Series of A4 copy photos given to the collection by Judy Faram, Illustrating the evolution of the 1856 building (see also #1516, 1522). The prints have been marked with dates. .11 - sailing canoe in yard, built by Allen FaramIn ink, various information dates etc on surface of prints.business and traders - hardware, built environment - commercial, faram brothers hardware, allen faram

A framed print of a hand coloured photo detailing open warfare in Peronne during WW1. Image shows frontline soldiers witnessing an explosion in the distance. Mat board is inscribed with the words "OPEN WARFARE BEYOND PERONNE. SEPT 1918""Cotarts Studios Melbourne" inscribed on the right corner of the print. open warfare beyond peronne, 1918, september 1918, ww1, explosion, peronne

Slide. Great Northern Gold Mining Co. situated at Market Street, Eaglehawk. Poppet head, chimney, large stacks of wood in foreground. Engine room building has 'Gt. Northern GMC' printed on side. Mine frontgs onto footpath, roadway in front. Neat wooden fence surrounds front of mine buildings. Image taken from 'Healthy Golden Bendigo' book.No. 20 printed on bottom of slide.mine, gold, great northern., bendigo mines-jack hattam collection

Black and white photograph and negative of tram 27 in Sturt St at the corner of Armstrong St. with the Ballarat Town Hall in the background. Photo taken from the central median strip with a number of seats in the foreground and flowers growing in the planter beds. Original print has water mark damage on the lower portion of the photograph. Taken 14 August 1971 Original print by David Endacott, duplicate print (1266A) by John Phillips 12/1999. Second copy added 5/2001. Original neg scanned at hi res and updated 11/5/2020.On original print "Cnr Sturt & Armstrong Sts / Sat 14 Aug 1971" in pencil.trams, tramways, ballarat, ballarat town hall, sturt st, armstrong st, tram 27

Three copies of Bendigo Sub-branch R.S.S.A.I.L.A. Annual Victory Ball held at the Town Hall, Bendigo on August 17th, 1948. Guests of Honour were Lt.-Gen. S. G. Savige, C.B., C.B.E., D.S.O., M.C., E.D. AND Mrs Savige. Card is cream with gold print on the front and a blue RLS badge. Other printing is brown. The inside of the tri-fold has a Dance Program of 28 dances and a space for Autographs. The other side has the Debutantes: Clarice Johnston, Beth Brown, Hazel Somerville, Pat Fairless, Dorothy Wilson, Enid Sutherland, Enid Hilson, Pat Johnson, June Richards, Pat Griffiths, Ann Mangan, Valerie Hunt, Pat Burton, Nancy Osgood, Emily Johnson, Janette Sutherland, Edith Johnson, Elaine Stemmer, Shirley Hinton, Marjorie Peterson, Elva Munro, Helen Balsillie, Nan Fairless and Shirley March. Chaperone:Mrs L J Warner. Flower Girls: Margaret Thomas and Beverley Heeps. Partners: Jack Wright, Douglas Dickinson, Graeme Hoy, Dave Beattie, Jim McNamara, Arthur Sutherland, Ken Burgess, Norm Fath, Robert Jackson, Alec Pianto, Kenneth Maes, Neil Holden, Brian Ackland, John Clarke, Les Johnstone, Ken Johnson, Frank Holden, Keith Rollinson, Dave McDougall, Don Peterson, Les Morey, George Hunt, Geoff Meggs and Ray Fitzgerald. President Bendigo Branch R.S.L. Col G V Lansell. Chairman Ball Committee: Mr F E Jackson. Hon. Secretary Ball Committee: Mr J W Swatton. Printed by James, Print, Eaglehawk.James, Print Eaglehawkevent, social, victory ball, r.s.l. bendigo collection - annual victory ball 1948, lt-gen s g savige, mrs savige, clarice johnston, beth brown, hazel somerville, pat fairless, dorothy wilson, enid sutherland, enid hilson, pat johnson, june richards, pat griffiths, ann mangan, valerie hunt, pat burton, nancy osgood, emily johnson, janette sutherland, edith johnson, elaine stemmer, shirley hinton, marjorie peterson, elva munro, helen balsillie, nan fairless, shirley march, mrs l j warner, margaret thomas, beverley heeps, james, jack wright, douglas dickinson, graeme hoy, dave beattie, jim mcnamara, arthur sutherland, ken burgess, norm fath, robert jackson, alec pianto, kenneth maes, neil holden, brian ackland, john clarke, les johnstone, ken johnson, frank holden, keith rollinson, dave mcdougall, don peterson, les morey, george hunt, geoff meggs, ray fitzgerald, col g v lansell, mr f e jackson, mr j w swatton

