Showing 37627 items
matching two-toned
-
National Wool Museum
Archive - Advertisement, Collins Bros Mill Pty Ltd, 1964
Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - the most beautiful blankets (double page)Vibrant colours or muted tones are yours in/Physician/pure lambswool, chillproof, mothproof, odourlessblanket, blanket fever, wool, collins bros mills, physician, geelong, advertisement, australian women's weekly -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Social Amusement Club, n.d
Black and white photo, mounted on two-tone grey matt board. Group of 10 people, 7 sitting, 3 standing behindFront: Above photo: 'PORTLAND SOCIAL AMUSEMENT CLUB' H.L. Vivian, F. Row P. Burnett' Below photo: 'S. Brewster, L. Ferguson, E.N.T. Henry, Mrs. TEC Henry, Mr. T.E.C. Henry, Miss McEachern, MRS T. JOHNSON' -handwritten, blue biro Back: 'B. Vivian' P. Burnett F. Row H.lL. Vivian Mrs. T. Johnson, Miss McEachern, Mr. T.E.C. Henry, ENT Henry, L. Ferguson, S. Brewster' handwritten, blue biroportland social amusement club -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph
Sepia toned photograph of reaper and binder drawn by two horses cutting and tying hay prior to the sheaves being stooked for drying Victoriaagriculture -
Bendigo Military Museum
Uniform - RANK BADGE, SERGEANT, Australian Army, c1939-1945
Refer to Cat 4967.2 Service of John Robert Attwood1, Sgts Chevrons, sewn onto dark khaki material. It in turn is sewn onto a cotton arm band. The armbvand is held closed with a brown bakelite button. 2, Sgts chevrons, dark tinted sewn onto dark khaki material. 3, Sgts chevrons, the stripes are of a two tone colour, which is sewn onto a background of light khaki. 4. Sgts chevrons, two tone khaki sewn onto a medium colour khaki. 5. Sgts chevrons, two tone khaki sewn onto a medium colour khaki.ww2, uniforms, rank badges -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph - Photographs of Highett Gasworks, Gasometer, Retort House and Coal Store at Highett Gasworks, 1974 and 1960
Gasometers resulted from complex engineering design evolving from primitive gasholders first used in 1824 in England to power street lights. The 20th century gasometer, (as used at the Highett Gasworks), was comprised of a series of large interconnected, telescopic, cylindrical vessels or lifts, which rose and fell depending on the volume of gas stored. The gasholder operated on a basic principle of a gas-filled floating vessel, rising and falling in a seal of water. The Highett Gasworks had its beginning in 1939 but its beginnings commenced sixty-two years earlier when the privately owned Brighton Gas Company was floated in 1877. By 1880 the company was performing well and making excellent profits. The company was welcomed by residents wanting to replace the shadowy light of a kerosene lamp with the bright luminescence of "modern" gas lamps. The land developers of the day were also keen supporters. But by 1884 people became disgrunted because either the gas had not reached them yet or because the quality of the supply had diminished due to the increasing use. In 1885 a second private gas company, the Central Brighton and Moorabbin Gas Co, Chaired by "Tommy" Bent was floated and for many years the two gas companies enjoyed a shared monopoly in supplying gas from their New Street Works. In the 1930s the company expanded its gas production facilities to Highett where it had purchased 45 acres of land adjacent to the Melbourne-Frankston railway line. A gasholder with a capacity of 750,000 cubic feet was erected on the Highett land in 1927 and connected with high pressure mains to the Brighton works. Three years later the company directors decided to proceed with the construction of a vertical retort house and coal store. Following a "lull" during the Great Depression work recommenced in 1936 and by 1939 the first complete gas-making plant was completed, and gas making commenced. Over the next twenty one years other significant extensions occurred, including an amenities block to accomodate 100 workers. In 1969 Esso commenced the introduction of natural gas to residents homes and the gradual decommissioning of the Highett Gasworks commenced. Part of the old Highett Gasworks site is now a council owned parkThe photos of the Higett Gasworks, now demolished, recall their long history, that originated in the 1800s with the production of gas to supply homes with a new, much improved light source, and later it's other applications such as for stoves etc. The arrival of gas in the Shire of Moorabbin was a huge step forward that encouraged further building and development in the area.Three Photographs of the Highett Gasworks. Two are coloured photos taken in 1974, and one is black and white taken in the 1960s. All are in good conditionOn the back of the two coloured photographs "Highett Gasworks 1974" No inscription on the black and white aerial photograph.brighton, moorabbin, highett, bent thomas, gasometer, highett gasworks, engineering design, brighton gas company, central brighton and moorabbin gas company, great depression, lamp kerosene -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1900 c
Sepia toned photograph of wedding party at marriage of Isabelle Gray and Joseph Robert Coate posed in garden. Bride and groom, two male attendants, two bridesmaids and three flower girlsgenealogy -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Willetts Geelong, 1915 c
Also a sepia toned postcard of same soldier with two family members a woman and young girl photographed at Bulmer Bairnsdale 05456.1Black and white postcard of unidentified WWi soldier in AIF uniform holding a swagger stick Geelong Victoriaworld war 1914-1918 -
Phillip Island and District Historical Society Inc.
