From Heritage Victoria: The Women's Christian Temperance Union (WCTU) was an international first-wave feminist organisation. The Melbourne branch was formed in 1887 and became the biggest and most influential women's organisation in Victoria. The WCTU introduced large numbers of Victorian women to political activity. The Union linked temperance and women's suffrage to achieve a variety of social reforms to improve women’s lives. Possible belonged to Florence Dellar of Henty Street, PortlandBanner for the Women's Christian Temperance Union. Navy cotton backing. Pale blue cotton front. Hand painted. White cord on edges. White fringe on bottom. Person holding flag and cross in centre. Paint - blue, white, black, gold. Wooden slat on top - nailed. String hanger with white tassels.Front: WCTU. For God, For Home, For Native Land. Portland League of Hope. Tremble King of Alcohol, We Shall Grow Up.wctu, womens christian temperance union, feminism, feminist

Set of B & W photos from WW2 taken around Rabaul area by Pte E. King.Series of B & W photos of Rabaul area. 1. Soldiers on parade. 2. - 4. Local children and adults. 5. - 6. Native militia on parade. 7. - 10. Australian soldiers swimming and sunbaking. 11. - 15. Snow views of Matupi Volcano and surroundings. photos, matupi, rabaul, volcano

VX47159 Cpl Ronald Leigh King 2/29 BN. 101 The Glen, Somerville St, Bendigo.Booklet - brown cardboard, black print, 38 pages.“Demobilisation Procedure Book, No 435919”demobilisation book, r. l king vx47159, ww2

From title page: A Tribute to the Belgian King and People from representative men and women throughout the world.Hard, cardboard cover, buckram. Cream background with dark green print on front & spine. Front cover decorated with wreaths & lines border & wreath of oak leaves with crown & sword in silhouette. 187 cut, edges, dull gold, beige pages. Black / white illustrations & coloured paintings on glossy paper plates.Handwritten in grey lead pencil on front fly leaf: “J.L.R” Handwritten in red pencil on front fly leaf: “J. Roberts”book, king, albert

Awarded to Ernest King NEWMAN. Refer Cat No 317 for his pre war and war service in WW11.Round, metal, Australian Senior Cadets badge; Rising Sun insignia in centre, surrounded by a green ring inscrbed 'Recreational Training'Inscribed "1925, 4th Div 2nd State 1st Div Miniature Rifle Shooting/ E K Newman 38th Bn"badges cadet, military, 38th bn

A brief history of the early days of Greenhills Primary School written by Don King, a resident of the Greenhills area. 2 pages of text.greenhills primary school, greenhills state school

In 1909 His Majesty King Edward VII directed that honorary banners be presented to the Australian Infantry Regiments in commemoration of the services of their members who had volunteered for the South African War 1899-1902. (Promulgated under Military Order 132/1909). These would be similar to those presented to Australian Light Horse Regiments, Royal Australian Artillery and Australian Army Medical Corps in 1904. This Banner was presented to 1st Battalion, 11th Australian Infantry Regiment (Perth Regiment) by HE the Governor of WA Sir Gerald Strickland, KCMG, at a parade held on the Esplanade, Perth, 18 February 1911. Consecrated by the Right Reverend COL. Riley, DD, VD, Senior Chaplain of the Australian Commonwealth Military Forces. This banner was subsequently inherited by successor units to the 11th Australian Infantry Regiment (Perth Regiment), including 88th (Perth) Infantry, 11th Battalion (The Perth Regiment) and 11th/16th Battalion. The banner was handed over to the Perth City Council at a special parade of the 11th/16th Battalion held in Forrest Place on 2 June 1930, and was laid up in the Council Chambers in Murray Street. Together with the other historic colours handed over at the time (see Reference items 1 and 3), this banner later went into storage when Council moved premises in the early 1960's. Perth City Council had some restoration work carried out on these colours in 1975 and later had them on display in their display room at Council House, St Georges Terrace. They were subsequently placed in storage again. Following negotiations by the Army Museum of WA Perth City Council passed on these Colours to the Museum in November 1993. Plain Union flag with red and gold fringe. Red and gold chord and tassels. Pike with Royal Crest pike head. A silver plate attached to lower portion of pike inscribed as follows: "Presented by His Most Gracious Majesty The King Emperor to 1st Battalion, 11th Australian Infantry Regiment Perth Regiment formerly 1st and 2nd Battalions Western Australian Infantry in recognition of services rendered to the Empire in South Africa 1899-1902".

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Letter written on white paper to the Chief Ranger, Court King of the Forest from Matthew Burke and dated January 31/1872. Matthew had been accused of being illegally on the Court funds. He wrote the letter saying he was being treated by the doctor. The doctor told him to go on the funds as he was not fit for work. He also says he has never been bad on the books yet. Court King of the Forest A.O.F. No. 3770 Sandhurst impression stamp at the top of the letter.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, matthew burke

Hand - written letter on grey, lined note paper dated 1.2.1940 from Doug at Park View Guest House, Howard Place Bendigo to Miss Dorothy Shang, 155 High St, Echuca Victoria. / Envelope - same coloured paper post marked Bendigo 2.2.1940 / red 2 penny postage stamp - appears to be 1937 KGVI 2d Scarlet King George VI. Strip of white paper indicating the birthday of Edith Lund as 25th July, and the name King George VI.document, park view guest house howard place bendigo / 1937 kgvi 2d scarlet king george vi stamp

