Women's long fawn silk skirt with train. Fawn silk lined, 3 panels in front, 4 panels in back. Plackett in front seam with 5 hook & eye fasteners. 1inverted pleat at centre back, 2 V shaped inserts at lower back giving fullness. Much fuller at back, with a flat front. Two hooks at rear waist to attach a bodice. Matching velvet ribbon - 1 cm wide lining the hemline. Machine & hand stitching.costume, female, long fawn silk skirt with train

Black and white photo: 3809.1 image shows two women, dressed in hats, coats, one carrying flowers. Crowd behind, standing in front of Memorial Hall, Pall Mall, Bendigo. Written on rear of photo in blue ink : 'Ann Michelsen Mayoress, when Duke and Duchess York visited, Bgo' Photo taken in 1920's. 3809.2 image shows two women standing in front of shed. Women are wearing mid-calf length skirts and tops. Taken in 1920.s.person, group, ann michelsen, michelsen, mayor, mayoress, bendigo, war memorial

Coloured photograph of the 1987 Netball - Grade 6 Team and their Coach. The girls are wearing yellow Golden Square t shirts and dark blue skirts. Two girls in the front row are holding a netball between them. The names are:- Back Row (L - R) Katrina Theologitis, Melissa Goodwin, Kylie Begg, Diane McGuane (Coach), Sonya Webster, Sheree McGuane, Nadine Talbot. Front Row (L - R) Sharon Metcalfe, Angela Downes, Cherie Freeman, Rebecca Metcalfe.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - 1987 netball - grade 6, katrina theologitis, melissa goodwin, kylie begg, dianne mcguane (coach), sonya webster, sheree mcguane, nadine talbot, sharon metcalfe, angela downes, cherie freeman, rebecca metcalfe

Faded coloured photograph of the Golden Sqaure Grade 4 Netball Team 1984. The names of the girls in the photo are:- (Standing) Megan McClure, Nicole Stanfield, Michelle Breheny, Karla Sutton, Sandy Brown, Tahnee Kurzke, Leanne Kurzke (coach), Cindy Downes. (Kneeling) Amanda Atkins and Sharni Mackay. Two girls at the front are holding a ball between them. They are wearing the yellow Golden Square t-shirts and brown skirts. Names are typed on paper which is stuck on a piece of foam core.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph golden square primary school no 1189 grade 4 netball team, megan mcclure, nicole stanfield, michelle breheny, karla sutton, sandy brown, tahnee kurzke, leanne kurzke (coach), cindy downes, amanda atkins, sharni mackay

Fine white cotton round neckline edged with lace. Three lace panels on centre bodice. Long ties are stitched down at the centre of the gown, with an embroidered cotton lace overlay, defining the bodice and skirt. Narrow pleats between the three lace panels, give fullness to the front bodice. Long sleeves are edged with narrow lace, and slight gathering gives the impression of a cuff. A six cm band of cotton lace edges the hemline. Six cm wide band of lace at hemline.costume, children's, night gown

sepia studio study with some hand tinting shows upper body of young female adult. Plaid skirt, leather gloves, purse ? Floral spray, tinted. Pale buttoned blouse, hip length fur. Collared long sleeved jacket, floral decorated stgraw hat atop curled hair. Image is mounted on stiff card with commercial details theron. In gold lettering on lower front, coat of arms, ' Charlemont, Sydney, by appointment to his excellency, Lord Carrington.Charlemont & Co., Grosvenor Studioes, Royal Arcade, Sydneyperson, individual, female portrait

Clothing. Pink background, blue, green, and burgandy floral short sleeved rayon dress. Padded shoulders, high back neckline, V shaped at front. Front yoke, with a scalloped tab, marked with a 1.75 cm white plastic button, with a flower impression. Two white buttons mark the centre front opening. Skirt has six panels. Front bodice gathers to the yoke. Short sleeves have 3.75 cm turn back cuffs. A home stitched dress.ALL RAYON GRAFTON REGD, Anti Shrink, GRAFAINE Styled by Rosecroft REGD.costume, female, short sleeved dress

