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Australian Army Museum of Western Australia
Diorama, 2015
This diorama is the central feature in the World War 2 Gallery - South West Pacific area. Soldiers are shown still wearing khaki uniforms including shorts. Details include helmet, .303 SMLE rifles, small pack and fighting order. Japanese "Woodpecker" machine gun is show abandoned beside the track.1:1 scale diorama showing Australian patrol advancing up the Kokoda Track in light fighting order circa August 1942.kokoda -
Vision Australia
Administrative record - Text, Vision Australia 2004-2005 annual report, 2005
Annual report providing overview of activities and achievements including: the merger of three organisations into one national service, transition from CD and cassette services to digital via DAISY books, tactile hands on exhibition held at the Sydney Object Gallery, a new sensory playroom was developed in the Hunter region and 'Lighthouse on the Boulevard' was published.1 volume with illustrations providing overview of organisational achievementscorporation records, vision australia, gerard menses, kevin murfitt, owen van der wall, keith barton, david blyth, maryanne diamond, paul gleeson, timothy griffiths, graeme innes, mike janes, june ashmore, malcolm daubney, lynette davis, john coleman, marie bashir, don nardella, bruce mcallister, adam spencer, stephen jolley, geoff butcher, ebru sumaktus, krystal keller -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Richard Armstrong Crouch, b1868, Prime Ministers' Busts, Ballarat Botanical Gardens, 5/4/2010
R.A. Crouch gave generously in the form of gifts and bequests to the Ballarat Art Gallery and the city of Ballarat. Perhaps his most significant gift were the first busts of Australian Prime Ministers in the Ballarat Botanical Gardens. His legacy, enabled the making of subsequent busts which came to form the Prime Ministers' Avenue.The Prime Ministers' Avenue in the Ballarat Botanic Gardens has taken on national significance over time and is seen as an important place to visit.One short paragraph and a coloured photograph of a Crouch family grave dated 5/4/2010Nonedoctor john garner, ballarat botanical gardens, prime ministers avenue, richard armstrong crouch, politician, prime ministers' busts -
Pyrenees Shire Council
painting, Dry Swamp by Maude Glover Fleay, 1935
"Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria painting Signed: Glover-Fleay 35 (lower right) Verso: DRY SWAMP -
Merri-bek City Council
Painting - Oil on canvas, Noel Counihan, Tête, 1969
Born in Melbourne in 1913, Noel Counihan was a social realist painter, printmaker and cartoonist, and a passionate social campaigner. The namesake of Merri-bek City Council’s Counihan Gallery, his experiences of unemployment and poverty during the 1930s, and his lifelong involvement in protest movements, inspired his powerful and prolific images of the working class. Donated by the De Fazio family -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Anne Scott Wilson, Fly Rhythm Dandenong series #1, 2013
Anne Scott Wilson is a video and photography artist interested in memory, motion and the body. Her work often experiments with movement and light exposure over time. The images in Fly Rhythm series record landscapes from the Dandenong Ranges to Altona and were produced for an exhibition at the Wyndham Art Gallery called EXPERIMENT in 2012.australian art, australian photography, photography, female artist, landscape -
Federation University Historical Collection
Print - Artwork - Portrait, Professor Alfred Mica Smith
The original of this portrait was painted by Max Meldrum in 1926. In 1934 the Ballarat School of Mines sought donations to purchase the portrait for the Art Gallery of Ballarat, where it is held today. Donations were handed by the Balllarat School of Mines Registrar, John B. Robinson. Professor Alfred Mica Smith was a famed professor at the Ballarat School of MinesFramed reproduction of a painting of Alfred Mica Smith. available, alfred mica smith, max meldrum, john b. robinson -
Federation University Historical Collection
Book, Tulloch & King, Printers, M. McCallum's Ballarat District Citizens and Sports, 1916, 1916
