Showing 5749 items matching "helper"
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National Wool Museum
Beret
Knitting by Joyce Hucker. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting by Joyce Hucker.knitting, hucker, mrs joyce -
Ballarat Heritage Services
Ceramic - Wheel Thrown Stoneware Bowl
Belltower Pottery was established by Rudolf Dybka in Kyabram, Victoria, in around 1977 with the help of John Stroomer. Stroomer later took over the pottery, employing as many as 23 workers and apprentices. After a fire in 1988 destroyed the building, Stroomer moved the pottery to the old Kyabram butter factory, where it operated until the late 1990s. Works may be marked with an impressed 'Belltower Pottery' or, after the move to Kyabram, 'Belltower Pottery, Handmade, Kyabram, Vic.'Wheel thrown stoneware bowl with the word 'Nuts' on one side. Stamped "'Belltower Pottery, Handmade, Kyabram, Vic"pottery, belltower pottery, kyabram, australia studio pottery -
Robin Boyd Foundation
Letter, The Royal Australian Institute of Architects, 31.03.1949
The letter is in response to Robin Boyd's request for help with work of the Melbourne University School of Architecture. It contains the opening address of Thomas Rowe, President of the Institute of Architects and information on the Institute of Architects NSW (not in Boyd's papers) and on the history of the establishment of The Royal Australian Institute of Architects. It also lists further information of office records at RAIA in Sydney, that Boyd can access on a visit. Mention is made that NSW has not got far with its Small Homes Service.Signed by Secretary of RAIA -
Vision Australia
Administrative record - Text, Nineteenth Annual Report of the Association for the Advancement of the Blind 1914, 1914
Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including the opening of the new wing at the Adult Home for the Blind by Lady Denman, removal of a 300 pound debt due the combined efforts of the Police, Military and Fire Brigades who hosted a monster carnival at Luna Park to raise funds for this, and with the help of the Minister of Railways - Hon. Donald Mackinnon - free suburban train for guides has now been granted.1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports -
Vision Australia
Audio - Sound recording, Interview of Graeme Innes on 'Raising children' DVD, 2007
In 2007, the Prime Minister launched 'Raising children' DVD to be given free to each new parent. 'Raising children: a guide to parenting from birth to 5' contains many resources to help new parents, however the DVD is not audio described nor captioned. Human Rights Commissioner Graeme Innes discusses this lack of access with Stephen Jolley, and the discrepancy in creating a Disability Discrimination Act and having a government issued resource that does not conform to this.1 audio recording of an interview between Stephen Jolley and Graeme Innesstephen jolley, graeme innes -
Melbourne Legacy
Document, Melbourne Legacy Club Conference, 2006
A copy of speech given by President Bill Rogers when he was explaining to a meeting of Melbourne Legacy branches and groups about changes to the fundraising methods being used by Melbourne Legacy. He mentions hiring a firm DVA Navion to help with direct marketing. This was a new concept for Melbourne Legacy. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).An insight into Legacy taking a professional approach to fundraising in 2006.Print out x 5 pages of a speech given by President Bill Rogers to the Legacy Club Conference in 2006.fundraising, marketing, public relations -
Melbourne Legacy
Photograph, Legacy Appeal 1992 - Tug of war, 1992
Ron Barassi was a Legacy boy after his father died at Tobruk in 1941. He helped promote Legacy in many ways and at many events over many years. The photo shows Ron Barassi participating in a tug of war event in Melbourne City Square and another participant is in army uniform. It was featured on the cover of The Answer September 1992, saying it was Legacy Week. Another photo shows Barbara Leach and radio personalities also competing.A record of a former Junior Legatee making a contribution to helping Legacy raise funds.Black and white photo of Ron Barassi participating in tug of war for Legacy Week in 1992.Handwritten on the back '5.4' in blue ink.legacy promotion, legacy week, ron barassi -
Melbourne Legacy
Document - Press Release 1975, Melbourne Legacy, Success through Legacy - you've probably seen him play football, 1975
A press release from Melbourne Legacy in 1975 which relates the story of a junior legatee playing professional football. The information was intended to be used by press and magazines etc. The junior legatee is not named but it mentions he had a rough home life, then his father died and his siblings became State Wards. His father was a returned ex-serviceman and Legacy heard of the boy's situation and began regular visits to the family and gave not only advice but financial assistance as well, to try and provide a normal family life. The younger children were returned from state care. The future footballer endeavoured to rise above his background and on finishing school he wanted to apply for a job that called for honesty and integrity and involved responsibility for money. Thi family background was held against him until with the help of Legacy he won the day. Legacy helped provide appropriate clothing for his new position. Since then he has gone from strength to strength in his career and in his sport as well. 'Legacy has often been referred to as an organisation of human kindness'.A record of how Legacy promoted their work in the 1970s.Buff foolscap page x 2 with black type of a press release in 1975.Title 'Success through Legacy''press release, promotion, case studies -
Ringwood and District Historical Society
Photograph - Group, Ringwood Technical School 1963 Form 1C
This Form was part of the largest intake to date as Ringwood Technical School entered its fourth year at the Heathmont Road campus. The 269 Form 1 students in 12 groups, 1A to 1M, took the school’s population to nearly 700. Extensions to the 3 year old building commenced during the year to help accommodate the expected rising numbers of students. The school was known locally as Ringwood Tech School, Ringwood Tech, Ringy Tech, Ringers, The Tech and RTS.Black and White Photograph Photograph from Ringwood Technical School photo album labelled “Ringwood Technical School 1963-’64 Class Photos” (VC 21255)Names: Top row: Lorraine Gibbs, Elaine Gration, Anita Smith, Patricia O’Dea, Ann McGregor, Sandra Diprose. 2nd row: Sandra Thomas, Robyn Jensen, Therese Birchall, Gail Phillips, Judith Flarherty, Joan ?. 1st row: Jeanette Miles, Judith Cruickshank, Yvonne Aston, Susan Marsden, Heidi Henkel, Rosemary D’Orival Margaret Piergrosse.rts, ringwood tech -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Kitchen Equipment, bread fork, c1900
