Showing 1681 items
matching group of men
-
Tatura Irrigation & Wartime Camps Museum
Photograph, German Prisoners of War
Group of German prisoners of war interned at A Compound, No. 13 POW group. Back row, left to right: 41208 Heinz Fisher; 35091 H. Grunwaldt; 35027 Michael Boesl; 35319 V. D. Ohe; 35180 H. von Gruenewaldt; 35299 H. Messerschmidt; 35131 R. Fabichler. Front row: 35128 Bernhard Koehnke; 35278 W. Senssfelder; 35083 Georg Erler; 35318 P. Schnieder; 35109 D. von Hardenberg. Photograph taken 29 November 1943.Black and white photograph of 9 men standing, 5 seated, all wearing dark pullovers. Centre front seated is Professor Dr G. Erler. Two huts behind them. The number 63 on ground in front of Dr Erler.the number 72camp 13, professor dr erler, camp 13 huts, german pow's, heinz fisher, h grunwaldt, michael boesl, v d ohe, h von gruenwaldt, h messerschmidt, r fabichler, bernhard koehnke, w senssfelder, george erler, p schneider, d von hardenberg -
Tatura Irrigation & Wartime Camps Museum
Photograph, Froschle, Ehnis, Beilharz and Bulach families, 1947
A family group of the three families. Templer Society. Back row (left to right): Fritz Bulach, Annelise Bulach, Eleonore Ehnis, Hermann Beilharz, Friedhelm Bulach, Irene Beilharz, Friedrich Froschle. Front row: Gunda Froschle, Ernstine Beilharz, Rudiger Froschle, Heinz Bulach and Anne Bulach.Black and white photograph of the Froschle, Beilharz and Bulach family. 3 men in suits and hats, 3 teenage girls and young boy standing, 3 wives seated and one young boy and youngest seated on mothers lap in front of washing line and hut.the number 213 on stand left hand front internee children, camp 3, froschle family, bulach family, templer society, fritz bulach, annelise bulach, eleonore ehnis, hermann beilharz, fridhelm bulach, irene beilharz, friedrich froschle, gunda froschle, ernstine beilharz, rudiger froschle, heinz bulach, anne bulach -
Tatura Irrigation & Wartime Camps Museum
Book, Dunera Lives. Volume 1 A Visual History, 2018
A remarkable, thoroughly researched and detailed record of "Dunera" internee artists with examples of their varied styles of water and colour paintings, sketches and cartoons. Vivid reminders of the whole experience of internment in Australia during World War 2 for these men. Launched at the Jewish Museum in St Kilda, Sunday July 8th and Monday July 9th at Readings Books in Melbourne.Visual history of camp life of the Dunera boysBlue soft cover, with front cover painting by Emil Wittenberg. Painted at Tatura on 23rd May 1941, depicts a group of Dunera internees behind barbed wire. B/W and colour photos, sketches, paintings and watercolour.To the memory of Amirah Inglis. A photograph of Kenneth Stanley Inglis, 7 October 1929 - 1 December 2017dunera boys -
Tatura Irrigation & Wartime Camps Museum
Clothing - Men's Underpants, 1940's
... of internees. men's underwear Helmut Seefeld Singapore group ...Worn by Helmut SEEFELD, a Jewish Austrian refugee at Tatura. Part of the Singapore group of internees.Long woollen cream underpants with 3 button holes, 1 button. A tape is laced through 2 holes at the centre back.men's underwear, helmut seefeld, singapore group -
Tatura Irrigation & Wartime Camps Museum
Photograph, Presbyterian Mens Group, 2001
... Tatura the-murray Photograph Presbyterian Mens Group photograph ...photograph, people -
Tatura Irrigation & Wartime Camps Museum
Photograph, Dhurringile POW Camp Prisoners
Group photo taken early 1941 Dhurringile POW Camp Prisoners, Lt. Gerhard Rahm., Lt. Fritz Krampe, Lt. Albrecht.Fritz Krampe3 men in uniform standing with hands behind back. Trees in back ground. photograph, otto albrecht, german lieutenants, fritz krampe, gerhard rahms -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 1 Group
Camp 1 Group. Back: Willi Metzger; Louis Dressing; Bodo von Zitzewitz; Herbert Dressing; Harold Hampel; Otto Haack. Front: Frederick Dressing; Fritz Huse; Friedrich Riha; Johann Andrejczak.Black and white photograph of two rows of men (6 standing, 4 sitting) with 2 huts in the background.willi metzger, louis dressing, bodo von zitzewitz, herbert dressing, harold hampel, otto haack, frederick dressing, fritz huse, friedrich riha, johann andrejczak, camp 1 internees -
