This ledger contains an Index to Drafts for Mortgages, Conveyances and Deed of Covenants etc (1896 to 1913) which was in use by the Warrnambool solicitor, Ernest Chambers. He had offices in Warrnambool, Koroit and Port Fairy in the late 19th century and early 20th century and Thomas Goodall was his manager in Warrnambool until 1899 when Chambers took up permanent residence in Warrnambool. The ledger was found in the old Mackay Taylor offices in Kepler Street and presumably came into the possession of this law firm at a later stage when Ernest Chambers was no longer operating in Warrnambool. The firm of Mackay Taylor was originally established in 1898 from the amalgamation of the law firms of George Mackay and James Fletcher. In the 1920s the firm became Mackay and Taylor when J. Taylor joined as a partner and this business was prominent in Warrnambool until the 1990s.This ledger has some significance as it contains the names of many Warrnambool and district residents of the late 19th and early 20th centuries and gives some indication of what type of legal transaction they were involved with. It therefore has some historical and social connotations useful for researchersThis is a ledger with a black cover and red bindings on the spine and corner reinforcements. There are 273 pages with printed red lines for accounting purposes. The entries are written in black ink. The inside front and back covers of card paper material have a red and blue mottled pattern. Front cover: ‘Index to Drafts, E.T.H.Chambers’ Spine: ‘8-4-96 to 14-9-15 Index to Drafts’ ernest chambers, solicitor mackay taylor legal firm

This scrapbook contains newspaper cuttings, mainly about football, and other written material from the late 19th century. It belonged to Martin Carter ((1870-1943), a Warrnambool saddler who worked for many years in the saddlery business established by his father, Samuel. Martin Carter was very active in community affairs - President of the Warrnambool Bowling Club, a member of the local Volunteer Militia, Secretary of the Progress Association, a football player and umpire and a local cricketer. He was the Secretary of the Warrnambool Town (later City) Band for fifty years and a memorial plaque in his honour was erected at the Band headquarters in Warrnambool. He was also a Warrnambool Councillor (1917-1925) and Warrnambool Mayor (1922-24). His interest in football can be seen from the great number of football newspaper cuttings in this notebook.This little notebook is most interesting as it provides us with details on football in the Warrnambool district in the late 19th century and gives us an indication of the popularity of the game at that time. It is a valuable research tool.This is a small notebook with a black cover. The pages contain ruled red lines over which have been pasted newspaper cuttings. Some pages have handwritten material and some pages are blank. There are also several loose cuttings. The notebook has been stapled but the staples have been removed.M.L.Carter Warrnambool June 13th 1887 S.Carter Saddler Warrnambool (stamp)warrnambool town band, martin carter warrnambool, football in the warrnambool district, sydney giddings warrnambool saddler

This bookmark was found loose inside one of our antiquarian books and no connection to the book or its unknown original owner have been found. The word Mizpah means Watchtower in Hebrew and a Mizpah card or bookmark was sent or given to Jewish people who were separated from their loved ones, with the message that the Lord was watching over those absent. The bookmark has been made by the firm of Thomas Stevens of Coventry. This city was the English centre of ribbon weaving in the 19th century and Thomas Stevens, a local weaver, invented and developed in the 1860s the art of making woven silk items - book marks, greeting cards, art works etc. These were called Stevengraphs. Stevens opened a factory in London in 1878 and by the 1880s was producing over 900 woven silk designs. Stevengraphs are a collectors' Items today and this Mizpah bookmark is a fine example of one.This is a woven silk bookmark with multi-coloured patterns. coloured script and a sprig of fuchsia flowers, all on a yellow background. There is a red tassel at the end of the bookmark. The bookmark was affixed to a rectangular sheet of paper containing details of the maker but the bookmark is now detached. The backing sheet is partly torn.Mizpah The Lord watch between Me and thee when we are Absent one from anotherreligious book marks, stevengraphs, mizpah, woven bookmark, mizpah bookmark

This is the 1854 fourth edition of a book on diseases of the eye by William MacKenzie (1791-1868) first published in 1830. William MacKenzie was surgeon oculist in Scotland to Her Majesty (Queen Victoria), lecturer in the University of Glasgow and a surgeon in the Glasgow Eye Infirmary. This fourth edition appeared just after Helmholtz's invention of the ophthalmoscope, but Mackenzie did not at this stage have much understanding of the internal diseases of the eye. Nor did he properly understand refractive errors which were soon to be elucidated by the work of Donders. MacKenzie did however recognise the hardness of the eye as being an essential sign of glaucoma.This book is significant historically as it shows contemporary understanding of eye disease in the early nineteenth century. It is not rare as copies still turn up at book markets and also are held in other Australian institutions.This book, bound in full calf leather (probably later 19th Century) with 1107 pages including an index and is followed by a publisher's catalogue. It is the 1854 fourth edition of William MacKenzie's 'A practical treatise on the diseases of the eye' first published in 1830. It has a long (32 pages) introductory section on the anatomy of the eye by Thomas Wharton Jones, FRS. There are 27 chapters on eye disease. Chapter 24 is on refractive errors and presbyopia.eye, ocular anatomy, ocular disease

