Framed coloured photo of what appears to be captured weapons including a rocket launcher, serveral rockets and land mines. civilian men, women and children can be seen in the background.photograph, weapons

Photograph of cranes offloading equipment from a ship. Trucks and 2 x Wesses helicopers can be seen on deck. 2 men are riding on a platform suspended from a craneHelicpoters No 33 And 18photograph, crane, wessex, re-supply

White aluminium full beer can commerating the Welcome Home Parade. Tooheys draught includes Australian flag in the outline of Australia, Sydney Harbour Bridge and Opera HouseAustralian Vietnam Forces Welcome Home Parade 87, Sydney 3rd october 1987. Together Then, Together Again.beer can, welcome home parade

White aluminium full beer can commemorating the welcome home parade. Tooheys draught. Includes the Australian flag in the outline of Australia, Sydney harbour bridge and Opera House.Australian Vietnam Forces welcome home parade '87 Sydney October 3rd 1987 Together then, together againwelcome home, beer can

White aluninium full beer can commemorating the welcome home parade Tooheys draught includes Australian flag in the outime of Australia, Sydney Harbour, Bridge and Opera HouseAustralian Vietnam Forces welcome home parade 87 Sydney October 3rd 1987. Together then, together againbeer can, welcome home parade

Army officers of A Company, 17th Garrison Battalion, No Camp 1 Tatura. (2 different size photographs) Front row (l to r): Lieutenant J A Frances, Lieutenant Cyril Leyshon White MM, Major E C Foster MC, Captain E A Scates Back row (l to r): Lieutenant S H Edwards, Lieutenant I H Trend, Lieutenant L F Brown.Black and white photograph of 7 officers in full uniform, (3 standing, 4 sitting). Tree directly behind them. Buildings can be seen on either side in backgroundlieutenant s h edwards, lieutenant trend, lieutenant brown, captain scates, camp 1 officers, lieutenant j a frances, lieutenant cyril leyshon white, major e c foster, 17th garrison battalion

The mud brick cottage and outbuilding was possibly built by James Waylett in the 1850's and it is only one of three remaining mud brick buildings in the Oaklands-Greenvale which were constructed in the late 19th Century.A coloured photograph of farm scene. A dam is in the foreground and the remains of a mud brick cottage and timber and corrugated building in the middle distance. Further farm buildings can be seen in the distance.mud brick buildings, waylett, james, farm buildings, sherwood, somerton road, oaklands hunt club, george evans collection

The Tullamarine Airport opened in 1970 and replaced Essendon Airport as Melbourne's main airport terminal. Gellibrand Hill was incorporated with Woodlands Park and became a public reserve during the 1980s.A coloured landscape photograph with rounded corners taken from Gellibrand Hill and overlooking the Tullamarine Airport which is on the RHS of the photograph. The Melbourne City skyline can be seen in the distance.gellibrand hill, tullamarine airport, melbourne skyline, george evans collection

This medallion was struck to celebrate the 100th anniversary of fellmongering in Mazamet in 1951. Fellmongering - In French, ‘delainage” means, literally, ‘de-wooling'. It is the industrial process of separating wool from sheepskins. In the 19th century, the southern French town of Mazamet became the world centre of délainage and played an important part in the Australian wool industry. At one time Mazamet was reputed to be the 15th richest town in Europe, and it was said that the town’s branch of the Banque Nationale de Paris (French banking firm) was the second largest in France. At its height, Mazamet had 48 fellmongeries and imported more than 100,000 tonnes of sheepskins a year from the southern hemisphere, mostly from Australia and Argentina. It also supported numerous associated industries such as tanneries, spinning mills and clothing manufacturers. In the 1980s Mazamet’s fellmongering industry fell into decline under pressure from environmental concerns and cheap imports. The town’s last two fellmongeries closed in 2004. The town continues to have a strong relation to Australia, with street names such as, Rue de Australie, Adelaide, Brisbane, Melbourne and Sydney in recognition of a connection to the two distant lands. Today, half a century since wool importation largely ended, there remains a link to the past. Elite quality leather and woollen clothing companies such as Hermes and Chanel still source much of their stock in Mazamet. This medallion was presented to William Haughton and Co. who were one of Australia’s largest wool-buying companies of the first half of the 20th century. Wm Haughton had a major presence in Geelong and its “SKINS WOOL HIDES TALLOW etc.” signs were prominent on railways stations throughout the Western District and beyond. Haughtons had branches in all Australian capital cities, New Zealand, London and Bradford. Its agents in Mazamet were Maison Louis Maffre, an enterprise founded by M. Louis Maffre, mayor of Mazamet from 1912 to 1919. This medallion was donated to the National Wool Museum by the family of Sir Robert Southey AO CMG, former managing director of Wm Haughton & Co.Bronze medallion contained within purple case. On one side of the medallion, a mill worker is seen scraping the wool off the treated sheepskin. On the reverse the inception can be read.Wording: CRESCAM ET LUCEBO // CENTENAIRE / DU DELAINAGE / MAZAMET // 1851-1951. Smooth edge stamped with a cornucopia and the inscription BRONZEmazamet, fellmongering, délainage

