Captain Maddigan and his family were at Camp 4.Black and white photograph of Captain Maddigan, peak cap, kneeling with his 5 year old daughter standing, straddled across his left leg. Behind is a bushy tree and the Australian flag. 2/3 in the photograph an Army hut, right of picture, with hedge and a man behind Captain Maddigan.madigan, captain, 1944, camp 4 garrison

Rectangular medical chart made from printed and coated paper laid on white fabric (?cotton) and showing a fracture to the right leg. The chart is attached to two wooden batons with masking tape. The top baton is moulded while the lower baton is circular in cross-section. Both batons are stained black. Printed on the RHS front face of the chart at bottom edge are the words 'All rights reserved'. Printed on the LHS front face of the chart at bottom edge are the words 'RUDDIMAN, JOHNSTON & CO., Ltd., LONDON'medical chart, human body

Photo with a brown tinge of the Gold Monument next to the Black Swan Hotel in McCrae Street. Street surface looks like gravel. There are horse drawn vehicles in the picture and on the right side of the photo is a tram with No. 6 painted on the back. Behind the statue is a poppet leg structure and a row of trees around the Hotel.bendigo, streetscape, general street views, john jones collection - gold monument, black swan hotel

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Horst Faas, Bureau Chief at American Associated Press visits the 1st Australian Field Hospital, Vung Tau, South vietnam, to farewell one of his war correspondents Graham McInerny from Adelaide, South Australia. McInerny had been severly wounded in the legs.photograph, 1st australian field hospital, horst faas, american associated press, gibbons collection catalogue, bureau chief, vung tau, graham mcinerny, war correspondents - united states, war correspondents - australia, wounded serviceman, denis gibbons

Photocopied photo of Victoria Hill from Rae's Open Cut. In the background are the Poppet legs of the Central Nell Gwynne Mine. On the left background is the Victoria Quartz Mullock. In the foreground are rocks and trees. Photo courtesy of Robert Wallace Studios, 6 Ruth St, Golden Square. Albert Richardson collection.photo, victoria hill, victoria hill from rae's open cut, central nell gwynne, victoria quartz, robert wallace studios

This gull specimen is a young Herring Gull (Larus argentatus). It is a large gull and one of the most well known of the gulls. This particular species can be found in Northern Europe, Western Europe, Central Europe, Eastern Europe, Scandinavia and the Baltic States. Juvenile and first-winter Herring Gulls are a brown colour with some darker streaks with a bark bill and dark eyes. These colours identifies this particular specimen as a juvenile bird. These birds are commonly seen near the seaside and are omnivores who scavenge from garbage dumps, landfill sites and sewage outflows. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is a juvenile Herring Gull with pale cream and brown coloured plumage. It has a dark bill and dark legs with webbed toes. The eyes are small and are made of glass. They are a pale brown and black colour. The feathers on on the lower back and tail are a darker brown colour compared to the pale plumage on the rest of the bird.Paper Tag: "2yd variega[ted]... Catelogu[e]..." Paper Tag: "Larus argentatus" Metal Tag: "1511"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, gull, pacific gull

VIEW IN TOWNSHIP CLUNES, SOUTH EAST. PERIOD 1865. TAKEN FROM HILLSIDE BELOW CAMP PARADE, VICINITY MR. SWANTON'S HOUSE PHOTOGRAPH OF TOWNSHIP OF CLUNES, SOUTH EAST .1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD. .2 BLACK AND WHITE PRINT .3 SEPIA PHOTO PRINT .4 BLACK AND WHITE PHOTO PRINT .5 BLACK AND WHITE PHOTO PRINT HOUSES SURROUNDED BY PICKET FENCES, POPPET LEGS AND CHIMNEY STACK.VIEW IN TOWNSHIP CLUNES. SOUTH EAST.local history, photography, photographs, clunes township

Sewing machine - Treadle Y2255605 with decorative transfers on body of machine. Metal headplate decorated. Decorative wrought iron treadle. Stained and lacquered wooden base with decorative wooden carving on drawers and side exterior. Decorative wrought iron legs. Machine folds into body of cabinet with a fold over lid.Singer Manufacturing Co.domestic items, sewing, furniture, domestic