Clothing. Women's yellow full length linen skirt. A-shaped from waist with lower section (36 cm) made up of three horizontal sections,1/ Vertical tab shaped pieces with pin tucks, 2/ Horizontal strip with pin tucks, 3/ Horizontal strip with pin tucks and frill along top edge. Darts around waistline with 1.3 cm waistband with drawstring on RHS only. Centre back opening (26 cm) fastened with two metal press-studs.costume, female, women's yellow full length skirt

A 175cm diameter circulet of cotton roses and leaves. Cream cotton roses and green leaves. Veil attached over a 21cm wide section of circlet. The fine silk fabric with embroidered 'swirl'pattern is the same as matching bodice and skirt. All edges are trimmed with a double row of finely embroidered lace, stitched together to form a 4.5cm wide edging. Roses are attached at 10cm intervals. Veil dips to a V shape at centre back. PART OF WEDDING OUTFIT 11400.780; 781costume, female, wedding veil

Clothing. Floor length silk costume. Purple silk bodice front and back with 16 cm slit at centre back from neckline. Round neckline edged with pink satin binding. Unshaped bodice dips to dropped waistline. Bright green silk skirt gathered slightly onto bodice. Triangular pieces of green silk gathered onto arm holes to form sleeves. The sleeve is open along the top edge and point of triangle ends underneath the wrist. No fastenings. No shaping.costume, female, floor length green silk costume

Girl's green silk organza dress with round neckline. Opening on left shoulder seam fastened with two press-studs. Decorative bow of pink satin ribbon attached between press-studs and falling from left shoulder seam. Short sleeves edged with two frills (2 cm) of gathered silk organza fabric. Dropped waistline with vertical rows of shirred stitching above the waistline front and back. Skirt with three layers of gathered fabric. Waistline finished with narrow casing.costume, children's, girl's green dress

Clothing. Infant's white linen dress with yoke front and back. Round neckline with hem. Skirt tightly gathered onto yoke front and back. Horizontal strip of lace (2.5cm) with open diamond pattern is 7cm above hemline. Hem is edged with 5cm zig zag lace. Dress is sleeveless with arm holes edged with 5cm zig zag lace. Full length back opening fastened with twoX one cm pearl like buttons at upper and lower edges of yoke.costume, children's, infants white linen dress

The painting was bought from Cesare Vagarini by Herr Wennagel for "Weihnachten" 1941 (Christmas) for his wife Johanna (Hanno) Wennagel. It was their first Christmas in the Camp. Herr Wennagel made many of the frames for Vagarini's paintings.A large Eucalyptus Tree surrounded by four huts - one on the left, three to the right. Green grass between the huts. A sunflower is growing at the side of the front left hut and a woman wearing a white shirt and blue skirt is seen entering the hut. Two women, one in pink and one in yellow are standing on a pathway between the huts. Clothes hanging on a washing line can be seen behind the tree near the last hut on the right. Bright blue sky and more trees in the background.Vagarini Ctatura, ww2, internment camp, camp 3

Sepia image mounted on grey board, of students outside school building. Image shows four rows of 69 students, one female teacher RH side, dressed in long sleeve blouse, long skirt. Boy in front holding chalkbaord 'Class II) On back of board stuck on yellow paper ' donated to school by Estelle Waterman 6/12/06 ( Shane Rodda's retirement day) G.S.P.S. circa 1896 - 1900 era. Estelle's step-mum is in the photo'bendigo, education, golden square primary school

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This lingerie dress, donated by Jane McIntyre is part of the wider McIntyre Collection. While lingerie dresses were produced for and worn by women between 1900 and 1920, the main period in which they were worn was between 1900 and 1910. This elaborately detailed example is believed to date from 1912-1918.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Three-quarter-length, white cotton voile lingerie dress. The dress feature extensive embroidery on the bodice and skirt, probably constructed from pre-embroidered fabric, rather than hand embroidered. In addition to the embroiderd panels, there is extensive use of white lace insertions. The dress has short sleeves to teh elbow and lace cuffs. The dress is date after the Edwardian Period due to the absence of tucks and frills. Its high-waisted design is simple and yet elaborately ornamented with embroidery.women's clothing, white muslin dresses, tea dresses, australian fashion 1910-1920, lingerie dresses, annie mcintyre, mcintyre collection, fashion design, fashion -- 1910s