The reproduction print is of artwork depicting 'old' Vathi. Vathi is the main town and the largest settlement on the island of Ithaca in Greece, possibly established during the period of Venetian rule. The town resembles an amphitheatre, built around the coastline of one of the most natural ports of Greece. Many of the old buildings were destroyed in the catastrophic earthquakes of 1953. The length of the port is 926 m. with an entrance of 300 m. in width. It was once the main port for ferries transporting goods and people to and from the mainland. Ferries now dock at Piso Aetos. In the summer the harbour of Vathi is filled with sailing boats and yachts. During the periods of Venetian (c1500 - 1797) and English (1809 - 1864) rule, the population of Vathi grew significantly, reaching a total of 5,000 residents. During this period Vathi became an important centre for trade and commerce, political activities and legal proceedings.A black and white drawing of the harbour of Vathi . The drawing has a white surround. Printed in Italian across the top of the drawing: LUDRO LITTORICO Printed in Italian underneath the drawing: VISTA DE VATHI IN ITACAlittoricio, luadro

One copy of the Bendigo Sub-branch R.S.S.A.I.L.A. Annual Victory Ball held at the Town Hall, Bendigo on August 12th, 1952. Guests of Honour were Air Vice-Marshall A M Charlesworth, C.B.E., A.F.C. and Mrs Charlesworth. Card is cream with gold print on the front and a gold RLS badge. Other printing is blue. The inside of the tri-fold card has a Dance Program of 28 dances and a space for Autographs. The other side has the Debutantes: Mary Bacon Jill Britnell, Ailsa Peterson, Beatrice Bacon, Lorna Johnson, Elaine Campbell, Lorraine Jobe, Norene Fox, June Thomas, Joyce Strahan, Gladys Monro, Fay Stanton, Dawn Nicholls, Dorothy Cowling Iris Baxter and Fay Swift. Trained by: Mr J Singe and Miss P Reidy. Matron of Honor: Mrs V Palmer. Partners: Bill Perdon, Bill Waddell, Neil Merton, Gerald Matheson, Ernest Johnson, Neil Wilson, Len Ermel, Royce Read, Kevin Whelan, Brian Owins, Norman Quin, Robert Nichols, Ron Nievandt, Max Cowling, John Bond, Stan Johannsen and John Kupke. President Bendigo Branch R.S.L. Col Sir George V Lansell. Chairman Ball Committee: Mr F E Jackson. Hon Sec ball Committee: Mr J W Swatton. M.C. Messrs G Hudson, W Waters. Printed by Hocking & Sloan Print.Hosking & Sloan Print, Bendigoevent, social, victory ball, r.s.l. bendigo collection - annual victory ball 1952, air vice-marshall a m charlesworth, mrs charlesworth, mary bacon jill britnell, ailsa peterson, beatrice bacon, lorna johnson, elaine campbell, lorraine jobe, norene fox, june thomas, joyce strahan, gladys monro, fay stanton, dawn nicholls, dorothy cowling iris baxter, fay swift, mr j singe miss p reidy, mrs v palmer, hocking & sloan print, bill perdon, bill waddell, neil merton, gerald matheson, ernest johnson, neil wilson, len ermel, royce read, kevin whelan, brian owins, norman quin, robert nichols, ron nievandt, max cowling, john bond, stan johannsen, john kupke, col sir george v lansell, mr f e jackson, mr j w swatton g hudson, w waters

