Document. Certificate presented to Frank George Jones by the United Grand Lodge of Mark Master Masons of Victoria upon reaching the Honourable Degree of Mark Master in the Bendigo Lodge No 12. Printed on off white paper in black with red seal. Showing columns & arch flanked with symbols. Marked 16166.organization, club/society, freemasonry - lodge, f. g. jones collection, freemasons certificate

Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media

Singer portable electric sewing machine - black with some gold decorative work. Is placed in a wooden base. Has red-cloth covered electric cord and black plug. Has an arched wooden carry lid. Also has a black metal elbow control piece that inserts into the side of the machine.see photossewing, sewing machine, singer, electric

This object relates to Oliver Charles MURPHY. He was born on 1/01/1879 in Lexton, VIC. Oliver Charles served in the Army (6047) enlisting on, 20/03/1916 in Swan Hill, VIC before being discharged from duties with the 5 BATTALION as a Army Non-Commissioned Corporal / Bombardier (CPL/LBDR) on 23/06/1919. Oliver Charles MURPHY was not a prisoner of war. His next of kin is Mrs Sarah Ann MURPHY - Wife.Badge with motif of the Rising Sun, for use on Australian Army slouch hats. Rising Sun includes rays of sunshine in an arch around a crown, below which there is a scroll bearing text. On reverse, two loops are soldered to the badge and a pin is fed through both loops, used for attachment to slouch hat. On front: “AUSTRALIAN COMMONWEALTH/MILITARY FORCES”first world war (ww1), 1914 - 1918, uniforms, ballarat rsl, ballarat

Was the building which housed the Old Colonial Bank of Australasia Ltd.9cm x 12.5cm black and white photograph of the building at 39 Sydney Street. The double story building has an ornate light-coloured facade, which darker brickwork on the sides. Arched windows on the ground floor and rectangle window with trim on the top floor. Signage on the building states "Dornal Antiques".storefronts, retail store, antique dealers, antiques

Was the building of the Old Colonial Bank of Australasia Ltd. At the time of the photograph operating as a doctors office.14cm x 9cm black and white photograph building at 39 Sydney Street. The double story building has an ornate light-coloured facade, which darker rendering on the sides. Arched windows on the ground floor and rectangle window with trim on the top floor. The newsagency neighbouring the property can be seen.Written on the back: 39 Sydney Coll Bank 115store front, shop front, antiques, antiques dealer

Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Nine works were undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. Seven pencil sketches on paper. Two black ink drawings on paper .1 has sketches on both sides; .2 pen and ink table and chair design; .3 pencil sketch of a castle; .4 sketches on both sides - pen and ink doorway and on reverse pencil and water colour (partly coloured) wallpaper border design; .5 pencil sketch of a well and a church; .6 two pencil sketches of bridges; .7 three pencil sketches - two of partial rooves and one of a bridge drawn from a photo; .8 three pencil sketches - a window, a doorway and a thatched roof cottage; .9 pencil sketches on both sides - a village scene with gateway, church and cottages on one side and trees on the reverse. .3 lrs "A. Watson Pencil Sketch" .4 ink sketch tr "New Door" .5 lrs "Pencil Sketches A. Watson" .6 lrs "Pencil Sketches A. Watson" .7 rs" Pencil Sketch", under bridge drawing "Pencil Sketch from Photo", lrs "A. WATSON" .8 lrs "Pencil Sketches A. Watson .9 Village scene - lrs" A.Watson Pencil Sketch" ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, architecture, alumni, pencil sketches, sketches of buildings

Black and white photograph on green mount. Two storey brick building with verandahs, parapet. Eight men wearing striped aprons standing at front. Six children at bottom left. Meat carcasses hanging in doorway. Electricity pole. Pole on corner. Tree at L. Tram wires. Inscriptions: in image - on building 'EST. 1859, EW Hands, Butcher, Poulterer', Refrigerating Chamber on the premises'. On back - hand written in ball point pen 'EW Hands Butcher Shop, Crn Barnard and Forest Sts., Bendigo. Period about 1902-04. 'Note carcasses of meat hanging in open doorway on the footpath'. 'Hands 1204 fsp' IN BALL POINT PEN. 'Hands' in lead pencil. (2), 'Royal Historical society of Victoria, Bendigo Branch' Circular stamp on back of photo. 71% reduction copy in plastic bag.buildings, commercial, ew hands, butcher