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Pale blue shot silk dress, comprised of a separate pale blue silk bodice and a wide flaring skirt of the same fabric. The bodice features silk embroidery in the same colour as the dress and wide bands of brown lace at the neck, on the front of the bodice and on the sleeves. Blue silk fabric tabs extend across the lace at the front with gold buttons at either end. The bodice has an attached blue silk belt. As part of the ensemble, there are also pale blue silk stockings, of the period. edith mary weir (nee betteridge), women's clothing, dresses, fashion -- 1900s, weir collection

Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Blue silk, floor length day dress comprised of a tightly fitted, long, waisted jacket joined by hooks and eyes at centre front. The bodice features large ornamental buttons from neck to waist, covered in a figured silk fabric of the same colour as the dress. The gown has extensive pin tucking on the sleeves, on the flounce of the skirt, and on the long train. The line of the outfit is emphasised by the flattened front, which is typical of the period. Its cut and lack of adornment emphasises the tailored effect.australian fashion, fashion & design, costumes, dresses, women's clothing, fashion - 1860s, fashion - 1870s

The 2 cannons in the gardens were acquired by Mr Arthur Brookes, popularly known as 'Empire Brookes'. They were from a British vessel used during the Crimean War and were originally placed in the grounds of the Guildford Road Recreation Oval. The Dimmick Gateway was erected in 1950 by the citizens of Camberwell in memory of Cr William Dimmick, JP, Mayor of Camberwell, 1935-1936 and a Councillor from 1934-1947. There is a photo of him in Mayoral robes in the City of Boroondara Library Service collection. Cr Dimmick was commonly called Roy.Black and white photo of the Dimmick Gateway in Surrey Gardens. The gateway is built as if it was designed to have a fence attached but there is none. There are 2 tall central pillars and an arched bridge to 2 smaller pillars. It appears to be constructed from a variegated slate material. There is a light on the top of each of the tall pillars and also a plaque. To the RHS of the photo is part of the Surrey Shrine, skirted by 2 cypress trees. A canon and the Memorial Cross can be seen between the gateway pillars and to the LHS of the photo the wooden bandstand can be seen.dimmick gateway, surrey gardens, surrey shrine, boer war, bandstand, parks and reserves, cr william dimmick, roy dimmick

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this in 2012 at an auction of vintage clothing from the private collection of prominent Sydney fashion designer Lisa Ho, part of a wider sale of assets after Ho's business fell into deep debt. Ho began collecting vintage clothing and fabrics at the age of fifteen and her collection featured significant clothing items collected from around the world. For many years she drew on it as a source of design inspiration, particularly for print, in her highly successful fashion business. Di later wished she had purchased more at the auction!A full length slim fitting gown of gold metal thread and black thread self wave design fabric. The dress features a shawl collar, vertical pleat bodice, three panel, peaked front skirt. The dress secures with press studs at the centre front for modesty with a full left side opening secured by press studs. The sleeve features a front and back seam creating a squared shoulder head with fullness that is pleated in centre on the arm. the sleeve length is above the elbow. lisa ho, lisa ho collection, di reidie, vintage clothing, 1930s

Northern District School of Nursing nurse's base uniform 1950s - 70sBlue cotton uniform worn beneath white apron. The uniform is open at the front with nine button holes in right placket for buttons and shanks to attach. There are corresponding buttonholes on left side for closing with white buttons and metal shanks, a small pocket at top left and a pocket at RHS of skirt. There is a small buttonhole at back of neck and two each on inside seam of sleeves to attach collar and cuffs. The front has gathering from below the shoulders and the back top has an inverted pleat at centre.Two white tags one with 'Cotton' in red is attached inside back neck. The other white tag has the name 'Lesley Moloney' in red embroidery There are other indecipherable words in black marking pen, probably laundry marks.nurses uniform, northern district school of nursing

Long lily-pointed sleeves, fastened at the wrist with six X 0ne cm covered buttons and loops. A firm padded roll 19cm long, and eleven cm circumference sits at the shoulder at top of sleeve. A gathered panel on either side of the neckline forms a sweetheart neckline. Gathering under the bust, and a A shaped centre front panel - with V shape at lower edge-panel 33cm long. Two semi-circular panels 28 X 19cm from side seam to the centre front, and defining the shape of the peaked centre panel. A small inverted pleat comes from th ebottom peak of the centre panel. Skirt is circular and extends into a sweeping train.29 covered buttons with loops extend from the back neckline to the curved join at the hipline of bodice and skirt. A one cm band of fabric has been machine stitched around the hemline, and hand rolled and hand stitched to give weight and finish at the hemline. Two X 2.5cm loops, hand stitched are at the left and right sides, to slip over the fingers to hold the train above the ground.costume, female, cream wedding dress with extended train

