Three colour photographs: 1. Eltham Community Centre, Pitt Street, looking south 2. Eltham Community Centre, Pitt Street, looking south 3. Eltham Community Centre, Pitt Street, looking north; oregon uprights and mudbrick wallseltham, eltham community centre, buildings, construction

Three colour photographs: 1. Eltham Community Centre, Pitt Street, looking south 2. Eltham Community Centre, Pitt Street, looking south 3. Eltham Community Centre, Pitt Street, looking north; oregon uprights and mudbrick wallseltham, eltham community centre, buildings, construction

Three colour photographs: 1. Eltham Community Centre, Pitt Street, looking south 2. Eltham Community Centre, Pitt Street, looking south 3. Eltham Community Centre, Pitt Street, looking north; oregon uprights and mudbrick wallseltham, eltham community centre, buildings, construction

A wooden shield with an emblem in the centre. In the middle of the emblem there is an anchor with thwo flags. Above the centre there is the workd Jeparit and under the centre is the wording Supply And Support.At the bottom of the shield there is a plaque with the inscription "Presented to HMAS Sydney & VLSVS by J de Oleveira HMAS Jeparitshield, hmas sydney, hmas jeparit, cerberus collection

Found in bible (3803.1) when catalogued (9 November 2006).Dried flowers afixed to card.Front: [Arabic words] (upper centre). F.K. King/-ican (ink, lower right). Flowers from Gethsemane (print, lower centre).

Jan Senbergs was born in Riga, Latvia, in 1939 and came to Australia when he was ten. Senbergs’ work has been characterised by a simple and bold aesthetic. From lush landscapes to barren urban spaces, his body of work signifies an artist who has continually experimented with shape, form and motif, a fundamental humanist vision, a finely-honed sense of the absurd, and a rigorous studio practice spanning printmaking, drawing and painting. Senbergs is Baldessin's exact contemporary. He was also born in Europe and fled his homeland because of the war, arriving in Melbourne in 1950. Like George, Senbergs also worked at the RMIT and in 1973 represented Australia at the Bienal de Sao Paulo. Senbergs first met George when he was living in St. Kilda. George asked if he could screen print his 'Argus' catalogue for a show at the gallery in the Argus building. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'New Jersey - rust belt' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print finds its' origins in the time Senbergs spent at Harvard in America in 1989-90. In the context of Baldessin it explores an industrial urban surreal vision that was common to both artist. The image captures the life force of the city revealing the keen and observant eye of Jan Senbergs. Similar in sensibility to his large scale charcoal drawings of the 1990s, the artwork is not only a record of what the artist sees, but of what interest him. By following the movement of each line the viewer can witness the artist's eye travelling through, over and around each element of the urban landscape. The scale is deceptive with the image bled to the full-size of the sheet of paper like a microcosm of a much bigger whole. sugar lift etching of an urban (cityscape - New Jersey) scene - bridges, roads, buildings, in thick black brushstrokes. The image is busy; full of energy and movement. A bleed print in which the paper barely contains the city scape. In pencil (handwritten): top centre: left '14/25' (edition); centre 'New Jersey-Rustbelt' (title); right 'Jan Senbergs' (signature); print, sugarlift etching, urban landscape, ekphrasis2018, new jersey, line, rust belt

Changes over earlier FE model were minimal and primarily cosmeticAs manufactured by GMH4 door sedan, blue in colour chrome features including side strips, grille and bumpers and headlight surrounds.Holden emblem boot centre chrome lettering on bonnet, holden emblem grille centre special with Holden emblem on rear quarter panelsvehicle, fc, sedan, holden

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cutting and flower heads with brown stem and green foliage and white start-shaped flowers with pink and green centres. Six drawings include cutting with flowers, flower bud details and flower details from above and side. The work is on white paper, mounted in a double matt (grey on dark pink), unframed.Front: CEW/82 (signature, lower left in image, next to stem) (green pencil) Snow Beard-heath - Leucopogon montanus (lower centre) (pencil) Back: 32 (upper left) (pen) Snow Beard-Heath $80 (Leucopogon montanus) CE Woolcockcema, botanical, collin woolcock, woolcock collection, botanical drawings

