Originally an SEC town built for workers on the Kiewa Hydro Electric Scheme. It became a tourist centre from the 1960s.Examples made to increase tourism with historical photos, historical items no longer used or sought after. Items such as these are a different way of advertising to on-line methods used today1. Coloured shiny poster with photos of mountains, river and fishing backed on to orange & white pattern. 2. Christmas card "Mt Bogong and Mr Beauty Township" on the back in gold Markdon Prints, Porpunkah ..."" 3. Plastic coloured trays x3 - Mt Beauty Vic. x2 and Mt Beauty Victoria (4 photos including Mt Bogong, Falls Creek x2, Kiewa Valley.) 4.Silver plated spoon "Mt Beauty Vic." 1. Printed bottom left hand corner "Mount Beauty, Victoria" 2.Centre front "The Seasons Greetings" with title written under painting also "From the painting by Marcus L. O'Donnell" 3. On the back of the tray with 4 photos - embossed "A Starlite Product ..." 4. Embossed on back of handle "Stuart / Silver plated"mt beauty tourism

Invitation for Neil and Elizabeth Maxwell to attend the opening of the new Kooyong Centre on Thursday 11th October 2001.1 x A4 page of grey background with black writingnon-fictionThe President, Malcolm Daubney and Members of the Board request the pleasure of the company of Neil & Elizabeth Maxwell at the Opening of the new Kooyong Centre 454 Glenferrie Road, Kooyong at 10.30am for 11am on Thursday 11th October, 2001 by John Landy, AC, MBE Governor of Victoria RSVP by 27 September 2001 (03) 9599 5000 Light Lunchelizabeth maxwell, neil maxwell, vision australia

This CD is the tenth in a series of prison broadcast productions delivered by 3CR. It includes interviews, songs, poems and messages from Indigenous inmates at Port Phillip Prison, Fulham Correctional Centre, Barwon Prison, Marngoneet Correctional Centre, Loddon Prison and the Dame Phyllis Frost Centre.CDsocial justice, victorian prisons, naidoc, broadcasting, radio, 3cr, rehabilitation, dame phyllis frost centre, port phillip prison, fulham correctional centre, barwon prison, loddon prison, marngoneet correctional centre

A series of 23 black 7 white strip photographs of the opening of the Nunawading Art Centre on 25 May 1986 by Mayor, Bill Coyne. Inscription on back. City of Nunawading. Official opening of Nunawading Arts Centre(now Whitehorse Centre) by Mayor Cr Bill Coyne.whitehorse arts centre, coyne, bill, nunawading arts centre

Castlemaine converted from town gas to Natural gas in 1973.Collection Castlemaine Gas. Photo of changeover to natural gas. Left of centre white van, left background red brick building, Centre cream brick building, white car with two men standing near front, right centre two white station wagons.business, retail, gas and fuel

The original slab hut was built in 1872 as a family dwelling on a site about 3 km upstream from the junction of the Buchan and Snowy Rivers about 40 kms from Orbost on the Yalmy Rd. No nails were used in the construction; it was all wired together. After a period in storage the Slab Ht was opened in its present location in Orbost as the Information Centre in 1987. This album documents an important event in Orbost.A photo album with a navy blue cardboard cover with gold embossing on the front and spine. It contains 32 photos of the 1997 10 year anniversary celebration of the establishment of the Slab Hut - the Orbost Visitor Information Centre. It also contains 3 postcards and 2 fridge magnets.slab-hut album orbost

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings.Panoramic photograph of the entrances from Cotham Road to the Kew Post Office, Court House and Police Station. At centre front is the public toilet block, erected in the twentieth century by the City of Kew to designs by Rowland Chipperfield.kew court house, public offices -- kew (vic), kew police station, kew post office, cotham road -- kew (vic.)

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington. Eppalock Ward is one of three wards in the Greater Bendigo municipality which includes the former Strathfieldsaye Shire. Framed black and white head and shoulder portrait with hand coloured detail. Man with profile slightly to right, walrus moustache, image encircled. Photograph is attached to mount card. Hand written title lower centre.Ex. Councillor / F. Orr / Eppalock / The / Yeoman / Studiosshire of strathfieldsaye, councillor orr

These photographs are copies of original paintings by the Australian marine artist A V Gregory (1867-1957), also known as Arthur Victor Gregory. Gregory lived and worked in South Melbourne. He took over the Gregory Studio owned by his father, George Frederick Gregory, painting actively between 1899 and 1932. He usually signed his works as ‘A V Gregory’. Some of his original works have been sold for thousands of dollars. These mounted photographs, by A.V. Gregory, show both steam and sailing ships sailing in the Tea Race from China to London in 1872. The information included with the photographs has the following text: “Tea Clippers “ Well done Cutty Sark, by Bobbie Burns The CUTTY SARK and THERMOPYLAE. The start of the 1872 Tea Race from China to London. The “Cutty Sark” first away, followed closely by the “Thermopylae”, finally parting after several days’ company. On this race the “Cutty Sark” lost her rudder in the Indian Ocean, putting her hopelessly out of the race, and enabling the “Thermopylae” to pass her and reach London on 11th October, 115 days out, the “Cutty Sark” limping home seven days later. The credit of the race was given to the “Cutty Sark” by the shipping world. Copies of the pictures may be had from A.V. Gregory, 326 Albert Road, South Melbourne."The detailed images of the vessels depicted in this photographs shows some of the many sail and steam vessels painted by the renowned Victorian marine artist A V Gregory, whose original works are highly valued today by marine collectors. The pictures and document are significant for their association with the Tea Clippers, famous for racing across the world to arrive in Australia with the fastest time.Photographs of paintings of sail and steamships, three photographs mounted together side by side, titled "Australian Rivals - Past and Present". The centre shows the sailing ships Thermopylae and Cutty Sark. It is flanked on each side by a photograph of a steamship. The document with the photographs gives the history of the famous Tea Race from China to London in 1872.Title: "Australian Rivals - Past and Present". Handwritten on Left photograph "A.V. GREGORY - SS KATOOMBA" Handwritten on Centre photograph; "THERMOPLAE - A.V. GREGORY - CUTTY SARK - FIRST AWAY" Handwritten on Right photograph; "CANBERRA - A/V/ GREGORY" Handwritten on accompanying card is the story of the Tea Clippers.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ss katoomba, thermopylae, cutty sark, tea race, tea race china to london 1872, canberra, tea clippers, a v gregory

