The newsletter from October 1950. It featured a drawing of two junior legatees on the cover. There was a piece on the battle of the Coral Sea. Pages showed news from the different Boys and Girls Classes and suggested physical exercises. Plus a piece on the Mothers' Club and the Intermediate Club activities. A hobbies page discussed model plane building. There pages on fashion and on possible careers. A newsletter published by Legacy in this format for many years from 1942. It mentions "Issued from time to time for Private Circulation among the Sons and Daughters of Deceased Service men and Merchant Seamen who served their Country during the War of 1914-18, or the present War". Articles on the work of Legacy, including features on boys classes, girls classes, camps, the residences and where their past residents ended up. There are some suggestion for careers and some general interest articles. Some very interesting photos.Newsletter outlining news of Junior Legatee activities.Black and white printed newsletter x 12 pages from October 1950. Volume 4 Number 2boys classes, activities, girls classes, ilc

The newsletter from March 1950. It featured a drawing of three children on the cover. There was a piece to help girls keep fit and for boys to improve their basketball skills. A newsletter published by Legacy in this format for many years from 1942. It mentions "Issued from time to time for Private Circulation among the Sons and Daughters of Deceased Service men and Merchant Seamen who served their Country during the War of 1914-18, or the present War". Articles on the work of Legacy, including features on boys classes, girls classes, camps, the residences and where their past residents ended up. There are some suggestion for careers and some general interest articles. Some very interesting photos.Newsletter outlining news of Junior Legatee activities.Black and white printed newsletter x 12 pages from March 1950. Volume 4 Number 1.boys classes, activities, girls classes

The newsletter from December 1951. It featured the Royal Family on the cover. Pages showed news from the different Boys and Girls Classes. A good portrait of President Morrie Tonkin. A newsletter published by Legacy in this format for many years from 1942. It mentions "Issued from time to time for Private Circulation among the Sons and Daughters of Deceased Service men and Merchant Seamen who served their Country during the War of 1914-18, or the present War". Many articles on the work of Legacy, including features on boys classes, girls classes, camps, the residences and where their past residents ended up. There are some suggestion for careers and some general interest articles. Some very interesting photos.Newsletter outlining news of Junior Legatee activities.Black and white printed newsletter x 8 pages from December 1951. Volume 4 Number 3boys classes, activities, girls classes

The newsletter from July 1952. It featured Queen Elizabeth on the cover. There was a piece on the Anzac Commemoration with a copy of the President's address. Pages showed news from the different Boys and Girls Classes. Plus a piece on the Mothers' Club and the Intermediate Club activities. A newsletter published by Legacy in this format for many years from 1942. It mentions "Issued from time to time for Private Circulation among the Sons and Daughters of Deceased Service men and Merchant Seamen who served their Country during the War of 1914-18, or the present War". Many articles on the work of Legacy, including features on boys classes, girls classes, camps, the residences and where their past residents ended up. There are some suggestion for careers and some general interest articles. Some very interesting photos.Newsletter outlining news of Junior Legatee activities.Black and white printed newsletter x 8 pages from July 1952. Volume 5 Number 2.boys classes, activities, girls classes, ilc

The newsletter from February 1956. It featured Lord Louis Mountbatten on the cover. There was a piece on tooth decay and the St John Ambulance Brigade. Photos from the 1955 Demonstration Pages showed news from the different Boys and Girls Classes. There was a piece on two junior legatees who had been in the residences, John Woodley and Ronald Rudd and their new careers on the sea. A newsletter published by Legacy in this format for many years from 1942. It mentions "Issued from time to time for Private Circulation among the Sons and Daughters of Deceased Service men and Merchant Seamen who served their Country during the War of 1914-18, or the present War". Many articles on the work of Legacy, including features on boys classes, girls classes, camps, the residences and where their past residents ended up. There are some suggestion for careers and some general interest articles. Some very interesting photos.Newsletter outlining news of Junior Legatee activities.Black and white printed newsletter x 12 pages from February 1956. Volume 9 Number 1.boys classes, activities, girls classes, ilc

Ill, p.391.non-fictionThe bestselling memoir of life as an Australian POW on the notorious Thai-Burma railway. Rohan Rivett was a journalist in Singapore when it fell to the Japanese in 1942. He escaped south - across the treacherous Bangka Strait - to Indonesia, but was soon captured and became just one of thousands of POWs struggling for existence in a Japanese camp. The struggle was to last for more than three years. Behind Bamboo is unflinching in its honesty and haunting in its realism. It is a vivid, compelling testament to the Australians' will to survive and their unassailable spirit in the face of the most callous inhumanity. world war 1939-1945 - prisoners of war - japan, burma railway

