Postcard: sepia coloured card, biplane beached on shore, three men in row boat on RH side, large shed in background, possibly a hangar.A. Rapp, marine photographeraviation, civilian, biplane, basil watson, biplane, aeroplane

Framed Collage. Thirteen Photograph showing scenes of verious boats, aircraft in stages of repair and assembly. RAAF Transport Flight Vietnam 1964-1972Donated by LAC KR Matthews Engfitt 35 SQN Vietnam 1969-1970photograph, collage, raaf, 35 squadron

Painting colour in Gold/Brown timber frame depicting Mekong River Delta Village..Acrylic / canvas Village life -Houses, Boats and People.Min H Vietnam.mekong river delta villiage, framed painting

Date made January 1993Colour photograph showing boats refuelling at Bullock Island, Lakes Entrance, Fishermen's Co-op unloading area in background. Lakes Entrance Victoriatownship, waterways

Colour photograph taken from boat harbour of sunrise reflections on Cunninghame Arm. Fishing vessel Ken Dean in foreground. Lakes Entrance Victoriatourism, recreation, camping

Black and white photograph copied from single black and white photograph of shipping (unidentified) at Bairnsdale Wharf, boat with white funnel. Bairnsdale Victoriajetties, ships and shipping, waterfront

The 'Heather B' was disabled in the morning of October 23 1957 when a huge wave shattered the wheelhouse south of Lakes Entrance, VictoriaBlack and white photograph showing crew of the fishing boat 'Heather B' being rescued by larger steamer Nanonia off Lakes Entrance, Victoria.fishing industry, ocean, ships and shipping

Article Lakes Post newspaper 21 July 1993, crew member seriously injured offshore incidentColour photograph of 22 metre scallop fishing boat Eckero offshore. Does not appear to be working - women and child on board. Lakes Entrance Victoriashipwrecks, fishing industry, ships and shipping, coast

Vessel underwent major restoration in 1995 by Barry McKenzieColour photograph of the lake fishing boat Erin which underwent major restoration. Shows it fully restored and repainted and set up ready for relaunch.fishing industry, arts

Colour photograph of the scallop fishing boat Tamara at the jetty at Bullock Island, glimpse of cottages amongst vegetation on hummocks in background. Lakes Entrance Victoriaboats and boating, fishing industry, waterways

Date made 4 December 2000.Colour photograph of students from Toorloo Arm Primary School on a boat Save Our Shorebirds cruise on the Gippsland Lakes. Lakes Entrance Victoriaschools, students

Black and white photo of 2 swans in the foreground, 3 people in canoe rear left, and old boat sheds far background at Lake Weeroona.bendigo, parks and gardens, lake weeroona

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s.Commercial postcard produced by Hocking Stuart to advertise Ruskin Place, 75 Princess Street, Kew, but instead showing the Studley Park Boat House.The reverse includes advertising copy relating to the company and to Ruskin Place, 75 Princess Street, Kew.ruskin place - kew, 75 princess street - kew, studley park boat house

Memos from Dist Traffic Supt SS about the Head of the River Boat Races held Wednesday 10th and Saturday 13th April, 1946.trams, tramways, letters, instructions, events, hanna st depot, malvern depot, glenhuntly tram depot, hawthorn depot, camberwell depot

Black and white postcard of waterway showing rowing boat on lake, steep bank in background timber reflections in calm water Lake Tyers VictoriaReflections Lake Tyerswaterways, forest, boating

This shaped ink bottle made by Caldwell's is called a 'boat ink bottle'. It was shaped especially to hold a nib pen when the pen was not in use. The design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This pen and ink bottle set is of significance as the bottle has its original cork and retains remnants of ink, which was made from a recipe that at the time was over 100 years old, according to Caldwell.. The handmade, mould blown method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle and its contents are of state significance for being produced by an early Melbourne industry and exported overseas. The pen and ink set is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Victorian boat ink bottle; small rectangular clear glass ink bottle with horizontal grooves made in the glass for resting and holding the pen. The set includes one pen and nib with the bottle and cork. The bottle is made by Caldwell's and contains its Flo-Eesi Blue Black Ink brand."Caldwell's Flo-Eesi Blue Black Ink."flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

