[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, russell yeoman, matthew smith

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, opal smith, eileen gibbons, flo spicer

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, bruce ness

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, opal smith

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, sue law, garnet burges

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, sue law, victorian folk music club

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, sue law, garnet burges

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, russell yeoman, matthew smith

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, jock read

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, jock read, central park

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, jock read, central park

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, central park, eileen gibbons, flo spicer, joh ebeli, matthew smith, opal smith, sue law, doug orford, russell yeoman, garnet burges

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, central park, eileen gibbons, flo spicer, joh ebeli, opal smith, sue law, doug orford, russell yeoman, garnet burges

Monsieur Charles Auguste Albert Racinet was born in Paris on July 20th, 1825. His job was representative of a group of 19th-century industrial draughtsmen, teachers of technical drawing and factory studio manager. He helped in spreading the most significant design of the decorative arts of the time. Racinet learned his trade from his father. He was trained by neo-classical artists in the ambit of Percier and Fontaine. August Racinet was influenced by the Schinkel tendency and supported by architects such as Hittorf and Voillet-le-Duc.Book. Large red leather cover. Title written in gold on spine. Illustrations (black & white), 100 of chromolithographic plates in gold, silver and colours. Various styles of ancient, oriental and medieval art including the Renaissance, the 17th, and the 18th centuries. Subjects are arranged in historical order. Text translated from the original French. The book includes a table of contents, a list of plates, a classified index and an introduction.A book plate inside front cover with a heading "Ballarat School of Art Library No. R/171. Stamped with "Reference","Education Department" and "Ballarat School of Art Library"art, paintings, textile, designs, decoration and craft, ornaments, ballarat technical art school library, bookplate

In 1873 James Griffiths migrated to Melbourne in order to start a tea Business. James lived in the Dandenongs at The Basin where he experimented with growing tea. Griffiths made tin canisters in the 2lbs size for their tea with common kitchen consumables listed on the front . The tins, when emptied, became useful kitchen canisters and helped promote the brand. Example of the names include Flour, Rice, Sugar, Sago, Candied Peel, Tapioca, Spices, Starch, Biscuits, Currants, Barley, String and of course Tea .Food storage rectangular tin, with a hinged lid. The outside is printed in cream and red with the name 'Griffith's Teas' and the word 'SAGO'. The text is set against a cream panel which is bordered with a decorative border of Australian native flora. The whole is set against a dark green background.On each other side of the tin is a different native Australian flower. The lid is impressed with a flannel flower.Printed on the front 'SAGO', also printed on the front and repeated on the top 'USE / GRIFFITHS' Teas / SYDNEY / MELBOURNE. ADELAIDE. BRISBANE'. On the front is the image of a train signal with the words 'SIGNAL / TRADE MARK'tea, james griffiths, canisters, city of moorabbin, cheltenham, melbourne, moorabbin, grocery stores, kitchen equipment

Nipple shields will help some babies attach to the breasts, that are otherwise unable to. They are used occasionally with women who have flat or inverted nipples and their baby is unable to attach to the breast. Shields are made of a fine, silicone material that sits over the areola and nipple. (Source: Mater Mother's Hospital, 'Engorgement and Breast milk Oversupply') This item may have come originally from Arthur Wilson's rooms, as Ronald McKenzie Rome was his assistant and junior partner and took over Arthur Wilson's rooms.A pair of clear round plastic nipple shields, each with a top and bottom which fit together by twisting in a clockwise direction. Each shield has a small hole in the top, and a central opening in the bases. Test imprinted around rim reads 'OPEN [two way arrow] CLOSE"; "Woolwich/BREAST SHIELD/PAT NO 635433"; "Allenburys".breast feeding

James Hobson Aveling (1828-98) invented this type of forceps. They are made from steel with an ebony handle. Obstetrical forceps gripped a baby’s head to help delivery during difficult childbirths. Aveling thought a curved handle rather than a straight one would improve grip and make the forceps easier to insert into the body. However, his idea did not work well and the forceps were not widely used. Aveling also promoted the use of chloroform during childbirth.Forceps, Aveling's, with ebony handles. Stamped "Meyer & Meltzer London & Melbourne"on inner arm.forceps, obstetric