Rupert Exon No 408 enlisted in B Troop, C Squadron 9th L.H Regiment A.I.F on 5.10.14. On ANZAC he was hospitalised with Influenza on 15.6.15. WIA 5.9.15 bomb wound to leg and toe. Hospital again on 18.1.16 with problems re his old wound. Medically downgraded he later transferred to A.NZ Div Train, 34th Coy AASC as Driver. He was discharged from the AIF on 10.8.19. Refer 15P, 450. 482.3.Photo sepia tone re R Exon. Rectangular shaped cardboard brown backing with oval photo more towards the top than centre. Soldier standing in uniform with hat in hand. Hand written on the rear. " The Yeoman studios Eaglehawk." On the rear "To Hilda"photographs - photography, 9th lh regiment, military

Sr Rhoda Ransom, born Maryborough Victoria, 29 Dec 1887, worked as a nursing sister with the Methodist Mission in New Guinea from July 1912 until March 1913 when she returned to Australia suffering from malaria and rheumatic problems in her legs. Rhoda lived on the island of Ulu, which was across the channel east of Rabaul. Married George Frederick Cornwell 2nd February 1924. Died 30th May 1968.B & W gloss informal photograph of Mrs Rhoda Cornwell (nee Ransom) seated in a backyard.rhoda cornwell, rhoda ransom, new britain, new guinea, methodist, missionary, george frederick cornwell

Sr Rhoda Ransom, born Maryborough Victoria, 29 Dec 1887, worked as a nursing sister with the Methodist Mission in New Guinea from July 1912 until March 1913 when she returned to Australia suffering from malaria and rheumatic problems in her legs. Rhoda lived on the island of Ulu, which was across the channel east of Rabaul. Married George Frederick Cornwell 2nd February 1924. Died 30th May 1968.B & W copy of studio portrait of Miss Rhoda Ransom.rhoda cornwell, rhoda ransom, new britain, new guinea, methodist, missionary, george frederick cornwell

Common Starlings are a noisy bird that typically inhabit urban and rural areas, especially those with short grass for easy foraging, though can occasionally be found in open forests or along costal areas. They are native to a wide area of Eurasia and the North of Africa, though have been introduced to North America, some nations in South America, Fiji, South Africa, Australia, and New Zealand. They live in large flocks that fly together in strong unison, and have a range of loud calls. Male Common Starlings usually have brown eyes, in contrast to the light coloured eyes of the taxidermy mount. Otherwise, the specimen bears a reasonable resemblance to a typical Common Starlings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Common Starling is covered in black feathers that each have a metallic orange edge. This gives the appearance of small dots across its head and neck, larger dots along its underbelly and back, and lines along the outer feathers of the wings. Its beak is yellow and its eyes are a light blue with a black pupil. The bird is stretched tall with its head turned towards the left and slightly tilted right. The specimen stands on a brown, wooden perch with a circular bar, curved stand, and circular base. The left leg has a metal tag and a swing-tag tied around it and the right leg has two swing-tags tied around it, one of which is torn.Metal Tag: 4256 Swing-Tag 1: Sturnus vulga[illegible]is / male, adult / 25 January 1861 / near Leiden / Swing-Tag 2: Tris grey-brown / Feet black - brown / Bill brown / 4256 / Swing-Tag 3 (torn): ng / e Page 58taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, starling, european starling, common starling, european bird

The Pacific Black Duck is also known as the Grey Duck in New Zealand. Despite these names, the plumage of the bird is brown in colour with the occasional cream and small amount of black. This species of Duck is located in all of Australia with the exception of the most arid zones. They can also be found throughout the Pacific region. The Pacific Black Duck resides in a range of different habitats that have some sort of water. These birds feed on aquatic plants, crustaceans, molluscs and aquatic insects. To catch their food, these birds plunge their heads and necks under the water with their rear raising above the top of the water. This technique is termed "dabbing". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Despite its name, the Black Duck is largely brown in colouring. It has a mixture of light brown and cream plumage on the neck, face and stomach. The wings and rear of the duck are a darker brown. Each brown feather is bordered with a cream colour which separates the feathers from each other. The top of the head is also dark brown and there is a darker stripe of black colour horizontally on either side of the eye. The specimen has two brown and black glass eyes and a black bill. The legs and webbed feet are a dark brown and black colour. Tied around the left leg is a paper identification tag. The number 134 is inscribed on the left side of the wooden platform on which the bird is standing. This specimen is stocky.3a. / Australian Wild Duck / See Catalogue, Page 38. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, duck, pacific black duck, grey duck, australian duck