White tape lace on a card which is enclosed in a large illustrated envelope. The mid 19th century 'Renaissance Lace' is wound around cardboard which is in the large envelope. The lace depicts five petaled daisies with an eyelet on each side. The envelope is illustrated with drawings of snowdrops. It opens on the front with small snowdrops drawn around the square opening. On the right hand top corner there is a drawing of mountains with a village in the valley.'Snow-Bleach Embroidery' Man. in Switzerland. Guaranteed to retain its Snow-Whiteness. 'All Cotton' No. 83177 20yds E600handcrafts, lacemaking, documents, envelopes

Number 155/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. Materials: Paper, Ink, Graphitetennis

Number 156/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. Materials: Paper, Ink, Graphitetennis

Number 157/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. Materials: Paper, Ink, Graphitetennis

The colour photograph of Bay Street, Port Melbourne shows a section of the from Little Bay to Liardet Streets. In the foreground is the former National Bank currently occupied by 'Shoes & the City'. In 1890 the building on the opposite side of Little Bay Street, currently used by Biggin & Scott Estate Agents, was occupied William Ingles & Co, Auctioneers & Estate Agents. Later in the 19th Century it became the site of a Chinese Laundry.engineering - roads streets lanes and footpaths, bay street, little bay street, fmr national bank, biggin & scott

This type of basket was used from the 19th century. It is strong and hard wearing.Used by Kiewa Valley residents.This cane washing basket has been woven. It has an oval base and extends upwards and outwards so that the top is larger than the base. It has two handles woven into the top at the ends that are further apart. laundry, cane basket, domestic, washing clothes

used on horse tackle during 19th century bu Holden and FrostUsed in manufacture and sold by Holden and frost Circa 1900Small rectangular full roller buckleequine military, agriculture, civilian ca1900, buckle

The book has back and front covers in brown leather which features heavily raised embossing . The raised sections contain Biblical and other religious images and intricate patterns. The spine has gold lettering. The front cover is slightly scuffed and is detached from the spine. It has been bound with string and paste. The pages, some of which are torn, contain text and black and white and colour plates. It is not only a Bible as it includes the history of other religions.non-fictionBible and History of religions family bible, family bible 1900, warrnambool

A silk patchwork quilt in a hexagons pattern originally owned by the Denbigh family of ‘Wimba’. The Denbigh family is recorded as living at ‘Park Villa’ ‘near Kew’ in 1856. John Denbigh was at this stage the superintendent of the local Baptist school. By 1869 they are listed as residing in Cotham Road. John Sharp Denbigh’s death in 1875 resulted in the sale of Wimba. This is an important early English silk hexagons quilt with outstanding technical workmanship, and is well-provenanced.The quilt is constructed in the popular hexagon pattern of silk off-cuts of an earlier period. Hexagon patchwork quilts were typically constructed of individual hexagons, which were formed using paper or card templates. Where these are visible, it would indicate that writing paper was used to form the templates. The quilt is unlined and has a green silk border, added at a later date. Early 19th Century patchwork quilts tended to use cotton to create the hexagons, whereas silk became the preferred medium mid-century. The quilt has been dated to the middle decades of the 19th century due to the colour range, and the exclusion of black silk hexagons. Most of the silk used in the quilt has a sheen, however there is some use of velvet in one or two larger hexagons. The exposed reverse of the quilt includes a large amount of very fine hand stitching.An unlined quilt was typically used as a summer spread. patchwork quilt, hexagon pattern, denbigh family, wimba, cotham road, kew, john denbigh, helen johnston, quilt, patchwork, textiles, migration to australia

This key is an good example of keys used in 19th century Victorian Goldfield gaols.This key is significant in that many of the original goldfield gaols are now closed to general public and we have objects to remind us of their past.Old Ararat gaol key Metal with dents and scratches from use -gaol, prison, incarceration

The embroidery has been re-mounted and it is mid 19th century style of underskirt.White cotton underskirt with hand worked eyelet embroidery and medallions of Point Lace.Deep lace hem. Drawstring waist with placquet opening. Blue ribbon at waist and threaded through eyelets.underskirts, underwear

