The Queen and Prince Phillip arrived in Australia on 3rd February 1954 for a two month tour of the country. In this time they visited all capital cities except Darwin and visited 40 country towns. Royal Winton china is made by Grimwades Limited in Stoke-on-Trent, England. The company was founded in 1885.Royal Winton China Plate commemorating Queen Elizabeth II visit to Australia. Cream China with Portrait of the Queen framed in a wreath of green leaves, flags and gold ribbons topped with crown. Edges heavily patterned and gilded. Royal Winton Grimwades.Made in England 9/53queen elizabeth ii, royal winton, 1954 visit to australia

Legacy have many programs to send young junior legatees on activities, camps and outings. The photo shows a group of junior legatees during a seaside camp. Three boys are in other photos that appear to be the same camp (03146 and 03147). The date is not known though it is thought to be from early 2000s, and it was stored with other photos of Junior Legatees. A record of a Legacy providing experiences for the junior legatees.Colour photo of a group of junior legatees at a camp.Printed on the back 'No.9' which is the image number.junior legatee outing, camp

Huttley - MartinB/W: Oval Portrait, young girl Short bob cut, embroidered yolk on dressLorna Huttley about 9 years oldhuttley, martin

Arthur Douglas was the secretary of the Bendigo Division of the Tramway Employees Association for 30 years.Two newspaper articles reporting on Mr Arthur Douglas's Retirement Dinner. Headlines: 'Trams on the Table' and 'Tramway Men Honour T.E.A Secretary'. Handwritten on side '29.9.1951'Written in blue ink - 29/9/51cottage, miners

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Reverse: YACKANDANDAH / Y 9 / 021 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Park Avenue, New York City, New York, USA. On the left is Lever House (1950-52) at 390 Park Avenue. (Architects: Skidmore, Owings & Merrill (lead designers Gordon Bunshaft and Natalie de Blois).)Made in USA/ Patented/ 04819/ Encircled 54 (Handwritten)/ Encircled 9 (Handwritten)/ Encircled 16F (Handwritten)/ Underlined 9 (Handwritten)mit bemis professorship, mit, robin boyd, slide

One of a pair of posed photographs of Car 7 in Corio Tce. prior to opening day. The tramline curves to the right into the depot whose entrance lies between Blakiston & Co on the right and the MESCo's offices on the corner of Yarra St., to the left. Note its ornamental turret, removed in the 20s. The carefully arranged poseurs are employees of the Company, recognisable from the other photographs. The second photograph (Item No. 8617 - large print on wall in board room) shows the opposite end of the tram with the Geelong Club and Mac's Hotel in the background. The same characters are aboard, differently arranged. Early 1912. Note also the front destination box (mechanism unknown) that was replaced with roller destination blinds with a set of four coloured lights above.Black and white print on paperNoi. 1 inside a circle and 13-9 written on the reverse in ink. GRS710/13/1/9 written on the reverse in pencilgeelong tramway car no. 7, geelong streetscape c.1912

Yields information about the delivery of an ex Ballarat tram to a tramway Museum.Colour 35mm slide in a white cardboard slide holder of Ballarat No. 34 being unloaded at the AETM site on 24-9-1971, Photo John Radcliffe. Ballarat No. 21 can be seen in the background on a truck waiting to be off-loaded. In the adjacent slide position is a note to this effect. This piece of paper was wrapped around the slide. Photo from the collection of Lilian Butler. See also Reg Items 7988i1 and i2 for other photographs.Written around the slide in ink "Unloading Ballarat car 34 at Australian Electric Transport Museum (SA) Inc St Kilda SA - Ballarat car 21 at rear - 24-9-1971. J. C. Radcliffe photo."tramways, trams, ballarat, aetm, sale of trams, adelaide, tram 34

Hand written notes on cream paper the depths of the seven levels of the East Clarence Mine on the Garden Gully Line of Reef. Ref. J. J. Caldwell 9/10/1936. Revised 24/9/1940.mine, gold, east clarence mine, east clarence mine, depth of levels of the east clarence mine, j. j. caldwell, garden gully line of reef

A black and white photograph of Pilots at the controls of a Huey 'Slick' aircraft of RAAF's 9 Sqn. The pilots of 9 Squandron flew the Huey helicopter in many forms, such as 'Slick troop transport, Medivac, and Gunship operaitions in Vietnamphotograph, huey helicopter, raaf, 9 sqn, gibbons collection catalogue

9 page letter from Fred dated 11/9/45 when he was in Alice Springs for a sale. Addressed to My Darling. He mentions the plane trip to Alice Springs, the sale and the work and conditions.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - letter, fred

Spokeshave metal concave with 6 or 9 stamped one end and star the otherflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Square key used to wind clocks. Has number 9 stamped on keyflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

eltham shire office, eltham week, main road, parade, st andrews ladies pipe band

Belonged to Percy Webber who took the slides while he was parish priest of the church of england in Heathcote in 1893.these Glass slides are only known original pictures still in original box 9 in total taken in 1893 of the various views around heathcote.set of 9 Glass Plate Slides in original box. photographs of Heathcote McIvoron lid of box Gravura Lantern plates glass plate slides gravura, lantern

Newspaper article from Ringwood Mail page 9 on 12th May 1998

The Encyclopaedia Britannica Vol 9 Publisher Adam and Charles Black Date 1879Stamped Terang Mechanics Institute and Free Libraryflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the encyclopaedia britannica vol 9

``Newspaper clipping from "The Mail", 15-9-93, P9 by Jodie Haythorn Ringwood East and Norwood primary schools will close at the end of the year if recommendations by quality provision taskforces are implemented.And Marlborough Primary Schoolis set to merge with Heathmont Secondary to form a year prep to 10 campusand a VCE campus at Eastern Secondary College as part of a multi campus disrict facility.`

``Newspaper clipping from "The Mail", 9-2-93, P11, Myer move Work on the $120 million redevelopment of Ringwood's Eastland shopping centre is expected to start by April.The second stage of the redevelopment was to be put out to tender soon. It was hoped that work would start in late March, early April.`

Newspaper Clipping from the ""Mail", 7-9-1993". P13. "Lending a hand"Pupils at Mullum Primary School who lost all their belongings in a school fire were presented with pencil cases by the Commonwealth Bank last week. Principal Rob Bloye said the presentation was another example of the community supporting the school after a disaster. Pictured are Commonwealth Bank manager Peter Cotton presenting Mullum Primary school pupil Sonja with a pencil case. Picture by CHRIS ROSTRON

Map of 9 RAR operations with a burgundy background. there is a list of operations and dates on the board9 rar, map of operations, poster, information board

This photo is reproduced in the book on Oliver Gilpin's life by his granddaughter Muriel Perry, titled 'Just a pocket for the money', 1995, p.84. The staff names have been labeled as 'Kath? (M), E.Myles, M.Haly, D. Walker, V.Bond, I.Christensen, L.Mattinson, D.Shipsides, J. Miles, '(Coal Creek Historical Village per I. Devlin) Note : (M) Abbreviaton for Manager.Photo of 9 female staff from O.Gilpins Dimboola store, circa 1935on back of frame: Dimboola, 1935?

8400.1 to 9 - Conglomeration of nails, thick and rusted. Some are bent around others