Tatura Irrigation & Wartime Camps Museum
Photograph, Rover Scouts Group c.1931
Rover Scouts Group c.1931. R. Canobie; Reg Louden; Reg Maskell; M. Crouch; Willis Phair; Re Jones (Leader); Len Williams; A. Hampton A.S.M.; Bob Veale; J. Milne.Black and white photograph of10 men in scouts uniform , with hats and stick in hand, standing behind a table with a white cloth which has a red cross on it.rover scouts, r canobie, reg lauden, reg maskell, m crouch, willis phair, r jones, len williams, a hampton a s m, bob veale, j milne, rover scouts group 1931 -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white prints and negatives, A.E. Bennett, A.E. Bennett Prize Essays, 1893-1894
(1) Photographs of photographs, etc. in A.E. Bennett book, "Prize Essays." (i) Acknowledgement for photographs. (ii) p. 101 Appendix. (iii) Diseases of. (iv) Apples. (v) Pioneer timber cottage man and children. (vi) Farm view. (vii) "School of Mines Maryborough. (viii) Group Staff and Students. (ix) "Railway Station Maryborough." (x) "High Street Maryborough." (xi) Maryborough. (xii) Church, Maryborough. (xiii) Maryborough? (xiv) Students and staff seated on horse-drawn cart. (xv, xvi) Distillery equipment. (2) 2 sets of proofs of all photographs in the book. (3) Negatives. Probably taken by A.P. Winzenried for "Green Grows Our Garden." a.e. bennett, prize essay, diseases, apples, timber cottage, men, children, farm view, school of mines, maryborough, staff, students, railway station, maryborough, church, horse-drawn cart, distillery equipment, a.p. winzenried, green grows our garden -
Port Fairy Historical Society Museum and Archives
Photograph, c.1887
... and white photograph group of Volunteer Rifles, (after 1887- prior ...group of Volunteer Rifles, (after 1887- prior to 1888), possibly local men.Black and white photographdefence, volunteer, rifles, cannon, group, team, uniforms -
Port Fairy Historical Society Museum and Archives
Photograph
Royal Australian Naval Guard of Reservists attached to Osborne House Geelong, possibly including local men.Black and white photograph of naval group poseddefence, naval, royal, guard, osborne house, royal australian -
Port Fairy Historical Society Museum and Archives
Photograph, Volunteer Rifles
Group of Volunteer Rifles(after 1887-prior 1888) possibly local men.Black and white photographdefence, volunteer, rifles -
Port Fairy Historical Society Museum and Archives
Photograph, E.McPherson, c.1900
Naval Cadets, possibly local men. Captain W. Robertson appears in the top right hand corner second from the end. Photographer was E.McPherson from Port Fairy Black and White Photograph of group of naval personnel posedE.McPherson Port Fairydefence, naval, cadets, w.robertson -
Port Fairy Historical Society Museum and Archives
Photograph
... is the man in the front. defence port fairy garrison Group men ...P.F. Garrison (bearded man Andrew Kell) Andrew Kell was the leader of PF Garrison so would assume he is the man in the front.Black and white Photograph of 10 members of the volunteers defence force garrison in uniformdefence, port fairy, garrison, group, men, uniform, andrew kell -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2007
1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2013
We don?t leave our identities at the city limits: Aboriginal and Torres Strait Islander people living in urban localities Bronwyn Fredericks Aboriginal and Torres Strait Islander people who live in cities and towns are often thought of as ?less Indigenous? than those who live ?in the bush?, as though they are ?fake? Aboriginal people ? while ?real? Aboriginal people live ?on communities? and ?real? Torres Strait Islander people live ?on islands?. Yet more than 70 percent of Australia?s Indigenous peoples live in urban locations (ABS 2007), and urban living is just as much part of a reality for Aboriginal and Torres Strait Islander people as living in remote discrete communities. This paper examines the contradictions and struggles that Aboriginal and Torres Strait Islander people experience when living in urban environments. It looks at the symbols of place and space on display in the Australian cities of Melbourne and Brisbane to demonstrate how