A biographical gallery of "Who's Who" in public, political, official, judicial, patriotic, naval, military, charitable, professional, scientific, artistic, journalistic, ecclesiastical, religious, temperance, industrial, clerical, mercantile, commercial, aerial, scholastic, social club, musical, dramatic, friendly society, fraternal, athletic and sporting life, with Ballarat associations, past or present.Small hard covered brown book of 142 pages including advertisements.Stamped "The School of Mines Industries & Science Ballaratballarat district citizens and sports, m. m. mccallum, ballarat, citizens and sports at home and abroad, citizens and sports, political, official, judicial, patriotic, naval, military, charitable, professional, scientific, artistic, journalistic, ecclesiastical, religious, temperance, industrial, clerical, mercantile, commercial, aerial, scholastic, social club, musical, dramatic, friendly society, fraternal, athletic and sporting life, ballarat associations, clarendon college advertisement, wiles cooker, e. rowlands, koomah spa, thomas a. williams, leslie coulter, lela lake, margaret mcnanamny, leslie morshead, alice thwaites, james wiles, alfred williams -
Deaf Children Australia
FM Phonic Ear, Phonic Ear, Inc, Manufactured in 1965
The Phonic Ear hearing aids were actually auditory trainers for children in school. This aid was also an FM receiver so the child could clearly hear the teachers' voice. This was used by the student to receive the teachers' transmissions. For more information see: http://www.hearingaidmuseum.com/gallery/Miscellaneous/Assistive%20Devices/Phonic%20Ear/info/phonicearfmsystem.htm Beige FM Receiver with red plug-in crystal module (colour coded for frequency) and two leads on either side for hearing aids. This would have been used by the student to receive the teachers transmissions. Masking tape on front, obscuring name, writing on tape faded. "MODEL/HC 421 R/STEREO/AUDITORY TRAINER/FM/CERTIFICATION/THIS RECEIVER COMPLIES/ WITH FCC RULES PART 15/OPERATION IS SUBJECT/TO THE CONDITION THAT/ THE DEVICE WILL NOT/CAUSE HARMFUL INTER-/FERENCE AND THAT THE/DEVICE MUST ACCEPT ANY/INTERFERENCE THAT/MAY BE RECEIVED, INCL-UDING INTERFERENCE/THAT MAY CAUSE UN-/DESIFED OPERATION./PHONIC EAR/MODEL HC 421 R/TYPE GODKENOT/ deaf children australia, hearing aid, auditory training device, phonic ear -
Federation University Art Collection
Artwork - printmaking, Tony Irving, A suite of seven limited edition prints of Melbourne Laneways by Tony Fraser
Tony Irving's works shows a snapshot of urban life, with the artist depicting various locations and laneways in Melbourne. In the 1970s, he won the prestigious National Gallery of Victoria's John McCaughey Acquisitive Prize. These seven etchings are the subject of the Private Press book: ‘The Laneways of Melbourne’ written by John Arnold, The Lytlewode Press, Melbourne, 2001. A suite of seven framed limited edition prints produced by the etching and aquatint process on copper plate. .1) Ramsden Place Etching & Aquatint Copper Plate Plate 34.0cm x 14.7cm Paper 63.0cm x 47.0cm Edition 89/100 .2) Waratah Place Etching & Aquatint Plate 34.0cm x 18.6cm Paper 63.0cm x 47.0cm Copper Plate Edition 89/100 .3) Chapter House Lane Etching & Aquatint Plate 35.0cm x 14.0cm Paper 63.0cm x 47.0cm Copper Plate Edition 89/100 .4) Heape Court Etching & Aquatint Copper Plate Plate 34.0cm x 19.2 cm Paper 63.0cm x 47.0cm Edition 89/100 .5) Drewery Lane Etching & Aquatint Copper Plate Plate 34.0cm x 18.8cm Paper 63.0cm x 47.0cm Edition 89/100 .6) Niagara Lane Etching & Aquatint Copper Plate Plate 35.2cm x 17.5cm Paper 63.0cm x 47.0cm Edition 89/100 .7) Hosier Lane Etching & Aquatint Copper Plate Plate 33.8cm x 14.6cm Paper 63.0cm x 47.0cm Edition 89/100 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014 artist, artwork, laneways, printmaking, etching, irving, tony irving, churchill, gippsland campus -
Pyrenees Shire Council
painting, The Morning After the Storm by Maude Glover Fleay, 1930
Maude Glover-Fleay b. 1869 was a painter who studied under Frederick McCubbin. Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Her works are inlcuded in the Art Gallery of Ballarat Collection, Victoria significant as a work of art by a modernist-era woman artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture watercolour picture of a fallen treesigned: Glover-Fleay '30 pyrenees, maude glover-fleay -