This bottle has come from the aerated waters factory of John Fletcher of Warrnambool. This factory in Koroit Street was established in the mid 19th century by John Davis. As a young boy John Fletcher worked at the cordial factory of John Rowley in Banyan Street, Warrnambool and then worked for a number of years for John Davis at his Union Cordial Factory. In 1885 John Fletcher succeeded John Davis and continued in this business until 1930. The business was then taken over by Ralph Reeves. John Fletcher manufactured aerated waters, soda, tonic waters, lemonade, ginger ale, hop beer, hop bitters, sarsaparilla and cordials. The bottle would have been sealed with a cork stopper. The torpedo shape of the bottle would ensure that it was stored on its side, keeping the cork moist so that it didn't shrink and cause the bottle to leak its contents.The bottle is significant for its unusual torpedo shape and for being sold by the long standing John Fletcher's soft drink business in Warrnambool who was a prominent soft drinks manufacturer in Warrnambool for over 40 years.Torpedo shaped green glass bottle, name of manufacture of contents, John Fletcher Late and J. Davis, of Koroit St Warrnambool, is impressed in the glass."John Fletcher Late and J. Davis Koroit St Warrnambool"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, torpedo shaped glass bottle, torpedo bottle, bottle, john fletcher late and j. davis koroit st warrnambool, john fletcher late and j. davis, john fletcher late, j. davis

Spoke shaves were used by woodmakers to shape curved surfaces (originally wheel spokes). These two spoke shaves belonged to Ernest Phillips of Warrnambool who would have used them to shape the surfaces of chair and table legs etc. Ernest Brighton Phillips (1875-1924) was the son of Henry Phillips (a hay and corn dealer in Warrnambool) and his wife, Emma. He learned cabinet making at the Box Works in Warrnambool and in the late 19th century established a furniture-making and selling business at the corner of Liebig and Koroit Streets. By the early 20th century he had the largest furniture warehouse and factory in Victoria outside Melbourne and sold his products all over Australia. He and his family lived at ‘Heatherlie’ in Koroit Street and after his death this Phillips house was acquired by the Methodist Church and the Heatherlie Homes for retired people were built on this site.These tools are of considerable significance as they were used by Ernest Phillips, a prominent businessman in Warrnambool during the late 19th and early 20th centuries. These are two spoke shaves - small planes, slightly curved, with wooden handles and a metal blade in the middle. The blade is attached to the handles via metal ends which go through holes in the wood. The blade area is strengthened with metal plates attached by metal screws. The metal parts are well-rusted and the handles are somewhat worn. ‘E. Phillips’ etched into wood on each spoke shave.ernest phillips, history of warrnambool

This bottle contains the medicine mixture for diseases of the liver and kidney that was patented by Dr Law of Boston. In the late 19th century Dr Law was a prolific and popular producer of patent medicines. The Warrnambool manufacturing chemist, Richard Kennedy, had the sole rights in Warrnambool to prepare and distribute Dr Law’s medicines. Richard Frank Kennedy (1826-1903) was born in England. He came to Warrnambool in the early 1880s and set up a pharmacy business in Timor Street. He was a retail, wholesale and manufacturing chemist. In 1891 he erected a new building and at that time his shop was described and one of the most elegant and best-stocked chemist’s shops in Victoria. Kennedy was active in Warrnambool community affairs and he was a foundation member of the Warrnambool Bowls Club, being its first Vice-President and an early President. His business continued after his death, trading as R.F.Kennedy and Co. This item is of considerable significance as it is the only example we have of a Dr Law patent medicine produced and distributed by the Warrnambool manufacturing chemist, Richard Kennedy. Both Dr Law and Richard Kennedy used an image of a lighthouse as a business symbol though the images are not identical. This is a glass bottle with a cork containing a chemist’s mixture for diseases of the kidney and liver. The bottle is enclosed in a brown paper cover which is lined with what looks to be the instructions for the use of the medicine. (The bottle is unable to be removed from the covering without major damage to the cover). The covering is brown with images of Dr Law and his lighthouse logo and printed material in brown and white colouring with the name of the product and its benefits. The top of the covering is torn and mended with adhesive tape. ‘Great Blood Purifier’ ‘Dr Law’s Great Cure for Diseases of the Liver and Kidney and all Impurities of the Blood’ Dr Law’s Liver Stimulant and Invaluable Remedy for indigestion, dyspepsia, sick headaches, loss of appetite, spasms, jaundice, constipation, sour stomach, heartburn’ ‘Waterbrasch, Liver, Stomach and Kidneys’ ‘Manufactured at Kennedy’s Pharmaceutical Works, Warrnambool, W.D.’ r.f.kennedy,, warrnambool chemist, dr law of boston, patent medicine producer, chemists in warrnambool, history of warrnambool