Professor John Ely Burchard was the Dean of Faculty of Humanities and Social Science at MIT. He was on a 3 month visit to Australia in 1951 as a guest of the Commonwealth government to help draw up a program for the The National Library of Australia in Canberra. He was authority on architecture and libraries. Robin Boyd met Professor Burchard at that time. Boyd was appointed the Bemis Visiting Professor at MIST 1956-57. This booklet includes a blurb and photo of Robin Boyd as Bemis Visiting Professor 1956-57, p4.The booklet contains a biography and photograph of Robin Boyd. Three loose articles are included inside.Three article clippings inside: (1) The Shape of An Architecture by John Ely Burchard, from Architectural Record, May 1937. (2) "Get an Honest Bricklayer!" The Scientists Answer to Ruskin" by Albert Bush-Brown, noted as reprinted from the Journal of Aesthetic and Art Criticism, Vol 16 No 3, March 1958. "Highest regards" signed Burchard written on front cover. (3) The City on the Hill by John Ely Burchard, stamp dated March 2nd 1957 from Michigan Alumnus Quarterly with card on front "With the compliments of John E. Burchard".massachusetts institute of technology, john ely burchard, albert bush-brown, bemis, kay fisker, eduardo catalano, marvin e goody, walsh st library

Placemat made with the in 'wrapping' technique taught by Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Placemat made with the 'wrapping' technique developed by Joyce Hucker.crochet, hucker, mrs joyce

Conatiner made with the 'wrapping' technique developed by Hucker. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Toy (container and pig) crocheted by Joyce Hucker.crochet, hucker, mrs joyce

Example of wrapping technique of crochet by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Example of wrapping technique of crochet by Joyce Hucker.crochet, hucker, mrs joyce

Pack Leader Gilian Ackroyd, Pack Helper Elizabeth Watson, Brown Owl Mavis Ackroyd, District Commissioner Margaret Hutton, Mrs Laurene, Captain Laurens Julie Krause, Linda Mason, Joan Folkes, Angela Welsh, Julie Perry, Sheryl Laurens, Helen Presser Susan Hurley, Vicki Hall, Annette Kelleher, Leone White, Freda Ackroyd, Wendy O'Neill, Rhonda Baulch, Debbie Leithead, Helen Kennedy, Susan Wilson, Louise Gaylor B/W photograph of brownies with leaders in front of wooden fence and treeguides

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock wall and groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock wall and groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall, sea wall

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock wall and groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall, sea wall

A photo promoting Legacy Week in 1960. The slogan was 'Help Legacy'. The poster of a Legacy Boy was printed in 1960 with the slogan 'The Legacy Boy, worthy son of a worthy father.' The photo was similar to that printed in The Age on 7 September 1960. The caption of that photo said 'Executive Officers of Legacy, Mrs Judith Saxon, Mrs Edith Upton and Mr Ivan Layton, were busy yesterday preparing badges and tins for the street appeal which will be held on Friday as part of Legacy week.'A record of publicity photos taken in 1960 for promoting Legacy during Legacy week and an early example of the type of collection tins used in the 1960s.Black and white photo of three people with collection tins for Legacy week in 1960.Back side of photo: written by hand, 'Age / 1960'. Posters in the photo have the date as 1960.legacy week, fundraising, ivan layton

Seven coloured photographs of Trieu Duong Tuong: Tuong playing with a pot and drum, a still from the Channel 9 news with Peter Hitchener and Feelix ambassador Sigrid Thornton, Tuong on a swing with an adult, Tuong with a ukele, a close up of Tuong's eyes, Tuong eating and Tuong in Vietname costume walking along St Kilda Road with the aid worker who helped bring him to Australia for the operation to relieve pressure caused by his undiagnosed glaucoma, Kim Thien Truong. Digital Image of framed collage of photographsThis plaque was presented to Vision Australia on October 2, 2011 by Kim's Foundation of Hope Inc. and its supporters for their outstanding dedication in improving the life of Trieu Duong Tuong. Many thanks. Kim's Foundation of Hope Inc. - Vong Tay Nhan Ai.vision australia foundation, children

Members of the Victorian Blind Indoor Bias Bowls Association won 13 medals at the recent championships held in Queensland. Initially beginning as a small self-help group at the Association for the Blind, the group of Ken Gunning, Gloria Pascoe, Bill Muller, Rose Del-ZMonaco, Sally Leighton, Bill Lovett, Athol Blain, Alma Box, Pat Gaze and Frank Bartoli came way with five gold, four silver and four bronze medals. Pictured is Sally Leighton on the green.1 white page with black writing and colour photographnon-fictionneil maxwell, association for the blind, elizabeth maxwell, sally leighton