The 20th Light Horse (Victorian Mounted Rifles) was raised in 1920 as part of the 3rd Cavalry Brigade, 2nd Cavalry Division, Citizen Military Forces, with Headquarters at Seymour and depots along the Goulburn Valley from Mansfield to Tocumwal in southern NSW. In December 1941, 20th Light Horse (Victorian Mounted Rifles) converted from horse to mechanised, initially as 20th Motor Regiment. In 1943 the Regiment was deployed to Merauke, Dutch New Guinea. Upon its return in April 1945, the Regiment was redesignated 20th Pioneer Battalion. It was disbanded following the end of the war. 20th Light Horse was the only light horse regiment to serve overseas in WWII.This is one of a collection of photographs featuring a Light Horse regiment drawn from rural and regional Victoria in the period immediately prior to mobilisation for World War 2 (1939-1945). Black and white photograph mounted on card mount showing 6 soldiers outside a ridge tent. They are in various uniforms: none are wearing hats. Photograph is part of 20th Light Horse collection.20th light horse, camp, uniform, wwii, world war two

The 20th Light Horse (Victorian Mounted Rifles) was raised in 1920 as part of the 3rd Cavalry Brigade, 2nd Cavalry Division, Citizen Military Forces, with Headquarters at Seymour and depots along the Goulburn Valley from Mansfield to Tocumwal in southern NSW. In December 1941, 20th Light Horse (Victorian Mounted Rifles) converted from horse to mechanised, initially as 20th Motor Regiment. In 1943 the Regiment was deployed to Merauke, Dutch New Guinea. Upon its return in April 1945, the Regiment was redesignated 20th Pioneer Battalion. It was disbanded following the end of the war. 20th Light Horse was the only light horse regiment to serve overseas in WWII.This is one of a collection of photographs featuring a Light Horse regiment drawn from rural and regional Victoria in the period immediately prior to mobilisation for World War 2 (1939-1945).Black and white photograph of line of light horsemen formed up on edge of horse lines. Photograph is part of 20th Light Horse collection.20 light horse, camp, wwii

Generations of the Talbot family have called Malahide Castle home. They played significant roles in Irish political and social life. Set in 260 acres the castle is only 10 minutes from Dublin airport. https://www.malahidecastleandgardens.ie/ According to wikipedia See https://en.wikipedia.org/wiki/Easter_Rising#Fingal In Fingal (or north County Dublin), about 60 Volunteers mobilised near Swords. They belonged to the 5th Battalion of the Dublin Brigade (also known as the Fingal Battalion), and were led by Thomas Ashe and his second in command, Richard Mulcahy. Unlike the rebels elsewhere, the Fingal Battalion successfully employed guerrilla tactics. They set up camp and Ashe split the battalion into four sections: three would undertake operations while the fourth was kept in reserve, guarding camp and foraging for food. The Volunteers moved against the RIC barracks in Swords, Donabate and Garristown, forcing the RIC to surrender and seizing all the weapons. They also damaged railway lines and cut telegraph wires. The railway line at Blanchardstown was bombed to prevent a troop train reaching Dublin. This derailed a cattle train, which had been sent ahead of the troop train. The only large-scale engagement of the Rising, outside Dublin city, was at Ashbourne. On Friday, about 35 Fingal Volunteers surrounded the Ashbourne RIC barracks and called on it to surrender, but the RIC responded with a volley of gunfire. A firefight followed, and the RIC surrendered after the Volunteers attacked the building with a homemade grenade. Before the surrender could be taken, up to sixty RIC men arrived in a convoy, sparking a five-hour gun battle, in which eight RIC men were killed and 18 wounded. Two Volunteers were also killed and five wounded, and a civilian was fatally shot. The RIC surrendered and were disarmed. Ashe let them go after warning them not to fight against the Irish Republic again. Ashe's men camped at Kilsalaghan near Dublin until they received orders to surrender on Saturday. The Fingal Battalion's tactics during the Rising foreshadowed those of the IRA during the War of Independence that followed. Volunteer contingents also mobilised nearby in counties Meath and Louth, but proved unable to link up with the North Dublin unit until after it had surrendered. In County Louth, Volunteers shot dead an RIC man near the village of Castlebellingham on 24 April, in an incident in which 15 RIC men were also taken prisoner.filming, fingal's finest day, malahide castle, ireland

