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Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
List of names, some crossed out and some are illlegible. Fines written between two columns.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, w mason, wile, i rae, g nicholson, arthur, abraham, g cook, quirkham, maleoh?, w h howard, w davis, blackler, rossow, emmerley, dunkell, h clausen, h welsten, p miller, i henry, i lanje, baron, streiff, hayles, g davis, h weller, bode, daier, hellnes, plosky, ryan, mehler, ward, e claussen, hallam holnus, gleeson, stopplebein, best, gill, melley, hinch, peters, i c howard, moyle, sreshman, franze, bollman, c miller, l borcherdt -
Clunes Museum
Book, ANDY THE ACROBAT, 1907
BLUE HARDCOVER BOOK - ANDY THE ACROBAT OR OUT WITH THE GREATEST SHOW ON EARTH BY PETER T. HARKNESSlocal history, books, novel -
Warrnambool and District Historical Society Inc.
Booklet - Warrnambool Tourist Booklet, Warrnambool Progress Association, Warrnambool On the Sea, Victoria, Australia, Tourist Guide, 1932
Warrnambool Tourist GuideThis is a booklet with a cream cover featuring a sketch of a woman waterskiing and blue printing. The pages contain black and white photographs, advertisements, two maps and printed text. There is one fold-out page. The booklet is stapled and bound with glue.non-fictionWarrnambool Tourist Guidewarrnambool tourism, warrnambool progress association -
Bendigo Military Museum
Equipment - MESS TIN, c. WW1 onwards
.1) Mess tin base, metal, round shape with fold in/out metal handle & 2 metal side brackets. .2) Mess tin lid, metal, round shape with 2 u-shaped cut outs & 2 metal side brackets.military equipment, food & drink consumption, passchendaele barracks trust -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 29 September 1985
A photo taken at the parade held on 29 September 1985, in conjunction with the flower show, commemorating the 150th anniversary of Major Mitchell's visit There was also the unveiling of a plaque commemorating the Wildflower Show and its many volunteers.The photo shows a man and a woman in conversation with another man and woman who are almost out of the shot (on the right). The woman to the left is holding a brown paper bag and a spray of thryptomene. The man on the right (who is almost out of shot) is also holding a spray of thryptomene.events, wildflower show, events, parades -
Whitehorse Historical Society Inc.
Document, When Antonio Park was home
Robin Harris sets out his memories of time he spent when 'The Shack' was the family home when they first came out from England.Robin Harris sets out his memories of time he spent when 'The Shack' was the family home when they first came out from England. Provide after contact with the Whitehorse Historical Society. For accompanying photographs see NP 3161-65Robin Harris sets out his memories of time he spent when 'The Shack' was the family home when they first came out from England. antonio park mitcham, harris, robin -
Bendigo Historical Society Inc.
Postcard - ACC LOCK COLLECTION: SEPIA PHOTO OF A BOMBED BUILDING, POSTCARD, 1914-1918
Postcard, WW1, Sepia photo of a bombed out building. A civilian faces camera and 2 soldiers are walking away to the right. Picture is slightly out of focus. Location not known. On the back - handwritten in pencil G9 and GS. Also an ink sketch of a man's head.postcard, postcard, ww1, france, ruins -
Melbourne Tram Museum
Document - Folder, Kemp & Boyce Printers, "Melbourne Tramways Trust - Cable Tramways", March 1889
Plans and documents prepared by George Duncan for the Melbourne Tramways Trust showing details of the track construction, drainage and costs for the construction of the Melbourne cable tram and horse tram system for the Melbourne and Tramway Omnibus Co. Part 1 - track cross sections for both cable and horse trams and various rail weights - lbs/yard part 2 - details costs and mileages for each liine, report from George Duncan and remnant part of a printed map missing the lower half. part 3 - drainage report detailing the works and cost for each line. part 4 - continuation of drainage report - and last part of the book Map