This plaque is a memento of the famous Victorian jumps jockey, Tom Corrigan. He was Australia’s best-known and best-loved jockey of the 19th century. Born in County Meath, Ireland, son of Thomas Corrigan and his wife Bridget, née Carney, he came at the age of ten with his parents to Woodford, near Warrnambool. He was apprenticed to racehorse owner, Francis Tozer of Wangoom and quickly built up a fine reputation as an accomplished horseman, especially in jumps racing. From 1866 until his death from a racing fall in 1894, he won 239 races with 135 seconds and 95 thirds from a total of 788 mounts. This included seven Grand National race wins and four Warrnambool Grand Annual Steeplechase wins. Corrigan, very small in stature with a huge handlebar moustache, was a popular, genial person. This plaque is an interesting memento of the Woodford-raised jockey, Tom Corrigan. His name is now on the Australian Racing Hall of Fame.This is a silver-coloured metal image (bust) of the jockey, Tom Corrigan. The chest section of the image is attached to the two ends of a horseshoe- shaped frame. The bottom of the horseshoe frame has representations of the reins and two feet of a horse with a jockey cap in the middle. The name of the jockey is embedded into the metal at the top of the plaque. One section of the horseshoe on the edge has been broken. The plaque is slightly stained. ‘Tom Corrigan’tom corrigan, jockey, history of warrnambool

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. It depicts Sturt St Ballarat c1890-1900s. The wide boulevard and historic buildings are indicative of the wealth which was brought to Ballarat as a result of the gold rushes in the second half of the 19th century.This postcard is in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. Postcard of Sturt St, Ballarat - coloured. On front, printed: 'Sturt St Ballarat' On back handwritten: 'My dear Mrs / Brown I write / these few lines ... absent freind [sic friend] / J Drubar'postcard, photography, 1900s, ballarat, "green postcard album"

This pair of 19th century candleholders were presented to Nazareth House Ballarat by J.A.Chalk one of Ballarat's richest 19th century gold-mining entrepeneurs. J.A.Chalk was a partner in the Madam Berry Mines together with Martin Loughlin and William Bailey and was Manager of the Buninyong Estate Co., the Band and Barton Co., the Sebastopol Plateau Co., and the Prince of Wales and Bonshaw Co. mines in 1887. Chalk was a Quaker and benefactor to many Ballarat institutions. He arranged for the Council Chambers to be made available for meetings of the Society of Friends (Quakers) in the mid 19th century.One of a pair of large 19th century ornamented candle holders for use in the Chapel at Nazareth House Ballarat presented by 19th century Ballarat philanthropist and gold-mining magnate.The candleholders are in two separate sections the heavy lead-filled brass base with demountable seven-branched candleholders surmounting the base. The lower portion or base form a single candlestick when the branched top section is removed. The branches are decorated with styalised rose petals and the tops of each base decorated with rims of neo-gothic coronas.Presented with King Regards By J.A.Chalk Ballarat.candleholders, candlesticks, nazareth house, ballarat. j.a.chalk, madam berry mines, goldmining, entrepenauer, buninyong, sebastopol, prince of wales, bonshaw co, quaker, society of friends.

German Brass Octant. Early 19th century octant, serial number: M2218, with attachable brass lens and comes in a wooden box with a brass handle attached to the back of the box. Octant is comprised of a wooden handle, a brass arc and lenses and black metal body. Octant is a triangular shaped, with brass attachments joined to the top including a brass lens, a mirror, and several other mirrors and lenses. Also called reflecting quadrant.

A colour lithograph issued by the Salon de la Mode, featuring two women wearing high fashion of the late 19th century, posing next to a tennis court net. The woman on the left is holding a racquet. Below is the image of a coat-of-arms, with the monogram 'HVP', which is that of the director of the Salon de la Mode, Henry Petit. One of the engravers is identified as 'Lefranco'. Materials: Paper, Ink, Cardboard, Metal, Paint, Wood, Glasstennis

An Australian history text describing social conditions in the major Australian cities of the 19th century.Outlines conditions in cities in the 19th century. Compares with "Life in the country".Hard cover. 320 pages, illus. Dust jacket has a detail from S.T. Gill's "General view of Sydney"australia social conditions, australia city life, michael cannon

A group of people on the Stawell-Halls Gap road on their way to an outing at the turn of the 19th century.access routes, jinker track, transport, horse drawn

Ballarat Railway Station opened on 11 April 1862. Most of the 19th century architectural features of the railway station are intact. Its signal boxes and goods sheds are preserved, and it is one of only three stations in Victoria to have had a 19th-century train shed. This photo shows the facade of the south side of the station.Colour photograph of the Ballarat Railway Station.ballarat railway station