One copy of Bendigo Sub-branch R.S.S.A.I.L.A. Annual Victory Ball held at the Town Hall, Bendigo on August 21st, 1951. Guests of Honour were Lt. Gen. H. Wells, C.B.E., D.S.O. AND Mrs Wells. Card is cream with gold print on the front and a gold RLS badge. Other printing is blue. The inside of the tri-fold has a Dance Program of 28 dances and a space for Autographs. The other side has the Debutantes: Marion White, Ivy Derby, Heather Pettersen, Cherris Collier, Joan Ryan, Margaret Hawkes, Mavis Thomas, Olive Knox, Norma Scott, Maureen McGregor, Beverley McGhie, Norma Hinton, Joyce Boyd, Dorothy Cutting, Bonnie Jobe and Shirley Jobe. Trained by Miss E. Liddell. Chaperone: Mrs J W Swatton. Page and His Lady: June Egglestone, Janette Brady. Partners: Ian Shadforth, Max Cowling, Neil Ross, Noel Evans, Len Ermel, Len Rutherford, Des McKenna, Maurice Reed, Brian Owins, Ian Stevenson, John Wild, Bill Ross, Wallie Reed, Noel Bradley, Trevor Milikins and Cliff Swatton. President Bendigo Branch R.S.L.: Col Sir George V Lansell. Chairman Ball Committee: Mr F E Jackson. Hon. Sec. Ball Committee: Mr J W Swatton. MC: Mr R Wright. Printed by Hocking & Sloan Print.Hosking & Sloan Print Bendigoevent, social, victory ball, r.s.l. bendigo collection - annual victory ball 1951, lt-gen h wells, mrs wells, marion white, ivy derby, heather pettersen, cherris collier, joan ryan, margaret hawkes, mavis thomas, olive knox, norma scott, maureen mcgregor, beverley mcghie, norma hinton, joyce boyd, dorothy cutting, bonnie jobe, shirley jobe, miss e liddell, mrs j w swatton, june egglestone, janette brady, hocking & sloan print, ian shadforth, max cowling, neil ross, noel evans, len ermel, len rutherford, des mckenna, maurice reed, brian owins, ian stevenson, john wild, bill ross, wallie reed, noel bradley, trevor milikins, cliff swatton, col sir george v lansell, mr f e jackson, mr j w swatton, mr r wright

View looking towards footbridge across the Diamond Creek along the Diamond Creek Trail, north of Bridge Street. Eltham Town Park was partially constructed on a tip site. The park and lake were landscaped in 1973-1974. As early as late 1980 a proposal to rename it Alistair Knox Park was met with significant community resistance with a petition of 1600 signatures against however Council ultimately pushed the name through in 1987. Many residents continued to call it Eltham Town Park for some years later. Sylvia Wiseman 1988 Entrant No. 70 No negative The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, alistair knox park, diamond creek (creek), diamond creek trail, eltham town park, footbridge, sylvia wiseman

View looking north along the Diamond Creek Trail, north of Bridge Street near footbridge across the Diamond Creek. Eltham Town Park was partially constructed on a tip site. The park and lake were landscaped in 1973-1974. As early as late 1980 a proposal to rename it Alistair Knox Park was met with significant community resistance with a petition of 1600 signatures against however Council ultimately pushed the name through in 1987. Many residents continued to call it Eltham Town Park for some years later. Sylvia Wiseman 1988 Entrant No. 70 No negative The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, alistair knox park, diamond creek trail, eltham town park, sylvia wiseman

Written on the back of the photo is Mrs Key. She clearly is not the subject so presumably she ordered the print and it is of her family. Given the time period, it is probably Albert Key with sons Robert and Colin. This is consistent with other photos of Albert, Robbie and Colin at similar ages. Mrs Key would be Isabella (nee Roberts) Cabinet Photo Stewart & Co Photographer, 284-286 Bourke Street, Melbourne Stewart & Co operated from 284-286 Bourke Street from 1901-1910+Inscribed on back in pencil Mrs Keyalbert key, colin hutchinson key, key family, robert dalrymple key, stewart & co photographers 284-286 bourke st melbourne, pam thoonen (nee ingram) collection

Advertisement for a rally arranged by the City of St Kilda on 26 June 1940 at St Kilda Town Hall to recruit numbers and raise war savings. Printed on the reverse side is an application form for War Savings Certificates. One of the speakers at the rally was Gunner Harold Holt MHR, who later served as Prime Minister in 1966-67.Cream coloured paper, printed in blue on both sidescity of st kilda, world war ii, wwii fund-raising, harold holt