A Bread fork was mainly used in Victorian times, when touching food was frowned up. Even in common households, you had to have a bread fork to help yourself to the bread from a bread basket in the middle of table. Bread was an important part of any meal, and would be served as a side dish to most dinners, so bread forks were in common to use. More expensive ones would be made from silver and be very ornately decorated. An engraved, silver-plated Bread fork with a bone handle cutlery, forks, cheltenham, moorabbin, early settlers, bentleigh, silver-plate, bread forks, victorian etiquette, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, evening bag, c1900
In the 17th century young girls were taught embroidery as a necessary skill for marriage, this also helped them make very beautiful handbags. By the late 18th century, fashions in Europe were moving towards a slender shape and women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, with wrist strap often decorated with pearls, sequins, beads and embroidery. A lady's black velvet, silk lined, evening bag with draw-string and hand made tassels. The bag is decorated with beads in a floral designmoorabbin, brighton, early settlers, pioneers, cheltenham, craft work, dressmaking -
Uniting Church Archives - Synod of Victoria
Photograph, c. 1977
Linda Blundell had been employed as a social worker to help Broadmeadows families who had fallen into financial difficulties. The Rev. Brace Bateman had established the position within the Maribyrnong Valley Presbytery. Linda herself had experienced financial difficulties in earlier life, brought about by the unscrupulous tactics of some local businesses who encouraged over-spending and borrowing, so she was well equipped to assist families work through the difficulties.Linda Blundell was the first person to be employed as a social worker in the Presbytery of Maribyrnong Valley.B&W photo of Mrs Linda Blundell talking to the Rev. Brace Bateman.linda blundell; brace bateman; presbytery of maribyrnong valley; broadmeadows, social worker, broadmeadows -
Robin Boyd Foundation
Document - Script, Robin Boyd, The Flying Dogtor. Episode 48 The Tower, 1963
The Flying Dogtor was called to the Snowy Mountains Scheme by the Government to help solve the mystery of a monster or sea serpent, that was wandering the lakes and tunnels. Several times, the Dogtor caught a glimpse of a monster but every time, it got away before he could see it properly or speak to it. Then he came to a weird-looking lookout on the edge of the lake, and paid his sixpence to climb to the platform for a look through a telescope. He heard faintly, a nasty sound of eerie, spidery laughter.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesHandwritten pencil edits and additions.the flying dogtor, robin boyd, crawford productions, manuscript -
National Wool Museum
Bag, Costume
Crochet example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crochet example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Balaclava
Knitting example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting example by Joyce Hucker.Late J. Hucker 1972 Ski Capknitting, hucker, mrs joyce -
National Wool Museum
Puppet
Knitting example by Joye Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting example by Joye Hucker.knitting, hucker, mrs joyce -
National Wool Museum
Hat
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Collar
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce -
National Wool Museum
Hat
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker."Jaunty Pair" Cap. J. Hucker Lake Bolac Viccrochet, hucker, mrs joyce -
National Wool Museum
Muff
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Collar
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce -
National Wool Museum
Scarf
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Dress
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Bonnet
Knitted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitted example by Joyce Hucker.knitting, hucker, mrs joyce -
National Wool Museum
Cape
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Layette
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted item by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Bag, Costume
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted item by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Dressing Gown
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Dressing gown crocheted by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker.crochet, hucker, mrs joyce -
Ballarat Heritage Services
Ceramic - Image, Belltower Pottery, Lidded Wheel Thrown Bowl, c1995
Belltower Pottery was set up by Rudolf Dybka in Kyabram, Victoria, in around 1977 with the help of John Stroomer. Stroomer later took over the pottery, employing as many as 23 workers and apprentices. After a fire in 1988 destroyed the building, Stroomer moved the pottery to the old Kyabram butter factory, where it operated until the late 1990s. Works may be marked with an impressed 'Belltower Pottery' or, after the move to Kyabram, 'Belltower Pottery, Handmade, Kyabram, Vic.'Wheel thrown stoneware bowl with the word 'Nuts' on one side. pottery, belltower pottery, rudolf dybka, john stroomer -
Otway Districts Historical Society
Book, Colac & District Family History Group Inc, Pioneering days: a woman's life, 2013
This is a collection of stories and newspaper clippings that relate to the women of the Colac district during the 19th and early 20th centuries. Over 300 women, some with a lot of information, others only covering a few lines, have been recorded. Many often would have had overwhelming issues to face in their day-to-day lives, with loneliness, lack of close communication and medical help, bad or unmade roads and harsh living conditions, ensuring that their children were fed. Pioneering days: a woman's life. Colac & District Family History Group Inc (comp.). 1st ed. Colac (Vic); Colac & District Family History Group Inc; 2013. vi, 284 p.; illus. ISBN 978 0975 0679 1 8 Soft cover.colac; otways; families; articles;