The four photographs shown above are part of an anonymous donation, by a relative, of the photographic collection of a former member of No. 3 Squadron RAAF 1939-1945. They cover the African, Sicily and Italian campaigns. The entire collection comprises 175 photographs. The collection has been divided into sets depicting various aspects of 3 Squadron operations. The above images are representative of this particular set of 45 photographs, featuring places and miscellaneous subjects . The museum has digitized the complete set.Set of 23 black and white photographs featuring landscapes and miscellaneous subjects . The full set numbering and description is as follows: 9666.01P Africa Alexandria.jpg 9666.02P Africa Indians in Bren carrier.jpg 9666.03P Blown bridge 1.jpg 9666.04P Blown bridge 2.jpg 9666.05P Blown bridge 3.jpg 9666.06P Bridge.jpg 9666.07P Camp at Gates.jpg 9666.08P Crusader tank.jpg 9666.09P Foggia 2.jpg 9666.10P Foggia.jpg 9666.11P Grant tank.jpg 9666.13P Honey tank.jpg 9666.14P Italy Foggia 4.jpg 9666.15P Italy Foggia 13-2.jpg 9666.16P Italy Foggia 3.jpg 9666.17P Italy Foggia 5.jpg 9666.18P Italy Foggia 6.jpg 9666.19P Italy Foggia 7.jpg 9666.20P Italy Foggia.jpg 9666.21P Italy.jpg 9666.22P Jerusalem British war cemetary.jpg 9666.23P Officers in jeep.jpg 9666.24P Sign in Africa.jpgno. 3 squadron raaf 1939-1945, african campaign ww2, italian campaign ww2

Harry Gorry bid for & purchased on internet auction site. The seller's mother was putting these & other items up for auction. Her father/ the seller's grandfather was Dr. Bruno Koening, a German surgeon detained by Allied forces while fleeing New Guinea in 1941. He was detained & sent to be interned in Camp 3, Tatura. There he met the painter Cesare Vagarini & they became friends, thus 4 years later upon the end of the war Vagarini gave the surgeon the two paintings in thanks & in memory of their friendship. Dr Koening then passed the paintings down to his daughter, where they remained in the family for 60 years. The seller's mother decided it was time to sell & was happy that the paintings went to a good home, as the family was until now unaware of the connection between Vagarini and the Tatura Museum. Harry Gorry just happened to notice a familiar name in an auction that he came across by accident & purchased them for our benefit. (Most information copied from Tatura Bulletin article, April 2014).Watercolour painting, depicting barracks at Camp 3. Picture showing fencing posts & bare ground in foreground, and row of huts in background, with 4 trees behind them. at bottom left of picture. writing not legable.tatura, camp 3, vagarini

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A coloured photograph of a fortified base camp alongside an Australian Fire Support Base, houses engineers involved in the construction of 'fire trails' which were cut through dense jungle of known infiltration, to cut NVA/VietCong lines of communications and supply (circa April 1969)photograph, fire support base, gibbons collection catalogue, nva/vc, fire trails, jungle, nva viet cong, denis gibbons

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A coloured photograph of General Sir Thomas Daley, Chief of the General Staff, talking with th Commanding Officer of the 1st Armoured Regiment, while his aide an Special Air Service Officer looks on. General Daley was a regular visitor to Vietnam to see those in command and their diggersphotograph, general sir thomas daley, 1st armoured regiment, sas, gibbons collection catalogue, special air service, aide de camp, diggers, commanding officer, denis gibbons

