Photocopies of Scouts at Frankston Jamboree in 1934. Donated by Hazel Spargo (nee Bennell)Five photocopies of photographs of a Scout Jamboree at Frankston in 1934. 339-01 - A group of scouts with Alan Bennell standing 2nd from left and Ronald Bennell on the right. 339-02 - Group of scouts on a climbing frame. 339-03 - Baden Powell on a horse at the Jamboree. Photo taken by Alan Bennell. 339-04 & 05 - A group of scouts.frankston scout jamboree, baden powell, alan bennell, ronald bennell, hazel spargo nee bennell

Shows the importance of the jetty to Cowes around the turn of the 20 century.Postcard with black and white photo in oval frame. Cowes jetty with sailing ships and a large group of people at the end. Also men and jinkers on land.Cowes Jetty, Phillip Island, Victoriacowes, cowes jetty, sailing ships, transport, photographs, local history, postcards

Large yellow tablecloth used on Thomastown Golf Club presentation events, yellow and brown fringes were used as decoration, as shown in the accompanying photo. The tables were set up by Bob and Evelyn Jones, these events took place at the Jones home. Thomastown Golf Club was a social golf club formed in 1976. This is part of the Robert (Bob) Jones collection of Club memorabilia.Yellow tablecloth with brown and gold fringe decorations - sample only in frame.thomastown golf club, robert jones, tablecloths, presentations

This is a photograph of crew members on the S.S. R-? Norvag. Inscription and Exact name of ship to be checked..Black and white photograph of S.S. R-? Norvag crewmen in suits and caps or fedoras . The photograph has been mounted onto a cardboard frame. The bottom reads, 'S.S. r-? Norvag" handwritten in black ink. The photograph itself is of 9 men in two rows, 5 on top row standing and 4 in the bottom row sitting on a bench.The men are posed on the ship's deck. On front with photograph:: S.S. Rine-? of Norvag Lwr r. corner very faint in pencil: E.T Lake photo. Lincoln inn , CH-? William Street / Melbnorvag, s.s. norvag, crews and ships

brightly coloured photo of sea, birds and boat. In glass frame."Hamburg-Amerika Linie" "Wiechmaun" "Sammlung der Webermaterial/ Aktion SEEFAHRT"

Framed embroidered banner – a souvenir of World War Two. A multi-coloured map of Australia, a bird carrying a letter, an Australian military badge, camels and a mosque are depicted on a dark blue background. At the bottom there is a photo, a 1939 associate badge, a dog tag and a brass plaque. 'In Honour of Corp Benjamin Ackroyd VX 5001. Souvenir of Palestine, The Mosque of Omar 1941.'world war two, embroidery, 1941, souvenir, palestine, mosque, omar

These photographs were sent by Mr Frank Heys to his family while he was a German prisoner of war during the Second World War.Framed collection of German prisoner of war photorgraphs. Seven black and white photographs and one colour photograph. Five show the reverse side with addresses and post marks.'Mr Frank Heys. Life Member, Past President,(1984-1986), Committee Man. Franked served with the British forces in the Loyals Regiment, in France in 1939. Was captured at Dunkirk and spent the remaining war years a prisoner of war. These photos were sent by Frank to his family during those years. Donated by Alan and Sylvia Frank.' 'Stalag 23'photographs, 23, stalag, germany, second world war, german, camps, p o w s, prison

Black and white photos taken in KoreaBlack plastic picture frame with glass front rectangular shape. Cardboard stand attached to backName Keith Richard Faulks in centre with photo of same person. Two photos either side of photo of soldiers and scenes at war surroundings

Black plastic frame with 3 badges 2 beer labels 1 Beer coupon and two photos of soldiers drinking beerMaterial badge of Australian Military Forces, Material badge of British Forces Commonwealth, Material badge with crown and commonwealth. Paper label from Asahi Beer and Kirin Brewery Company Lager Beer. Paper coupon from Asahi Beer Hall. 2 photos of soldiers with beer

Black plastic frame with glass front and photo of Brass BandOnly marking is on back of photo saying Keith Faulks. Korea

THE CHAPLAINCY Although fostered by the Anglican Church since 1906, the work of the Mission to Seafarers’ is inter- denominational and is not limited by the physical space of its buildings. When the old Melbourne wharves and their moorings were still in use, chaplains would also visit ships to look after the welfare of those who could not visit the Mission. Today, the Mission’s ‘Ship Visitors’ provide a similar service. The Flinders Street central complex was purpose built to meet with seafarers’ needs: “...the first thing a sailor would see before the traps and temptations of the city would be the Institute and its comfortable rooms.” (The Argus, ND). Today, the Mission continues to offer its comfortable, safe spaces and a friendly ear to seafarers, alongside other services that extend well beyond those traditionally offered - including TV, phone cards, and access to the internet. This window, titled ‘Light of the World’, was installed in 1935 in memory of a former ‘M.V. Manunda’ captain and represents chaplaincy support to the seafaring community.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. his frame is showcasing the memorial window to Captain Robert Sunter and a photograph of a chaplains conférence in the 1950s.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: Taken in the courtyard at Flinders Street in the early 1950s, this photo shows eighteen individuals, fifteen of whom are wearing white clerical collars, illutsrating the integral relationship between the Mission to Seafarers ministry and the Anglican Churchreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, captain robert sunter, chaplaincy, conference, mv manunda, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, catherine mclay, arthouse