T. Browns Furniture Warehouse photo taken around c 1870's. Four people standing outside the front of the furniture warehouse. The two story building has two display windows divided into three panes. The entrance door is glass with five arch windows on the second story. The address is 113 Main Street Stawell, later the site of the Coles store.Photograph appears to be taken from an original sepia photo of T. Brown's Furniture Warehouse. The two story building has two display windows on the ground floor with four people standing on the footpath outside the building.T. Brown's Furniture Warehouse Ironmongers T. Brown's Timber Merchant stawell t. browns furniture warehouse business

Soft Covered souvenir booklet. Images include * Ballarat Botanical Gardens * Wallace Statue * Sturt Street with Tram * Eureka Stockade Memorial * Lake Wendouree * Ballarat Town Hall * Begonia Glasshouse * St Andrew's Kirk (Presbyterian) * St Peter's (Anglican) * Statues * Ballarat Post Office * Ballarat State Offices * Ballarat Orphanage * Queen Elizabeth Benevolent Home * Adam Lindsay Gordon's Cottage * Lydiard Street * Congregational Church * Ballarat Cenotaph * St Patrick's Cathedral (Catholic) * St Patrick's College * Ballarat Arch of Victory * Arch of Vitoria * Eureka Swimming Pool (natural water) * Prime Ministers Avenue (statues) * I & R. Morley Pty Ltd ballarat botanical gardens, wallace statue, sturt street with tram, eureka stockade memorial, lake wendouree, ballarat town hall, begonia glasshouse, st andrew's kirk (presbyterian), st peter's (anglican), statues, ballarat post office, ballarat state offices, ballarat orphanage, queen elizabeth benevolent home, adam lindsay gordon's cottage, lydiard street, congregational church, ballarat cenotaph, st patrick's cathedral (catholic), st patrick's college, ballarat arch of victory, eureka swimming pool (natural water), prime ministers avenue (statues), i & r. morley pty ltd, ballarat, arch of victory, ballarat churches

Photograph of four men standing on the porch of Gildings Bootmaker's shop in Main Street Greensborough. John Gilding is standing in front of doorway. Harness maker W. Woodward stands next to him. The shop was opposite the Greensborough Fire Station in Church and in 1885 his shop and home were moved to the lower end of Main Street near the Plenty River.Links: 00374:01277:01278:01279:01280 Copy of black and white photographjohn gilding, gilding family

In 1938, the SEC Ballarat decoarated a tram with paper flowers for the Floral Festival. Has four ladies dressed in matching clothes standing inside the tram and four inside the doorways. Photographed in Wendouree Parade with Lake Wendouree in the background. The story is that it rained on the day and the ink in the dresses ran. See Reg Item 5188 for a coloured postcard of the ladies standing outside the tram. Yields information about a tram decorated for the 1939 floral festival colour scheme and has a strong association with the people involved in it. Demonstrates the colours used.Framed photograph of the 1939 Floral Tram, No. 29, photographed in Wendouree Parade, rendered, hand painted, in colour. March 1939. Frame - wooden, light brown frame, glazed, with a cut cardboard piece framing the photograph and most of the damage around the print. Has two rounded screw hooks with picture wire between them.Has a label on the front of the glass "Decorated Tram 1938" and number 01291. On the cardboard piece are the initials upside down "FKN"trams, tramways, floral tram, decorated trams, tram 29

This is a small commercially made tram model. Its design appears to be very loosely based on a Melbourne W Class tram design. The motorman’s cabin is realistic, but the body with its centre doorway does not look like any known tram designs. The wheels and their arrangement at the very ends of the tram are not realistic at all. No details of the maker, or where or when the model was made. Demonstrates making tramcar models for decorative purposesNickel plated steel model with operable wheels at either end. Two copies held.models, trams, tramcars

In 2002, the Master Building Excellence in Construction Award (Excellence in Construction (Existing Building) 85M-110M) was presented to L.U. Simon Builders Pty Ltd for the National Information Centre, Vision Australia Foundation, Kooyong. This award hung in the main corridor of the building, opposite the middle doorway from the drop off area, from 2002 until the building's refurbishment in 2017.Black and silver coloured plastic plaquevision australia foundation, awards

Photograph of W6 969 being rewired at Preston Workshops, possibly early 2000s. Has the Yarra tram logo in the centre doorway. Tram has been placed on stands to enable the work. During Feb 2011 the tram was sold and placed on display as a coffee and drink bar at the Melbourne Arts Centre. It was subsequently sold to a coffee shop near Preston Workshops.Demonstrates work on tramsLaser printed colour photo on an A4 landscape sheet of paper. trams, tramways, preston workshops, yarra trams, electrical engineering, tram 969

