Michael HENWOOD This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed academic portrait of Chancellor Geoffrey Blainey, inaugural Chancellor of University of Ballarat (now Federation University Australia).Signed lower left art, artwork, michael henwood, henwood, geoffrey blainey, blainey, chancellor, academic portrait

The Church of St Michael and All Angels dates from the 15th century and is the Parish Church for Ashton under Lyne. It is believed there was a church on this site before the Norman Conquest as the Domesday Book mentions a St Michael's Church in the east of the ancient parish of Manchester. Much of the structure was re-constructed in Victorian times. The church with large windows in Perpendicular style. Buttresses were required with this type of building as the large window area reduced the strength of the walls. The church boasts boasts some of the best examples of fifteenth century stained glass left in Britain. There are eighteen panels illustrating the life of St. Helena. The church tower is 145 feet high and has a peel of thirteen bells. (From ashton-under-lyne.com) Holy Trinity Church, Bardsley was consecrated on the 10th October 1844 by the Bishop of Chester. The church was only the third church in the Borough of Ashton-under-Lyne to be carved out of the parish of St. Michael & All Angels, Ashton. The church was built on land donated by the Hulme Trustees..1) Sepia photograph mounted onto card showing Holy Trinity, Bardsley, Ashton-under-Lyne. Snow is evident in the foreground and the church is surrounded by a graveyard. .2) Sepia photograph mounted onto card showing St Michael's and All Angels church, alongside a graveyard.Signed lower LHS "J.W. Mellor" Lower RHS "Ashton-under-Lyne"cemetery, st michael s and all angels, ashton under lyne, j w mellor, tombstone, tomb stone, headstone, head stone, holy trinity church, bardsley

Pen and ink drawing on paperDated '8.1.53 Melbourne' in lower left corner of image. Signed lower right.

Framed computer assisted design bookplateSigned lower left 'Kevin G' lower right side '1/3'framed bookplate, bookplate, australian bookplate design awards, kevin gee, keith wingrove bookplate design award

David Rose (1936–2006) David Rose worked in New South Wales and produced etchings, lithographs, screenprints, and woodcuts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed and matted silkscreen printed in colour, from four stencils Lower left: 53/120 Radical Lower right: David Rose 1971art, artwork, printmaking, david rose, silkscreen, print council of australia

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition printSigned Robert Irwin lower left 78/ 131. 65 on lower right.art, artwork, printmaking, monoprint, available

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of the Beaufort Marketsigned: B Magree (lower right) inscribed: MARKET DAY (lower centre)

On display at History House.Sepia photograph of a cemetery. A tall monument is located in the centre of cemetery. To the right is a path leading towards a small building. Mounted on card within a decorative border bearing photographic company's name. Framed under glass in Tasmanian maple frame.Front: 140 (on emulsion, printed, lower left). Yeoman & CO. (printed, lower left). ROYAL ARCADE, MELBOURNE (printed lower right).portland, cemetery

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of high tension electricity towers on top of coastline. The foreground shows the ocean with white rocks and the cliffs of the coastline in gold and various shades of green. The electricity towers are black and gold and printed on a purple and blue background.Front: 40/60 (lower left) "Dawn of an Error" (lower centre) CJ Snook '84 (lower right) (pencil) Back: 29

NoneAbstract image. Centre image is a human (shown without skin) climbing a narrow mound/hill form. At the top is a screen supported by three poles. The screen reproduces a photograph of what appears to be a classical narrative bas-relief sculpture. On each side of the hill are Celtic and Norse carvings/gilded artefacts/metalworks mounted on long poles. Abstract could patterns are at the top of the print. No matt. Silver metal frame.Front: 1/10 (lower left) Ikon to a Fossil King (lower centre) Allan Mann (lower right) (pencil) Back: (no inscriptions)

Laminated screenprint of high tension electricity towers on top of coastline. The foreground shows the ocean with white rocks and the cliffs of the coastline in gold and various shades of green. The electricity towers are black and gold and printed on a purple and blue background.

Originally situated on the northwest corner of Ely and Porter streets, Eltham. Incorrectly titled by the artist as "Old School House" Newsletter No. 189 November 2009 Donation: Lesley Rickards of South Australia has made a donation to the Society of a painting by her father Ronald Coudrey, who was a well-known artist in that state. The water colour painting reproduced below, is titled "Old School House, Eltham" but has been identified as an old cottage that once stood in Ely Street Eltham near the Eltham High School. In the late 1970s and early 80s this building was the subject of a campaign by our Society with the objective of its preservation. It had been identified as having associations with Eltham pioneer Frederick Falkiner. Suggestions that it was an old school building shifted to this site were not supported by any evidence. The land developer donated the cottage and a small area of land to the Eltham Shire Council. However, due to its poor condition and vandalism, it was decided that the cottage could not be retained and ultimately it was demolished. The land on which it stood has recently been sold by Nillumbik Shire Council. The Society has a number of photos and another painting of this building, but this recent donation is an important addition to our collection and we are grateful for the donation.art, falkiners cottage, ronald coudrey