Sent to the collection as part of the Centenary of the ANZAC Gallipoli landing, 2015. This publication reveals the stories of everyday civilians-turned-soldiers who served in the trenches and on the front lines, highlighting their vast contribution to the war effort, including those who made the ultimate sacrifice.This publication reveals the stories of everyday civilians-turned-soldiers who served in the trenches and on the front lines, highlighting their vast contribution to the war effort, including those who made the ultimate sacrifice.Verso of cover: "Surrey Hills Historical Soc."world war, 1914-1918, miltary history, (mr) cecil alfred ashcroft, (mr) arthur percival attwood, (mr) thomas walter barker, (mr) george francis bell, (mr) lawrence robert hanna, (mr) charles elvin hyland, (mr) john frederick kammel, (mr) joseph harold kemp, (mr) harry boyland, (mr) james ashcroft braithwaite, (mr) walter henry brewster, (mr) william brown, (mr) charles alfred bull, (mr) william francis cloke, (mr) eric gladstone deadman, (mr) george leslie fullagar, (mr) joseph gomes, (mr) eric sydney walpole sealy-vidal, (mr) samuel kirkpatrick, (mr) nathan douglas lackie, (mr) joseph henry leach, (mr) harry learoyd, (mr) charles m mcfarline, (mr) joseph campbell mcmiles, (mr) robert mcmiles, (mr) james unison morn, (mr) edward hugh oprey, (mr) arthur salis, (mr) (henry) studley sealy-vidal, (mr) walter samuel shaw, (mr) walter samuels, (mr) samuel john southwell, (mr) geoffrey gordon steenson, (mr) eric andrew taylor, (mr) alfred charles thorn, (mr) andrew charles thorne, (mr) campbell throsby, (mr) william george waters, (mr) albert ernest wearne, (mr) thomas william garnet whitney, liverpool training camp, holsworthy internment camp

Leather bound book, gold on edges of pages 867 pages, shield on front is goldNew Testament Psalmsbible, new testament, girdler, gumbleton, deaconate

Black and white copy of original photograph which shows a group of men and women, mostly members of the Ellis and Howell families of Mannibadar, posed for a photograph in front of garden shrubbery. Three of the men, identified on the back of the photograph as Ron Ellis, Mervyn Howell, and Ray Howell, are in military uniform.On back of photograph: "Visitors to the Lighthorse men / Colac camp, 1941".jessie miller, ron ellis, mervyn howell, ray howell, may ellis, florence howell, jack fletcher, perc howell, ivan ellis, edith rodgers, ron howell, mannibadar, world war 1939-1945

From 1909-1929, all boys 12-14 yrs and men 18-20 were required to enrol for army training only for domestic service. In 1939 all unmarried men aged 21 yrs were required to register for 3 months training for service in Australia and its territories. This was expanded in 1942 when all men 18-35 yrs and single men 35-45 yrs were required to register for the CMF (Citizens Military Force) Many of these then volunteered for the regular army during WW2. However the biggest National Service intake occurred between 1951 and 1972 as a reaction to the Korean and Vietnam Wars. Initially this required all 18 yr olds to complete 176 days of military service. Then in 1964 the lottery system was invoked.Bendigo Advertiser ''The way we were'' from 2002. Walking proud: these men were part of the July 9, 1957 national service intake chosen by ballot. The men are pictured at Puckapunyal army camp. Photo supplied by Ernie Hartland.newspaper, bendigo advertiser, the way we were

Colour front cover, drawn image of people carrying a pole with a rectangular bucket suspended on the pole, the people wear hats and the sky is an orangey colour. Back cover has some quotes from nurses featured in the book as well as a blurb describing the book. Book is covered in clear contact.non-fiction"Hunger and humiliation were just some of the privations endured by those members of the Australian Army Nursing Service who were captives of the Japanese during World War II. Of the thirty-two held in Sumatra and on Banka Island, twenty-four survived the severe physical conditions in the prison camps. Another group captured in Rabaul were held in Japan, where the cold was as bitter as their hunger. This is the dramatic account of those Australian nurses, of their struggles and their support for each other through the long years of war and captivity. In includes the horrifying story of Vivian Bullwinkel, the sole survivor of the callous massacre on Banka Island where twenty-three women were ordered into the sea and shot. It records the degradation of the daily 'tenko', the starvation and appalling lack of hygiene, but also tells how the women were at times able to rise above these miseries through their concerts and the soaring harmonies of the voice choir. Catherine Kenny interviewd many of the nurses and collected photographs, diaries and letters from the Australian War Memorial as well as from the women themselves." Blurb on back cover of book.wwii, world war 2, world war two, japan, pow, pows, prisoners of war, prisoner of war, australian army nursing service, mitliary nursing, australian army