Photograph, 1969
One of 16 photographs and postcards donated by Mary KarneyBlack & White Aerial photograph of the two bridges linking San Remo with Newhaven, Phillip Island. San Remo Jetty and township bottom left foreground. Newhaven on the top.On back: "Two bridges San Remo 1969."the two bridges san remo, san remo to newhaven, phillip island bridges, mary karney -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1880s
Born 1823 West Indies, commenced ministry 1847, died 1890 in Rookwood, NSW. Joseph Horner Fletcher (1823-1890), Wesleyan minister, was born at St Vincent, Windward Islands, the eldest son of Rev. Joseph Fletcher, Wesleyan missionary, and his wife Mary, née Horner. In 1830-37 he attended a Methodist school in Kingswood, England, and then his uncle's school in Bath. He entered business but in July 1842 became a local preacher. He was accepted for the Wesleyan ministry in 1845 and after training at Richmond College, Surrey, he married Kate Green in December 1848. He was sent to Auckland, New Zealand, where he became the founding principal of Wesley College. In 1856 poor health obliged him to take up circuit work in Auckland and New Plymouth, where he witnessed the Maori war. He moved to Queensland and in 1861-64 was on circuit in Brisbane. In 1863 he became the first chairman of the Queensland Wesleyan District. In 1865 Fletcher was serving at Ipswich when invited to succeed Rev. John Manton as president of Newington College, Sydney. He acknowledged that the main business of the school was secular education in a Christian atmosphere and believed that education could help to overcome sectarianism. He invited distinguished academics to examine Newington students and strongly supported (Sir) Henry Parkes's education policies. He opposed the formation of a Methodist university college until a strong secondary school was established. He believed that boys should be taught to appreciate orderly conduct rather than to fear punishment and that corporal punishment was degrading and to be used only in extreme circumstances. Under Fletcher Newington developed a high moral tone and a tradition of order and respect. After he retired in 1887 the old boys gave him an address of appreciation and a portrait in oils to be hung in the hall. In addition to his normal duties from 1883 he had taught resident theological students. From 1887 he was an effective and progressive full-time theological tutor. As a preacher Fletcher had exceptional power: he expressed his thoughts in a fresh way with sparkling illustrations and characteristic humour. He combined humility with great spiritual power, prophetic vision and administrative ability. He encouraged the development of institutional church work which grew into the Central Methodist Mission in Sydney. Fletcher was elected as the first president of the New South Wales and Queensland Wesleyan Methodist Conference in 1874 and again in 1884, when he was also president of the General Conference of the Australasian Wesleyan Methodist Church. As conference editor in 1868, 1871 and 1873, Fletcher contributed more than fifty articles, numerous essays and reviews of books to the Weekly Advocate. He read widely, deeply and with discrimination. Never robust in health, he suffered months of illness before he died aged 66 at Stanmore, Sydney, on 30 June 1890. He was survived by three sons and two daughters, and buried in the Wesleyan section of Rookwood cemetery. In 1892 his eldest son, Joseph, edited a memorial edition of his Sermons, Addresses & Essays. Information from Australian Dictionary of Biography, Vol. 4, 1972. Sepia toned carte de visite. Seated studio portrait of the Rev. Joseph Fletcher.Rev Joseph Fletcherrev. joseph fletcher, joseph horner, wesleyan minister, newington college sydney, new zealand, queensland, president general conference, wesleyan methodist church, central methodist mission -
Stawell Historical Society Inc
Photograph, Mr and Mrs Harris with Elisa and Gladys in a Gig in Great Western
Four people in horse and Gig at Great Western. Elsie Harris. Gladys. Mr and Mrs Harris.B/W photo Family in two horse gig in drive way in front of brick building with two windows. Picket gate closedhouse and tree over road.Elsie Harris, Gladys, Mr and Mrs Harris in two horse gig at Great Westernstawell -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, 1900 c
Two small boats moored in bay person standing on shoreSepia toned postcard taken from waterfront looking across Bancroft Bay towards Boole Poole Metung Victoria (May be Phillip Hancock)boats and boating, jetties, waterways -
Whitehorse Historical Society Inc.