Jackie Kerin's (donor's) story. In 1973, I was in my late teens and while I’d moved to Sydney from Melbourne, to begin my first year of drama studies at the National Institute of Dramatic Art. My parents had moved to Lake Bunga, a few kilometers north of Lakes Entrance (Victoria). On my first holiday visit to Bunga, I called into the Jolly Jumbuck Country Craft Centre in Bairnsdale http://jumbukwool.com.au/history. I was entranced by the place and spent the following weeks learning to spin lumpy wool on an Ashford Wheel. By the end of the holidays, I had my own Ashford and it travelled with me back to Sydney. After graduation, I returned to Melbourne and the hippy “back to nature” movement was in full swing; there were many shops and galleries selling handmade woollen items and pottery etc. So I found an outlet for my pieces. Sometime in 1976-77, I met a spinner and weaver of Swiss origin (I think) – her name was Ingeborg Guber (not sure of the spelling). She had a small gallery/shop at Brighton Beach where she worked, with her pet duck for company. Ingeborg had an upright Philip Elford wheel; an Australian wheel crafted from Acacia melanoxylon (blackwood). I was smitten and ordered one. I have a memory of Philip driving to Hampton from Ballarat to make the delivery. I used this wheel for years but as time and enthusiasm for spinning waned, the wheel became a decorative item in the house. Then in the 90s, and with my drama training, I set myself up travelling to schools and festivals, museums and galleries as a storyteller. The spinning wheel had a new life accompanying me on my adventures. For many children, familiar with references to spinning in fairy tales, seeing the little Philip Elford upright was magical. The wheel was donated to the National Wool Museum in 2021.Vertical tripod leg spinning wheel. 6 spoke wheel with three bobbins. Inscription “Philip Elford Ballart” can be read in gold text stamped to the base of the wheel. Wording, stamped, gold. Philip / Elford / Ballartspinning wheel, textile production, hobby textiles, aciacia melanoxylon (blackwood)

Commercially made quilt, c.1930s. Maker unknown, found in Ballarat. The Country Women's Association of Victoria had been active during the Depression in promoting the use of wool in domestic items and handcrafts in its "Handcrafts and Home Industries Committee". In 1933 during "Wool Week", a train jointly sponsored by the Wool Board, toured the state demonstrating amongst other crafts, the making of wool quilts and mattresses. Commercially made quilts much like this one marketed as 'Kosy Quilts', were used in these demonstrations.Quilt, plain light blue cotton cover with lambs wool filler. Machine sewn. Evidence of a label can be seen at one corner, however it has been removed.quilting history, textile mills, running stitch group, running stitch collection, ballarat, quilting - history

Part of Tim Shambrook's Collection for 'This is Vermont'. Not used.Coloured photo of Canterbury Road, Vermont, taken in 1970, showing double lane road with median strip looking East. Roof of Cadbury-Schweppes Factory can be seen.canterbury road, vermont., cadbury-schweppes, shambrook, tim

White cotton triangular bandage printed in black with drawings showing how it can be used. Small white label sewn to rear with initials N.R machine embroidered in red.Made in England The Vernaid Bandage Registered Design Approved by Sir James Cantlie K.B.E., F.R.C.S V & Co Ltdbandage, vernaid

Postcards were a common form of souvenirs for soldiers who were travelling around Europe either during World War 1 or just after, before returning to Australia. The link to Legacy is not known but there are many postcards are in the collection.Postcards were a very common form of communication in the first World War. This postcard also records the war for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1 and many had served at Gallipoli.The postcard's image depicts a field of white canvas tents line the background. Several people can be seen cutting wood in the foreground, standing just behind a wire fence. world war one, souvenir