THE HARBOUR LIGHTS GUILD The ‘Ladies Committee’ was formalised in 1906 to assist the chaplain with the social demands of the Mission, and was renamed the ‘Ladies Harbour Lights Guild’ the following year. According to former members, it operated with all proper decorum and with precise guidelines that restricted women from coming into contact with seafarers outside of Mission activities. With some 1,600 Victorian members during its early years, these volunteers gave their prayers, money, handiwork time and considerable energy in order to assist in providing for the welfare needs of visiting seafarers. The heritage chapel of St Peter, often referred to as the Mariners’ Chapel, features many examples of stained glass. Commemorating the service of Mercantile mariners, the funds to build the chapel were raised by the ladies of the Harbour Lights Guild. This window, titled ‘Faith’, was installed in 1933 to commemorate the devoted service of Miss Ethel Godfrey, a founding key member of the Ladies Harbour Lights Guild.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Ethel Godfrey, and two photographs of ladies from the Harbour Lights Guild.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: a member of the Harbour Lights Guild dancing with a Tongan man at a social event during the 1960s. BELOW: A group photo of the ladies of the Harbour Lights Guild in front of the stage at the Mission to Seafarers Victoriareflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, ethel augusta godfrey 1861-1935, lhlg, harbour lights guild, ladies harbour lights guild, dance, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, catherine mclay, arthouse

View of San Remo and the Pier taken from Westernport Bay entrance. "U" shaped pier, busy with fishing vessels, a large shed on the connecting Jetty to beach and the frame of a new building. Beyond is the Pier Hotel, more buildings to the extending left. Behind the coastal trees to back of photo is a tree lined bare hill.The Pier, San Remolocal history, photographs, jetties, san remo, black & white photograph, mona condrick

The image portrays how the Celia Little room (Celia Little plaque on the wall) was used mid 20th C. and date of similar image (see record 0221) The inclusion of the bell from the 'Moreton Bay' vessel dates the image to post 1957 when the bell was presented to the Mission. Used as a sitting room or lounge area at the Mission to Seafarers Melbourne. The image also shows the style of dress and style of magazine covers of the time. On the table stands the shield for the annual competition by crew of merchant ships presented by Wally Nancarrow, Sydney. (see item 0608)The photograph is significant in that it captures the essence of the Mission to Seafarers mid-20th century. It identifies the main use of the Celia Little room as a reading area. It also helps date and track locations of other objects in the heritage collection. A black and white photograph of two men in the Celia Little room at the Mission to Seafarers Melbourne. The top left of the photograph is a bell fixed to the wall that has a bell pull with a long piece of decorative knot-work attached to the clapper. The room is set up as a lounge area with at table left of the centre against the wall. The table is laden with magazines and papers on top of a tablecloth. A picture frame is sitting on the table and leaning against the wall that has a 'shield' or 'coat of arms' displayed. (see also VC records 221 and 0608) One of the men is standing central in the photograph, in a white jumper holding a magazine and half turned towards the wall.The second man is sitting in a chair in the bottom right side of the photograph and appears to be reading. A few tops of chairs are seen at the very bottom of the photo and on the wall are a plaque to the left, a framed picture to the right of the first man's head and another in the far right top corner. The room appears to be lit from the left.melbourne, bell, men, magazine, chairs, wains coting, papers, mission-to-seafarers, celia-little-room, bell-pull, picture-frame, 1940s, celia little, plaque, shield, soccer, football

Alan Charles Quinn went to sea at 16 years of age and photographed his work and the places he visited. His collection of photo albums form a pictorial autobiography. The Alan Charles Quinn collection also includes a series of letters written to and from his mother.Black and white photograph of a number of yachts moored in San Francisco Bay. There is a jetty or pier visible to the right of frame and trees along the background to the left.Blue/green ink, handwritten on reverse: "30/9/49" Handwritten in pencil: "K9/A"sailing boats, moorings, san francisco, alan charles quinn

An early photograph of Greensborough School 2062. The building was constructed circa 1879 and still stands on the corner of Grimshaw Street and The Circuit, although this view predates the construction of The Circuit.Sepia photograph in wooden frame.greensborough primary school

Coloured photo of painting. Joshua Black - Head and shoulders. Black Jacket and tie. White shirt.Back: Holland's Picture Framing and Art Supplies. Hilary. 16 Henty St, Portland. Phone 03 55233582