black and white photo: poppet head, On back Ironbark Mine, Long Gully. 'The legs just as they fired the last shots 1976'.organization, business, ironbark mine

Bendigo's century a supplement to the Bendigo Advertiser volume nine: 1980-1989. On the front a picture of the fire that engulfed Killian's Way in 1987.newspaper, bendigo advertiser, centenary supplements

Document. Green paper flyer advertising, Eaglehawk Band and Fire Brigade's, Sixpenny Concerts, February 1905, Lake Grounds, Eaglehawk.performing arts, elocution, concert

Painted "en plein air", as seen by the artist, recording things as they were in 1959. Painted by Victor Litherland who arrived in Creswick in 1938. He became a noted artist represented in major collections. He painted in the naive style and recorded his history of the town.Gouache painting on paper of the old Creswick Fire Station and Town Hall (now the home of the Creswick Museum), done in naive style.signed "Victor Litherland" and dated 1959victor litherland, creswick, naive, gouache, town hall, fire station, 1959

RAF Instruction Manual- Firing procedures. Cards in individual plastic sheets. Dark green plastic cover with a Photograph of a RAF Pilot.manual, raf

Born: Bradford, Yorkshire, England 1850; Arrived: Victoria, Australia c.1874; Died: Melbourne, Victoria, Australia 1908VictorianGift of Mr S.T.Staughton, 1978Rural landscape with animals at waters edge, trees, packed wagon and figures around a fire. Gold plated gesso on timber frame.Recto: Not signed, not dated, not titledpainting, landscape, figure, animals, wagon, horses, water, reflection, wheels, colonial

At guide hall on corner of Layzell and Patrick Streets Guides in dress up with flag, at guide hall corner of Layzell and Patrick Street with blacksmith shop and fire station visible in backgroundA Marshall Studios Quality Prints guides

Sheet metal frame with metal mesh sieve. Used for sieving 'breeze' or dust from coke to help in maintaining a clean fire.rural industry, farm machinery, trades, blacksmithing

Digital images of demolition after a fire - corner Grant and Armstrong Streets Ballarat. The former Ballarat Supreme Court House is in the background. ballarat, grant street, armstrong street, demolition, brew tower, ballarat gaol

Colour photograph of St Alipius' and the Ballarat [East] Fire Brigade taken with a zoom lens from Armstrong Street South, Ballarat.ballarat fire brigade, ballarat east, st alipius' catholic church

Black and white image of the view of Ballarat East along Main Road. The photograph was taken from the Ballarat Fire Brigade Tower.ballarat east, main road ballarat east, ballarat fire brigade, phoenix hotel

Colour photograph of the catamaran fishing vessel Star Fire at Bullock Island fishing Co-op jetty Lakes Entrance Victoriaislands, ships and shipping, fishing industry

Chris HEADLEY Born in York, England Chris Headley studied at York School of Art before majoring in ceramics at the Central School of Art in London, learning to throw with (the late) Michael Casson and hand-build with Gordon Baldwin. Chris graduated in 1973 and travelled overland across Europe and Asia, through Turkey, Afghanistan,and Iran arriving in Australia. A year after leaving England, he arrived in Australia, where he has lived and worked ever since. He undertook his Master’s degree at the Australian National University, graduating in 1991, and in 1999, with Dr Owen Rye as his supervisor, gained his PhD from Monash University, Victoria. Sculptural form on wheels black fired with three gold fish hanging. This work forms part of the Jan Feder Memorial Collectionjan feder memorial collection, jan feder, ceramics, artwork, artist, gippsland campus, chris headley, jan feder memorial ceramics collection