This typewriter case allowed the Olivetti typewriter to be securely and free from contaminants to be totally mobile. The Olivetti typewriter company was founded in Italy in 1908 and became a leader in portable dependable typewriters.This particular typewriter contained is a Olivetti Lettera 22, oblique front stroke and portable manufactured after 1950. During the 1950s and 1960s was a time when British and European manufactured goods were still purchased by many Australian consumers. After the 1970s however, there was a shift, mainly in the cities, to Japanese made goods. The invasion of Japanese manufactured goods was relatively slower, especially in rural areas. The demand for long lasting and dependable merchandise was in the rural area still the most important criteria. The ease of setting up this typewriter and its compact mobility was its major benefit to trades people and travelling professionals, e.g. rural doctors, other medical professionals, accountants, lawyers and educators. This item(carrying case) facilitated the growing numbers of professional nomads requiring a relatively light office stationery package e.g. travelling novelist, writer, businessman and academics. This typewriter needed no electrical or battery power to operate it therefore the inside compartment did not require additional storage pockets . Outback Australia, where at this point in time, good available electrical power reticulation and battery power, was a scarce and therefore could not be totally measured as a highly efficient office environment. The protective carrying bag provided the only mobile way to operate in some business and home locations.Although this typewriter cover and its typewriter was purchased from a business in Penrith, Sydney, N.S.W., it is significant that it travelled easily to the Kiewa Valley, demonstrating the mobility of certain sections of the community. This typewriter cover protected the expensive typewriter it contained which was designed by an Italian industrial designer, Marcello Nizzoli, in line with the art deco style of the 1930s and the colour and flexibility of the vibrant 1950s. The underlying theme of manufacturing in the 1950s was to produce equipment that was more efficient than what was inherited from the earlier period of 20th century. Improvements were made to this Olivetti typewriter by Giuseppe Beccio by reducing the number of parts made from 3,000 to 2,000. Protection of such a typewriter was of an utmost necessity. The need for mobile expensive typewriters waned as less expensive typewriters became available. This was the major principle of the Japanese manufacturing juggernauts of the post World War II. Efficiency and low cost material was becoming prime factors in the success of rural industries from the 1960s. Competition from overseas producers was starting to affect rural industries and the removal of the large range of tariff protection, especially rural products, required not only a shift of farm management but a more efficient cost savings modus operandi.This is a semi hard cover (cloth over cardboard on inside, plastic over cardboard on outside), camel coloured outside and tartan cloth covered pattern inside the typewriter case. the case can be opened up by "unzipping" the top from the bottom halves of the case. For carrying purposes the case has two plastic covering metal handles with brass fittings. There are two stitched on brown reinforcement straps encompassing both sides of the case. The two reinforcing straps are brown in colour and a securing strap with a press button at one end to allow an extra securing tongue to keep the cover secure. The top inside of the case has a three quarters long paper compartment (flap style). See KVHS 0455 for Olivetti Lettera typewriter.commercial, protective carry bags/cases for mobile office equipment, mechanical typewriter

Yields information about the style and printing of tickets used in Ballarat and Bendigo tramways and how they were presented.1726 - Block of 200 tickets - purple ink on off white paper, denomination 7c, lettered A077400 to A 077599, headed State Electricity Commission of Victoria, Provincial Tramways and letters "CITY SECTION" on either side of the ticket, rather than section marks. On rear in purple ink is a diagonal criss cross or tartan pattern. The 200 tickets have been stapled onto a heavy cardboard back with a heavy metal staple and a small cardboard retaining strip at the top of the ticket. The ticket number is in black ink. 1726.1 - ditto A079400 to 079599 1726.2 - ditto A038357 to A038399 1726.3 - ditto A073600 to A073799 See ticket file and printed document - "Fare Charts and Tickets - SEC Ballarat and Bendigo Tramways".trams, tramways, secv, tickets