Document, Bert Graham Collection, Bendigo East Swimming Club, Marlene Turner, 2 x 55 yds. Backstroke, warm up swim. 1 x 880 yds. Backstroke.4 x 55 yds. Fast, kicking only. 2 x 110 yds. Sprint speed. 8 x 25 yds. Sprint, (very hard ). Starts. Turns. 1 x 440 yds. Backstroke, easily.= 2015 yds.Head held back so that you can see your toes over your nose. Legs slightly bent. Do not break the water with the legs, just kind of bubble it. Pull your arms about 6 inches underneath water, no more.bendigo, clubs, bendigo east swimming club

In about 1888 William George Ashman (1871-11/2/1944) began a tailoring business in High Street, Eaglehawk. In 1890 he admitted his brother Arthur Thomas Ashman to the business and they traded as Ashman Brothers. In 1936 the company of Ashman and sons was registered at 265 Hargreaves Street. They specialised in made to measure, hand tailored suits. William married Clara Hunkin (1871-25/11/1944) in 1894. Their sons, John, Eric, Basil and Charles followed into the family business.Woolen fabric trousers, part of Dress Suit. A decorative strip runs down each leg. The waistband can be adjusted on either side by belt/buckle attachments. Trousers fasten with two buttons and there are four buttons at the fly opening at front. There are two deep lined pockets either side and one top pocket at rear on LHS. There is a maker's label stitched to the lining of the Rear pocket which reads "Ashmans, Hargreaves Street, Bendigo 'The Home of Better Suits'". A name written in ink below the maker's label is 'Mr M. Suurpaa, 28-3-1961 7252." Leather strips have been sewn inside edge of each leg cuff for garment protection.men's clothing, formal wear, trousers

This photograph shows one of the aspects of nursing care given by Royal District Nursing Service (RDNS), Sisters who worked in the community. The Sister attending had received instructions for care of this toddler's wound from a Doctor. The Sister is using a dressing tray which was sterilized at the RDNS centre. At the time of this photograph many hospitals provided wound dressings for their patients when they returned home. If not attached to a hospital, the family bought their own dressings, though the Sister carried spare dressings in their cases if needed at the time of their visit. The Trained nurses of the Melbourne District Nursing Society (MDNS), from its inception in 1885, provided wound care to their patients, who ranged in age from the very young to the elderly. As research developed better products and dressing materials the methods and medication applied to wounds changed. MDNS received Royal patronage in 1966 and as Royal District Nursing Service (RDNS), the Education department developed programs, such as Wound Care Programs, to provide their Trained nurses (Sisters)) with methods of best quality care. The Sisters liaised with the patient’s Doctors and hospitals to provide information on the progress of patient’s wounds and to receive any change of wound care from the Doctors. RDNS introduced Wound Care Specialists who carried out assessments and provided advice and support to the District Sisters working in the field. Black and white photograph showing a Royal District Nursing Service (RDNS) Sister, who has sort dark hair and is wearing a short sleeved white gown over her uniform; the sleeves of her grey uniform skivvie are seen. She is sitting side-on with her left hand resting on the right leg of a seated dark curly haired toddler; her right hand is on a bandage which is from ankle to thigh on the left leg of the toddler. The toddler is wearing a T-shirt with a pattern on the front, and is sitting on a floral cover in a room in her home. At the rear of the photograph a floral covered table is seen with an open dressing tray on a sterile drape; a small jar and bottle are seen on the table. rdns, royal district nursing service, mdns, melbourne district nursing society, rdns wound care

