SoftcoverB/W Postcard to Mr and Mrs. John Davies from Noel, Inscription of 'Kim and Cathy' on the last page of the book along with a newspaper clipping from Sydney Morning Herald of Opinion Columnwalsh st library

Softcoverfront page "For John, Remembering your kindness, Helen Ferber"walsh st library

Hardcoverwalsh st library

Hardcover w/ Dust Jacket"To Patricia and John. With happy memories of many years of friendship, Denis Warner 30/8/2000"australian biography, world war ii, air pilots, military, walsh st library

Introduction /? John Henderson and David Nash Language and native title /? John Henderson Linguistic evidence and native title cases in Australia /? Peter Sutton Linguistic continuity in colonised country /? Jeanie Bell Country and the word: linguistic evidence in the Croker Sea claim /? Nicholas Evans Linguistics and the Yorta Yorta native title claim /? Heather Bowe The language of the Peak Hill Aboriginal people: a linguistic report in a native title claim /? Tamsin Donaldson Labels, language and native title groups: the Miriuwung-Gajerrong case /? Greg McIntyre and Kim Doohan Historical linguistic geography of south-east Western Australia /? David Nash Language ownership: a key issue for native title /? Michael Walsh Can lexicostatistics contribute an absolute time-scale to discussions of continuity of occupation in native title determinations? /? Barry Alpher Linguistic stratigraphy and native title: the case of ethnonyms /? Patrick McConvell Making your skin fit properly: displaced equivalence in 'skin' systems in the Barkly /? Gavan BreenMaps, tables, b&w diagramsyorta yorta, yoda yoda, yabala yabala, bangerang, shepparton, miriuwung, gajerrong, native title

A time for reconciliation / Bob Hawke -- Treaty is a recipe for separatism / John Howard -- A treaty for land justice and self-determination / Janine Haines -- Why a treaty? / Galarrwuy Yunupingu -- Aborigines are Australian, too / Bob Liddle -- Fallacies weaken the case for a treaty / Geoffrey Blainey -- Why whites also need an Aboriginal treaty / Roberta Sykes -- The quest for Aboriginal sovereignty / Hugh Morgan -- Legal and constitutional considerations / Mark Cooray -- Australia as terra nullius / Peter van Hattem -- Canada: towards Aboriginal self-government? / Jean Chretien -- American Indian treaties: historic relics / Peter Samuel -- The long aftermath of Waitangi / Antomy C. Turner -- Appendix 1: The Barunga statement -- Appendix 2: Preamble to the ATSIC Bill -- Appendix 3: Press attitudes to a treaty -- Appendix 4: Aboriginal population and landmaps, b&w photographsrace relations, racism, government relations, treaties

A black and white photograph of students in grades 1, 2, and 3 at Our Lady of Mt Carmel Catholic School in 1953.our lady's of mt. carmel school, st. mary's school, education, schools, sunbury, lupson, nicholas, sleeman, brendan, curran, peter, potts, robert, sullivan, neil, dunn, tommy, mccarthy, ron, mclaren, roslyn, joan, horvath, elizabeth, gail, dickson, beth, o'brien, pat, callaghan, margaret, phillips, brooks, wendy, leonie, suta, elaine, john, clarke, bill, wertich, steven, de vos, hans, dale, denise, delaney, mcmahon, anne, czerwinski, donka, patterson, jeannene, murphy, maureen, dubrnic, maria, giselle, gwenda, frawley, shane, andrew, ryan, wasyl, bondon, terry, michael, keily, alan, george evans collection

A black and white photocopy of the 5th grade class of 1942 at St. Mary's Catholic School.st mary's catholic school, our lady of mt carmel, education, sisters of st joseph, schools, sunbury, 1942, hayes, peter, elliott, jack, callaghan, vincent, payne, tommy, moore, john, donnelly, brian, mccormack, anderson, frank, dillon, deverall, barry, davies, margaret, nolan, kathleen, brookes, joan, millett, eileen, morrison, mary, mercovich, hall, patricia, st mary's catholic church, churches, george evans collection