prevailing social, political and economic values are displayed. Symbols of place and space are never neutral, and this paper argues that they can either marginalise and oppress urban Aboriginal and Torres Strait Islander people, or demonstrate that they are included and engaged. Juggling with pronouns: Racist discourse in spoken interaction on the radio Di Roy While the discourse of deficit with regard to Australian Indigenous health and wellbeing has been well documented in print media and through images on film and on television, radio talk concerning this discourse remains underresearched. This paper interrogates the power of an interactive news interview, aired on the Radio National Breakfast program on ABC Radio in 2011, to maintain and reproduce the discourse of deficit, despite the best intentions of the interview participants. Using a conversation-analytical approach, and membership categorisation analysis in particular, this paper interrogates the spoken interaction between a well-known radio interviewer and a respected medical researcher into Indigenous eye health. It demonstrates the recreation of a discourse emanating from longstanding hegemonies between mainstream and Indigenous Australians. Analysis of firstperson pronoun use shows the ongoing negotiation of social category boundaries and construction of moral identities through ascriptions to category members, upon which the intelligibility of the interview for the listening audience depended. The findings from analysis support claims in a considerable body of whiteness studies literature, the main themes of which include the pervasiveness of a racist discourse in Australian media and society, the power of invisible assumptions, and the importance of naming and exposing them. Changes in Pitjantjatjara mourning and burial practices Bill Edwards, University of South Australia This paper is based on observations over a period of more than five decades of changes in Pitjantjatjara burial practices from traditional practices to the introduction of Christian services and cemeteries. Missions have been criticised for enforcing such changes. However, in this instance, the changes were implemented by the Aboriginal people themselves. Following brief outlines of Pitjantjatjara traditional life, including burial practices, and of the establishment of Ernabella Mission in 1937 and its policy of respect for Pitjantjatjara cultural practices and language, the history of these changes which commenced in 1973 are recorded. Previously, deceased bodies were interred according to traditional rites. However, as these practices were increasingly at odds with some of the features of contemporary social, economic and political life, two men who had lost close family members initiated church funeral services and established a cemetery. These practices soon spread to most Pitjantjatjara communities in a manner which illustrates the model of change outlined by Everett Rogers (1962) in Diffusion of Innovations. Reference is made to four more recent funerals to show how these events have been elaborated and have become major social occasions. The world from Malarrak: Depictions of South-east Asian and European subjects in rock art from the Wellington Range, Australia Sally K May, Paul SC Ta�on, Alistair Paterson, Meg Travers This paper investigates contact histories in northern Australia through an analysis of recent rock paintings. Around Australia Aboriginal artists have produced a unique record of their experiences of contact since the earliest encounters with South-east Asian and, later, European visitors and settlers. This rock art archive provides irreplaceable contemporary accounts of Aboriginal attitudes towards, and engagement with, foreigners on their shores. Since 2008 our team has been working to document contact period rock art in north-western and western Arnhem Land. This paper focuses on findings from a site complex known as Malarrak. It includes the most thorough analysis of contact rock art yet undertaken in this area and questions previous interpretations of subject matter and the relationship of particular paintings to historic events. Contact period rock art from Malarrak presents us with an illustrated