Importance of religion in the Yendon community is evidenced by the two churches. This is the weatherboard building of the catholic church and there was also a brick Anglican Church. Both these buildings were eventually removed when congregations declined as the community declined in the twentieth century.The catholic church was looking a bit delapidated in this photo taken just before it was demolished. Locals recall how the priest had to contend with all the birds nesting in the roof as the church slowly deteriorated.This is the only known photo ( as of 2010) of the Catholic Church in Yendon before it was removed.Enlarged printed copy of scanned Sepia photo of the Catholic Church, a wooden structure with a pitched tin roof, at Yendon just before it was removed.The grass is high and the barbed wire is not strained. The arched church windows have several broken panes of glass.It is a rectangular building with two additional spaces - an entry and a vestry. religion, tin roof, church, yendon, catholic, arched windows, vestry, broken panes of glass, weatherboard churches, pitched roofs, barbed wire

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house. Other features include a square porch with 2 open arches, tiled roof, white sash windows, striped awnings and low unpainted matching brick fence in the foreground with "230" on the brick pillar with white cast iron gate beside the driveway.murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, murrumbeena road, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, brick fences, arches, sash windows, striped awnings, cast iron work gate

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house with decorative brickwork. Other features include tiled roof, double-arched porch, 2 tall feature chimneys, white-framed sash windows, awnings, a concrete driveway and a trimmed hedge with an unpainted low brown brick pillar and fence in the foreground.15murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, arches, chimneys, sash windows, awnings, brick fences, hedges

Wanke Family History, handwritten, together with shipping and ware records, section on each of his 15 children, land titles including Hillcroft, photographs etc. pdf's 1-6 are in sequence as per the original contents of Lever Arch file. The first 5 parts contain information on the 15 children in sequence.

Colour photo: Metropolitan Hotel interior. Image shows people sitting at tables in the lounge of the Metropolitan hotel. Wooden bar, timber floor. Arched window in background of photo. On rear of photo: 'Aulsebrook & Martin Pty Ltd., Photographers, 6 Ruth St., Golden Square 3555 Phone 054 437565bendigo, buildings, metropolitan hotel, hargreaves street

Photograph of a section of Pall Mall, Sandhurst (probably westwards from Bull Street). The photo has been taken from the middle of what is now Rosalind Park. There is an arched sign approx. in the middle of the row that reads ' Rowkirk and Co. In the foreground there are a number of Straggling mature trees as well as several dead onesBatchelderplace, streetscape, pall mall, batchelder, pall mall, rowkirk and co.

Colour image: two storey hotel, dark green façade, white trim. Two storey verandah, lacework painted white. Arched windows on bottom storey. On top storey on pediment 'Rifle Brigade Hotel' in white paint. Hotel located in View Street, Bendigo. Appears to be late 1970's?bendigo, hotel, rifle brigade hotel

Drawn on waxed paper. On top of plan 'Elevation of Door' printed in black ink, on bottom 'Scale an inch to a foot'. Plan shows double doors, arched window above. Contained in items from Fortuna Villa, although not marked as such. On bottom of plan purple ink stamp 'Vahland & Getzschmann, Architects, Sandhurst'.Vahland & Getzschmann, Architects, Sandhurst.bendigo, house, fortuna villa

