Shop due for demolition was purchased by artist Helen ..... and restored keeping most of it intact. These pictures were taken at the time of sale by Russell POLSON, a descendant of the Bellions. They were brought in for copying in 1991 by the Bellion's granddaughter, Margaret BRIDE.24 photos taken by Russell POLSON in 1991 of Benjamin Henry BELLION (original builder) and Elzabeth Sarah WALKER's shop and shipping business at 175 Stokes Street.. 1870 to 1959. (.01) cash drawer. (.02) windows. (.03) stables (.04) backyard (.05) back house (.06) bathroom (.07) fireplace (.08) bedroom (.09) stairs (.10) cupboard (.11) shelves (.12) drawers (.13) bench (.14) bench 2 (.15) under windows (.16) bench and door (.17) under stairs (.18) windows 2 (.19) door (.20) stables and yard (.21) backwindow (.22) sideway (.23) kitchen (.24) upstairsbusiness and traders - grocers and supermarkets, built environment - commercial, benjamin bellion, william j bellion, helen leitch, a peterson

MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.This image is significant because it documents the development of the Kiewa Hydroelectric Scheme.A black and white image of Rocky Valley Camp. Work began on the Rocky Valley Dam site in early 1947 and continued until May. It resumed in October after the winter and a camp for the accommodation of workmen was commenced at this time. Work continued in 1948 with the establishment of work facilities, including the erection of two large excavators. The Rocky Valley Dam was completed in 1959.ray meyer, blairs hut, falls creek, victorian snowfields

MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.This image is significant because it depicts aspects of the development of the Kiewa Hydroelectric Scheme.A black and white image of Rocky Valley Camp. Work began on the Rocky Valley Dam site in early 1947 and continued until May. It resumed in October after the winter and a camp for the accommodation of workmen was commenced at this time. Work continued in 1948 with the establishment of work facilities, including the erection of two large excavators. The Rocky Valley Dam was completed in 1959.falls creek, victorian snowfields, rocky valley camp

The handkerchief was made and owned by Mary Ann Simmons, born about 1857 in Cuckfield, Sussex, England. She died in 1914 in England. It was then owned by Edith Mary Etherton (nee Upton) born 10-2-1888 at Chatfield Cottages, London Lane, Cuckfield, Sussex, England. Mary died in Yarram, Victoria, Australia 29-3-1969. The next owner was Edith Mary Lodge (nee Etherton) aka Mary Coxedge, born 10-2-1959 at Chatfield Cottages, London Lane, Cuckfield, Sussex, England. She died in December 1998 at Nagambie, Victoria, Australia. The family moved to Australia in 1922. The last owner was Nancy Mavis Lambrick (nee Lodge) born 25-7-1937 at Tarralgon, Victoria, Australia. The handkerchief is a very good example of fine drawn thread handmade needlework and handed down through the family over generations. Ladies handkerchief. Hand worked, fine cotton, off-white coloured handkerchief. Drawn thread work with bobbin lace edging. C. 1876flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handmade handkerchief, fine cotton handkerchief, drawn thread work handkerchief, ladies handkerchief, mary ann simmons, edith mary lodge (nee etherton), mary coxedge, nancy mavis lambrick, chatfield cottages, london lane, cuckfield, sussex, england, drawn thread work

A utility boat used mainly by the army around the islands to the North of Australia. They were used for the transport of food, ammunition, troop movements and as ambulancesBuilt by GMH for the Australian armed forces during world war 2Wooden hulled work boat with maranised diesel engine forward control cabin with accomadation for two, rear deck set aside for work spacemilitary, boat, work

Collected by Adele Grey and owned by Jenny Lang who was a member of the Embroiderers Guild of Victoria and held exhibitions of her work at the Arts & Crafts SocietyTwo White pillow shams (3861.1 and 3861.2) with white embroidery flower design and eyelet work in each corner and oval design in centre. 7cm crochet lace around edge. Make Reg No NA3861.1-2manchester, bedding