Primary School 502 - Grade 1E 1957 Stawell State School No 502 Grade 1E, 1975 Back Row, Trevor Ralph, Ivan Elliot, Dennis Nicholson, Robert Sparrow, Peter Cahill, Larry Redman, Kevin Wilson, Stephen Kent. Second Row, Teddy Hall, John Pauling, Roger Hinde, Greg Court, Craig Canning, James Evans, Clifford Hay, Robyn Elliot, Stephen Clifford, Neil Pickering. Third Row, Doreen Bennett, Moray Faith, Yvonne Howlett, Janine Chester, Judy Cooper, Linda Hemley, Maree Coxon, Marlene Watson, Carolyn Air. Front Row, Gail Earle, Pam Cashin, Robyn Dowsett, Bernice Smith, Beverly Jackson. stawell education students

Two shows where performers and authors read selections of their favourite authorsperformers include Barry Dickens,Kathy Lette, Roger McGough, Pam Ayres, Peter Cook, Jon Clarke Printed flyerhumorists read humorists, program, programme, athenaeum theatre, wendy harmer, barry dickens, john cain, kathy lette, roger mcgough, pam ayres, peter cook, barry humphries, john clarke, simon palomares

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Oil on canvas painting depicting a Panton Hill bush scape.Signed: D. Armfield in lower right hand corner. Not dated.david armfield, eltham art prize, panton hill

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires. Painting: oil on canvas. Depicting the desolate aftermath of a bushfire in Eltham. Trees are bare and burnt, foreground is sparse, whilst background is fiery red.david armfield, eltham, bushfire

David Armfield: David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1930s on painting trips and used to camp on the banks of Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Ceramic stoneware. Reduction fired, dolomite glaze, wax resist decoration over iron. Decorated/painted by David Armfield. Cast by Joan Armfield.

Alma Shanahan (1924-2015) was a Victorian potter who came to live at Clifton Pugh's Dunmoochin art colony at Cottlesbridge, on Melbourne's outskirts in 1953. Unable to join the co-operative proper, as she was a potter, not a painter, she built her house at the top of the hill, 135 Barreenong Road, Cottles Bridge. The c.1953 house is historically, aesthetically and architecturally significant because it is a good example of the design and ethos of mud brick dwellings synonymous with Eltham and features the extensive use of recycled materials, which was characteristic of the 'Eltham style' of architecture. Like the others in the artist community, Alma Shanahan built her own residence in stages out of local materials. Shanahan was later joined by neighbours and Dunmoochin potters Peter and Helen Laycock. She trained for a term with Peter Laycock but was otherwise self-taught, basing her practice on the teachings of Bernard Leach. After Pugh's death in 1991 she became the longest standing Dunmoochin resident. Her works are incised with her full name. Alma Shanahan was a part of the Dunmoochin Artist's community whose (other) members (Kevin Nolan, John Howley, John Olsen, Mirka Mora, Peter Laycock, Helen Laycock, Peter Wiseman and Chris Wiseman) made an important contribution to Victoria's cultural history. From the mid 1950s Pugh persuaded a number of other painters, as well as potters and other artists, to come and live at Dunmoochin and they formed one of Victoria's most important artist communities. She started potting around 1961 (aged 37). "Horse Power" was made using Chullora clay, which indicates it was made during her first seven years of production. Horse Power is about man's search for "energy" and how the "energy" can turn around. Made from Chullora (Sydney) clay. Glazed stoneware plates (x2) with brush decorations resting on hand made ceramic stands. Plate one: 2006.64.1VA (Horse Power + stand) shows a figure on horse back with blue foliage in background. Plate two: 2006.64.2VA (Flip Side + stand) shows a horse with figure under it's hooves. Hand painted signature in brown/black on back of both plates; "Alma Shanahan"shanahan, stoneware, glaze, plates, horse, dunmoochin

6975-26 Stawell State School Grade 1, March 10th 1965 Teacher Mrs Cartwright Top Row, left to right. Stephen Quarrel, John Resnik, Ian Longmoor, Russell Jennings, David Hooper, Ronald Fry, Peter Delley, Reg Bach, James Delley, Greg Yanner, Second Row, Jenny O'Neill, Sharon O’Donnell, Wendy Mason, Judith Jeffrey, Suzan Overall, Elizabeth Van De Wall, Kristene Slorach, Gillian Everets, Deborah Bell, Third Row, Alan Marshall, Rodney Young, Stuart McClure, John Scott, David Allam, Andrew Allam Graham Deane, Raymond Scott, Andrew Adamson, Jeffrey Clowes. Fourth Row, Julie Ross, Jean Peters, Gayle Redford, Karen Dawson, Jilleen Jenkins, Catherine Elvins, Pamela Guy, Joy Olive, Karen Vendy Fifth Row, Robyn Whelan, Sheryl Gilbert, Kim Pickering, Susan Prior, teacher Mrs Cartwright. Students in uniform in front of school BuildingStawell State School March 10th 1965 Grade 1education

