This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath, peacock statue, loch ard peacock, majorca peacock

Bifold land sale brochure glued to brown stationery folder with advertisement including map of original subdivision (circa 1958) and subsequent 1982 re-subdivision of Lot 7 Vista Avenue - LP41463 - Part of Crown Allotment 43, Parish of Ringwood, and 4-page brochure for sale of 4 luxury new homes built by Bovis Homes Aust. P/L as presented by Lyndsay Edmonds Homes. Subdivision includes Bedford Road, Homebush Court, Vista Avenue and Vista Court. Original protective covenant: "One dwelling house only on each of Lots 1-15 for a period of 15 years". Agent - Anderson & Hickling, 239 Collins Street, Melbourne. (Phone) Cent.25.

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse / Beechworth Old Courthouse / Reverse: B4 / BEECHWORTH OLD COURTHOUSE / BW - 09 (on masking tape) COURTHOUSE / BEECHWORTH / VICTORIA / NATIONAL TRUST / CLASS (A) ERNEST MARCUSE / 17 CADDOCK AVE / CAUFIELD / VIC / 53-7374 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

MOK257 and MOK257.1 Paper cover eight-page booklet with black text and image on the front.non-fictionThe booklet contains the aims of the Order the Knight's Law, etc. Also details concerning the formation of a Court and other useful knowledge.methodist order of knights

Also postcard size black and white same scene but larger view with two vehicles, with inscription-General view Lakes camping park showing homestead.|Larger copy has the inscription Beautiful view of park from Whiters Lookout Tower.Black and white photograph of Whiters Park, showing residence and office, gardens, tennis court, early model car by the petrol bowser, electric lights on tall poles. Opposite park entry is Aults Motor Engineer, scattered cottages. In distance is Cunninghame Arm, sand hummocks and ocean. Lakes Entrance Victoriaresort, township, transport, recreation

From the library of John Pascoe Fawkner considered together with John Batman as a founder of Melbourne and one of the first group of free settlers to arrive in Victoria 1835. J.J.Walsh who inscribed this copy married Fawkner's widow following the death of Fawkner.A folio edition in half morocco ruled in gilt over marbled paper boards with 74 engraved plates.Inscribed on main title page J J Walsh 15 Temple Court and further Inscribed and dated 'John Pascoe Fawkner, Feby 1855 Bohn' on title page and again on the verso of the last plate.john pascoe fawkner, london, melbourne

BHS CollectionHandwritten notes on recommendations for cleaning up and signposting Victoria Hill. Also contains list of photos from the Bendigonian of 1899. List of photos: Shamrock Mine, Undershot Water Wheel at Diamond Hill for Phillips Crushing Battery. Mr. Ballerstedt's Crushing Battery at Victoria Hill, Thompson's Foundry at Castlemaine, Machinery made for Bendigo Mines, Air Compressor at Shenandoah Mine, Winding Engine at Koch's Pioneer Mine, Poppet Legs at Koch's Pioneer Mine, Air Compressor at New Chum Railway Mine, Fortune Hustlers G M Co Bendigo View of Mine, Winding Plant and Afternoon Shift and Underground Work in the New Chum Railway. Also mentioned are notes on Machinery made by Thompsons. Also, a carbon copy of Annual Report to Bendigo Branch Royal Historical Society, Victoria 1/7/71. Mentioned in the Report are: Historical Ball, The Central Deborah, Victoria Hill, Tours and Society Business. Albert Richardson document?document, victoria hill, recommendations for victoria hill, north old chum, ballerstedt's rich 24 yard claim, floyds battery lansell's big 180, the bendigonian 26/1/1899, 2/2/1899, 20/4/1899, 11/5/1899, 10/8/1899, 14/9/1899, shamrock mine, undershot waterwheel at diamond hill, phillips crushing battery, mr ballerstedt's crushing battery, thompson's foundry, shenandoah mine, koch's pioneer mine, new chum railway mine, fortuna hustlers g m co bendigo, new chum railway, st mungo lady barkly, catherine reef, new moon, rae's open cut, old court house eaglehawk, police barracks, vic wodetzki, joss house, central deborah, central nell gwynne, mr harold curnow, bendigo branch royal historical society victoria, mrs kingerlee, felicity kingerlee, mr h biggs, city council, rotary club of bendigo south, white hills cemetry, chinese joss house, bendigo pottery, mr derham, reservoir high, princess theatre, a n a hall, mr hattam, col. sprenger, survey corps, a richardson