Geoffrey Kaye Museum of Anaesthetic History
Document - Certificate, 1980
The certificate and tie clips were in the possession of Dr John Mainland. Mainland graduated from the University of Melbourne in 1950 with a Bachelor of Science degree. After researching and completing his medical degree, Mainland entered into the field of anaesthetics, training at the Royal Women's and Royal Children's Hospitals, later Alfred Hospital, in 1959. He completed training in 1964 and remained at the Alfred Hospital. During his career, he also became the first anaesthetist appointed to the position of Professor in Victoria. His other achievements include manufacturing a respiratory monitoring module that accompanied astronauts on the United States moon landing and developing a stimulator to lessen the risk of deep vein thrombosis in surgical patients. Mainland became a Fellow of the Australian and New Zealand College of Anaesthetists in 1992, retiring from the profession in 1997.The certificate rests beneath a thin layer of glass kept in a light wooden frame. The certificate is cream in colour with dark brown writing. In the middle is an illustration of Box Hill and District Hospital building. At the bottom of the certificate is the signature of the President and Secretory. On the back of the frame there are two metal loops connected by a thin piece of metal wire. Hanging on this wire are two clips from the Alfred Hospital. The face of the clips is consists of the Alfred Hospital emblem in red and gold surrounded by a border of blue with the name of the hospital inscribed. Masking tape runs the border of the frame.Printed in black ink on back of frame: marlow Galleries / 968 Whitehorse Rd, Box Hill / Ph: 89 2062, 1st floor •Inscribed on face of clips: Alfred Hospital Melbourne For Service •Printed in brown ink on the certificate: Box Hill and District / Hospital / This is to Certify that / Professor J. F. Mainland / was appointed a / Life Governor / on the 23rd day of July 1980 / President Secretary •Signed in blue ink by the President and Secretarycertificate, box hill and district hospital, life governor, mainland, john, alfred hospital -
Glen Eira Historical Society
Article - Duldig, Karl (Artist)
An article from the Gallery Magazine, dated July/August 2003 by Eva de Jong – Duldig about the Duldig Lectures and Exhibitions, detailing where Karl Duldig’s works have previously been displayed, the exhibition being held and the Duldig Studio. A black and white photograph, C. 1980, taken by Robert Dorin of Karl Duldig includedgallery magazine, national gallery of victoria, duldig karl, duldig slawa, horowitz slawa, the duldig studio, dorin robert, victorian college of the arts, karl duldig sculpture and drawings, magna mater, mcqueen humphreg, westbrook eric dr, sturgeon graeme, palmer maudie, scarlett ken, edwards geoffrey, klese simon, fraser alison, lindsay frances, mcauliffe chris, barrett – lennard john, helsell sand, king natalie, murray kevin, stasny peter, de jong- duldig eva -
Federation University Historical Collection
Article - Article - Women, Ballarat School of Mines: Women of Note; Edna May Grigg, Art Teacher, 1931-1946
Edna May Grigg studied Art in South Australia. She studied under Hans Heysen and became a successful painter. She won the Melrose Prize - portrait in oils - that hangs in the Adelaide Art Gallery. The Melrose Prize for portraiture was instituted in 1921. Edna came to Ballarat and was employed as an Art Teacher at SMB from 1931 to 1946. women of note, teacher, ballarat school of mines, smb campus, edna may grigg, artist, painter, hans heysen, melrose prize for portraiture, adelaide art gallery, 1931-1946 -
Eltham District Historical Society Inc
Photograph, Pencil Drawing
This image attributed to Walter Withers (1854-1914) of a rural scene was printed mirror imaged in Alan Marshall's "Pioneers and Painters: one hundred years of Eltham and it's Shire" (1971) on page 101: Chapter 17 "Educationalists and Writers". This and other Withers pencil drawings came from his sketch book held by the National Gallery of Victoria.Photograph of black and white pencil drawing 101 Deep etch all round image walter withers, pencil drawing -
Warrnambool and District Historical Society Inc.