Container - Ice Cream Tin, after 1979
Ice Cream tin with two children playing with cats on lid. Scenes of children playing around sides of tinEnglish Toffee/Dairy Bell/Two litres/Ice Confectiondomestic items, food storage & preservation -
Warrnambool and District Historical Society Inc.
Textile - Work Apron, 1883-1899
The personal 'carry-all', a cloth apron like article was utilised by Thomas Hamilton Osborne in his work with the Warrnambool Steamship Navigation Company. He was Company manager in 1883 until its dissolution in 1899. Osborne wrote many articles on early Warrnambool, particularly maritime material under the name of " Sliding Gunter". When he died he was buried at sea off the breakwater.His sister Mrs Annabella Kell is thought to have made this article.This is a significant item as T.H.Osborne was a key figure in 19th Century Warrnambool history, particularly in maritime affairs. Six sided, scalloped edges, four pockets, two metal hooks, purple woven fabric with yellow and gold embroidery, lifebuoy outline with W.S.N.Co and THO initials embroidered and two flags. Machine sewing of pockets and tab to base apron.W.S.N.Co THO initials on top of each other Two metal hookswork apron, warrnambool steamship navigation company, wsnc, thomas hamilton tracey osborne, annabella kell, sliding gunter -
Bendigo Military Museum
Photograph - SUNDERLAND PHOTO, The Associated Press, Post 1943
Item in the collection of Reginald Charles Allardice No 418557 RAAF. Refer Cat No 3627.5 for his service details.Sepia tone photo showing two pilots in the cock[pit of a Sunderland Flying Boat. On the rear is pasted a note typed in purple describing the photo.On the rear in Brief, “ Photo shows Australian Airman on the cockpit get acquainted with the control of a Sunderland Flying Boat”. “RID%220815 (M1653)”photography, sunderlands -
Bendigo Military Museum
Instrument - BUGLE, Henry Potter & Co, 1915
Donors listed the original owner as Frank FITZGERALD of Moonee Ponds.Two Tone brass & copper coloured brass bugle with silver coloured metal mouth piece. Mouth piece is secured to bugle with a loop of cored.At top of bugle: Etched: “Rolestone Lark Hill” At top of bugle: Stamped: “Henry Potter & Co, 38 West St, Charing Cross Road London 1915” At side of bugle: Etched: “R Jacobson”musical instruments - brass section, bugle -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, C.1915
Charles Todd No 2881. 14th and 46th Batt's AIF. WIA on 14.8.16 he then died of disease (pneumonia) on 17.7.17. Refer Cat No 1217 for his service details.Original sepia tone post card photo of two Australian WWI soldiers in uniform. One is sitting with a cane, the other, Charles Todd, is standing.On rear in pencil, “No 2881 Pte Charles Todd, 46th Battalion 9 the reinforcements 10th Infantry Brigade Australian Imperial Force, on active service abroad”photography-photographs, military history, todd -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Kerry Photographics Sydney, 1910 c
Sepia toned postcard showing a team of fourteen bullocks pulling two wheeled wool wagon over a small stream near Cooma NSWsettlers -
Whitehorse Historical Society Inc.