Colour prints showing two of the service cars running route 82 on the day of the closure of the Footscray local routes 10-2-1962: 1 - W5 750 (Moonee Ponds, route 82) at the Footscray terminus in Leeds St. 2 - VR 52 (Moonee Ponds, route 82) turning from Ballarat Road into Gordon St.Yields information about route 82 service cars on the day of the closure of the Footscray local routes. Set of two Colour print on Kodak Royal paper.trams, tramways, ballarat road, leeds st, footscray, w5 class, vr class, tram 52, tram 750

Poster features headlights from some of the Transporting Art program. Document acts as a catalogue for a 1983 Arts Exhibition. Gives a background to the project, lists the trams, notes on the artists, notes from the artists on their work, black and white images of the tram parts. Printed for the Victorian Ministry for the Arts Gallery, exhibition 12/9 to 14/10 1983Yields information about the first series of Transporting Art trams.Folded A2 (into A4 sheets) printed on gloss paper.Tram No. for 396 changed to "336" in ink.trams, tramways, transporting art, decorated trams, exhibitions, tram 234, tram 525, trtam 607, tram 345

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. However, this postcard is the 'odd one out' in that its location is London, it has no border, it has no reference to 'Jordan' or 'Jordan Series' no reference to the printer, no 'correspondence heading', it is slightly smaller than the others, and it has text in the stamp area that refers to 'inland' and 'foreign' postage, a half-penny inland and one-penny overseas.. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. New Gaiety Theatre, Strand [London] - The New Gaiety Theatre opened in 1903 on the corner of The Strand and Aldwych, London. The second show performed in the new theatre was “The Spring Chicken” in 1905. The third show followed in 1907. The preprinted postage cost on the stamp outline is ½ d. or half penny; according to The Great Britain Philatelic Society, Great Britain Postcard Stamps were priced 1/2 d. or Half Penny from 1-Oct-1870 to 3-Jun-1916. The postcard is significant for its inclusion with a set of nine postcards, eight of which are images of Warrnambool and its district and photographed by Joseph Jordan. It is also curious for is lack of connection to Jordan. Postcard, one of nine, portrait orientation, coloured print. The image shows a tall three-storey corner building with a statue on its domed tower and smaller towers on the sides. The top two storeys have balconies with columns, and overhang the ground floor, providing cover over the footpath. The foreground has horse-drawn carriages and coaches, and motorised vehicles including a bus. Figures wearing top hats and others in long dresses are in front of the building, which has a sign on the corner advertising the building and its current show. There is no correspondence written on the card. The front of the postcard has a printed red title and an inscription on the image. The reverse has inscriptions and outlines for a postage stamp. Made in Britain.Sign on the image of the building: “GAIETY / SPRING CHICKEN / THEATRE” On the front in red: “New Gaiety Theatre, Strand” On the back in printed in green: Stamp box “INLAND / 1/2d.’ STAMP / FOREIGN 1d.” “POST CARD” “THE ADDRESS ONLY TO BE WRITTEN HERE” flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, postcard, souvenir, correspondence, cameo postcard, new gaiety theater, the strand, spring chicken, gaiety theatre, london theatre

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The 1980s saw a rise in campaigns for Antarctica to be designated a World Park. Black’s screenprints celebrate the creatures of the continent, however invocations such as ‘protect Antarctica from all mineral and oil exploration and exploitation’ remind the viewer that these creatures are in peril. Black printed 500 of these postcards (described as ‘Antarcticards’) at the Redletter Press in Brunswick and they were distributed around the world, reaching as far as Macquarie and Heard Islands. The campaigning was successful, with Australian Prime Minister Bob Hawke announcing that Australia would not support an agreement that would open the Australian Antarctic Territory up to mining and oil drilling.Donated by the artist8 prints in total

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images. Photograph is part of the collection that has been accumulated at the Mission to Seafarers. It shows how the Mission was furnished at one time.Black and white photograph of a wooden chair against a tiled wall, possibly in or near the kitchen. To the left of the photo is a series of lockers.Reverse: ILFORD repeat print across the photograph. 1940 in red stamp.photography, black-and-white, mission-to-seafarers, chair