history of international relationships in this isolated part of the world. It not only reflects the material changes brought about by outside cultural groups but also highlights the active role Aboriginal communities took in responding to these circumstances. Addressing the Arrernte: FJ Gillen?s 1896 Engwura speech Jason Gibson, Australian National University This paper analyses a speech delivered by Francis James Gillen during the opening stages of what is now regarded as one of the most significant ethnographic recording events in Australian history. Gillen?s ?speech? at the 1896 Engwura festival provides a unique insight into the complex personal relationships that early anthropologists had with Aboriginal people. This recently unearthed text, recorded by Walter Baldwin Spencer in his field notebook, demonstrates how Gillen and Spencer sought to establish the parameters of their anthropological enquiry in ways that involved both Arrernte agency and kinship while at the same time invoking the hierarchies of colonial anthropology in Australia. By examining the content of the speech, as it was written down by Spencer, we are also able to reassesses the importance of Gillen to the ethnographic ambitions of the Spencer/Gillen collaboration. The incorporation of fundamental Arrernte concepts and the use of Arrernte words to convey the purpose of their 1896 fieldwork suggest a degree of Arrernte involvement and consent not revealed before. The paper concludes with a discussion of the outcomes of the Engwura festival and the subsequent publication of The Native Tribes of Central Australia within the context of a broader set of relationships that helped to define the emergent field of Australian anthropology at the close of the nineteenth century. One size doesn?t fit all: Experiences of family members of Indigenous gamblers Louise Holdsworth, Helen Breen, Nerilee Hing and Ashley Gordon Centre for Gambling Education and Research, Southern Cross University This study explores help-seeking and help-provision by family members of Indigenous people experiencing gambling problems, a topic that previously has been ignored. Data are analysed from face-to-face interviews with 11 family members of Indigenous Australians who gamble regularly. The results confirm that substantial barriers are faced by Indigenous Australians in accessing formal help services and programs, whether for themselves or a loved one. Informal help from family and friends appears more common. In this study, this informal help includes emotional care, practical support and various forms of ?tough love?. However, these measures are mostly in vain. Participants emphasise that ?one size doesn?t fit all? when it comes to avenues of gambling help for Indigenous peoples. Efforts are needed to identify how Indigenous families and extended families can best provide social and practical support to assist their loved ones to acknowledge and address gambling problems. Western Australia?s Aboriginal heritage regime: Critiques of culture, ethnography, procedure and political economy Nicholas Herriman, La Trobe University Western Australia?s Aboriginal Heritage Act 1972 (WA) and the de facto arrangements that have arisen from it constitute a large part of the Aboriginal ?heritage regime? in that state. Although designed ostensibly to protect Aboriginal heritage, the heritage regime has been subjected to various scholarly critiques. Indeed, there is a widespread perception of a need to reform the Act. But on what basis could this proceed? Here I offer an analysis of these critiques, grouped according to their focus on political economy, procedure, ethnography and culture. I outline problems surrounding the first three criticisms and then discuss two versions of the cultural critique. I argue that an extreme version of this criticism is weak and inconsistent with the other three critiques. I conclude that there is room for optimism by pointing to ways in which the heritage regime could provide more beneficial outcomes for Aboriginal people. Read With Me Everyday: Community engagement and English literacy outcomes at Erambie Mission (research report) Lawrence Bamblett Since 2009 Lawrie Bamblett has been working with