Colour front cover, drawn image of people carrying a pole with a rectangular bucket suspended on the pole, the people wear hats and the sky is an orangey colour. Back cover has some quotes from nurses featured in the book as well as a blurb describing the book. non-fiction"Hunger and humiliation were just some of the privations endured by those members of the Australian Army Nursing Service who were captives of the Japanese during World War II. Of the thirty-two held in Sumatra and on Banka Island, twenty-four survived the severe physical conditions in the prison camps. Another group captured in Rabaul were held in Japan, where the cold was as bitter as their hunger. This is the dramatic account of those Australian nurses, of their struggles and their support for each other through the long years of war and captivity. In includes the horrifying story of Vivian Bullwinkel, the sole survivor of the callous massacre on Banka Island where twenty-three women were ordered into the sea and shot. It records the degradation of the daily 'tenko', the starvation and appalling lack of hygiene, but also tells how the women were at times able to rise above these miseries through their concerts and the soaring harmonies of the voice choir. Catherine Kenny interviewd many of the nurses and collected photographs, diaries and letters from the Australian War Memorial as well as from the women themselves." Blurb on back cover of book.wwii, world war 2, world war two, japan, pow, pows, prisoners of war, prisoner of war, australian army nursing service, mitliary nursing, australian army

Situated at the top of the hill in Arthur Street, the former Jelbart residence and barn were part of a major change that transformed Eltham's character in the late 1960s. Built from the mid 1940s through mid 1950s when Eltham was a rural community, the Jelbrat residence and barn are all that remain of a family property of some 250 acres (100 ha). With growing population pressures, in the late 1960s, owners Ron and Yvonne Jelbart decided to subdivide their property creating the Woodridge Estate in the early 1970s, a major factor towards the transformation of Eltham to the suburb it is today. The Jelbarts had moved to Eltham in the early 1940s when they purchased a poultry farm in New Street, now Lavendar Park Road. (The local Black Friday bushire of January 13, 1939 had started at C.A. (Clarrie) Hurst’s Eltham Poultry Farm and Hatchery in New Street.) Jelbart was primarily a businessman importing office machinery but desired farm beef and dairy cattle so the couple purchased the virgin bushland at what was then at the end of a dirt road, Arthur Street. With post war shortages of most building materials, they followed the example of the Eltham Artists' Colony (later called Montsalvat) and built thier home from mud-bricks and recyclked materials. The barn was first to be completed in 1945 which they made their home whilst building the main residence. It took eight years to complete the two buildings. Both the main residence and the barn are now separate homes, and along with the remaining property being sub-divided further in 1998 are now part of the Kinloch Gardens Estate at 93 Arthur Street. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p139 Standing on a hilltop at Arthur Street, Eltham, the Jelbart residence and former barn were part of a major change that transformed Eltham’s character in the late 1960s. Built from the late 1940s to the mid 1950s when Eltham was a rural community, they are all that remain of what was once a family property of around 250 acres (100 ha). As population pressure increased in the late 1960s, owners Ron and Yvonne Jelbart, decided to subdivide their property. The break-up of this property into the Woodridge Estate in the early 1970s, was a major factor towards transforming Eltham into the suburb it is today.1 Although standing only a few minutes from Eltham’s busy hub and hundreds of houses in Woodridge, scarcely any urban sound disturbs the peace. Views from the two buildings are almost exclusively of trees and extend to Mt. Dandenong to the south-east, the Great Divide to the north, and Melbourne city to the south-west. The Jelbarts had lived in Eltham since the early 1940s when they bought a poultry farm in New Street, now Lavender Park Road. Although Jelbart was primarily a businessman importing office machinery, he was keen to farm dairy and beef cattle, so the couple bought rough bushland at what was then the end of Arthur Street. But a shortage of building materials following World War Two hampered their plans to build their new home, so they followed the example of the Eltham Artists’ Colony (later called Montsalvat) and used mud-bricks and recycled materials.2 With great determination the family and friends constructed their house. Massive timber frames and huge quantities of mud-bricks were made on site. The barn was built first in 1945, and two years later, while camping inside, the Jelbarts started building their house. It took eight years to construct the two buildings, even with the help of professional tradesmen. The buildings, with timber frames infilled with mud-brick and plastered, are reminiscent of the English Tudor style. The Jelbarts are of Cornish stock. Much of the timber framework came from demolished bridges or warehouses, and recycled slate was used for roofs and floors. Quality second-hand materials were readily available in the late 1940s and 1950s when there was much demolition in Melbourne and little respect for heritage. A former 19th century Toorak mansion Woorigoleen provided the magnificent stone fireplace, the timber panelling and the parquetry floor in the living room. The large stone gateposts at the entry of the property came from Melbourne University. Almost no mechanical equipment was used to build the 55 square house and the 25 square barn. Massive timber frames were erected using block and tackle pulleys and timbers were shaped, sawn and drilled by hand. Son and architect Ian, with his family, have lived in and extensively renovated both buildings since the early 1970s. Ian transformed the steep ridge of the property into a plateau, where the main house Kinloch stands, surrounded by terraces and lawns. The grounds retain many native plants, including massive yellow boxes – some nudging 80 years. Ian attached 70 metres of pergolas draped with wisteria, roses and grape vines, to three sides of the house. The beautiful garden is featured in the book Through the Rose Arbour by Rosemary Houseman. The two-storey barn – now a house – retains traces of its original use. The cow-shed with milking and feed-rooms, and the machinery-shed remain. The house, separated on the ground floor by a breeze-way, soars two storeys and includes a mezzanine. These are connected by spiral staircases, to timber-beamed and plaster-lined high-pitched ceilings. The house also descends to a wine cellar. Curiously the roof is of corrugated iron on the south and slate on the north, to save costs. Small-paned windows and three French doors open onto the front lawn, which extends to Jelbart Court.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, arthur street, jelbart barn, jelbart home, kinloch gardens

