the house. Two young boys are watching and are standing on the verandah.clothing and dress, warlingham, guildford road, surrey hills, house names, mr william joseph trenerry, mrs elsie trenerry, miss elsie capon, mr thomas coburn, mr thomas kennedy vernon coburn, mr arthur wheeler coburn, mrs sara ethelwyn coburn, mrs wynnie coburn, miss sara ethelwyn cornell, mr george lumsden, miss emma louise sim, mrs emma louise lumsden -
Surrey Hills Historical Society Collection
Photograph, 316 Canterbury Road, corner of Essex Road
Mr Walter Sessford Cornhill was born in c1886 in Orsett, Essex; died 2 September 1940 and buried in Box Hill Cemetery (B-069-0028). He was a carpenter. He married Rhoda Fraser (1882-1947). A son John Edmund was a plumber. Daughter Lillian married Charles Frederick Barrow. Walter Cornhill moved from 3 Essex Road to 316 Canterbury Road some tome after 1937. The house passed to Charles Frederick Barrow and wife Lillian and subsequently to Leonard Clement Gangell and his wife Pamela Gangell, nee Barrow.A black and white photograph of an early modern style house built on a corner block. It is built of brick. The upper portion of the house is rendered with occasional brickwork patterning. A low brick fence borders both street frontages.canterbury road, essex road, 1940, early modern style, mr walter sessford cornhill, mrs rhoda cornhill, miss rhoda fraser, mr john edmund cornhill, miss lillian cornhill, mr charles frederick barrow, mrs lillian barrow -
Mont De Lancey
Functional object - Mirror, Franz Streizel, Unknown
This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.An ornately hand carved rectangular wooden framed mirror with a shelf at the bottom and a carved ancient Egyptian style head in the middle of the frame at the top. There are two carved gargoyles on each top side. The mirror glass is shaped.mirrors, functional objects, wall mirrors, objects -
Melbourne Tram Museum
Sign, Australian Electric Traction Association (AETA), "Move People" and " Not Vehicles", 1970's
Set of two signs, Masonite with holes near each corner, orange background, with words "Move People" and " Not Vehicles". Used by the AETA at conventions, displays etc. Possibly made 1970's by style of letters and paint.trams, tramways, aeta -
Flagstaff Hill Maritime Museum and Village
Photograph - Set of Photographs, John Chance, late 1960s to early 1970s
This set of glossy black and white photographs is a set of images of Glenample Homestead circa late 1960s to early 1970s. They were taken by John Chance and are part of the John Chance Collection. The Colonial Georgian style Glenample Homestead was built from 1866 to 1869 from locally quarried sandstone. In is built on the top of a hill amongst trees. There are paddocks below and around the building. The building is basically a rectangular shape with a recessed room on the right side of the front. The pitched roof is covered in corrugated iron. The veranda, added in 1886, also has a corrugated iron room and is supported by square posts with decorative tops. It shelters three sides of the building. The edge of the veranda is decorated with scalloped shapes along the front and left side of the building. On the right is a brick wall incorporating a chimney. Another chimney on the left is contained within the building. The four-panelled outside doors are visible in some of the photos, as are the 12-paned glass windows, which are framed in contrasting stone. The veranda is trimmed with scalloped metal work on two sides and had some enclosed corners. There appears to be a cubical water tank on the roof line. Out-buildings include a toilet built against the house's brick wall. Another building appears to have two rooms with outside doors, perhaps for workers. There is the remains of a two-wheeled cart under a shelter. GLENAMPLE & the LOCH ARD Glenample Homestead became famous after the disastrous wreck of the sailing ship Loch Ard on June 1, 1878. The owners, Hugh Hamilton Gibson and Peter McArthur, were involved in the rescue and recovery of the only two survivors, as well as overseeing the salvage of items from the shipwreck and the burial of those who lost their lives. Glenample Homestead is on the Great Ocean Road at Princetown. Originally the land was part of Kennan’s Station lease, one of the district’s early settlements, circa 1847. James Murray bought Kerman’s land in 1856-57, combined it with nearby land, and named it Glenample Homestead. The ruins of huts Murray built on the property were still there until recently. Glenample was sold in 1866 to the partnership of Gibson and McArthur, who built a Georgian style house there using local sandstone, completing it by 1869. On 1st June 1878 the Loch Ard was wrecked at what is now called Loch Ard Gorge. Apprentice crewman Tom Pearce and eighteen year old passenger Eva Carmichael were the only survivors. Pearce had brought Eva ashore and sheltered her in a cave, reviving her with whiskey found amongst items washed up from the wreck. He climbed the cliffs and came across two riders from Glenample. No other survivors were found and sadly, Eva’s family members were amongst those who drowned. Hugh and Lavinia Gibson cared for Pearce and Eva at Glenample and extended their hospitality to Eva, who stayed on for about six weeks as she recovered from the ordeal physically and emotionally. Mrs Gibson