108 p.; 22 cmnon-fictionA chronicle of the first decade (1972–1982) of the Kooweerup Potato Festival in Victoria, Australia. It delves into the history, community involvement, and cultural significance of this unique festival, which celebrated the region's rich potato farming heritage. koo wee rup potato festival, koo wee rup (vic.), kooweerup (vic.)

Seven men were killed at the Great Extended Hustler's mine disaster on 2nd May 1914 by an explosion of dynamite occurring as the men were waiting at the plat to ascend the mine at the end of their shift. No blame was attached to anyone in the findings of the inquisition. It was unknown what caused the dynamite to explode. This document formed part of the research done at the time by Bendigo Historical Society, of the 100 years commemoration of the mine disaster, held at Hustler's Hill in 2014. Seven page photocopy of Department of Mines, Bulletin, Geological Survey of Victoria, Hustlers Line of Reef, Bendigo, No. 33 by H.S. Whitelaw. Includes plan of Hustlers Royal Reserve No. 2, (main shaft) showing location on Pall Mall, and location of Post Office and Law Courts; plan of location of Hustlers Royal Reserve No. 2 (Park Shaft) showing Jail (sic), Camp Hill State School, two 'lagoons' in between tennis court, croquet court and bowling green; a plan of the Great Extended Hustler's Shaft and two copied images of Hustler's Hill showing mining buildings, poppet heads and chimneys. Comet, K.K., Hustler's No. 1, Old Comet and United Hustler's and Redan Mines are shown in the images. great extended hustlers, goldmining, accident, quartz, mining, k.k. mine, comet mine, hustler's line of reef, old comet, united hustler's, redan

Sepia toned photograph of Post Office and Court House showing hitching post for horses at corner of footpath round turret, Shire Offices on right Bairnsdale Victoria c1920c. Second similar photograph on postcard taken many years later, only addition is a park bench taken by Mona McLeod 1940 cPublic Buildings Bairnsdalehistoric buildings, government services

Typed notes for a tour of the area. Areas mentioned are: Hospital Hill, The Central Deborah Mine, New Chum Railway Mine, The Rocks, New Chum Hill, Victoria Hill, Central Nell Gwynne, Rae's Open Cut, Housing Commission Homes and Latham and Watson's. Description of machinery at the Central Deborah Mine, yields, dividends, depth of shafts and directions to get ot the various places is included.document, gold, victoria hill, bendigo branch historical society mine tour, all saints church, joseph la trobe, bendigo's first hospital, sacred heart cathedral, the central deborah mine, city council, londonderry west shaft, new red, white and blue consolidated (big blue), a roberts & sons, big deborah, the new golden fleece, new chum goldfields, central wattle gully mine chewton, virginia consols, black's quarries coldstream, thompson's engineering and pipe co ltd castlemaine, new chum railway mine, golden square methodist church, the rocks, e j dunn, gold monument, shamrock mine, mt alvernia hospital, j b lazarus, john brown knitwear factory, gold fmines hotel, david sterry, new chum hill, fortuna villa, geo lansell, theodore ballerstedt, a h q survey regiment headquarters, old chum mine, central nell gwynne, rae's open cut, theodore ballerstedt, new chum syncline, little 180 mine, victoria quartz, wittcheibe's 'jeweller's shop', adventure, advance, cinderella, j n macartney, bendigo goldfields registry 1870, wm rae, johnson's devonshire mine, snobs hill mine, ellenborough mullock heap, belmont mullock heap, sadowa, st mungo, united devonshire, mechanic's institute, log lock-up, court house, j b watson, housing commission homes, hustlers hill, latham and watsons', the great extended hustlers, a richardson

taken from across the river looking back towards picnic area on right, site of old swimming pool below Court House. Colour photograph of Mitchell River Bairnsdale Victoria. Also three colour photographs of Mitchell River at Bairnsdale taken autumn 1991 settlement, rivers, topography