Ada of California was a Melbourne swimwear company founded in the early 1950s by Brighton locals Ada and Toni Murkies. Born in Poland in 1922, Ada was 17 when the Second World War reached her doorstep. She and her family were torn from their home by Soviet soldiers and sent to a brutal labour camp in Siberia as part of a series of mass deportations. In order to escape the horrific conditions of the camp, Ada and her sister Barbara joined the Soviet-backed Polish Army. During her time in the military she became close with a handsome young Jewish officer, Lieutenant Antoni Murkies, who later became her husband. After the war Toni was awarded 15 medals including the highest Polish military honour, the Virtuti Militari. Ada was awarded 10 medals, including the Order of the Cross of Grunwald. Emigrating to Australia as postwar refugees in 1948, Ada and Toni arrived in Melbourne with little to their name. Working initially in garment factories and building their connections, by the mid-1950s the couple were able to start a company of their own, with Ada designing the garments and Toni managing the business. Within ten years, Ada of California swimwear was being sold in department stores throughout Australia, and the Murkies family were able to build a permanent home of their own in Brighton. By the early 1980s they had acquired several other major labels, including Watersun. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Black one-piece swimsuit with deep v-neck and low-cut back and high-cut legs. Halter neck. Ruched sides. Label in side: "ada / 16"swimwear, ada of california, ada productions, melbourne designers, ada murkies, toni murkies

Ada of California was a Melbourne swimwear company founded in the early 1950s by Brighton locals Ada and Toni Murkies. Born in Poland in 1922, Ada was 17 when the Second World War reached her doorstep. She and her family were torn from their home by Soviet soldiers and sent to a brutal labour camp in Siberia as part of a series of mass deportations. In order to escape the horrific conditions of the camp, Ada and her sister Barbara joined the Soviet-backed Polish Army. During her time in the military she became close with a handsome young Jewish officer, Lieutenant Antoni Murkies, who later became her husband. After the war Toni was awarded 15 medals including the highest Polish military honour, the Virtuti Militari. Ada was awarded 10 medals, including the Order of the Cross of Grunwald. Emigrating to Australia as postwar refugees in 1948, Ada and Toni arrived in Melbourne with little to their name. Working initially in garment factories and building their connections, by the mid-1950s the couple were able to start a company of their own, with Ada designing the garments and Toni managing the business. Within ten years, Ada of California swimwear was being sold in department stores throughout Australia, and the Murkies family were able to build a permanent home of their own in Brighton. By the early 1980s they had acquired several other major labels, including Watersun. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Blue backless one-piece swimsuit with ruching up sides and front. Halter neck. Straps loop down over hooks at the back.Label in side: "ada / 12"swimwear, ada of california, ada productions, melbourne designers, ada murkies, toni murkies