6975-27 Stawell State School Grade 3, 11 April 1967 Teacher Mr Neumann Top Row, left to right, Ian McKellar, Reg Bach, Greg Yanner, Meredith Tangey, Karen Vendy, Joy Oliver, Jenny O'Neill, James Delley, Stephen Quarrell, Michelle Pyke. Second Row, Pamela Guy, Lyn Watson, Lynne Bonney, Karla Eldridge, Jilleen Jenkins, Elizabeth McCracken, Debra Bell, Kim Pickering, Robin Whelan, Third Row, Stuart McClure, Russell Jennings, Andrew Allam, Graham Deans, David Allam, Gordon Green, John Scott, Clinton Cathro, Paul Landon, Raymond Scott, Fourth Row, Jean Peters, Judith Jeffrey, Wendy Mason. Kristine Slorach, Suzanne Overall, Susan Prior, Deborah Giles, Julie Ross, Gayle Redford, Fifth Row, Rodney Young, Ian Longmore, Ronald Fry, Alan Marshall, Andrew Adamson, Jeffrey Clowes, David Hooper, Peter Delley, Stephen Taylor, teacher, Mr Neumann. Students and Teacher Grade 3 1967Stawell State School Grade 3 1967education

6975-28 Stawell State School SS 502 Grade 4A 1968 Teacher Mr Judd Top Row. Mr Judd, Graham Deans, Richard Davies, Allen Marshall, Micheal Glisson, Ian Longmore, John Scott James Delley. Gavin Wright, Raymond Scott Second Row, David Allam, Russell Jennings, Andrew Allam. Alison Taylor, Amandas Spiby, Kaylene Clarke, Helen McMahon, Judith Jeffery, Lynne Bonney, Ronald Fry, Rodney Young, Clinton Cathro. Third Row, Wendy Mason, Robyn Whelan, Susan Prior, Jenny O'Neill, Kristene Slorach, Gayle Redford, Pamela Guy, Lyn Watson, Suzanne Overall, Jilleen Jenkins, Karen Vendy. Fourth Row, Peter Delley, Michael Pyke, Adrian Hodgkin, Stephen Quarrell, Reg Bach, Greg Yanner. Students and Teacherin front of SchoolBuildingSStawell State School ss 502 Grade 4A 1968education

Teacher Mr John Glover 6975-30 Stawell High School Form 2B, 1972 Back Row, Peter Bartholomew, Russell Giles, Bradley Mair, Third Row, Michael Glisson, Stuart McClure, Andrew Allam, Grant Pawsey, David Krelle, Jon Booth, Phillip Rhodes, Tony O’Driscoll Second Row, Angela Hayes, Tamara Gaylor, Kathleen. Herdman, Debbie Bell, Pam Giles, Susan Gerkovich, Mary-anne Disher, Kaylene Clarke, Kerry Dadswell, Sheryl Gilbert, Kay Combe, Debbie Giles, Jenny O'Neill. Front Row, Nancy Allan, Diane Heinrich, Robyn Fisher, Wendy Blake, Mr Glover, Marlene Franklin, Jayne Gready, Aileen Brown, Pamela Guy, Lynne Bonney. Students and Teacher Class Photo beside high School wingsStawell High School Form 2Beducation

The high school had a very active rowing group supported by the Yarrawonga Rowing Club. Boys in photo Cox - Earl Pike, Stroke - Peter Bennett, Peter O’Bryan, Peter Langford, Ian Doggett, Jeff McKee, John Baillie, Colin McMillan, Bow - Brian Fields Coach - Andrew Ruwolt Black and white photograph mounted on board of YHS Rowing eight taken on Mulwala side of Lake Mulwala above the road traffic bridge 1968Yarrawonga High School Rowing Eight

Paul Cuffe installing old headstone donated by Barry Marx of AraratGeorge Frederick Schloo, Mary Schloo, John Henry Christopher Schloo, Sarah & Peter Polastonemason, monumont