introduced Eva to Jane Shields and the young ladies became lifelong friends. Years after Eva had returned to England, Jane’s daughter visited her. Eva handed her a blue china tea set to pass onto her mother as a gift. A descendant of Jane’s donated part of the tea set to Flagstaff Hill Maritime Village while another descendant donated her inherited share of the tea set to the Warrnambool and District Historical Society. In 1886 Glenample Homestead was updated to include a veranda on three sides. In 1887 Gibson sold his share to partner Peter McArthur. McArthur’s son Ernest inherited the property in 1897. Ernest established the Glenample Cheese Factory in around 1911. It was closed due to the World War and reopened in 1929 by McArthur’s sons, Robert and Colin, when they took control. In 1945 they sold Glenample and several owners followed but it was left unoccupied and became dilapidated. It was during this time that John Chance visited the property and photographed the buildings. In the 1980s the National Parks Service acquired the Glenample Homestead and began a restoration program. Work began in 1989 by Cathedral Stone, which was established in 1989 by James Charlwood, a specialist stonemason and son of maritime author Don Charlwood. This set of photographs are significant as a record of Glenample Homestead as it was from around the late 1860s to the late 1960s. The photographs are also significant as they were taken by John Chance, a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The photographs are significant as a link between Glenample, the vessel Loch Ard, and the only survivors of the Loch Ard. Glenample Homestead is of historical, social and architectural significance to the State of Victoria and is listed on the Victorian Heritage Register (VHR H0392). It is a historical example of early settlement and development of a run in the coastal land of South West Victoria, and it is constructed from locally quarried sandstone but doesn’t take away from its Georgian design. Glenample Homestead is of State significance through its unique connection with the wreck of the ship Loch Ard and the connection to its owners, Hugh and Lavinia Gibson and Peter McArthur, played a historically and socially significant role in the rescue and care of the survivors, the salvage of goods and the burial of those who lost their lives. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S417). The set of ten rectangular black and white photographs of the Glenample Homestead, taken in the late 1960s or early 1970s, give san overview of the Glenample property. The views include the front, back and one side of the building, three outbuildings, and the situation of the homestead on the property. The details on the photographs show the materials used and the Colonial Georgian style. The photographs are also a record of the deterioration of the property over the years it was unoccupied.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, kennans station, glenample homestead, georgian homestead, loch ard, princetown, victoria, james murray, hugh hamilton gibson, lavinia gibson, jane shields, eva carmichael, tom pearce, blue china tea set, peter mcarthur, ernest mcarthur, robert mcarthur, colin mcarthur, glenample cheese factory, cathedral stone, don charlwood, james charlwood, antique door key, glenample photographs, john chance, victorian heritage database 392 -
Greensborough Historical Society
Accessory - Hair Clips, 1950s
Hairdressers' hair clips used to hold hair sections whilst styling or cutting. In use circa 1950-1970.2 metal hair clips, hinged with teeth.hair clips, hair styling products -
Greensborough Historical Society
Container - Bottle, Woods' Great Peppermint Cure, 1940's
Medicine-style bottle , square profile, "Woods' Great Peppermint Cure for coughs and colds" embossed on front of bottle. Clear glass bottle, pressed inscription, screw top closure.Pressed on front: "Woods' Great Peppermint Cure for coughs and colds"glass bottles, medicine bottles -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Optical Equipment, Spectacles, Pince - nez with case, 20thC
Pince-nez spectacles are in a style popular in the 19th century, which are supported without earpieces, by pinching the bridge of the nose.A pair of Pince-nez eye glasses in a leather case, with a soft cleaning cloth.cleaning cloth - 'With Compliments / John Browning Pty. Ltd. / 113 Collins Street / MELBOURNE / PHONE MF 3221/ MF 3222optometrists, spectacles. eyeglasses, moorabbin, brighton, early settlers, pioneers, cheltenham -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Optical Equipment, Spectacles, Pince - nez with case, c1900
Pince-nez spectacles are in a style popular in the 19th century, which are supported, without earpieces, by pinching the bridge of the nose.A pair of Pince-nez eye glasses in a hinged silver case. optometrists, spectacles. eyeglasses, moorabbin, brighton, early settlers, pioneers, cheltenham -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, lady's blouse, c1970
This is typical of the style of blouse worn by young women c1970 and produced by the many thriving clothing manufacturers in Melbourne at that time.Circa 1970s. Lady's white polyester 'sissy' blouse"Columbo" 10melbourne, clothing, moorabbin, bentleigh, dressmaking, textiles, polyester, fashion 1970 -
Bendigo Historical Society Inc.