This swimsuit belonged to Audrey May Ferguson (nee Fulton), a longtime Brighton resident. Ada of California was a Melbourne swimwear company founded in the early 1950s by Brighton locals Ada and Toni Murkies. Born in Poland in 1922, Ada was 17 when the Second World War reached her doorstep. She and her family were torn from their home by Soviet soldiers and sent to a brutal labour camp in Siberia as part of a series of mass deportations. In order to escape the horrific conditions of the camp, Ada and her sister Barbara joined the Soviet-backed Polish Army. During her time in the military she became close with a handsome young Jewish officer, Lieutenant Antoni Murkies, who later became her husband. After the war Toni was awarded 15 medals including the highest Polish military honour, the Virtuti Militari. Ada was awarded 10 medals, including the Order of the Cross of Grunwald. Emigrating to Australia as postwar refugees in 1948, Ada and Toni arrived in Melbourne with little to their name. Working initially in garment factories and building their connections, by the mid-1950s the couple were able to start a company of their own, with Ada designing the garments and Toni managing the business. Within ten years, Ada of California swimwear was being sold in department stores throughout Australia, and the Murkies family were able to build a permanent home of their own in Brighton. By the early 1980s they had acquired several other major labels, including Watersun.Black one-piece rayon and cotton swimsuit. Straps button at back. Asymmetrical zig-zag front with double-line of white stitching, embellished by a large cream button.Label, white with green palm tree logo and red text: "Ada / OF CALIFORNIA" Label, white with red text: "61% RAYON, 10% RUBBER, 29% COTTON 36"swimwear, audrey may ferguson, audrey may fulton, melbourne designers, ada of california, ada murkies, toni murkies, 1950s, 1960s

Ada of California was a Melbourne swimwear company founded in the early 1950s by Brighton locals Ada and Toni Murkies. Born in Poland in 1922, Ada was 17 when the Second World War reached her doorstep. She and her family were torn from their home by Soviet soldiers and sent to a brutal labour camp in Siberia as part of a series of mass deportations. In order to escape the horrific conditions of the camp, Ada and her sister Barbara joined the Soviet-backed Polish Army. During her time in the military she became close with a handsome young Jewish officer, Lieutenant Antoni Murkies, who later became her husband. After the war Toni was awarded 15 medals including the highest Polish military honour, the Virtuti Militari. Ada was awarded 10 medals, including the Order of the Cross of Grunwald. Emigrating to Australia as postwar refugees in 1948, Ada and Toni arrived in Melbourne with little to their name. Working initially in garment factories and building their connections, by the mid-1950s the couple were able to start a company of their own, with Ada designing the garments and Toni managing the business. Within ten years, Ada of California swimwear was being sold in department stores throughout Australia, and the Murkies family were able to build a permanent home of their own in Brighton. By the early 1980s they had acquired several other major labels, including Watersun. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Pink short-sleeved one-piece swimsuit with silver lamé embellishment. Sweetheart neckline and low-cut back with metal zip. A black and gold swing tag is attached to one sleeve.Label in bra: “Ada OF CALIFORNIA / MIRACULOUS s-t-r-e-t-c-h BRI-NYLON / 34” Swing tag, front: black with gold text and palm tree logo. “Ada / OF CALIFORNIA / ‘Limited Edition’”. Back: gold with black text. “‘Limited Edition’”. Interior: “Congratulations on your choice of ADA OF CALIFORNIA ‘Limited Edition” Swimsuit contoured for your discriminating taste. / Style 546 / Size 34 / Price £11.9.6”. Care instructions also included.swimwear, ada productions, ada of california, ada murkies, toni murkies, melbourne designers

In four and a half years in Vietnam, the Marines of the Third Reconnaissance Battalion repeatedly penetrted North Vietnam and Vietcong sanctuaries by foor and by helipcopter to find enemy forces, learn the enemy's intentions, and, when possible, bring deadly fire down on his head.united states. marine corps. reconnaissance battalion, vietnam war, 1961-1975 - regimental histories - united states, us marines, 3rd reconnaissance battalion, north vietnamese, vietcong, nva base camps

Given to George Eckert by his friend Felix Gutmann who came to Australia on the Dunera and spent most of the war at Tatura and was on the Board of Lecturers of Collegium Taturense.Blue and white sketch of Waranga Basin. Inside a circle of barbed wire is an owl and a galah. In a light coloured wooden frame. 1942 Wishing You a Happy New Year Collegium Taturense No IV Internment campgeorge eckert, felix gutman

Photograph mounted on cardboard of group of soldiers in uniform, seated in rows. Members of front row are holding rifles. Two officers in centre of front row. Soldier seated on ground at front holds up sign in front of group. Words on sign are partially obscured by discoloration of photo, also bottom line of sign has been cut through when photo was mounted. Sign appears to read "Ballarat 18th Infantry Bde / A. Coy. 71st Infantry / Winners Championship / Camp Broadmeadows. / April 1917".world war 1914-1918, soldiers, 71st infantry, 18th infantry brigade