his community at Erambie Mission on a literacy project called Read With Me. The programs - three have been carried out over the past four years - encourage parents to actively engage with their children?s learning through reading workshops, social media, and the writing and publication of their own stories. Lawrie attributes much of the project?s extraordinary success to the intrinsic character of the Erambie community, not least of which is their communal approach to living and sense of shared responsibility. The forgotten Yuendumu Men?s Museum murals: Shedding new light on the progenitors of the Western Desert Art Movement (research report) Bethune Carmichael and Apolline Kohen In the history of the Western Desert Art Movement, the Papunya School murals are widely acclaimed as the movement?s progenitors. However, in another community, Yuendumu, some 150 kilometres from Papunya, a seminal museum project took place prior to the completion of the Papunya School murals and the production of the first Papunya boards. The Warlpiri men at Yuendumu undertook a ground-breaking project between 1969 and 1971 to build a men?s museum that would not only house ceremonial and traditional artefacts but would also be adorned with murals depicting the Dreamings of each of the Warlpiri groups that had recently settled at Yuendumu. While the murals at Papunya are lost, those at Yuendumu have, against all odds, survived. Having been all but forgotten, this unprecedented cultural and artistic endeavour is only now being fully appreciated. Through the story of the genesis and construction of the Yuendumu Men?s Museum and its extensive murals, this paper demonstrates that the Yuendumu murals significantly contributed to the early development of the Western Desert Art Movement. It is time to acknowledge the role of Warlpiri artists in the history of the movement.b&w photographs, colour photographsracism, media, radio, pitjantjatjara, malarrak, wellington range, rock art, arrernte, fj gillen, engwura, indigenous gambling, ethnography, literacy, erambie mission, yuendumu mens museum, western desert art movement -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Bert Daly
(1) Group photograph of Staff/Admin Staff? (2) Group photograph of 5 women and 2 men. (1) On reverse, "Bert Daly-front row 2nd left." (2) Identified by R. Hamley Garden Instructor on reverse but handwriting hard to read: "Facing photo Judith ?A?geen, Kitty Comben, Bert Daly, Kerry Wilson, Norma Baring?, Alison Rowie? seated Rosemary Hamley." staff, bert daly, women, men, kitty comben, kerry wilson, norma baring, alison rowie, rosemary hamley, garden instructor -
Clunes Museum
Photograph
GATHERING OF MEN AND WOMEN BEING PHOTOGRAPHED IN CLUNES TOWN HALL.BLACK AND WHITE PHOTOGRAPH MOUNTED ON GREEN MAT BOARD OF GROUP OF PEOPLE IN FRONT OF STAGE AT CLUNES TOWN HALL, LADIES AND GENTLEMEN DRESSED IN THEIR BEST CLOTHES. AUSTRALIAN COAT OF ARMS DISPLAYED. STAGE SWATHED IN OLD LACE AND MATERIAL CURTAINS.On Front: Hornby Clunesphotography, photographs, events and celebrations, town hall, advance australia -
Stawell Historical Society Inc
Photograph - Group Portrait, Picnic at "Pehlin" Dell
B/W. Photo in dell, family of Men, Women, ChildrenRay? Katie Maum Alf Heal Marge Mr Milner? Reverse: Picnic at Pehln Dell -
Stawell Historical Society Inc
Photograph - Group Portrait, Family
Huttley - Martin FamilyB/W/ : Backyard, Pailing fence garden stalks. 2 rows. Back 5 men in 3 piece suits. 1 woman in knee length dress Front Row 2 children seated eithe rside of woman in floral dress who is shielding face with a hat.madge Huttley in centrehuttley, martin -
Stawell Historical Society Inc
Photograph - Group Portrait, Burnside Cottage
Huttley - Martin FamilyB/W. 2 Suited Men Standing, 2 Seated woman at round table. Cooper St Stawell West"BURNSIDE on sign above door Reverse; L.R. Christian Jane, Alfred Thomas, Euphemia, Bert.huttley, martin -
Stawell Historical Society Inc
Photograph, Bests Vineyard Great Western, early 1900's
Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo of 10 men and boys plus dog, having smoko at Best's Vineyard, Great Western. All have hats or caps on. The horse and cart with the barrels for the grapes behind the group.winery, wine making -