Handwritten notes on the New Chum Reefs (White & Black Leads) and South Victoria. Ref. Dicker's 23/11/1861 Pages 7 to 9. Notes include geography, Claims, Owners, Area & Title, Workings, Reef and Yield, Drainage and Remarks. Dates are 13/8/1861, 16/10/1861 and 11/9/1861. Also, a typed copy is includeddocument, gold, new chum & victoria lines of reef, the new chum reefs and south victoria, dicker's 23/11/1861 pages 7 to 9, bonatti's claim, gibbs & lazarus claim, phoenix company, south victoria, the black lead, messrs ballerstedt, garibaldi's company's claim, new chum company, m'dougall, inglis, menzies, dehan, the white lead, new chum quartz mining company, bonati and company, phillip bonati, woolcrow, albrecht, pragleman, mortinson, plumbreck, emmerling, sievis, denis's claim, messrs thompson and powell, geo denis, begelhole and company, mr begelhole, brown, blackwell, hildebrand & co, begelhole & co, w begelhole, thomas brown, henry begelhole, john blackwell, watson & co, j b watson, gibbs, lazarus, local court grant, gibbs & lazarus claim, mr gibbs, mr lazarus, phoenix company's claim, pioneer company, henry jackson, sullivan, burrows, chambers, marshall, william gunther, klemin, fulton, brown, brown, anderson, first quartz mining company, burrow's & co's claim, hudson's, thomas burrows, w philips, george hudson, john wybrant

Harry Thompson came from Sebastion near Bendigo Victoria. He enlisted in the New Zealand Expeditionary Force No 69437 Canterbury Infantry Regiment. Refer 323.3, 1258, 2026.2.Medal set, court mounted, set of (2) re H.Thompson. 1. War medal 1914-1918 2. Victory Medal 1914 - 19"69437 Pte H Thompson N.Z.E.F"medals, military, history

Date made August 2008Colour photograph of two brick units in Bung Yarnda Court. This is the site of the original Merrangbaur House. Lakes Entrance Victoriaguesthouses, architecture, room display

Hand-drawn map on cardboard backing. Includes red pen notations marking allotments sold to Mrs A. Harrison, Mrs C Cornwall, J.M. Miller, and A.W. Dickson.Red pen notations mark allotments sold to Mrs A. Harrison, Mrs C Cornwall, J.M. Miller, and A.W. Dickson. Later subdivision of the map area took in Miller Road and Atunga Court developments.

A colour postcard from The Cumberland guest house in Marysville.A colour postcard from The Cumberland guest house in Marysville.Situated high in the mountains 65 miles from Melbourne, The Cumberland offers/ the ultimate in relaxation: Private Swimming Pool, Tennis Court, Bowling Green,/ Croquet Green, Golf, Horse Back Riding, extensive gardens plus its famous/ reputation for high standard food and wine. marysville, victoria, australia, the cumberland guest house, accommodation, postcard

A colour postcard from The Cumberland guest house in Marysville.A colour postcard from The Cumberland guest house in Marysville.Situated high in the mountains 65 miles from Melbourne, The Cumberland offers/ the ultimate in relaxation: Private Swimming Pool, Tennis Court, Bowling Green,/ Croquet Green, Golf, Horse Back Riding, extensive gardens plus its famous/ reputation for high standard food and wine. marysville, victoria, australia, the cumberland guest house, accommodation, postcard