Refers to the service of Lt.Col. "Roy Shadforth".1. Red waist jacket, white collars and white cuffs. 38 BN. R.V.R. Badge (Gold) on collars. Epaulettes show gold Lt.Col. badges and gold A.M.F. buttons. It has one interior pocket. 2. Red sleeveless vest. 4 brass (Gold) buttons, AMF motif, lined with a faint light cotton. 2 exterior pockets. 3. Shirt, short sleeved - off white. polyester cotton, 6 clear buttons, one breast pocket. 4. Black bow tie with plastic mount. 5. Trousers, woollen, black. Red pin stripe on outside legs. Lined with same cotton as vest. Straps at bottom of legs to hook up under feet.1. Written inside one arm pit is “Shadforth” 2. Written inside vest is “Shadforth” 5. Written on trouser pocket is “Shadforth”post ww2, cmf, uniform, roy shadforth, passchendaele barracks trust

The spotted quail thrust is a heavily patterned bird native to Australia. It expresses many calls, including a long, very high-pitched "seeeeeep” and a long sequence of doubled whistles, but the main call in inaudible to humans. Due to their heavy camoflague pattern, they are often very difficult to observe. They are often found on the forest floor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The spotted quail thrush is characterised by yellow and brown tones with black spots on the flanks. The females (10056) have a yellow ochre-coloured throat patch. This particular quail has lost its tail feathers. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 43a. / Spotted Ground Thrush / See Catalogue, page 15. /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, spotted quail thrust, quail

The Powerful owl is native to south-eastern and eastern Australia and is the largest owl on the continent. It is found in coastal areas and in the Great Dividing Range rarely more than 200 km (120 mi) inland. An apex predator in its narrow distribution, the Powerful owl is often an opportunist like most predators, but generally hunts arboreal mammals, in particular small to medium-sized marsupials. It is a typically territorial raptorial bird that maintains a large home range and has long intervals between egg-laying and hatching of clutches. Unlike most raptorial birds, male Powerful owls are larger and stronger than females and so the male takes the dominant position in the mating pair, which extends to food distribution. This example of a Powerful Owl show lighter brown coloured feathers and slight discolouration. The Powerful Owl has darker colourings and whiter feathers in real life. This example also show discolouration in the feet and they are brighter yellow in colour in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th centuryThis Powerful Owl has medium brown to dark grey-brown above, with white barring, and off-white front. The glass eyes are yellow, set in a dark grey/brown facial mask. The legs are feathered with yellow feet and talons. The specimen stands upon a wooden platform and has no identification tags attached. Swing-tag: n/a Metal tag: n/a Mount: no markings taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, powerful owl

This handmade women’s combination undergarment features hand-worked lace panels and trim, and fine pintucks. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The design of this combination undergarment, or ‘combination’, includes a chemise attached to a pair of drawers or bloomers. The combination is divided, or bifurcated, from the waist to the crutch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women’s white cotton and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has a front button closure and is trimmed with hand-worked lace panels on the bodice and lace edging around armholes, the neck, and the bottom of the legs. The left and right sides are divided from the waist to the crutch.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, combination undergarment, all-in-one underwear, combination, ‘combinations’, one-piece underwear, one-piece undergarment, chemise and bloomers, combination chemise and bloomers, divided, bifurcated, split, chemise and drawers, women’s underwear, ladies’ underwear, undergarment, women’s clothing, women’s fashion, lingerie, under-structure, 1900s undergarments, 19th-century undergarment, 20th century, handmade clothing, handmade lace, hand-worked lace, paton family, trefnant, yangery, lady's combinations, ladies combinations