Small round badge, russet colour, bold edging gold printing, gold lion. Badge worn by young Linton people who worked for the war effort during World War II.Badge worn by young Linton people who worked for the war effort during World War II.Small round badge, russet colour, bold edging gold printing, gold lion. Badge worn by young Linton people who worked for the war effort during World War II.Text: ' YOUNG PEOPLE'S GUILD LINTON. 'linton, young people's guild, world war ii, war effort

The Ballarat School of Mines often exhibited student work during Apprenticeship WeekBlack and white photograph of Ballarat School of Mines Student work exhibited at Alfred Hall, Ballarat. The display features (bottom left to right) a 34 inch vice, a swivel based machine vice, a drilling machine and a 3 ton screw jack. ballarat school of mines, tools, apprentice, jack, vice, alfred hall

This art work is an example of an Art Deco print created through lithoprint / lithograph techniques. As a print it would have been more affordable than an original artwork and hence could be purchased by a wider cliental. Little is known about the artist, but Jean Lasalle is listed as producing another print used by Tuck & Sons in their Oilette postcard series.This item is significant socially as an example of artwork that may have been displayed in homes around the 1910s- 1930s. The Oilette logo carries significance, linking the print to a business that was influential in the early production of postcards.Unframed print on board with some framing tacks still attached to the back of the board. Print area is in fair condition. The print has been stuck to a ‘paper frame' which has been attached to the backing board. The subject of the print is a lake view, with steep mountains in the background and two female figures on a bench in the foreground in the Art Deco style. Colours are muted. The print has the artist's signature 'Jean Lasalle' (looking at the print bottom left) and the words 'Oilette' (looking at the print bottom right) with a small logo composed of an oval and square underneath.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lithoprint, lithograph, oilette, golden dawn, art deco, jean lasalle, print, day dream

Robert Logan took up Lot 28 in the Village Settlement in 1896 and worked it until his death in 1936. His second son, Malcolm, took over the selection and continued to work it until he married and then it was subdivided. This photograph shows the oats that Robert Logan grew to feed his horse. John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas.Black and white photograph of a white haired man with a large white moustache man wearing overalls tying up a sheaf of hay. Handwritten description on reverse by John Lundy-Clarke.Robert Logan with hay grown on LOT 28 SECTION 1 of the Village Settlement. He was the original selector and his LOT was the last worked fully (by his son Malcolm) in SECTION 1. 1920. robert logan, logan, malcolm logan, kalorama, john lundy-clarke

Mr Dalkin posing with one hand in his pocket. Striped vest and matching pants with 3/4 jacket, bow tie and top hat on bench.Roberts Bros Ballarat

Moorabbin station was originally called South Brighton station and the name can be seen painted on the back of the bench seat on the platform. There are six men standing on the platform.Moorabbin station was opened on 19 December 1881 as South Brighton station. On 1 May 1907 it was renamed Moorabbin station and has maintained that name every since. Six men standing on the station at Moorabbin Railway Station.Stamped in blue ink on reverse: COPYRIGHT / Public Transport Corporation / For re-ordering photographs / Please quote negative No H3380 / Enquiries C/- PTC Photographic Unit / Telephone switchboard 619 111 Handwritten in red ink on reverse: 116 / ? % Handwritten in black ink on reverse: 50% Ch.4. Handwritten in blue pencil on reverse: H3380

Leoda ATKINSON "A few years ago Leoda Atkinson had never painted but now she works around the clock to keep up with the demand for her work. Leoda, a student in Koorie Art and Design at the School of Mines and Industries, Ballarat, was separated from her family as a child and wanted to learn more about her culture. ... (The Age, September 9, 1997) This work was commissioned by the University for the Aboriginal Education Centre's wall. It was designed and painted by Leoda Atkinson, a graduate of the University of Ballarat Koorie Art and Design course. With the assistance of Tom Clark and two third year students the painting of the mural was completed in two weeks. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A brightly coloured work featuring themes of reconciliation and the University's campuses and learning. The use of the platypus reminded the artist of many different animals, represented the coming together of cultures at the University. art, artwork, leoda atkinson, aboriginal, alumni