Stawell Historical Society Inc
Photograph - Group Portrait, 2 Couples
B/W: 2 couples in yard, men in three piece suits, One Lady in above ankle dress - short sleeved, other lady in Skirt, blouse and JacketHarry Rae Martin ? Churice? Ern Martin -
Stawell Historical Society Inc
Postcard - Group Photograph, Relaxing Outside
Huttley - Martin FamilyB/W: 2 Men. 5 Woman, 1 dog. outside on blanket. 1 woman in chair, man behine wering waistcoat, man sitting with suspenders, net to Madge Huttley.Madge Huttley (Bottom right)huttley, martin -
Stawell Historical Society Inc
Photograph, Heatherlie Quarry 1930
Heatherlie Quarry photos taken 1930.Two (2) B/W photos showin heatherlie Quarry. One with tow groups of peope looking into the Quarry at the other group and machinery. The othe rphoto showing two men working on the quarry working on a sloping rock face.stawell grampians industry, heatherlie quarry -
National Wool Museum
Quilt, Childs' coverlet
Patchwork made from samples of mens suiting fabrics.The sample pieces on the edges may have come from a sample book which was bound together loosely rather than in a book form.(possibly in a 'flip book' style??) the samples in the middle are probably from a bound sample book. The cotton backing may either indicate that the coverlet was finished in more recent times- possibly 1940-s to 1960-s.Back of quilt showing the original placement of the rod pocket. Back of quilt showing location of new rod pocket with rod in situ. This view taken with the location of the original rod pocket at the top of the picture.quilting history, running stitch group, running stitch collection, quilting - history -
Stawell Historical Society Inc
Photograph, Railway Line Construction in Stawell area
Group of three photos from of men constructing railway cutting Wildcat Hill beside Napier Street. Norn Gray born Stawell 1911 and his father Robert worked on the cutting during the depression.stawell railways transport -
St Kilda Historical Society
Postcard, St Kilda Baths, c. 1930s
Men sunbaking and playing cards, St Kilda Baths, late 1930sTwo black and white photographs - original and a copy, unmounted, good conditionThe group on right is playing cards -
Puffing Billy Railway
NKS 9, Victorian Railways 2'6" gauge trolly
NKS Type Gangers Trolly - Victorian Railways 2'6" gauge trolley - a KS series Section Car oftern called the Kasey Jones The narrow gauge version of the broad gauge KS series cars. They were classed NKS with two stroke motors. These cars were built by the Spotswood Workshops, with castings coming from the Newport Workshops. KS is lighter car capable of carrying 4 men or sevenhundredweight Trolly 9 was built for the State Electricity Commission of Victoria for use on their metre gauge railway of Yallourn. It was sold to a preservation group at Walhalla and regauged to 2 foot 6 inch. It came to the Puffing Billy Railway in the early 1980s.Historic - Victorian Railways Narrow Gauge - Track Patrol Vehicle used by the State Electricity Commission of Victoria for use on their 900mm gauge railway of Yallourn. And then at Walhalla Railway where it was regauged to 2 foot 6 inchMotorised small rectangular trolly made of wood and wrought iron - currently stored dismantled Engine Type: 1 Cyl. reversible Fuel: 2 stroke Transmission: Belt driveNKS 9puffing billy, puffing billy museum, trolley, narrow gauge, 2'6" gauge, victorian railways, state electricity commission of victoria - yallourn., trolly -
Uniting Church Archives - Synod of Victoria
Photograph, (1) Fred Harman (L) Trevor Byard and Malcolm Frazer at a recent Devonport Men's Breakfast showing copies if two books authored by Rev. Byard February 1986; (2) Head and shoulders photograph, Undated
Reverend Trevor Mansley Byard (14/08/1914 - 27/02/2006) was born in Ulverstone, attended Queen's College, and was ordained in 1944. He wrote many books of an autobiographical nature as well as writing about Methodism.(1) Colour group photograph; (2) B&W head and shoulder photograph.(1) "Fred Harman (L) Trevor Byard and Malcolm Frazer at a recent Devonport Men's Breakfast February 1986"; (2) "C&N 17/10/1984 page 34".byard, trevor, rev., devonport, men's breakfast publications