This book contains a detailed history of Lakes Entrance in east Gippsland and was produced by the committee for the Back to Lakes Entrance celebration in May 1956.This booklet is a useful reference tool on the history of lakes Entrance.20 pp booklet titled "Lakes Entrance centenary 1856-1956 Back to Lakes Entrance May 19-May 27". It has a beige coloured cover with black print.on cover - top right - " Orbost hist. Society" hand-printed in black. lakes-entrance-history

Produced to celebrate 100 years of trams in Melbourne. Gives a brief history of Melbourne cable trams, horse trams, first electric trams, the MMTB, Rolling stock and the transition to the Metropolitan Transit Authority. Printed under the Public Transport Corporation logo.Yields information about the history of Melbourne's trams.Four page A4, folded A3 printed two colours, on gloss paper.melbourne, public transport, tramways, history, cable trams, mmtb, the met

Photo by Wal Jack, of VR 51 at the Sandringham Railway Station terminus of the Black Rock Tramway. Tram has three Robur Tea/Coffee adverts on the roof. Yields information about VR trams used on the Black Rock service in 1953.Black and white negative and Black and white print.On rear of print "V Rlys 4'8.5" gauge, one man bogie No. 51 outside Sandringham Rly Stn, stamped 16 Mar 1953, and Wal Jack stamp No T49PC"trams, tramways, sandringham, vr trams, tram 51

Negative of a cable grip car being hauled by a tractor (in or out) of the South Melbourne tram depot or car sheds. Has the grip in the removed position. In the background is a hotel and a petrol or service station - out of focus. The grip car has the destination of Collins St on the front and "Connects with Collins St electric cars" on the side. Photo Wal Larsen 6/3/1937.Yields information about towing grip trams from a depot by tractor.Negative and a black and white print with details on the rear.Written on rear of album print "Tractor hauling cable dummy out of South Melb. Sheds." On rear of print - "South Melbourne depot with tractor dragging dummy out and into street. (A terrible dull day and a slow camera, not so hot eh!). 6 March 1937. Photo Wal Larsen. " Has number "PSM1" in bottom left hand corner and "58" in top right hand corner.trams, tramways, cable trams, south melbourne depot, grip tram

Taken on 25 October 1930, various houses with the Hume Dam under construction are depicted in the background. The construction of the Hume Dam took place from 1919 to 1936. At the time of construction, it was the second largest dam in the world. It was also one of the earliest civil projects developed after the Federation. Some of the Dam workers consisted of World War I veterans. Dam workers often settled their families in Mitta Junction Village and Wodonga. Archaeological surveys were completed by Austral Archaeology, which was done when the Department of Land & Water Conservation was doing work to improve Hume Dam. The archaeological report that came out of the survey recommended three sites of interest where archaeological excavation should be done: Camp Ganger’s Quarters, Stableman’s Quarters, and the Industrial Dump. The excavation uncovered artefacts. Mitta Mitta: Mitta Mitta is situated between Mount Welcome and Mount Misery. It is named after the river that explorers Hume and Hovell discovered in 1824. The town would eventually become a huge gold mining town. Mitta Mitta is called Midamodunga by the local Indigenous peoples Wodonga: Wodonga is situated on the Murray River and is part of North East Victoria. Hume and Hovell: Hamilton Hume (1979-1873) and William Hilton Hovell (1786-1875). W. H. Hovell was born in Norfolk England and Hume was born in Parramatta, New South Wales Hovell and Hume undertook an exploration journey in 1824 and thought they discovered a river, which turned out to be the Murray River. They returned home in 1825, but returned to the area in 1826 and discovered coal in the area.This photo is historically significant as it shows the Hume Dam under construction in 1930. The Dam was named after Hamilton Hume, who is an important historical figure for this area as he helped discover the area where resources were found.Sepia rectangular photograph printed unmountedReverse: 84-19-2/ 1997.3188/ These are the four / release valves they are / not always open (illegible) this / when closed the water flows / over the spillway. [featuring trademark: kodak print] photograph number: 354construction, houses, veterans, mitta junction village, hume dam, world war i, federation, wodonga, archaeological survey, excavation, austral archaeology, department of land & water conservation, camp ganger's quarter's, stableman's quarters, industrial dump, artefacts, mitta mitta, mount welcome, mount misery, murray river, hamilton hume, william hilton hovell, hume and hovell expedition