Clothing. Very fine cotton petticoat with a fitted bodice, and dropped waistline. Back opening fastened with six 1 cm diameter buttons - three are fabric covered - (possibly the original buttons) and three plastic ''pearl'' buttons. The square neckline is outlined with 2.5 cm deep cotton lace inserted with 1.5 cm wide satin ribbon tied in a bow at the centre back and front. A row of very fine cotton lace, 1.5 cm deep then edges the square neckline, and also the arm holes. The back bodice is shaped in six panels, and front bodice is shaped in three panels. Three panels of embroidered cotton lace extends from the front neckline to the bustline. Outer panels are 5.5 cm wide and 7 cm long, while centre panel is 11 cm long and 5.5 cm wide. Each of these panels is outlined with the 2 cm wide cotton lace. From the dropped waistline, a 2.5 cm wide cotton insertion lace is threaded with 1.5 cm wide satin ribbon. The skirt is lined with fine cotton, finished at the lower edge with a 5 cm wide gathered cotton frill,and an over- frill, 14 cm deep of spotted tulle, edged with a 1.5 cm band of cotton lace. The outer skirt is spotted tulle in four bands- separated by four 3.5 cm wide bands of floral patterned lace. The hemline is trimmed with an eleven cm deep band of floral lace with a lower scalloped edge. The under-skirt is made with nine gored panels, and has a 5 cm deep lightly gathered frill at the hemline.costume, female underwear, petticoat.

This photograph is taken in the Education Department at Royal District Nursing Service (RDNS). Principal Nurse Educator, Sister Pat (Paddy) Rowley is instructing the group in the Anatomy of the Brain. Jan Turski is a Trained nurse (Sister) working in the Domiciliary Infant and Maternal Care (DIMC) section of RDNS. Pat Walker is a Sister from Geelong, Lynne Lambert is a Sister from Qld, Paula McBreen is a Sister from St. Vincent's Hospital and Liz Seymour-Smith is a Sister from Qld. Sister Pat (Paddy) Rowley is wearing the RDNS winter uniform of a blue/grey skivvie under a blue/grey V neck tunic style frock made out of herringbone winter material.Education was an integral part of Melbourne District Nursing Society (MDNS), from its inception in 1885, later, in 1966, called Royal District Nursing Service, (RDNS). From 1885, only Trained Nurses (Nurses), through the Hospital training system, were employed by the Society, and on visits to patients they taught the necessity of hygiene and cleanliness, as well as the need for a good diet, to bring about good health. Doctor’s lectures were later given at the MDNS home to instruct patients and their families on prevention of disease. Education to patients continued throughout the years regarding health care and the use of equipment in the home. In 1961, Education programs commenced at MDNS with Trained nurses (Sisters) receiving In-service education. Sr. Pat (Paddy) Rowley was a leader in In-service Education and established the RDNS Department of Community Nursing Education in 1962. Sisters could also apply for scholarships to further their education outside of RDNS. Many of their senior Sisters received Postgraduate diplomas from the College of Nursing in Community Health Nursing, Education, and Administration, and several travelled overseas visiting nursing organizations viewing their public health and District nursing systems. At RDNS many programs were run, including: a Post Basic Course, Cardiac Rehabilitation Nursing, Haematology/Oncology Nursing, Palliative Care program, Diabetic Stabilization Program, Leg Ulcer Management Program, Wound Care Specialist Program, HIV/AIDS Nursing Care, Cystic Fibrosis Home Support, Veterans Home Care Program, Breast Cancer Support Program, Continence Management Program, Stomal Therapy Program, In-Home Lactation Support Program and the Homeless Persons Program. RDNS Sisters attended several hospitals to observe and learn special care needed to some patients, e.g. to the Austin Hospital to learn the care required for paraplegic and quadriplegic patients at home, and to Mount Royal Hospital to observe the care of patients in the Rehabilitation ward. A Community Nursing Education Program was extended to student nurses from hospitals and to other nursing organizations. These Education programs kept the RDNS Sisters abreast of new techniques, such as changes in technology for e.g. new testing methods in detecting glucose levels in Diabetic patients. Sr. Nan Deakin obtained a Post Basic Certificate in Psychiatric Nursing and included this area in her Education lectures. Sr. Daphne Geldard specialized in the area of Alzheimer’s disease and Dementia. These Sisters visited patients in District areas with the regular RDNS Sister when required. Every member of staff, both professional and non professional staff, received regular education in the Education Department. In 1980, a Home Health Aide pilot study, funded by the Federal Government, the Brotherhood of St. Laurence and RDNS, with the program written and taught by Sr. Rowley, was evaluated as successful, and Home Health Aides were employed and worked in RDNS Centres under the supervision of the RDNS Sisters. This black and white photograph shows, standing L-R, a side-on view of Jan Turski, who has short, straight light hair and is wearing a dark cardigan and white and black hound's-tooth check skirt; she is facing right. Next is Pat Walker, who has short dark hair and is wearing a grey jumper over a check skirt. Then, Lynne Lambert, who has short wavy dark hair, and is wearing a white jumper, with a pendant hanging down it, over grey slacks. She is holding half of an Anatomical brain in her right hand. Next is Royal District Nursing Service (RDNS) Principal Nurse Educator, Pat (Paddy) Rowley, who is looking towards the left of the photograph at the Anatomical brain held by Lynne Lambert. She is wearing glasses, has short dark hair and is wearing a light grey skivvie under a darker V neck tunic style frock. She is holding an open book in her hands. Next is Paula McBreen, who has shoulder length dark hair and is wearing a dark cardigan over a grey skivvie, with a pendant hanging down it, and a check skirt. She is smiling and looking to her right toward the others. On the far right, side-on and facing the others on the left of the photograph, is Liz Seymour-Smith who has shoulder length dark hair and is wearing a dark grey skivvie, and white, with dark check, slacks. In front of the group is a round dark wooden top table, which has a book and open folder on it, as well as a round white plastic base with the other half of the anatomical brain sitting in it.Barry Sutton MB 30royal district nursing service, rdns, rdns education, sister jan turski, sister pat (paddy) rowley, sister lynne lambert, sister pat walker, sister paula mcbreen, sister liz seymour-smith