Photo of SEC Ballarat No. 31 west bound in Victoria St. Ballarat, just past King St. North, entering the King St. loop. Tram fitted with a Twin Lakes sign, two Johnnie Walker whiskey roof advertisements and has destination of "Gardens via Sturt St. W". Note the new bus stop sign in position. This photo was taken on the 2nd last day of operation. Has St. Alipius church in the background. Kodak cardboard mount slide, taken by Peter Moses 21 August 1971.On the rear of the slides in blue ink "Ballarat / Victoria St." and "P. Moses" in the bottom left hand corner in black ink.tramways, trams, victoria st, king st, bus stops, tram stops, tram 21

A Bancroft Billie Jean King Tournament tennis racquet, with bamboo laminated frame, ribbon whipping around shoulders, and leather handle with triangle-patterned perforations. Bancroft logo features across base of head. Throat features model name, and decorative swirl device. Shaft features decal of King signature. Wreathed 'B' trademark on lower shaft, and red 'B' trademark on butt cap. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Paint, Ribbon, Adhesive tape, Bambootennis

A Bancroft Billie Jean King Tournament tennis racquet, with bamboo laminated frame, ribbon whipping around shoulders, and leather handle with triangle-patterned perforations. Bancroft logo features across base of head. Throat features model name, and decorative swirl device. Shaft features decal of King signature. Wreathed 'B' trademark on lower shaft, and red 'B' trademark on butt cap. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Paint, Ribbon, Adhesive tape, Bambootennis

Film of the Trooping the Colour, in London. Including King George VI, Queen Mary, Queen Elizabeth, Princess Elizabeth and Princess Margaret on the Buckingham Palace balcony. The year is not known though it was pre 1952 when King George VI passed away. The reason for having the film is not known. There are records of Legacy showing films to junior legatees and this could be one of them.Legacy was founded by returned servicemen with a dedication to the royal family. A celluloid film on a black metal spool.Spool, Kodak A/asia, not for camera use.london, royal family

Part of the Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for his service record.Shield shaped gold coloured metal badge with blue and white enamelling. Gold coloured centerpiece features three uniformed figures. A King's Crown with the number '99' is clipped to the top of the badge. Fastener attached to the back of the badge.Stamped on back: 'BADGE REMAINS PROPERTY OF THE LEAGUE'. Engraved on the back: 'V35086'badge, r.s.l., ian a. 'joe' lyons

The City Cycle Shop built bicycles to order.Ten invoices relating to the Ballarat School of Mines. .3) John King and Co., grocers .5) Crocker's Hall of Commerce .9) Printed invoice from F. Mitchell's City Cycle Works of 49 Lydiard Street.city cycle works, letterhead, f. mitchell, cycle, bicycle, william gooch, r. collie & co., daily telegraph, john king & co., arnall & jackson, george crocker

Envelope addressed to Dr N Thetford MD New Jersey USA from Korea 2 3d Stamps King George Vi and 4 X Orange 1/2d Kangarood stamps Postmarked HMA Shipsephemera, general

Account/receipt from H. L. Atkinson, M.D. to King of the Forest for Medical Services, dated 13 May 1889 for a total of £74.10.0. A Cheque of £70 was paid, leaving a balance of £4.10.0. Green duty stamp attached.societies, aof, correspondence, ancient order of foresters no 3770 collection - account/receipt, h l atkinson, king of the forest

Blue receipt No 181dated 9th Aug 1866 from A.O.F. Bendigo United District. Received from Court King of the Forest the sum of £8-3-0 for Special Levies for Regalia. Signed Jas Thos Holl.societies, aof, correspondence, ancient order of foresters no 3770 collection - receipt, a.o.f. bendigo united district, court king of the forest, jas thos holl

Blue receipt No 168 dated 3 July 1866 from A.O.F. Bendigo United District. Received from Court King of the Forest the sum of £13-10-0 for Quarterly Levies. Signed Jas Thos Holl.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, a.o.f. bendigo united district, court king of the forest, jas thos holl

Note written on paper with Bendigo Hospital heading and dated 12 Sept 1872. Recd from Mr John Miller one pound stg. Being donation from Court King of the Forest. Signed Joseph French?societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, bendigo hospital, court king of the forest, joseph french

Whereby give notice of intention to propose Robert Stirton of American Gully Scotchman age 18 Years Single Man. Signed John Glinnon and Thomas Coath? Court King of the Forest, Sandhurst impression stamp on paper.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, robert stirtin?, john glinnon, thomas coath?

Blue receipt, received from Ct King of the Forest the sum of Seventeen Pounds 7/1 for Levies Goods & c. Signed John Waller D.S. Has oval Bendigo United District A.O.F. impression stamp.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, bendigo united district, court king of the forest, john waller

Letter from J. W. Eadie to members of the Court King of the Forest offering his services to their Bros with their wives & families and supply them with all medicines at the rate of 10/- per member. Signed J. W. Eadie.J. W. Eadiesocieties, aof, correspondence, ancient order of foresters no 3770 collection - letter, court king of the forest, j w eadie

Receipt written on a piece of paper and dated 10/6/86. Received from Court King of the Forest the sum of thirty pounds. £30:0:0. Signed H. L. Atkinson. Green duty stamp attached.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, court king of the forest, h l atkinson