Creamy white card with embossed flowers, leaves and decorative work. The left fold with flowers on overlaps the right fold which is narrow and has a leaf at the top and decorative work along the edges. The flowers are pink with pale leaves above them and a darker green background. The top edge of the card is cut along the edges of the leaves. Below, printd in gold, with a gold edged capital letter is: 'Wishes'. It also has decorative work above and below it. Inside is written; 'To Bettie from Uncle Audre (the rest is missing.)Raphael Tuck & Sons Ltd., London, Paris, New Yorkperson, greeting cards, malone collection, malone collection, greeting cards

Document. Greeting Cards. Small, single light brown card with timber pattern background. Top has scallop edge and gold coloured scallop pattern with tassels and rings hanging from the points. The left side has 4 gold flowers which extend past the edge. The bottom has 1 gold flower and the base of the urn extending past the edge. A gold urn with black flowers at the bottom and black shading on the top edge has mauve flowers with gold leaves in it. Picture on card is embossed.person, greeting cards, malone collection, malone collection, greeting cards

Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of its major industries. Many of the Italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. The picking bag was home-made showing the resourcefulness of farmers living in the Kiewa Valley. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.Picking bag known as 'Sacco'. The bag was used as a liner to the collecting bin in front of each of the 4 pickers on the picking machine. The bag was then hooked closed and held the leaf together for transport to the shed. Brown hessian woven length with 2 thick wires at 1 end hooked through 'bag' 100 mm from each side and hook on other end. Shaped in 1 rectangle rather than like a bag.Edges rough with wear and tear. A couple of holes where weave in 1 direction has torn.tobacco. picking bag. mongans bridge. kiewa valley. sacco. parmesan. rossaro. lorenzi brothers.

This crucible was raised from the wreck of the LOCH ARD. It is one of six similar relics, in a range of sizes, now in the Flagstaff Hill collection. All bear markings to indicate their manufacture by the Morgan brothers of Battersea, trading as the Patent Plumbago Crucible Co. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles in mid-Victorian Britain, a significant technological advance at a time of great activity in foundries and expansion of demand for refined metals. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm’s manufacturing rights and began producing their own graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India, and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the LOCH ARD, suggest they may have been part of a sample shipment intended for similar promotion in the Australian colonies ― at Melbourne’s International Exhibition to be held in 1880. The summary of cargo manifest, by Don Charlwood in ‘Wrecks and Reputations’ does not mention any crucibles, implying that they were not a large consignment of uniform items. A newspaper account of an 1864 tour of the Morgan brothers’ ‘Black Potteries’ at Battersea indicates: “All the pots were numbered according to their contents, each number standing for one kilogram, or a little over two pounds; a No. 2 crucible contains two kilogrammes; a No. 3, three kilogrammes, and so on.” These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six are of the same size from a visual appraisal.The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Register S417A large crucible, or fluxing pot, for heating and pouring molten metal. It was recovered from the wreck of the LOCH ARD. The clay fired vessel rises from circular flat base to a larger rim with pouring lip. It is stained a rust colour and bears some sedimentary accretion. Half of its loose fitting lid with central knob has also survived. Markings on the artefact indicate it is a Morgan’s crucible, made with graphite to prevent cracking in the furnace and provide a smooth (non-adhesive) inner surface. On base: “…RGAN’S PATENT CRUCIBLE”. On rim: “MORGAN’S PATENT P…” Below top edge "BAK"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, graphite crucible, plumbago crucible, morgans crucible company, loch ard, fluxing pot, crucible

The re-drafting of the constitution set out by the British Mission to Seamen coincides with the centenary of establishment of the 1856 Mission in London. This pamphlet appears to have been received by someone who was offered a Life membership in 1957.6 pages of text pamphlet outlining a brief history and outcome of a Special meeting of members at Buckingham Palace gardens 16th May 1956, that is a redesigned Constitution of the Mission to Seamen. Designed to include non-British based Mission representatives. Blue print on white paper throughout with Mission flag at head of first page.in handwriting top edge in blue ink : " Rev'd with letter re Life Membership / May 1957constitutions, mission to seamen, london, the flying angel mission

These Medals belong to NX28180 E Webb who served with the AIF during WW2.These are the original medals of NX28180 E Webb.5 x Medalss belonging to NX28180 E Webb 2 x gold colour Stars and 3 x silver colour round medals with ribbons. Included are - The 1939-1945 Star, The Pacific Star, The Defence Medal, The War Service Medal 1939-1945, The Australian Service Medal 1939-1945.On the back of the Stars - NX 28180 E Webb, on the circumference edge of the medals NX28180 E Webb.nx28180 e webb, ww2, aif

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman, photography

Born: Clunes, Victoria, 1861; Died: Melbourne 1941InterwarGift of Mrs Irwin Bright, 1992Figure depicting female child in blue dress in front of landscape image. Gold gesso painted frame. Recto: Signed and dated “J Longstaff 1934” in ochre paint m.r. edge of composition; Not titledportrait, child, garden, landscape, rural, australian art