Equipment - Blotter
Rocker style blotters with replaceable blotting paper allow even blotting of ink from fountain or calligraphy pens. Curved bottomed ink blotter with protective cover. Blotter made of leather with wood handle on flat top and stitching around edge. Cover is folded cardboard.business, tools -
Kew Historical Society Inc
Postcard, Alexandra Gardens, Kew, 1910-1920
Named after Queen Alexandra, these beautiful gardens opened in 1908 and are designed in the formal style typical of the early 1900s.Early postcard showing architectural features and original plantings.The Alexandra Gardens, Cotham Road Kew. The postcard depicts a pedestrian bridge within the Gardens. The bridge, on which are standing two children, has rustic sides. On the evidence of this postcard, planting within the Gardens included a range of exotic specimens including a variegated aloe and water lilies. Native vegetation can be seen in the distance.alexandra gardens - kew (vic), postcards -- kew (vic.) -
Kew Historical Society Inc
Postcard, Alexandra Gardens, Kew, 1908-1918
Named after Queen Alexandra, these beautiful gardens opened in 1908 and are designed in the formal style typical of the early 1900s.Early postcard showing original architectural features and plantings.The Alexandra Gardens, Cotham Road Kew. The postcard depicts a pedestrian bridge within the Gardens. The bridge, on which are standing two children, has rustic sides. On the evidence of this postcard, planting within the Gardens included a range of exotic specimens including a variegated aloe and water lilies. Native vegetation can be seen in the distance.alexandra gardens - kew (vic), postcards -- kew (vic.) -
National Wool Museum
Textile - Quilt, Mrs Beryl Andersen, Chicken Feed Wagga, 1995-2001
Norma Dessent (the donor) was cleaning out her Mother-in-law Amy Dessent’s home, after she passed away in 1995. She came across a collection of gunny sacks for chicken feed, potatoes, and flour. Norma gave the bags to her good friend Beryl Andersen, thinking she might be able to make use of the material in her quilting. Many years later in 2001, Beryl gave Norma this quilt made in a wagga style out of the bags. This was both a great surprise and a great delight for Norma. Amy Dessent was a housewife. Her chickens were her friends, keeping her company as she worked in her renowned garden and while she cooked and maintained a beautiful home. Typically, Amy would have a dozen chickens clucking around at a time. In the style of the time, everything was kept for a possible repurposing later in life, such as these gunny sacks. The Chicken Feed Wagga was created in Ballarat by Mrs Beryl Andersen. Beryl was the inaugural president of the Hamilton Quilters Guild and is a well-known quilter. Perhaps her best-known work was the “Quilt for Hope”, a living memorial for victims of institutional church-related sexual abuse. More information about this quilt can be found on the following link. https://www.nationalquiltregister.org.au/quilts/quilt-of-hope/). The wool blanket used as a backing belonged to Beryl’s mother. Beryl’s mother married in 1930 and the blanket is thought to have been a present from this wedding, making the blanket close to a century old. Norma donated the quilt to the National Wool Museum in 2021 as a result of downsizing. She no longer had room for the quilt to hang on her wall. Before downsizing, the quilt had hung in the entryway to her home for the last two decades.Wagga style quilt made with a appliqué top layer of gunny sacks that once held chicken feed, flour, and potatoes. The insulating internal material is not known. The backing fabric is made from a cream woollen blanket. The edges are bound with a material of a red and white plaid. The gunny sacks are quilted together with a machine stitch of red thread. The sacks contain imagery pertaining to their previous use. Some sacks have an image of a chicken applied with blue, red, or green ink. Other sacks contain imagery of potatoes. While other sacks contain information “Minimum Crude Protein 14%, Minimum Crude Fat 3%, Maximum Crude Fibre 7%”. One of the sacks shows a handwritten price for a bag of chicken feed in a red ink.Numerous. See multimediaquilts, wagga, gunny sacks, upcycle