Document - Aquarium Information sheet, Circa 1971
The information on this document shows the inspiration and planning for the building of the aquarium at the Warrnambool breakwater. The instigator was Mr. John Doull, builders Fotheringham Constructions and architects, B. Auty and D Jenner. The Aquarium was opened in December 1971 by The Hon Ian Smith MLA. There were four separate exhibitions and galleries listed on the document. The Aquarium closed around 1998.A local landmark in the latter part of the 20th century with the domes being easily recognized. The people involved in its construction were an important part of Warrnambool’s history.Framed document in green and white speckled wooden frame. Hand written in black on white paper. Subline is written in red.warrnambool history, warrnambool aquarium, john doull, fotheringham constructions -
Tatura Irrigation & Wartime Camps Museum
Sculptured Bust, Tina Wentscher, Balinese Lady, 1932
Tina Wentscher was born in Istanbul to Jewish Parents and grew up in Berlin. Lived in Indonesia 1931 - 1932 - 1933, China 1932 - 1933, Thailand 1935 - 1936, Singapore 1936 - 1937, Malaysia 1936 - 1940. Interned as an enemy alien in Tatura 1940 - 1942. Her works are represented at NGV, Canberra and McCelland Gallery, Langwarrin.White sculpture of Balinese Ladytina wentscher, sculpture, internee -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, D. Clark, Sacred Heart Church, 1986
Photograph of Parishioners receiving communion from Father P. Collins, Sacred Heart Church, Tatura. Also showing upstairs gallery, statue, windows, pictures showing stations of the cross. Some members pictured are Dean family, Bourke family, Mr Moar, Mrs Pascall, Mrs V. Deane and Mr and Mrs P. Kerrins.Black and white photograph of interior of Sacred Heart Church, Hogan Street, Tatura. 1986on back: 1986 Sacred Heart Church Taturasacred heart church tatura -
City of Ballarat
Artwork, other - Public Artwork, Perseus by J. Cranari, Circa 1880s
This depiction of Perseus in marble, was Presented by James Chapman in 1885 to the National Gallery of Victoria. It was de-accessioned and transferred to Ballarat in 1943 where it joined other Victorian-era statues acquired in the 1880s and later. It was located outside the first Ballarat Library in Camp Street and moved to an indoor location at the Ballarat Botanical Gardens in 2013 due to ongoing vandalism.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, standing naked male with small wings on helmet.Perseusperseus -
Hume City Civic Collection
Photograph
Since it was built in the 1860s the two storey brick building has had a number of commercial uses including butter and ice making, a general store, an equestrian store, an art gallery, a community Christian centre and a health studio. It has apparently been built in two stages because one section of the brickwork has a smoother finish.A coloured photograph of a two storey brick building with a slate roof. There is a shop front on the ground floor and 5 windows are on the 2nd storey. A verandah extends across the front of the lower storey to the edge of the footpath.butter and ice making, johnston, george, james, william, george evans collection -
Ballarat Heritage Services
Ceramic - Artwork - Ceramics, John Eagle, 1979
Mark EAGLE (1942 - ) Mark Eagle studied at RMIT and first exhibited at the National Gallery of Victoria in 1975. He is known for his copper red glaze on hand thrown stoneware and porcelain, and won the National Bicentennial Art-Craft Award for Functional Pottery in 1988. He taught ceramics at Ballarat Grammar School between 1980 and 1994.Photograph of a lidded bowl with glaze decoration ceramics, australian studio pottery, john eagle -
Federation University Art Collection
Painting - Artwork, Lainey Beavis, 'The Enchanted Forest' by Lainey Beavis, 2015
Lainey BEAVIS (1994- ) Born Portland Lainey Beavis completed a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy in 2015. She won the 2015 Art Acquisition Award. The work 'The Enchanted Forest' has been exhibited in the 2015 Federation University End of Year (EYE) Exhibition, and at Brunswick Street Gallery.Framed digital print featuring imagery of Portland's Enchanted Forest. Artist's statement: The photograph captures a dreamlike landscape where one can lose themselves within. It portrays a figure with significant connection to the landscape that it transcends into a sense of euphoria. The image emphasises the beauty of the landscape and the figures passion for it. The figure in the landscape is Rayhna Puche.lower left side '1/5' lower centre 'The Enchanted Forest' lower right side 'L. Beavislainey beavis, artwork, artist, alumni, figure, portland, enchanted forest, photography, rayhna puche, art acquisition award -
Pyrenees Shire Council
painting, Storm Tossed, Twisted and Torn by Maude Glover Fleay, 1934
