Circular medallion with suspension ring annual pass Named and numberedNo 92 Mr A N A Bowmantransport, railway

Certificate produced in 1973 in the 50th Anniversary year of Melbourne Legacy for presentation to Junior Legatees.Part of the documentation for the 50th Anniversary year exemplifying the activities of Junior Legatees.Cream card Junior Legatee certificate, gold and blue print, black signature in 1973.Signature: Geoffrey N. Handburyjunior legatee, golden jubilee, membership

Recovered from the wreckage on the beach at Apollo Bay after the ss Casino was wrecked on 10th July 1932The Belfast & Koroit Steam Navigation Company flag recovered from the wreckage of the ss Casino at Apollo Bay in 1932B,K,S,N

The bottle came from the laboratory at Foster Valley Mill.sulphuric acid N/50textile mills, valley worsted mill

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1976, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Black and white publication printed on white paper. 36 pages.Front Cover: R / u / y / t / o / n / i / a / n / 7 / 6 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

White ticket from The Social Committee of the Old Girtonians' Association to Miss E. Goetze for a Cabaret Ball to be held at the Girton Hall, on October 12th, 1951. Ticket Secretaries were J. Pettit, S. Matthews, G. Enders, N. Cowling, N. Melrose,H. Guest and B. Tubb.clubs, social, the old girtonians association, document, old girtonians' association cabaret ball ticket, miss e goetze, j. pettit, s. matthews, g. enders, n. cowling, n. melrose, h. guest and b. tubb.

Mr Martell was the director of the School of Mines Ballarat, which is a predecessor of Federation UniversityTwo pages .1 Small handwritten note to Mr Martell from N. Woods .2 Page of handwritten figures mr martell, n. woods, pyrites in battery, pyrite, battery, school of mines ballarat

Document. Paper clipped, ruled sheets containing names and addresses of shareholders. Stamped Nell Gwynne Reef n/L.McColl, Rankin & Stanistreetorganization, business, nell gwynne reef mine, mccoll, rankin & stanistreet, nell gwynne reef n/l, gold mining, list of shareholders

David Loader was Principal of Methodist Ladies' College, Kew, from 1979 to 1999 before becoming Principal of Wesley College Melbourne.B&W gloss waist length photograph of David N. Loader standing by a leadlight window at Methodist Ladies' Collegedavid loader; methodist ladies' college; wesley college melbourne; principal

Clothes mangle [wringer] Wooden metal Turning Handle & rachet 2 tap screws for pressure B/N RollerHardwood rolls No 124 Household clothes Steel Ball Bearings The American Wringer Co New York USA

Made for ex service organisations as a souvenir of service in the Royal Australian Navy.None government issue, blue felt pennant with screen printed naval badge, Kings Crown and letters R A N.

Cpl John E. Colby; Pte Norris J N Browne; Pte. Lewis Leoville; Capt. Charles A. Symonspicture, ww1, army

Small yellow travellers' steam iron. Light 'n' Easy General Electric. Controls on side of iron with water indicator."App. No. 77554 Cat. No. 04/08. Mod. No F200. 240 volts. 700 watts. AC only"

In June, 2001, senior students from Bialik College ran a fundraiser that gathered together 'socks and jocks' to donate to the homeless. Please contact [email protected] for access to this record. Reverse shows developing stamp for 26/06/01fundraising, community, bialik college, jewish school, 2000s

Document. McColl, Rankin & Stanistreet, Central Nell Gwynne N/L. An indenture or lease on the 30/6/39 between King George V1 & the Central Nell Gwynne GMC N/L carrying on operations in the Parish of Sandhurst. No 11009 Bendigo. Entered in the Register book vol 324 fol. 35733McColl, Rankin & Stanistreetorganization, business, central nell gwynne, mccoll, rankin & stanistreet, central nell gwynne gmc, gold mining, indenture, lease

Single person water filter bag used by World War 2 service personnel to obtain clear water when in the field. This filter type is known as a "Millbank Filter". The filter is in the form of a light green canvas bag shaped like a sock and is designed to collect and filter particles and parasites from groundwater, etc. The canvas is of a fine weave which allows the water to filter slowly from inside the bag. The top of the filter bag has brass eyelets set on opposite sides for hanging from a tree or other point during water filtering. On one side of the bag has been stamped in permanent black ink 'CAT No A.F.0005' and 'M&Co.(N) BROAD ARROW 1945'. A cotton label has been sewn near the bag top with a printed six step instruction list for use of the filter bag. Below this is a line marked in permanent black marker to let the user know when to start collecting the water draining from the bag.The bag is imprinted with the following: 'CAT No A.F.005' and has a square box imprint with 'M&Co.(N) ^ 1945'.

N/AJodi Wiley is a local artist who works in acrylic to create detailed images of trees found in urban and suburban environments. “Trees are ordinary features of our everyday landscape. And yet when the light hits them at certain times of the day, the colours and textures that are illuminated can make us gasp in awe if we are truly paying attention". 'Afternoon Light' was highly commended in the 2015 Nillumbik Prize, judged by Melinda Martin, Director of Linden New Art, Melbourne.Detailed, cropped view of a tree trunk, warm earth colours and tonesWhite, hand painted 'J' in bottom right cornerwiley, acrylic, art, painting, trees, landscape