printed on cloth - blue print - showing the various lines. Note the Windsor to St Kilda line shown as a horse tram line, but was built as a cable line - the last to be opened.Yields information about the construction of the cable tram system by the Melbourne Tramway TrustFolder - heavy card leather covered covers with gold lines around the edges and gold blocked title. Has marbled glued end papers, containing 9 cloth backed blue print drawings, 22 printed sheets and two foldout maps. The lower half of the first fold out map has been torn out and lost. The second fold out map, a cloth backed blue print.Date stamped in two places with "The Melbourne Tramways Trust Engineers 9 Mar 89" (1889), in two places.tramways, trams, cable trams, mtt, mtoco, melbourne tramway trust, construction, drainage, maps, george duncan, track work, costs -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth Carriage Museum IV, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'worth / Marcuse Reverse: B6 / Beechworth Nostalgia / BW - 07 (crossed out)ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Robin Boyd Foundation
Book, Spring Books, The Best of Beardsley, 1956
Hardcover w/ Dust JacketA blue ink drawing of a blooming tree, with elements that appeared to be copied out from the bookwalsh st library -
8th/13th Victorian Mounted Rifles Regimental Collection
Receipt, 1919 circa
Regimental No 3350 later Lieutenant Russel Norman Jones was a 20 year old linotype operator when he enlisted in the 13th Battalion AIF 6 August 1915. He had 4 years cadet service and two years CMF prior to enlistment. He was wounded in action on two occasions and returned to Australia in September 1919 on SS Suevic.Part of a collection of objects relating to the service of Lieutenant Russell Jones, 13th Battalion. The collection gives an interesting insight into the social life of a young officer immediately following the end of the war.White card being paybook Receipt dated 1 September 1919 for Lieutenant RN Jones 13th Battalion issued by paymaster on board SS Suevic on the voyage home following the end of WWI. Across top of card "3350" crossed out and "Jones RN Lt 13th Bn" jones russell n, 13th battalion aif, paybook, ss suevic -
Melbourne Legacy
Document - Report, First annual report of the gymnasium sub-committee for presentation to general meeting - Thursday 28th June 1928, 1928
Gives an insight into the weekly physical activities run for Junior Legatees, both boys and girls, naming the members of the sub-committee and teaching staff.Earliest formal report of physical activities run for Junior Legatees.1 foolscap and 1 A4 sheet faded white copy paper, blue carbon imprint, annotated in black.Typed numbers of participants crossed out and written in pen. Signed by Aaron Beattie, Chairman.boys' classes, girls' classes -
Kilmore Historical Society
That Boy of Norcot's, That Boy of Norcott's, 1869
Victorian novel Brown & green marbelled board cover hardback book. Black leather spine & corners. Corners worn through to board, leather spine torn and detached from body of book. Back cover completely detached. Five illustrations. 274 pp. Poor condition.On flyleaf, '24' crossed out. '96' handwritten in red ink and underlined. '54' stamped.adult fiction, kilmore mechanics institute library. -
Glen Eira Historical Society
Album - Album page, Ulupna Road, Circa 1972
This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 196 of Photograph Album with one photograph of a Victorian house on Ulupna RoadHandwritten: Ulupna Street (crossed out) Road [ top right] / 196 [bottom right]trevor hart, chimneys, porch, garden, single storey, return verandah, ulupna road, ormond, decorative brackets, cast iron frieze, cast iron columns, full length windows, villa residence, cast iron work, victorian period -
Bendigo Military Museum
Headwear - HELMET, STEEL, Post 1960
U.S pattern steel helmet with material fibre glass liner, cotton webbing harness, & leather headband.The liner has a large black blotch as if name & number have been blanked out.uniforms - army, costume - male - headwear, passchendaele barracks trust -
Bendigo Historical Society Inc.