Invitation for Neil and Elizabeth Maxwell to attend the opening of the new Kooyong Centre on Thursday 11th October 2001.1 x A4 page of grey background with black writingnon-fictionThe President, Malcolm Daubney and Members of the Board request the pleasure of the company of Neil & Elizabeth Maxwell at the Opening of the new Kooyong Centre 454 Glenferrie Road, Kooyong at 10.30am for 11am on Thursday 11th October, 2001 by John Landy, AC, MBE Governor of Victoria RSVP by 27 September 2001 (03) 9599 5000 Light Lunchelizabeth maxwell, neil maxwell, vision australia

Originally an SEC town built for workers on the Kiewa Hydro Electric Scheme. It became a tourist centre from the 1960s.Examples made to increase tourism with historical photos, historical items no longer used or sought after. Items such as these are a different way of advertising to on-line methods used today1. Coloured shiny poster with photos of mountains, river and fishing backed on to orange & white pattern. 2. Christmas card "Mt Bogong and Mr Beauty Township" on the back in gold Markdon Prints, Porpunkah ..."" 3. Plastic coloured trays x3 - Mt Beauty Vic. x2 and Mt Beauty Victoria (4 photos including Mt Bogong, Falls Creek x2, Kiewa Valley.) 4.Silver plated spoon "Mt Beauty Vic." 1. Printed bottom left hand corner "Mount Beauty, Victoria" 2.Centre front "The Seasons Greetings" with title written under painting also "From the painting by Marcus L. O'Donnell" 3. On the back of the tray with 4 photos - embossed "A Starlite Product ..." 4. Embossed on back of handle "Stuart / Silver plated"mt beauty tourism

Owned by Elf Dusting, daughter of George Dusting. Dusting family early residents of Portland.Framed colour lithograph behind glass, depicting stores and locations in Portland and Heywood. Title in decorative letters in centre of page and name of printer at bottom centre.Front: (no inscriptions) Back: (no inscriptions)dustings family

Maggie's Peak where the Chautauqua concerts were overlooked.The photo shows a rock ridge with a small peak at it's centre. There is a tiny patch of blue showing through the cloudy sky on the top, just right of centre.scenery, grampians ranges

Two colour photographs: 1. Eltham Community Centre, Pitt Street, looking north 2. Eltham Community Centre, Pitt Street, looking northeltham, eltham community centre, buildings, construction

Two colour photographs: 1. Eltham Community Centre, Pitt Street, looking north 2. Eltham Community Centre, Pitt Street, looking northeltham, eltham community centre, buildings, construction

The Centre of a Community, a brief history of the Eaglehawk and Long gully Community Health Centre. 68 pages. B&W photos and illustrations Ray Wallace EditorRay Wallace ( editor )eaglehawk, health, community health centre, eaglehawk, long gully, health, community health centre.

Bendigo Archive & Heritage Centre Part 1: Situation Analysis. Issue: June 2005. 43 pages. Colour photographs & map. Archive & Heritage Centre.SED Consultingbendigo, hospital, archive and heritage centre, archive & heritage centre

New panel hearing for Blackburn Shopping Centre beginning July 9th at Nunawading Arts Centre. Appeal for support of residents. Newsletter 10 June 1990.resident action, blackburn village residents group, city of nunawading

Large round piece of abrasive stone with holer in centre in which is inserted a metal shaft and handle. This is mounted into the centre of a wooden bench with four legs and bracing.trades, blacksmithing, carpentry

Black and white photograph of the exterior of the Waste Transfer and Recycling Centre, Burwood Highway, Vermont South. White flowers front right. Name on side of centre.waste transfer and recycling centre vermont south

Metal RAR badge in the centre of the Wood plaque. The yellow and red cloth is behind the metal badge, the 5th/7th Battalion is in the bottom centre part of the plaque

Black and white photograph of Ron Coster, Drug Recovery Centre Manager, at Eastlakes Drug Recovery Centre Golf Links Road Lakes Entrance Victoriahealth services, management

Port of Portland Authority archivesFront: (no inscriptions) Back: 4 -3/8 (centre left, red pen) P (centre, blue pen) 6½ (lower centre, red pen) 12.12¾ (upper right, pencil) 8036 (upper right, blue pen)port of portland archives