Artist Leonard French said of this work:- "The centre panel suggests a tree of knowledge growing out of a jewelled fish (a spiritual accompaniment is intended), and from the tree birds rise, spreading out through the cloud shapes of the other panels. Hands and figures rise from the earth, reaching for the birds. The left hand panel depicts the journey of figures in a boat, the seeking after or journeying to the source of knowledge. The far right hand panel is the garden, figures in a primitive state, a sort of evolution of figures from a primitive garden (the first garden). Visualization, verbalization, music and dance are tools we have to express a concept. The analysis of an art work is a delicate and sensitive task and great harm can be done in an attempt to become verbal about a form which relies upon elements peculiar to itself for intrinsic meaning." Leonard FRENCH (OBE) (08 October 1928 - 10 January 2017) Born Brunswick, Victoria Died Heathcote, Victoria Known for his enormous dalle de verre (concrete and slab glass) ceiling in the Great Hall of the National Gallery of Victoria Leonard French produced a large body of work throughout his lifetime. French won the Sulman Prize in 1960, and the Blake Prize for Religious Art in 1963 and in 1980. He was also awarded a Harkness Fellowship in 1965. In the Queen's Birthday Honours of June 1968 he was appointed an Officer of the Order of the British Empire. In early 1959 Leonard French was commissioned by the Ballarat Teachers' College students to paint a mural. The students were responsible for the payment of the work. When unveiled artist George Bush remarked: "the 1959 students have left something not just to 'oooh' and 'ah' at, but something that is thought provoking, arresting and interesting. This work of art keeps something in reserve and draws you to search for deeper meaning behind the splendour of colour. This mural is not one which will not fade the interest of its beholders, but one which will provide intrigue for generations to come." Originally French intended the mural to be five panels, each entitled (left to right) 'the Journey', 'Man', 'The Tree', 'The Earth', 'The Garden'. The finished mural was reduced to four panels with the central tree incorporated into the panels 'Earth' and 'Man'. Ballarat Teachers' College Art lecturer Arch Cuthbertson explained that the artist:- "Aims at evoking emotional flashed, opening doors to simultaneous thinking and feeling. To accomplish this he juxtaposes the threads of conscious and unconscious images, thus effecting a tapestry that allows many points of reference to converge upon his singular images. Whether the colours offer metaphysical sensations or convey a literal meaning will depend upon the breadth and depth of the viewer's experience. Similarly with the bird - we might well ask is it a defiance of gravity, a metaphysical ascension or the elusive winged knowledge? Again the answer could well be that these three associations have a singular purpose. " This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A four panel mural by Leonard French, commissioned and gifted by the Ballarat Teachers' College Student in 1959. Art lecturer Arch Cuthbertson was highly involved in this commission. Artist Charles Bush unveiled the mural at the Ballarat Teachers' College in Gillies Street, Ballarat. At that time he said:- "You have left behind you on object which will be full of interest to a lot of people. A work of art, so long as it is in existence, is constantly under review. Most of the good things that keep on going are usually to the uninitiated a little worrying. Many of you will be worried by this, because it does not make its message immediately clear. But come back and assess it again and again." art, leonard french, french, artwork, mural, ballarat teachers' college, class of 1959

Used by Australian Army circa 1960s.Used by Australian Army circa 1960sUnpainted US style aluminium canteen formed by two seam welded halves (front and back sides) with an aluminium threaded top for attaching a top to the water canteen. The water canteen has a black plastic screw top lid attached to the neck by a metal link chain. The front of the water canteen is bowed outwards with the back being flat with a curved top doorway shaped indentation.australian army, water canteen, aluminium

Photograph ( proof 48) of a group of six men and two women standing in front of a wooden building. The words ' _____'s Royal Mail Hotel' are painted on the façade (possibly Kenny's) and ' H. Kenny' is painted above the doorway. One of the males in the group is holding an infant, there is a ladder leaning against a pole on the right hand side of the photo. In the foreground there is a drinking trough with a sign attached, advertising a race meeting.buildings, hotel, royal mail, myers flat, royal mail hotel, myers flat, h. kenny

The original section of the Ball Court Hotel despite many exterior changes has not over the years undergone great structural changes since it was originally built in the 1870's by John Cahill.A coloured photograph of the original part of the Ball Court Hotel on the corner of Jackson and Macedon Sreets. The public bar entrance is on the corner of the building with a large window and a smaller one along Jackson Street and 3 windows and doorway along Macedon Street. There are 4 pieces of signage along the hotel walls and a large hoarding at the curbside. The Gothic sign on the wall has been replaced by black lettering.BALL COURT HOTELcarlton and united brewery, cahill, john, lupson, fred, mcpherson, mr and mrs, ball court hotel, george evans collection

Black and white postcard showing slab bark house belonging to Northrope family. Photograph shows Mr Northrope sitting in front reading a newspaper, Mrs Northrope sitting in a chair, young mother and baby in doorway, boy with dog on grass. Climbing rose over window. Bark roofing overhanging wall held down with logs. All glass windows. Lake Bunga VictoriaThe Homestead Lake Bunga Vicgenealogy, historic site

B&W photo of the Breen family at home in Menzies Creek. The family group comprises an older man in a three-piece suit, who has white hair and moustache, three women standing in a doorway to a lattice-covered verandah, are younger man identified as Ted Breen (right hand side), and two small boys. The Group stands in front of a weatherboard and fibro-cement house.

Newspaper clipping from The Courier, 18/12/1980 of Stephen Butler in overalls leaning out from one of the doorways of tramcar 27 with handles in right hand and looking at destination of "Bell St." Item has caption of "Next Stop Melbourne" with the item noting the tramcar 27 is going to Melbourne for the Transport Cavalcade on Jan. 26 and that it is the third year that the BTPS has participated in the event.In blue ink in bottom right hand corner of cutting. "Courier / Thurs 18/12/80"trams, tramways, btps, melbourne, transport cavalcade