Photograph - Golden Square High School basketball team
Black and white photo of the Golden Square High School female basketball team from 1962. eight players are in the photo, the one in the middle is holding the ball.1962, basketball. ten inches X four and a half (crossed out), 100#, G.S.H.S.basketball team 1962, golden square high school -
Ambulance Victoria Museum
First Aid Kit
Appears to have been used by a St Johns Ambulance motor cycle patrol. The Letters W.J.H on one side of the case may be the initials of the cases owner/userBrown lacquered timber box with 2 carry handles on top. 2 latches on the side and hinges on the other. Box opens out and contains a full fit out of first aid equipment (including bottles containing liquids). Red Cross logo on one sideMOTOR CYCYLE PATROL St JOHNS W.J.Hst johns, st johns ambulance, motor cycle patrol -
Ballarat Tramway Museum
Photograph - Colour Photograph/s - set of 2, Earl Ewers, 26/09/1992 12:00:00 AM
Yields information about the BTPS 21st Anniversary celebrations which involved running a tram cavalcade.Series of two photographs by Earl Ewers - 21st Anniversary celebrations, on Kodak Paper, 26/9/1992 of the tramcars preparing to run out for the Cavalcade with the depot in the background and the run out along the access track into Wendouree Parade. See September 1992 Fares Please!21st anniversary, btm, wendouree parade, depot, tram 33, tram 38 -
Tatura Irrigation & Wartime Camps Museum
Photograph, Cricket Team c 1889
"Cricket was well established in Tatura by 1880, but it was not until 1889 that the Tatura and District Cricket Club was formed, with Charles Wilson as its first President". Early matches were played at the old Police paddock next to the Station, and later, much hard labour produced "one of the nicest grounds I have ever played on (Rev. C.H. Zercho, 1921), out of the original town rubbish depot at the Public Gardens."Cricket was well established in Tatura by 1880, but it was not until 1889 that the Tatura and District Cricket Club was formed, with Charles Wilson as its first President".|Early matches were played at the old Police paddock next to the Station, and later, much hard labour produced "one of the nicest grounds I have ever played on (Rev. C.H. Zercho, 1921), out of the original town rubbish depot at the Public Gardens.tatura, recreations, sports, games -
Flagstaff Hill Maritime Museum and Village
Horse Brass
When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Horse Brass, rectangular with corners rounded out, encrustation on back, 2⅛" x 1⅝". Artefact Reg No S/126. Recovered from the wreck of the Schomberg. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, horse brass -
Flagstaff Hill Maritime Museum and Village
Horse Brass
When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned.32 In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery.33 Flagstaff Hill also holds ship fittings and equipment, personal effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Horse Brass, rectangular with corners rounded out, encrustation on back, 2⅛" x 1⅝". Artefact Reg No S/126. Recovered from the wreck of the Schomberg. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, horse brass -
Flagstaff Hill Maritime Museum and Village
Horse Brass
When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Blaine’s Black Ball Line had commissioned her to be built for their fleet of passenger liners. At a cost of £43,103, the Aberdeen builders designed her to sail faster than the quick clippers designed by North American Donald McKay. She was a three masted wooden clipper ship, built with diagonal planking of British oat with layers of Scottish larch. This luxury vessel was designed to transport emigrants to Melbourne in superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first class passengers. At the launch of Schomberg’s maiden voyage, her master Captain ‘Bully’ Forbes, drunkenly predicted that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The winds were poor as Schomberg sailed across the equator, slowing her journey considerably. She was 78 days out of Liverpool when she ran aground on a sand-spit near Peterborough, Victoria, on 27 December; the sand spit and the currents were not marked on Forbes’s map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted SS Queen at dawn and signalled the steamer. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers were able to disembark safely. The Black Ball Line’s Melbourne agent sent a steamer to retrieve the passengers’ baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Local merchants Manifold & Bostock bought the wreck and cargo, but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. After two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned. In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery. Flagstaff Hill also holds ship fittings and equipment, personal salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill.effects, a lithograph, tickets and photograph from the Schomberg. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill. The Schomberg, which is on the Victorian Heritage Register (VHR S612), has great historical significance as a rare example of a large, fast clipper ship on the England to Australia run, carrying emigrants at the time of the Victorian gold rush. She represents the technical advances made to break sailing records between Europe and Australia. Flagstaff Hill’s collection of artefacts from the Schomberg is significant for its association with the shipwreck. The collection is primarily significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Schomberg. It is archaeologically significant as the remains of an international passenger Ship. It is historically significant for representing aspects of Victoria’s shipping history and for its association with the shipwreck and the ship, which was designed to be fastest and most luxurious of its day Horse Brass, rectangular with corners rounded out, partly corroded, 2⅛" x 1⅝". Artefact Reg No S/126. Recovered from the wreck of the Schomberg. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, horse brass -
Federation University Historical Collection
Document, Invoice from William M.K. Vale to the Ballarat School of of Mines, 1874
William Vale was a bookseller, stationer, Newsagent and importer of periodicals. His premises were located at 1 Sturt Strret and opposite the Railway Station in Lydiard Street, Ballarat.Blue invoice with the printed letterhead of William M.K. Vale. The invoice is handwritten out to the Ballarat School of Mines.ballarat school of mines, william vale, vale, newsagent, books, chemistry -
Federation University Historical Collection
Certificate, Bluescope Steel Safety Excellence Award Certificate, 2003-2006
The University of Ballarat Steelhaven Skills Centre achieced 300,000 hours, or 3.5 years LTI free.A Bluescope Steel Safety Excellence AWARD Certificate made out to University of Ballarat Steelhaven Skills Centreuniversity of ballarat, bluescope steel, letterhead, university of ballarat steelhaven skills centre, steelhaven skills centre, chris darling, phil rouse -
Federation University Historical Collection
Certificate - Framed certificate, F.W. Niven and Co, Australian Natives' Assoiation Ballarat Branch No 4 Certificate, c1893
The motto of the ANA was Unity, Prosperity, PeaceA framed certificate of the Australian Natives' Assoiation Ballarat Branch No 4 made out to Hohn H.A. James.ana, australian natives' association, john h.a. jones, ship, steam train, horses, cows, plough, industry\weaving, mining, f.w. niven, poppet head -
Ringwood and District Historical Society
Newspaper Cuttings, The Mail, Newspaper clippings about fires and rebuilding of the Ringwood Miner's Cottage. 1990-91, 1990-1991
Various articles about the destruction, re-building and then further fires at the Miner's Cottage behind Daisy's in the Ringwood Lake Park.Newspaper clippings about fires and rebuilding of the Miner's Cottage in Ringwood. Miner's Cottage hand-out brochure. -
Kiewa Valley Historical Society
Poster Brochure, Mt Beauty Tawonga Heart Of Victoria's High Country, Circa 1995
The Item is a pictorial time piece of the valley and usage, farms,industry,town area, vegetation and winter snow levels Historical and the social-economical development at circa 1995 of land usage and residential buildings style.Major social events e.g. Festival of the Bogong Moth and the Mt Beauty Mardi Gras. It is also a good historical record of tourism campaigns of the Alpine Shire and Mt Beauty Chamber of Commerce. Also see "KVHS 0125"Brochure folds out from a 20.5cm x 29.5cm to 82cm x 29.5cm poster type documentinside panoramic photo of snow tipped alpine mountain range incorporating the Mount Beauty township, farming area of the Kiewa Valley and relevant tourist orientated informationtourism mt beauty tawonga photographs, victorian alps -
Bendigo Military Museum
Booklet - BOOKLET, AIR RAID PRECAUTIONS, Government of Victoria, April 1941
Issued by state emergency coining for Civil Defence Victoria outlining Air Raid Precautions advice to householders in April 1961. Refer to 147081 William Charles ATKINSON enlisted 9.2.44 age 18 Brown booklet, 40 pages including larger fold out sheets of air raid shelter designs. Cover ‘AIR RAID PRECAUTIONS”. Advise to house holders 1941”air raids, government advice -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Booklet, Arbuckle Waddell Pty Ltd, Camouflage, 1942
Soft covered military training pamphlet setting out general principles, siting and camouflage discipline for ArtilleryMilitary Training Pamphlet No 46 Part 5: Artillery with the Field Army 1942. The War Office Oct 1942camouflage -
Ringwood and District Historical Society
Photograph, Salvation Army Hall, Wantirna Road Ringwood, 1965
Black and white photograph of church with man standing outside. Sign stating, "Grand Opening" out front.Written on backing sheet, "Feb. 1965. Sal. Army Hall"