The photograph is pre 1914-18. It is showing Cheltenham Market Gardeners having a picnic. The Market Gardeners gave Moorabbin it's first industry, which was to prove the most durable and resilient. The ladies and gentlemen are dressed in very fine clothes. All of the men are wearing suits with waistcoats and white shirts with neck ties. One man has a Boater hat , 4 have Bowler hats and 5 have Stetson hats. 5 men are standing and 4 men are kneeling or sitting with the ladies. The ladies are seated on the ground around a table runner on which items of food are seen. Most of the ladies are wearing white dresses, one lady has a dark coloured skirt with a white frilly blouse, and all have large wide brimmed fashionably decorated hats . They all seem to be dressed in their best clothes.The photograph depicts a group of men and women, 16 altogether, having a picnic pre World War 1 1914-1918 . They are surrounded by trees and bushes outside.Front of mount : R. McGeehan Photograph, Beechworth. Back of Mount Address Balaclava / C Whitehead / Gardeners Picnic / Pre World War 11914-18, moorabbin. picnic, market gardeners, early settlers, pioneers, moorabbin shire, cheltenham, fashion, dressmaking, bowler hats, boater hats, stetson hats, bonnets, chapeau, menswear, neckties, beechworth mcgeehan r, photographs,

A regular event for the widows was a concert in Fitzroy gardens performed by the Police Band. Usually held in March each year. The police horse Gendarme was a regular favourite and his horse float can be seen in the background. These photos show the widows enjoying the music and performers. President of the Melbourne Widows Club Irene Noll is seen in the first photo in floral top and black skirt. Legatees Geoff Swan and Charles Munnerley are standing by the microphone as Legatee Eddie Jowett reads something. Legatee Jowett regularly hosted and sang at monthly concerts at Legacy House. An article in the Answer in June 1994 shows Irene Noll at the concert in the same clothes so the date is assumed to be 1994. (Though it could also be 1992 which was when Legatee Geoff Swan was president).A record of regular events for widows to attend and enjoy together.Colour photo x 7 of widows at a concert in Fitzroy Gardens and an article in The Answer.widows, concert, answer, police band, fitzroy gardens