Queenscliffe life boatLife boat QueenscliffeBlack & white photograph of the winching up the LB QueenscliffeReverse - " N/A "historical references

Wrecked fishing boatWrecked fishing boat MERLANB & W photo of the wrecked MERLAN on the beachReverse - " NIL ".historical references

Couta fishing boatsCouta fishing boat RFD399B & W photo of the sunken rescue dinghyReverse - " L to R / Frank Ferrier, Ron Shapter, Tony Jergens, Tom Warren / sunken 14 ft dinghy used in rescue of wreck of Merlan / This sat on Lonsdale pier for a considerable time (2 years?) prior to rescue. When they put it in to rescue the dinghy commenced filling and rescue were carried out while bailing. ".historical references

This photograph shows the islands in the Hopkins River in 1911. This section of the river is in the Allansford area, near Jubilee Park (Hopkins River Caravan Park). It was, and still is, a picnic and fishing spot. On one of the islands is an unmarked grave which may be that of Jemima Christine Allan, the first wife of one of the first European settlers in the Allansford area, William Allan. She died in 1842. The photograph was taken by Jordan Studios so the photographer may be either Joseph Jordan, one of the best-known Warrnambool photographers of the past, or his son Arthur, also a well-credentialled photographer.This photograph is considerable historical importance, showing a section of the Hopkins River in the Warrnambool region in 1911.This is a black and white photograph in a wooden frame with a patterned edging. The photograph is inset with a gilt metal edging and enclosed in glass. The backing is wooden with a wire cord for hanging. The photograph shows the river with islands covered in vegetation. On the river are two boats, one wuih four occupants standing up in the boat and the other with two occupants. In the ccntre of the photograph is a tree stump and a dead tree.The Islands Hopkins River Warrnambool 1911 Jordan Photohopkins river, jemima allan, jordan studios

This painting shows a historic depiction of Australian whalers in action at sea, and shows the scale of man to whale. Whaling was one of the first industries in early Victoria. John Dollery was born in London in 1933. As a child he loved to draw and was a frequent visitor to the National and Tate Galleries. In 1957 Dollery came to Australia, settling in Queensland in 1965. After receiving a prize in a drawing exhibition, he began painting in oils, and is entirely self-taught. Whilst in Queensland he painted most of his canvases strictly from life and in 1977 he moved to Melbourne where he established himself as a full-time artist. John was very interested in Australia’s history, and most of his work represents this theme. Many of his pieces are in collections both in Australia and overseas. Dollery’s daughter is also an artist and has exhibited both her father's and her own works together in an exhibition 'Now and Then, Father and Daughter'.The painting is a significant work by artist John Dollery. Its subject of whaling shows an early Australian industry and shows the scale of man to whale. The decorative frame is appropriate for the era in which the scene would have taken place.Painting in oil on canvas, in gilt carved timber frame. Seascape, depicting a whale hunt. A spouting whale is behind a whale boat with six whalers aboard. A tall ship with seamen aboard is behind the whale. Two other tall ships and another whale boat are in background. An embossed plaque in bottom centre of lower frame has inscription.. Artist is J. Dollery. Stamped on the sticker “John Dollery / ARTIST / Crown Lot 16 The Esplanade Corinella, Victoria 3984 / Telephone: (056) 78 0644 “ Hand written on sticker “THE CHASE $xxx” Embossed in the wooden frame “30 / ART / Specturm” Signed “J DOLLERY”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, whales, whaling, industry, whale oil, blubber, john dollery, the chase, corinella, historic art work, australian art work, australian historic artwork

Cowes in the era of guesthouses with large tennis courts and open space.HistoricalBlack & white photo mounted on cardboard of Cowes jetty with boats, Thompson Ave, The Esplanade, Isle of Wight, The Continental Guesthouse, Erewhon Guesthouse, Yackatoon Guesthouse.Cowes 1931cowes, aerial photos, jetty, isle of wight, continental, yackatoon, guesthouses, bass avenue

One of a collection of photographs donated by Bruce BennettSepia photograph of San Remo Jetty with small boats moored and two people at one end. Newhaven in the background. 186-10 Identical Photograph copy.On back: "San Remo Wal Steer Collection"san remo jetty, san remo pier, bruce bennett