Maud Glover-Fleay b. 1869 A painter who studied under Frederick McCubbin, Glover-Fleay was regarded for her natural history subject matter. She was also a writer and music teacher, and in the 1930s she established a reputation for painting Australian marsupials. Glover-Fleay's work is included in the Ballarat Fine Art Gallery, Ballarat, Victoria significant as a work of art by a modernist-era female artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a large treeSigned: Glover-Fleay 34 (lower right) Verso: Storm Tossed TWISTED AND TORN -
Melbourne Tram Museum
Document - Programme, Artistic Licence, "Transporting Art - Impressions of the Painted Trams Project", 1983
Poster features headlights from some of the Transporting Art program. Document acts as a catalogue for a 1983 Arts Exhibition. Gives a background to the project, lists the trams, notes on the artists, notes from the artists on their work, black and white images of the tram parts. Printed for the Victorian Ministry for the Arts Gallery, exhibition 12/9 to 14/10 1983Yields information about the first series of Transporting Art trams.Folded A2 (into A4 sheets) printed on gloss paper.Tram No. for 396 changed to "336" in ink.trams, tramways, transporting art, decorated trams, exhibitions, tram 234, tram 525, trtam 607, tram 345 -
Federation University Historical Collection
Photograph - Photograph - Colour, Ian Reid, Steve Bracks, Premier of Victoria, opens the University of Ballarat Arts Academy, Camp Street, 22/07/2008
The University of Ballarat (later Federation University_ inherited the Camp Street Arts Precinct. As the functions of the former public buildings were moved elsewhere, the Victorian Government of the time recognised the importance of maintaining the heritage buildings and the opportunity to create a cultural precinct extending from the Art Gallery. The 19th century architecture along Lydiard Street and the dogleg bend of Camp Street define the precinct. With substantial financial assistance from both State and Commonwealth Governments, the Art Gallery Ballarat has been extended through to include the 1884 Police Station on Camp Street. The Post Office building (1864-1887) was acquired for the University. The 1904 and 1941 Courthouses and the c1900 Public Library building were also included. Two new buildings have been constructed. These six buildings will house the University's Visual and Performing Arts ProgramsColoured postcard size photograph of Steve Bracks, Premier of Victoria, unveiling the plaque at the opening of the University of Ballarat Arts Academy, Camp Street. .1) L to R Kerry Cox (Vice Chancellor); Brendan Nelson (Federal Minister - Education); Chancellor David Caro; Steve Bracks, Premier of Victoria. Photographer Ian Reiduniversity of ballarat, camp street, victorian government, commonwealth government, ballarat fine art gallery, police station, courthouse, public library, post office, art gallery ballarat, art gallery of ballarat -
Ballarat Heritage Services
Painting - Artwork - Painting, [Unknown] by Arthur Lindsay, c1979
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsays of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.AbstractFramed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage Services
Painting - Artwork - Painting, Capriccio #11 by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage Services
Painting - Artwork - Painting, Capriccio #29 by Arthur Lindsay, 1979
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.AbstractFramed abstract painting by Arthur Boydarthur lindsay, painting, abstract -
Ballarat Heritage Services
Painting - Artwork - Painting, [Coastal Scene] by Arthur Lindsay, 1948
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.Framed watercolour of a Coastal Scene by Arthur Lindsay.arthur lindsay, watercolour, painting, townscape -
Ballarat Heritage Services
Painting - Artwork - Painting, Arthur Lindsay, SchG 20 by Arthur Lindsay
Arthur LINDSAY (1912-1990) Born Melbourne Arthur Lindsay, a relative of the Lindsay family of Creswick, studied informally under Rupert Bunny, and John Munro in 1933, and held his first Exhibition in 1938, with Peter Cox, at Riddell Galleries. In 1939, he left Australia to tour Japan, but stayed on, accepting a position with a publishing company in Hong Kong. He served with the Hong Kong Medical Corp during World War Two and was interned at Pootung Camp, Shanghai, from 1941 – 45. He held an exhibition of his internment paintings in Melbourne in 1946. Lindsay returned to Hong Kong after the War, and supervised an Advertising Agency in Singapore, Kuala Lumpar, and Bangkok. In the 1950’s he travelled to Europe, United Kingdom, Spain and France. Returning to Australia Lindsay moved to Castlemaine in 1969. A Retrospective of his Art was held at Castlemaine Art Gallery in 1991.abstractUnframed abstract painting by Arthur Boydarthur lindsay, painting, abstract