Rural City of Wangaratta CollectionAn architectural sketch in black ink of a cathedral on white paper.30/150 John O'Brien/ (bottom left) Holy Trinity Cathedral, Wangaratta. (bottom edge)wangaratta art gallery, wangaratta, holy trinity cathedral, cathedral, architectural sketch, sketch, john o'brien

White round china container. Lid depicts Wellington in uniform in the middle with a decorative edging. Edging includes inscriptions Born May 1769, Died Sept 14th 1852, 83 years, WellingtonAround edge - 'Born May 1769 - died Sept 14th 1852 - 83 years Wellington'domestic items, containers, civic mementoes, souvenirs

William 'Lauchie' McGrath, an accountant with Australian Mercantile Land & Finance (AML&F), enlisted in AIF in September 1914. He was posted to 8th Light Horse regiment with the No 268 and rank of trooper. He rose through the ranks, serving at Gallipoli, Egypt and Palestine reachin the rank of Captain/Adjutant of the regiment. The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse. McGrath wrote the History of the regiment (See 3091.901) Following his return to Australia he took up farming in the Upper Murray, On 10 February 1924, a community picnic was being held at a creek below his Jingellic homestead when a maniac armed with a rifle came out of the scrub and proceeded to shoot indiscriminately int the party. No reason was ever given but it was presumed that he wanted to kill one man who was not among the five he hit. McGrath got the women and children into the creek and organised the other wounded - he had already been hit in the chest - into cover before running over open ground for his rifle in the house. In all he stopped five bullets but the gunman bolted once McGrath appeared with his own weapon.Some weeks later he was captured getting milk from a dairy and declared insane. One of the five victims died that day, one some months later, one had to use a stick for the rest of his life and McGrath was forced to give up the farm and return to his old job as an accountant. He was awarded the silver medal of the Royal Humane Society of NSW and the silver medal of the Royal Shipwreck Relief & Humane Society of NSW. The latter body felt the water in the creek made it appropriate to also make the award. McGrath enlisted again in World War Two, serving firstly as 2/ic Broadmeadows Camp and later 2/ic the Officer Commanding 12th Garrison Battalion. Framed black and white photograph of mounted officer with tents in background.Across lower edge of frame "Capt. McGrath. MC.. MID. 8th Australian Light Horse"mcgrath, 8th, light horse, garrison, royal humane society nsw

Newspaper Clipping possibly from The Courier, Ballarat, 4/11/1972, about the opening of the Bendigo Tourist tram service by the Premier Mr. R. Hamer on Dec. 9, 1972. Item mentions the keeping the Birneys in Bendigo, against them going to Adelaide and the Bendigo Trust. Item possibly from the Courier, as mentions the GBA (Greater Ballarat Association), Mr Melton Foo and Mr. Edgar Bartrop."4/11/72" on bottom edge in blue ink and a red ink arrow pointing to the Clipping.trams, tramways, bendigo, opening, bendigo trust, mr. r. hamer

Newspaper clipping from The Courier, 25/10/1971 of a photo and caption of railway workers replacing the level crossing track at the Lydiard St. North rail crossing, in order to remove the tramway track. Has a photo showing workmen in the rain, a Gradall excavator and buildings in Lydiard St. in the background, including Reid's Palace.On top edge in blue ink "Taking up the tram lines" and on bottom "25/10/71".trams, tramways, railway crossing, tram track, lydiard st. north

Letter to the Editor of The Courier, 31/1/1996 written by D.H. Woodward, Melbourne Road, Ballarat questioning the costs for returning trams to Ballarat, traffic problems, safety, use, depot, overhead wires and note that any decision should wait until an elected council returns. Cutting also contains a letter regarding the sale of the kiosk (View Point) and a Burns cartoon, about the "The Kennett Factor". See also items 1467 and 1469."31/1/96" in blue ink on the bottom edge and three "X" marks in black ink.trams, tramways, letter to the editor, ballarat city tramway, ballarat revival

Article in The Courier, Ballarat 26/2/1997, page 3, written by Paul Nolan reporting on the proposals by Paul Jenkins MLA for Ballarat West that motor buses dressed as "trolleys" be used to transport visitors around Ballarat prior to the reintroduction of trams to Ballarat streets. Features a computer image by Glenn Shields of on the Disneyland "trolleys" superimposed on the photo of the Ballarat Town Hall. (btm1511i1) and a cartoon by Burns (btm1511i2)."Wednesday February 26 1997 pg3" in blue ink along top right hand edge.tourist bus, ballarat city tramway, ballarat revival, disneyland