Regional fishermen supplied fish to the Melbourne market in these cane baskets. The basket had a flat lid (we are searching for a lid) and bracken fern was packed between the fish as ice was not available at the time. Photos show that fish boxes were introduced in 1900 and no post 1900 photos of baskets in use have been found. The baskets were mainly destroyed once boxes were introduced and only two baskets have been found. . Oval shaped large wicker work basket

The painted canvas by Izett Watson and Thaddeus Welch, which was exhibited as a painted cyclorama in the 'Battle of Waterloo' Cyclorama building, Fitzroy, ca. 1891.The work was printed for the Historical Art Association of Australiaeureka stockade, izett watson, thaddeus welch

Slide. Kurting. Two people inspecting the work.slide, bendigo, kurting., kurting.

Black and white photograph of a threshing team at workagriculture, farming, harvest, steam tractor, wheat harvest, threshing

STONNINGTON SYMPHONY PRESENTS Pictures of the Sea, Sounds of Sunshine Chris Martin conducts Elgar and Brahms Christopher Martin - conductor Jacqueline Dark - Mezzo Soprano Elgar - Cockaigne (In London Town) overture Elgar - Sea Pictures Elgar - Sospiri Brahms - Symphony No 2 Malvern Town Hall Sunday 26 August 2007 2:30pmSmall program with much information on Elgar's work.STONNINGTON SYMPHONY PRESENTS Pictures of the Sea, Sounds of Sunshine Chris Martin conducts Elgar and Brahms Christopher Martin - conductor Jacqueline Dark - Mezzo Soprano Elgar - Cockaigne (In London Town) overture Elgar - Sea Pictures Elgar - Sospiri Brahms - Symphony No 2 Malvern Town Hall Sunday 26 August 2007 2:30pmstonnington symphony presents pictures of the sea, sounds of sunshine, christopher martin, jacqueline dark, mezzo soprano, cockaigne, sea pictures, elgar, brahms, malvern town hall

1X Jungle green shirt, work dress.vietnam war, 1962-75, uniforms, ballarat rsl, ballarat

This is an example of Melbourne Legacy promotional material. It is possibly from the 1990's as it was in a folder with marketing material from that time. The brochure mentions 119,000 widows and 3,000 children enrolled Australia wide. It lists the types of assistance as: "rental and housing, welfare, educational, legal, employment, medical, dental and residential care". The main time of year for fundraising is September when Legacy holds 'Badge Week'. Often there is a celebrity who gives his or her time as 'Personality of the Year'. Examples are Sir Weary Dunlop (1992), Clive James (1993), the Scott family (1994), The Emmanuel brothers (1995), Daryl Somers (1996 and 1997), and Patsy Adam Smith (1994). Was in a folder with marketing material from the 1990s to 2009, see items 01240 to 01258. The collection shows the types of marketing materials that were produced and the celebrities that were helping Legacy.An example of promotional material from the 1990s. Marketing material and photos were compiled and released to newspapers, also printed as brochures and sometimes as stickers and collection tin wrappers.Colour promotional leaflet to explain Legacy's work.legacy promotion, badge appeal, legacy week, marketing

Although the slides are unnamed, one design features the name of Travis Price, placing these works around 1997 and the "Silverscreen" graduating year. Digital scans of photographic slide transparencies. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.9 mounted 35mm slides of student work.university of ballarat, federation university australia, graphic design, multimedia, packaging, higher education, bachelor

Glazed jug with Aboriginal motif and the work 'Hepburn'.studio anna, jug, aboriginal, hepburn