In particular I have been using these methods of construction [slab] to interpret the traditionally spherical form of the teapot as a cubist painter might by squaring it up and transposing curved surfaces into planes and angles. These geometric versions provide flat surfaces for pattern making and light reflection, and the objects become increasingly more decorative than functional. I find enormous pleasure in bending convention to the verge of impracticality. But not so radically that l miss the challenge of producing a form that still incorporates most of the elements of a properly functioning teapot, such as the height of the spout to the pot, the ease of filling, emptying, and handling. Surface decoration plays a vital role in reinforcing the abstraction. Bold areas of black underglaze are applied with distinct boundaries dictated by the form’s angles and planes. In pairs or ad hoc groupings the teapots react with each other and the spaces between to present complex geometric patterns. High firing produces a dense, almost vitrified body and the surface quality I admire without the need for glaze. Although some with more functionality may be glazed inside.(http://www.diannepeach.com/, accessed 23 July 2021)Dianne PEACH (1947- ) Since being introduced to pottery by Milton Moon and David Smith in the mid 60s Dianne Peach initially focused on wheel thrown functional war, which expnded include the infinite possibilities of slab building and casting. This work was purchased from the "Fresh Clay' Exhibition in 1983.Electric kiln fired slip cast earthenware teapot with stencils and coloured glazes. Purchased from the 'Fresh Clay' exhibition, 1883.dianne peach, jan feder memorial ceramics collection, jan feder, ceramics, teapot, fresh clay exhibition

Donald Clark Collection.Two tickets to 'War Years II', performed at Tarnagulla Hall on May 31, 1991 in aid of Tarnagulla Urban Fire Brigade.

Black and white photograph Jayrow Helicopter with trainers with pilot Roger DeSuza at DCNR fire fighting training. Lakes Entrance Victoriafire brigade, volunteering

A black and white photograph of Contact, contact, Contact, late afternoon, platoon strength, North West of 1ATF, Operation Atherton, 10 December 1969, 1 Platoon, A Company, 8RAR, Pte Graeme C Piltz goes to ground under fire from heavy machine gun, automatic weapon, rifle and RPG firephotograph, pte graeme c piltz, 8 rar, gibbons collection catalogue, 1 atf

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Operation Capital, Fire Support Base. 'Flinders', a Gunner, covers his ears at 'The Fortress' or 'Sandbag City' as 105mm (Howitzer) gun of 104 Battery fires in support of 4 RAR/NZ (ANZAC) elements operating in the Thua Tich area east of Phuoc tuy Province. (Circa October 1968)photograph, operation capital, fire support base flinders, 105mm howitzer, 104 battery, 4 rar nz, thua tich, phuoc tuy province, gibbons collection catalogue, denis gibbons, photographer, vietnam war, 4 rar/nz (anzac), sandbag city, the fortress

A black and white photograph of Contact, Contact, Contact, late afternoon, Platoon strength North West of 1ATF 'Operation Atherton' 10 December 1969. 1 Platoon, A Company, 8 RAR under heavy machin gun fire, AK47, rifle and RPG fire. Cpl I.G. Torrens crawls back to better coverphotograph, 1 atf, operation atherton, 1 platoon, a coy, 8 rar, rpg, gibbons collection catalogue, ak47, cpl ian torrens, machine gun

A black and white photograph Contact, Contact, Contact, late afternoon, Platoon strength North West of 1ATF 'Operation Atherton' 10 December 1969. 1 Platoon, A Company, 8 RAR under heavy machin gun, AK47, rifle and RPG fire. Pte R.J. Asmus moves forward to a better fire positionphotograph, 1 atf, operation atherton, 1 platoon, a coy, 8 rar, rpg, pte asmus, gibbons collection catalogue, machine gun, ak47

A black and white photograph of Contact, contact, Contact, late afternoon, Platoon strength North West of 1ATF 'Operation Atherton' 10 December 1969. 1 Platoon, A Company, 8 RAR under heavy machin gun fire, automatic weapon, rifle and RPG fire. A wounded digger is pulled away from a bunkerphotograph, 1 atf, operation atherton, 1 platoon, a coy, 8 rar, rpg, gibbons collection catalogue, digger, wounded serviceman, ak47, machine gun

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of a 105mm gun, covered against dust, sits silent in its bay at a Fire Support Base, at the base of the Nui Thai Vai Mountains, Phuoc Tuy Province, South Vietnam. The Fire Support Base was supporting 1st ATF Units sweeping through the caves of the mountains. (Circa October 1969)photograph, 105mm howitzer, fire support base, nui thai vai mountains, phuoc tuy province, 1st atf base, gibbons collection catalogue, denis gibbons