In commemoration of the heroic deeds of the men of ANZAC at GALLIPOLI in 1915 and in recognition of the great debt owed by all Australians. Medical practitioner Army Medical Corps 1st Field Ambulance. Mentioned in despatchesThis Item is significance because apart from only being issued to members who served in GALLIPOLI, This Medallion is significant because Lieutenant-Colonel John Basil Welch "Army Medical Corps" was Mentioned in Despatches and Awarded the "DSO" Distinguished Service Order Medal Bronze /Round /Crown with Anzac on lower part Australia on back with southern cross1915 ANZAC ON FRONT "J.WELSH" ON BACKmedal, anzac, gallipoli, medalion, welch

Black and white photograph of a newspaper story about an accident at Lower Plenty Bridgelower plenty, bridge, main road, lower plenty bridge, transport, automobile, accident

Arthur Dyasle, Lower St., East Ringwood at Church of England, Ringwood' [no date].Catalogue card reads, 'Wedding. Miss Betty Wood, 139 Bedford Rd. Heathmont.

Wooden plant stand cut-outs each side, fretwork on lower partflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Fid tapered cylindrical pin. Worn from use around lower base.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, fid

Susannah designed and carved by Charles Francis Summers and accompanies four statues in the Statuary Pavilion in the Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.The artwork is of historic and aesthetic significance to the people of Ballarat White marble statue, female seated with cloth draped over lower body.Susannahsusannah, summers

Robin Boyd most likely saw Solstar at Asher Bilu's exhibition at South Yarra Gallery in September 1968. In November 1968, Robin Boyd arranged for the loan of this painting from South Yarra Gallery to Australian Pavilion at Expo '70 in Osaka, where Boyd was appointed Exhibit Architect. It hung in the bedroom over a bed, containing a life-size cut-out figure by Bruce Petty, in the Model House Interior exhibit on modern living in the Space Tube. On its return from Expo, the painting was in transit at the Boyd's home in Walsh Street and they liked it so much that they decided to buy it. Solstar originally hung on the wall at the end of the galley kitchen. The artwork at the Boyd's home in Walsh St has been moved several times over the years. Solstar now hangs above the dining table, but at the time of Solstar's acquisition, the Boyds hung the painting "Winter Triumphant" (1920) by Penleigh Boyd, Robin Boyd’s father, above the dining table. In early 2021, Asher and Luba Bilu visited Walsh St to view Solstar again. Asher was extremely happy with how the painting looked and its condition 53 years after painting it. He requested it be hung a little higher and he returned in April to make some minor restorations to remove scratches. Silver mixed media with large black circular area in the central lower half. On reverse has the title: Solstar/A. Bilu/Arrow showing which way up. Unsigned on the front.asher bilu, penleigh boyd, expo 70, osaka, robin boyd, south yarra gallery, walsh st artwork, ohm2022, ohm2022_13

PART OF CLUNES TOWNSHIP FROM CAMP PARADE.TOWNSHIP VIEW OF CLUNES, FROM LOWER FRASER STREET, TWO BRIDGES IN PICTURE.CLUNES FROM CAMP PARADE. CIRCA 1897local history, photography, photographs, clunes township

Keith Hancock was a senior teacher at Box Hill Technical College in Dunloe Ave, Box Hill c. 1976. Keith was a student at what was then Box Hill Technical College in 1949 - 1952. Then as apprentice in 1953 - 56 qualifying as a carpenter. He was a third generation builder generally working in the City of Nunawading. He eventually trained as a teacher 1964/65 and returned to Box Hill Technical College as a senior teacher c. 1976.Navy blue tie with white stripe and White Horse embroidered on lower edge.costume, male

Coloured photo of War Memorial being lowered into place in Halliday Park. (1989)war memorials, halliday park

Large cream lace collar with 16 large flower medallions at lower face.costume accessories, collar accessories

Possible trench cave in or industrial accident and patient recoveryLaminated colour photograph.3 ambulance officers in white overalls lowering equipment.

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, inherited, owned, used and or donated by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Woven, lidded raffia straw reticule with dried raffia lowers used as decoration.women's clothing -- accessories, bags -- handbags, bags -- reticules, bags -- purses, fashion accessories

Port of Portland Collection.Front: Opening of the Deep Water Pier Portland, Feb 13th, 1902. BALL. Hon. Steward. R.T. Silvester, Hon. (stewards pass) (lower left). Back: 1996 (upper left) (pencil).port of portland

Large belt driven bandsaw with wooden frame. Metal upper and lower driving wheels for bandsaw. Upper brass and lower cast iron. Wooden work table and saw guard. In poor working order and blade not fitted.trades, carpenttry