Accessory - Lace collar, 1880's
See attachedA Victorian Battenberg Lace collar in two tones of ecru. It is mounted on to pink polished cotton with paper backing. Tape is machine made with infilling by handcostume, female, handcrafts, lacemaking -
Unions Ballarat
Black armada : Australia & the struggle for Indonesian independence, 1942-49, Lockwood, Rupert, 2013
Account of Australian assistance to the Indonesian rebellion against the Dutch.Relevant to the history of foreign relations in the region. Paper; book. Front cover: white background; various two-tone pictures including images of Evatt and Chifley; black, green and red text. Front cover: author's name and title.btlc, ballarat trades hall, ballarat trades and labour council, boycotts, foreign relations, indonesia, indonesia - revolution, australian history -
Unions Ballarat
Never Give In!: The Best of Winston Churchill's Speeches (Don Woodward Collection), Churchill, Winston, 2004
Compiled by the grandson of Winston Churchill. Churchill was Prime Minister of the United Kingdom from 1940 to 1945 and 1951 to 1955. Biographical and historical interest.Book; 524 pages. Front cover: white background; two-tone picture of Winston Churchill with crowd; black lettering; author's name and title.btlc, ballarat trades hall, ballarat trades and labour council, prime ministers - united kingdom, churchill, sir winston, politics, politics and government -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: WOMAN PLAYING PIANO
Coloured photo of a middle aged lady with silver hair playing a piano. She is wearing glasses and a two tone blue and white stripe dress.photo, individual, female, peter ellis collection, lady playing a piano -
Tennis Australia
Ball container, Ball, Circa 1955
A sealed can of three A.H.I. (U.K.) 'Imperial' two-tone tennis balls. Missing key winder. Materials: Metal, Ink, Rubber, Wooltennis -
Federation University Historical Collection
Photograph - Photograph - Black and White, H. Owen, Ballarat School of Mines Football Team, c1914, c1914
The Ballarat School of Mines was established in 1870 and was the first school of mines in Australiasia. It is a predecessor institution of Federation University AustraliaTwenty-two males posed for football team photograph Photograph mounted on dark green card Mounting very damagedNames and position in photograph for two players written on back in penballarat school of mines, football, australian rules football -
Puffing Billy Railway
Victorian Railways Station Fruit & Rubbish Bin, 1920's
Historic - Victorian Railways Station Rubbish Bin - used at the time of Mr Clapp, Chairman of the Victorian Railways Commissioners "Eat More Fruit" campaignHistoric - Victorian Railways Station Rubbish Bin - used at the time of Mr Clapp, Chairman of the Victorian Railways Commissioners "Eat More Fruit" campaignTin lined wooden box with sign writing on two sides.Fruit skins and rubbish must be deposited here (hand sign written on two sides ).victorian railways, rubbish bin, puffing billy railway -
Australian Jazz Museum
Musical Instrument
The brass cornet was owned by early Australian Jazz musician and multi-instrumentalist Benny Featherstone Benny Featherstone is considered "one of the most fascinating and gifted musicians in the history of Australian jazz" (Johnson, Oxford Companion to Australian Jazz, p 154). Once described as "Australia's Louis Armstrong"Buescher brass cornetTrue tone. Pat. Oct 89.07 287335 LP 262 The Buescher Elkhart Ind. U.S.A.benny featherstone, prince of good fellows, thirties, jazz musician, melbourne jazz musician, drummer, 1930 s, buescher cornet, trumpeter, trombonist, clarinetist, pianist, early australian jazz -
The Beechworth Burke Museum
Photograph, c. 1870
This photograph was captured at an undisclosed location and at an unidentified time but likely dates to approximately 1870. The photographer's details are not recorded and the identities of the men in the image are also not known. This image depicts a group of 10 men in typical miners fashion. Four of them are sat on a large log with one holding a small dog. Six miners stand behind those sitting. All these men are wearing a white button-up shirt and tan coloured work trousers. They wear heavy boots and seven have included a dark vest over their shirt. The man holding the dog has a pipe in his mouth. Two of these men are clean shaven with the remainder sporting a moustache and two with a beard. The ages of these men vary from late 20s to middle age. This group of men are located in a mining location with what appears to be an open cut mine in the background of the image. The ground is muddy and has elements which can help identify it as a mining location based on the condition of the landscape. The bottom of the men's trousers are muddy which provides the assurance that these men were working in this location when their photograph was captured. In the background there is one structure, possibly a dwelling, and bush which identifies the location as Australia. Open cut sluicing is a method used to extract gold and other precious metals from beneath the surface of the earth. This technique involved the use of high-powered hoses which broke down the soil enabling miners to come along and search this soil for gold. After the gold rush of the early 1850s, diggers had to enlist the assistance of heavy machinery and techniques like hydraulic sluicing in order to reach gold because the surface alluvial gold had already been discovered and removed. This heavy machinery was not used until after 1853. The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in the late 1800s and early 1900s. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done. Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts diggers standing in a mining location and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1870. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Sepia toned rectangular photograph printed on matte photographic paper mounted on board.Reverse: 1997.2518mining, goldfields, beechworth, 1870, australia, australian goldfields, diggers, victoria, sluicing, gold mining, miners, diggers victoria -
Whitehorse Historical Society Inc.