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington.Framed black and white head and shoulder portrait of Councillor Keck with hand coloured and drawn detail. Profile slightly to right with walrus moustache. Cut oval brown mount decorated with text and flowers. Hand written title top and lower centre.Strathfieldsaye / Shire Council / W.H. Robinson / Photo / Bendigo / J.H.E Gribbs / Presented by / Cr Herbert Keck / President 1903-4. 1912-13.shire of strathfieldsaye, councillor keck, strathfieldsaye shire council, president of strathfieldsaye shire

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington.Framed black and white head and shoulder portrait of Councillor Doak with hand coloured and drawn detail. Left facing profile with walrus moustache. Cut oval brown mount decorated with text and scrolls. Hand written title top and lower centre.Presented to / Strathfieldsaye Shire Council / W. H. Robinson / Photo / JMB Gribble / by Cr S. Doak / President 1911 - 1912strathfieldsaye shire council, president of strathfieldsaye shire, councillor doak

Plaque - wood with metal silver banner across the top, triangle with borders, yellow, red, silver and cream centre. Yellow army boots in the centre. Banner at the bottom."D COY 6 RAR" "LONG TAN 18 AUG 66" plaque, vietnam, long tan

Possession of POW at Camp13 MurchisonGerman military medal, star shaped with crossed swords, swastika sign in centre, date 1939 on back in centre. Ribbon in coloured stripes - navy,red & whitetatura, numismatics, medals, military

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Magazine image of the Communications Centre in Kofu, Japan 1966. Now known as the Yamanashi Broadcasting and Press centre (model). (Architect: Kenzo Tange.)Made in Australia / 2 / OCT 64M / Encircled 61 (Handwritten)japan, slide

Aulsebrook Collection: New Psychiatric Centre Reel and Article, 1968 August 21 -1 page, typed -Reel script and Article related to new Psychiatric Centre

Dark colour metal unit badge on the centre of the plaque with the writing "Presented to 1 RVR From 6 RAR SGTs Mess 1982" in the bottom centre of the plaque.

Coffee coloured silk and lace ladies dickey. front lace panel of lace. Deep V shaped neckline. Centre seam to waist. Three 1cm gold coloured decorative shank buttons at centre front below V neckline. Silk back panel with centre opening at centre back with a 10cm slit. fastened at top with one press stud. Lower edge of back panel has .7cm ribbon attached forming ties at either side (50cm and 60cm) to fasten garment at centre front.costume accessories, female, coffee coloured ladies dickey

This is a ticket for admission to the Warrnambool Family History Group Seminar held at the Hammond Centre, Christ Church, Warrnambool on Saturday 16th May 2015. The Warrnambool Family History Group was established in 1980 for those interested in genealogy and family history. It holds a seminar each year, both as a fund-raising exercise and as a means of disseminating information on the latest developments in researching and recording family history. This ticket was issued to W.F.H.G. member, Barbara McLeod.This ticket is of minor interest as an example of the activities of the Warrnambool Family History GroupThis is a small buff-coloured ticket for admission to the Warrnambool Family History Group Seminar in 2105. It has black printed material on one side with the ticket number recorded in black biro. ‘Warrnambool Family History Group, Admission Ticket, Family History Seminar, Saturday, 16th May 2015, Hammond Centre, Christ Church, Ticket no 5, Price $25 ($20 for members)’warrnambool family history group, hammond centre, christ church, warrnambool

Black and white photographWritten on back of photograph: "Ringwood from Civic Centre."

Small round badge with central heart shape, colours are red, green, yellow & gold.In centre: “DISCHARGED SOLDIERS FUND FOR OUR RETURNED SOLDIERS”badge, soldiers fund raising, discharged soldiers

Plastic frame, gold coloured surrounding embroidered flags, flowers, leaves & crown on pink material background.Embroidered in silver thread top centre: “ADVANCE AUSTRALIA”passchendaele barracks trust, embroidery, advance

Yellow painted frame surrounding tapestry of an Australian soldier with Australian flag & roses in the background.Embroidered top centre: “AUSTRALIAN MILITARY FORCES 1941”.handcraft - tapestry, military history-army

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of three framed images on a striped background. The top left image is a black and white sketch of Burswood. The top right image is a black and white portrait of Edward Henty. Below these images is a coloured image of two bluestone buildings. The background is striped pattern of red, blue and gold.Front: Edward Henty (lower centre) Back: 46