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of Ballarat Tram No. 12 approaching the intersection of Victoria and Main Streets in Bridge St. Has Bridge St. and Town Hall in the background. The film strip notes (Reg. Item 2560), provided the following caption details: "At the east end of Bridge St. narrow and congested extension of Sturt St .- was the junction of the "Mt. PLEASANT" (Midland Highway) and the "VICTORIA St" line (Western Highway. No. 12 approaches the junction, correctly set for the "Mt. PLEASANT" LINE - Sept. '71 (Graham Evans) See image btm2563p.tif for high level scan of image. Stamped on base of slide "11771" and written in ink on top edge "No. 12 Bridge St. Ballarat"tramways, trams, are, film strip, bridge st, tram 12

Newspaper clipping from The Geelong Advertiser, Sat. 25/1/1975 titled "Ballarat has another drawcard - a tramway" Reports that on 1/2/1975 the BTPS will achieve its goal and be officially opened by the Chairman of the SEC. Gives details of the history of the BTPS, its work and progress to date. Has a photo of 26 and 27 in the depot."From the Geelong Advertiser Sat Jan 25th 1975" in blue ink along the top edge.btps, opening, construction

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of No. 40 North bound for Lydiard St. North at the Railway Gates, with the gates closed. Tram carrying a heavy load of passengers. Railway station building and car park in background. Taken from the signal box. The film strip notes (Reg. Item 2560), provided the following caption details: "Principal feature of note on the "LYDIARD St. Nth." line was the level crossing at Ballarat Station. A well loaded No.40 waits patiently at the closed gates for a train.- Sept.'71 (Harry Jackson)" See image btm2566p.tif for high level scan of image. Stamped on base of slide "11776" and written in ink on top edge "No. 40 Lydiard St Ballarat"tramways, trams, are, film strip, lydiard st north, railway crossing, tram 40

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of Tram 12 bound for Gardens, photographed across the median strip plantation near Dawson St. with St. Peters Church in the background. The film strip notes (Reg. Item 2560), provided the following caption details: "The wide Avenue of Sturt St. was the central spine of the Ballarat system -all routes traversed it for at least part of its length. Here No. 12 "GARDENS" bound, is seen through the foliage of the centre plantation in Sturt St. -Sept. '71 (Glen Mills)" See image btm2567p.tif for high level scan of image. Stamped on base of slide "11777" and written in ink on top edge "No. 12 Sturt St Ballarat"tramways, trams, are, film strip, sturt st, st peters, tram 12

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of No. 18, side on view in Drummond St. and Victoria Ave and Drummond St North. Photo taken with camera matching speed of tram, background slightly blurred. The film strip notes (Reg. Item 2560), provided the following caption details: "Car No. 18 shows a lively turn of speed as it heads up Drummond St. North towards "GARDENS". - Dec. '67 (Dave Macartney)" See image btm2568p.tif for high level scan of image. Stamped on base of slide "11778" and written in ink on top edge "No. 18 Drummond St Ballarat"tramways, trams, are, film strip, drummond st nth, victoria ave, tram 18

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of No. 21 at View point terminus. Note tram stop arrangements, shelter and the Lake in the Background. The film strip notes (Reg. Item 2560), provided the following caption details: "No. 21 stands at "VIEW POINT" terminus adjacent to where the line to "GARDENS via DRUMMOND St. Nth" comes in beside Lake Wendouree - Nov. '70 (Glen Mills)" See image btm2569p.tif for high level scan of image. Stamped on base of slide "11779" and written in ink on top edge "No. 18 Drummond St Ballarat"tramways, trams, are, film strip, wendouree parade, view point, tram 21

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of No. 42 showing "SPECIAL" in Drummond St. South "Longest individual route in Ballarat was to Sebastopol, south-west of the City. No.42 raises the dust as it heads down the centre road single track at the inner end of the line. Sept. '71 (Harry Jackson) See image btm2574p.tif for high level scan of image. Stamped on base of slide "11784" and written in ink on top edge "No. 42 Sebastopol line Ballarat"tramways, trams, are, film strip, sebastopol, drummond st sth, tram 42

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of No. 38, crossing Albert St, southbound, with Destination of Sebastopol. Photo taken after tram has passed photographer. Has the Anglican Trinity church in the background. The film strip notes (Reg. Item 2560), provided the following caption details: "About 1/2 mile from the terminus the line crossed to the west side of the road. Here car No. 38 outbound bowls across the asphalt. - Nov. ' 70 (Glen Mills)" See image btm2576p.tif for high level scan of image. Stamped on base of slide "11786" and written in ink on top edge "No. 38 Sebastopol line Ballarat"tramways, trams, are, film strip, albert st, sebastopol, tram 38

White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of a crew member reversing the pole of Bendigo No. 19 at the Golden Square terminus with the Golden Square hotel in the background. The film strip notes (Reg. Item 2560), provided the following caption details: ""Swinging the pole" was a ritual performed every time a single trucker reversed direction. Here No. 19 is dealt with at "GOLDEN SQUARE" - Mar '72 (Graham Evans)" See image btm2585p.tif for high level scan of image. Stamped on base of slide "11794" and written in ink on top edge "No. 19 Golden Square Bendigo"tramways, trams, are, film strip, golden square, trolley poles, crews, tram 19