An empty, unsealed Wilson 'Optic Yellow Championship' tennis ball can. Ring pull top missing. Has red plastic reclosure cap. Materials: Metal, Inktennis

A sealed Wilson 'Championship Extra Duty' dome-top tennis ball can. Key winder attached to base. Materials: Metal, Ink, Rubber, Synthetic material, Wooltennis

An unsealed Wilson dome-top tennis ball can with lid. Key and seal strip lost. Contains three unbranded cream-coloured balls. Materials: Metal, Inktennis

An empty, unsealed flat-lid Dunlop (U.S.) 'Championship' tennis ball can and domed lid. Key winder and metal seal strip missing. Materials: Metal, Inktennis

An unsealed Pennsylvania 'Allcort Championship Tennis Balls' can. Has domed metal lid, contains three unbranded white balls. Materials: Metal, Ink, Wool, Rubbertennis

A sealed can of three Sears 'Butch Buchholz Autographed' tennis balls. Has intact metal ring-pull seal. Materials: Metal, Ink, Rubber, Synthetic materialtennis

A sealed Ten Pro tennis ball can. Has intact metal ring-pull seal and a plastic reclosure cap. Materials: Metal, Ink, Rubber, Synthetic materialtennis

An original photograph donated to the Kew Historical Society by the City's Engineering Department before the amalgamation of Kew into the City of Boroondara in 1994.While not all of the photographs are of Studley Park, Kew or East Kew, each photo provides a fine snapshot of the work of local government engineering departments of the period. They reveal they types of labour conducted, the techniques used and the equipment and machinery in the possession of the local government authority. Public works. A photograph of a suburban street under construction using a steamroller. Neither the street nor the location has been identified. It is believed that the photograph can be dated to the 1920s. Inscription on reverse: "Road making. (?1920s cars)".steamroller, road construction building, city of kew, city of kew (engineering department)

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. We are seeking information on this artist who studied at the Ballarat Technical Art School in the 1930s. If you can assist please make contact via the comments link below. art, artwork, poster, ballarat technical art school, don refshauge, refshauge, colpin avenue

Wheel thrown cup with handle glazed and surface decorated with three drawn faces. If you can assist with information on this artist or artwork please use the comment box below. teacup, ceramics

Wayne C. Wemba Wemba This work was donated to the student engagement team at Mount Helen. Aboriginal dot painting featuring a turtle, fish, and crocodile. If you can assist with information on this artist or artwork please make contact using the email link below right.aboriginal, turtle, fish, crocodile

Black and white photocopy of a photograph.Enlargement. 3 men, probably students, standing near the Orchard gate, watering cans on the ground. Copy of photograph in "Prize Essays," by A. E. Bennettmen, orchard, watering cans, a.e. bennett, prize essays, students working outside, students

Hair and beard clipping was frequently carried out at home prior to WW11 and often much later in rural areas. Manual hair clippers were readily available for purchase. The Alcoso company started as steel manufacturers by Alexander Coppel in 1821. Alcoso is an acronym for Alexander Coppel Solingen. They were very successful and opened a second manufacturing facility sometime in the 1850s. They manufactured pipes, rolled steel, wire, tableware, daggers, swords, knives and razors. They started manufacturing razors in the 1850s. The company is most famous for their swords. The Coppel family that Alexander donated millions of marks to charity including building an orphanage, a school for the disadvantaged, and a recreation centre. They headed various social rights groups. They were leading citizens of Solingen. The family was Jewish and the company was Aryanized in 1936. Alexander Coppel and his family were sent to a concentration camp in 1941 along with the remaining Solingen Jews. He died there of starvation in 1942 at the age of 77.This kind of hair clippers were a common household item in the early 20th century. They are representative of an important Jewish company prior to WW2.2 sets of hairclippers made from steel alloy. The arms of the clippers are hinged and can be adjusted with a wing screw. The arms are squeezed together and released. like scissors to operate,On box lid: "Haarschneide-Maschine/ Hairclipper/ "Alcoso"/ Solingen / Tondeuse/ Maquina para cortar el pelo" Translation hair cutting machinehair clippers, alcoso company, alexander coppe, personal items