Photograph, Marriage of Walter Herbert Antonio and Ivy Myrtle Bond, 1st/05/1913
Walter was the youngest son of Emily and Thomas Antonio. At the time of the marriage Ivy was only 19 years of age. Her mother, Ada Alice Bond. gave her consent to the marriage and was also a witness. The other witness was John Thomas Antonio, eldest brother of the groom. Emily Antonio is seated at the right of the photograph wearing a yellow dress. Presumably, the the lady on the left is Ada Bond, the mother of the bride. Thomas Antonio, the groom's father, would be the older gentleman standing behind the groom, and John Antonio would be one of the younger men standing. Ivy did have an older brother, Stanley Gordon, so presumably that would be the gentleman standing behind her mother. Ivy and Walter had three children, Dorothy Jean (Jean), Ernest Walter and Alfred John (Teddy0Sepia photograph of a 1st May 1913 wedding party. Three men, two flower girls, bride standing, two attendants and groom seated. Yellow and pink tones have been added to the photograph.bond, ivy myrtle, antonio, walter herbert -
Warrnambool and District Historical Society Inc.
Book, Victorian Readers Eight Book, Mid 20th century
This is the Eighth Reader in the series of school readers introduced in 1928 for the Education Department of Victoria and used extensively in Victorian schools in the early to mid 20th century decades. This copy was in use as a Form Two (Year 8) class set at St. Ann’s College, Warrnambool in the 1970s .This book is of general interest, being the final book in the series of school readers that were in widespread use in Victorian schools from the late 1920s to the 1950s. The book is also of interest because it was used at St. Ann’s College, Warrnambool in the 1970s and has the signatures of nine pupils who used the book at that time. St. Ann’s College, the Catholic secondary school for girls in Warrnambool in the 1970s, is now incorporated into the co-educational Catholic secondary school in Warrnambool – Emmanuel College. This is a hard cover book of 260 pages. It has a Contents page, an Acknowledgments page, reading material of prose and verse, including extracts from books of well-known authors and Notes and Explanations at the back of the book. The cover is brown with the emblem of the Education Department of Victoria on the front and the book is missing its spine covering. The book has many black and white photographs and sketches. The inscription and signatures on the first page are handwritten in black, blue and red ink.‘Form Two St. Ann’s College’ victorian school readers, history of warrnambool -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1905c
Also black and white copy 10 x 16.5|Also sepia toned postcard damagedBlack and white photograph showing view from New Works across lake, and Cunninghame Arm. Foreground shows two children on boardwalk, roofs of harbour masters and harbour engineers houses, and the house of the contractor John Carpenter. Smoke billowing from funnel of S S Wyralla. Lakes Entrance Victoriajetties, waterways, township, topography -
Mission to Seafarers Victoria
Letter - Correspondence, Letter #1 25/9/45 Letter # 2 04/06/45
Two letters from Allan Quinn to his mother written in 1945. Letter #1 Allan depicts his time spent in Port Pierce Letter #2 Allan discusses his time spent in Queensland where he visited his family. These letters are of historical, social and interpretive significance as they provide information about the life of a seaman during the mid 20th century. Two letters written in 1945. One from 07/06/45 (0312.A1-A2), the second from 25/09/45 (0312.A3-A4) both written on beige paper in blue ink and an envelope (0312.B).Envelope: Mrs. S, Quinn/San Lorenzo/63 Ocean Beach/Manly N.S.W. There are two stamps in the top right hand corner.charles quinn, mission to seafarers, 1945, letter, queesland