Bendigo Advertiser '' The way we were'' from 2002. Straight from the source: Daniel Oswald once manufactured tomato sauce at Oswald's Cordial Factory, in Peg Leg Road Eaglehawk. The business was later taken on by his son Reg and sauce continued to be made there until the late 1950s. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Postcard, Williamson Street, Bendigo, Showing St. Paul's church in centre rear, large chimney in front of it, Tree lined streets including Hargreaves St., Williamson St. Andrews Auction Rooms on the Williamson St corner.Top right is the railway goods shed and in front of that is the Fortuna Hustler's Mine poppet legs.postcard, photograph, bendigo

sepia photograph on fawn board. Studio portrait of young woman standing beside chair. Young woman, long hair, leg of mutton sleeves. Holding book. Written on back of photo: Kate in black ink. Turnbull & Sons, Artistic Photographer, 10 Jamaica St, corner of Argyle Street, Glasgow.Turnbull & sons, Glasgow, Greenock, Kilmarnock and Belfastperson, individual, portrait female

Newspaper article Bendigo Weekly by Jack Perry re chores undertaken by young family members. During early days of mining through to 1935-40. Photo of Mr. Lougsons hydraulic sluice of Myers Flat in the 1930's.. Recovering gold from Peg Leg Gully. Bendigo Advertiser 24.9.99person, individual, jack perry

Metal sweets or fruit bowl standing on four filigree legs, with folding handle, ornate decoration around rim & engraved decoration on base. Donated by Jennifer Armstrong 107 Therese Ave Mt Waverley 3149 and had been in the possession of Louisa Amelia Poole (Weekley) Koroop for approximately 70 years.New Amsterdam Silver Co Quadruple plate 653domestic equipment, table setting, dish

This Commode Chair has been skillfully adapted by a bush carpenter from a kitchen chair - possibly for an invalid at a time when toilets were usually outside and often difficult to reach. The hinged seat is held up by a wire hook (No.8 fencing wire), and the seat can be lifted to remove the commode pot. The cream paint is of the type universally used for kitchen furniture before a more diverse range of paint colours became available.A wooden commode chair converted from a kitchen chair with four round legs and a hinged seat. Underneath is a hole to hold chamber pot or covered commode. The backrest consists of three turned spindles between squared timber that supports a carved rail across top. It is painted with cream paint that is rather worn.chairs, adaptation

Popular from early twentieth century. Based on comic strip illustration by Rose O'Neill that appeared in Ladies Home Journal in 1909. First produced in Ohrdruf, Germany. Made out of bisque, then celluloid , hard plastic versions from 1949. Name derived from "cupid" the Roman god of beauty. The time capsule at 1939 New York World' Fair contained a Kewpie doll. The term "Kewpie doll" is sometimes mistakenly applied to the troll doll. This particular style of doll was awarded as a carnival prize and often collected. Many other articles were made using their images[ Wikipedia, 2012]. Added to the collection as part of a Toys and Games exhibition. Many visitors commented on having owned one when they were growing upA flesh coloured plastic jointed kewpie doll. It has rigid painted eyes, webbed fingers, head,arms and legs jointed to body so can move them, "cowlick" hair on top of head, above ears and nape of neck, back spine and bottom clearly moulded, smiling painted lips

G125.2, G125.3, G125.4, G125.5 4 tier varnished wood communion glasses tray with G125.1 cover. The cover has a small commemorative plaque and a knob at its centre. Each tray has turned wood legs and is made to hold 36 communion glasses giving a total capacity of 144 glasses.'TO THE GLORY OF GOD AND IN LOVING MEMORY OF EVELYN JANE GRAIN. PRESENTED BY HER SISTER ANNA FLORENCE 1934"patterson, marion

Belonged to Margaret Ord. She grew up at 31 Drummond Street, Blackburn, in 1946Porcelain head, hands, & half leg. Doll, shoes & socks painted, also painted face.Cotton stuffed body to knees. Long nylon hair. Dressed in black floral cotton dress, lace trimmed with long sleeves. Matching bonnet & cream calico apron. Probably a copy of a much earlier doll.?theatre (use performing arts), toys, dolls

Silver Plated butter dish with domed swivel lid and handle, heavily embossed with flora & fauna decorations, four splayed legs. Makers mark of a hand holding aloft a flag, Philip A & H Perry (or Philip Ashberry) & Sons Sheffield 288 D E.P.B.M ( electro plated brittania metal ) C1900A&H Perry & Sons Sheffielddomestic equipment, table setting, butter dish