The Tawonga South Tennis Club commenced in 1946 and was situated on the last property on the riverside before the Tawonga South bridge where there was also a kiosk. Tennis was very popular in the Kiewa Valley with the influx of players available from the Kiewa Hydro Electric Scheme. In the Bogong-Tawonga Tennis Association there were three Bogong teams - Cope, McKay and Beauty with the other teams from Tawonga called Wanderers, Rovers, Pines and South Tawonga. Reported in the SEC magazine, Oct--Nov. 1946 Page 45:- "The membership now totals eighty, and both Bogong courts are in continuous use during week-ends and in the evenings and early mornings." There were clubs & teams in Bogong, Mt Beauty and Tawonga. This trophy indicates that there was a tennis association at Tawonga South in 1950. In 1945 the Tawonga South school was set up to serve the children of the State Electricity Commission of Victoria employees. The school was extended from one room to two in 1955 to avoid congestion. This would indicate that the population would have been sufficient for a tennis club as well. In the SEC Magazine 1946 Page 45:- "South Tawonga Tennis Club has arranged social functions to raise funds, and working bees are busy on the erection of a tennis court. The president is Mr. N. Piera, the secretary Mr. H. Wilson and the treasurer Mrs. W. Griffiths.Tarnished metal trophy with cup and two, extending above the cup, handles either side. The cup is raised by a decorated stem which is attached to a brown plastic hexagonal base. Tawonga South Tennis / Association 1950 / Donated by G.T.Kennedytennis. tawonga south. g.t. kennedy. kiewa valley. sport. club

tennis coach Mike Spruzen with St Brendans grade five pupil Tabitha Lancaster during kids tennis foundation program taken at tennis court on Rowe Street Lake Entrance VictoriaColour photograph of tennis coach Mike Spruzen with St Brendans grade five pupil Tabitha Lancaster during kids tennis foundation program taken at tennis court on Rowe Street Lake Entrance Victoriasports, tennis, clubs, recreation

City of Ringwood drawing No.520 dated October 1964, for construction of Jeffrey Drive, Ronald Street, Golden Grove, Gilda Court and Jennifer Court, off Mullum Mullum Road, Ringwood.Consulting Engineers: Geoffrey C. Bird, 483 Collins Street, Melbourne (Tel) 62 1517. Principal: Commerce and Commission Victoria P/L.

Prepared by the Public Works Department for the Government of Victoria. Client is the Mental Health Department, Municipality is City of Bendigo. Site plan of area bounded by O'Dwyer St and Finn St, North Bendigo. Handwritten note on back - Update of whole centre 10/4/91. Details include: oval, tennis court, grandstand, area is bounded by an un-named watercourse. Also indicated are 14 nissen huts, 2 toilet blocks, 3 weatherboard buildings, 1 galvanised iron building,2 galvanised iron sheds (one new), residence, garage, fowl shed, and a carpark. bendigo, institutions, sandhurst boys centre, sandhurst boys centre site plan;

Folded subdivision map on cardboard backing with real estate sales notations on some allotments. Subdivision includes Jarma Road, Reilly Street, Adrian Court, Valerie Court, Daisy Street, Joel Court, Ross Court, and Canterbury Road, Heathmont.Rubber stamp imprint in top left corner - J.S. Watson & Associates, Surveyors & Chartered Engineers, 7 Main Street Mornington, Phone Mornington 2186 & 24 Kensington Road, South Yarra, Phone BJ2155.

A digital copy of a colour postcard from The Cumberland guest house in Marysville.A digital copy of a colour postcard from The Cumberland guest house in Marysville.The Cumberland Marysville, Victoria Fine foods, a selection of wines, spirits, liqueurs, ales. In winter, warmth; summer, air-conditioning./ An excellent and varied menu is planned to meet the appetites sharpened by the invigorating mountain air. There are lounges to sit back in/ and enjoy the gentle art of doing nothing. Cards? A separate lounge is provided. Table Tennis? Of course. In the basement, billiards./ Outdoors there are tennis courts, bowls, croquet, and an inviting filtered pool./ At night, the soft comfort of deeply sprung beds in the privacy of your own suite; or family rooms if you wish./ Very little has been overlooked for your comfort at The Cumberland. Phone Marysville 3, or book at all leading holiday bureaux. 1428-31marysville, victoria, australia, the cumberland guest house, accommodation, 2009 black saturday bushfires, villa day spa, postcard, souvenir

Finals were played at squash courtsBlack and white photograph of winners of Table Tennis finals Chris Furmeister, Geoff and Loris Anderson, Eddie Nyhst Lakes Entrance Victoriasports, table tennis

Maryborough, Victoria.Colour photograph of Maryborough Court House. maryborough, maryborough court house

Maryborough, VictoriaColour photograph of the Supreme Court Hotel, Maryborough. maryborough, supreme court hotel, hotels,