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Ballarat RSL Sub-Branch Inc.
Kit Bag
This object relates to Albury NEAL. He was born on 1/01/1893 in Ballarat, VIC. Albury served in the AIF (1885) enlisting on, 26/02/1916 in Ballarat, VIC before being discharged from duties with the 39 BATTN as a Army Non-Commissioned Private (PTE) on 11/03/1919. His next of kin is Albury NEAL. Gladys Neal was awarded the Australia Service Medal 1939-1946 and War Medal 1939-1945. Albury NEAL was not a prisoner of war.second world war (ww2), 1939 - 1945, eequipment/gear, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Picture - Framed Amiens La Cathedrale
This object relates to John Henry LAVARS. He was born on 1/10/1897 in Ballarat, VIC. John Henry served in the AIF (928) enlisting on, 21/03/1916 in Ballarat, VIC before being discharged from duties with the 8th BATTN as a Army Non-Commissioned Lance Sergeant (L-SGT) on 16/08/1919. John Henry LAVARS was not a prisoner of war. His next of kin is John LAVARS (Father). John Lavars was awarded the British War Medal.Engraved plate - "Souvenir 1914-1918 War Amiens La Cathedrale Sgt J H Lavars No 928"photo/pictures, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Picture - Framed Amiens La Catherale
This object relates to John Henry LAVARS. He was born on 1/10/1897 in Ballarat, VIC. John Henry served in the AIF (928) enlisting on, 21/03/1916 in Ballarat, VIC before being discharged from duties with the 8th BATTN as a Army Non-Commissioned Lance Sergeant (L-SGT) on 16/08/1919. John Henry LAVARS was not a prisoner of war. His next of kin is John LAVARS (Father). John Lavars was awarded the British War Medal.Engraved plate - "Souvenir 1914-1918 Amiens La Cathedrale Sgt J H LAVARS No 928"photo/pictures, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Photograph - Framed Sgt J H LAVARS
This object relates to John Henry LAVARS. He was born on 1/10/1897 in Ballarat, VIC. John Henry served in the AIF (928) enlisting on, 21/03/1916 in Ballarat, VIC before being discharged from duties with the 8th BATTN as a Army Non-Commissioned Lance Sergeant (L-SGT) on 16/08/1919. John Henry LAVARS was not a prisoner of war. His next of kin is John LAVARS (Father). John Lavars was awarded the British War Medal.Engraved Plaque - "'-In Memory' Sgt J H LAVARS 8th Battalion No 928 1914-1948 War Donated by: His Family"photo/pictures, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Photograph - Framed Troopship "Norman"
This object relates to John Henry LAVARS. He was born on 1/10/1897 in Ballarat, VIC. John Henry served in the AIF (928) enlisting on, 21/03/1916 in Ballarat, VIC before being discharged from duties with the 8th BATTN as a Army Non-Commissioned Lance Sergeant (L-SGT) on 16/08/1919. John Henry LAVARS was not a prisoner of war. His next of kin is John LAVARS (Father). John Lavars was awarded the British War Medal.Engraved Plaque "Troop Ship 'Norman' 1914-1918 War In Memory Sgt J H Lavars No 928"photo/pictures, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Photograph - Framed 39 Battn 10 Platoon
This object relates to John Henry LAVARS. He was born on 1/10/1897 in Ballarat, VIC. John Henry served in the AIF (928) enlisting on, 21/03/1916 in Ballarat, VIC before being discharged from duties with the 8th BATTN as a Army Non-Commissioned Lance Sergeant (L-SGT) on 16/08/1919. John Henry LAVARS was not a prisoner of war. His next of kin is John LAVARS (Father). John Lavars was awarded the British War Medal.Engraved Plaque - "Before Embarking to the 1914-1918 War 39th battalion 10th Platoon Sgt J H Lavars No 928"photo/pictures, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
Photograph - 8th Battalion
This object relates to John Henry LAVARS. He was born on 1/10/1897 in Ballarat, VIC. John Henry served in the AIF (928) enlisting on, 21/03/1916 in Ballarat, VIC before being discharged from duties with the 8th BATTN as a Army Non-Commissioned Lance Sergeant (L-SGT) on 16/08/1919. John Henry LAVARS was not a prisoner of war. His next of kin is John LAVARS (Father). John Lavars was awarded the British War Medal.Engraved Plaque - " In Memory of Sgt John Henry Lavars No 928 (Standing on Left) 1914-1918 War Photo 8th Battalion Taken in England"photo/pictures, ballarat rsl, ballarat -
Ambulance Victoria Museum
Monitor Defribulator Electro Cardiograph, model 43120A, Hewlett Pacard, Circa 1981
This Hewlett Packard 43120A monitor defribulator electro cardiograph equipment was trialled around 1981/1982 to Gren Sylvester at the Ambulance Officer Training Centre. Having proved successful, it was introduced to non-MICA (Mobile Intensive Care Ambulance) ambulances in Victoria. It was used successfully for at least 15 years and was noted for its reliability and also for its ability to keep working after being dropped. It was later replaced by lighter equipment. Source Ian Gordon AHSV assistant curator 23 March 2016.Monitor Defribulator Electro Cardiograph. Electrical equipmwntr with screen, paddle and carry handleSOUTHCARE UNIT NO 3monitor defribulator electro cardiograph, ambulance equipment -
8th/13th Victorian Mounted Rifles Regimental Collection
Folder
Every 'B' Vehicle that is non armoured had an AB 416 Logbook. It was kept on the vehicle and was a record of servicing and repairs. Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or AFV Workshops and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth centuryHeavy brown coloured card covers with fabric spine, holding paper sheet ruled for entries of servicing, also instructions for drivers. -
8th/13th Victorian Mounted Rifles Regimental Collection
Medal - Waterloo medal
Waterloo Medal 1815. It was announced in the London Gazette on 23 April 1816 that the Prince Regent had been graciously pleased, in the name and on the behalf of His Majesty, to confer The Waterloo Medal upon every officer, non-commissioned officer and soldier of the British Army (including members of the King's German Legion) who took part in one or more of the following battles: Ligny (16 June 1815), Quatre Bras (16 June 1815) and Waterloo (18 June 1815).White metal medal with red and black ribbon attached.waterloo, british army, 1815 -
Flagstaff Hill Maritime Museum and Village
Functional object - Porcelain Insulators, Mid-twentieth century
White Porcelain “Made in Occupied Japan” electrical insulators. Insulators can be dated from September 1945 to April 1952 during the allied occupation of post WWII Japan. Pin insulators were manufactured specifically for Australian export. Pin insulators are made of non-conductive porcelain and were used to create a barrier between outer wrapped suspended wiring and threaded wood or metal dowel. Pin insulators such these have been found on utility poles around Australia.Porcelain insulators stamped with “Made in Occupied Japan” are often viewed with much interest by collectors given their connection to WWII and short seven year manufacturing time span. Pin insulators such as these are an example of Australia’s continued electronic development which began in the late 19th century. Collection of seven white porcelain insulators made in Occupied Japan. Insulators are cylindrical in shape, with indentation at top. The indentation creates a flat mushroom top head. Insulators display a manufacturer stamp at the bottom of the cylinder. Insulators are single walled and hollow inside with threading at the enclosed top end. flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, insulators, porcelain, electrical insulators, occupied japan -
City of Greater Bendigo - Civic Collection
Memorabilia - Event Program, Bendigo District Manchester Unity Independent Order of Fellows, Bendigo District M.U.I.O.O.F Banquet, 1910
Organisations such as 'Friendly Societies' were set up to protect and care for their members and communities at a time when there was no welfare state or National Health Service. The aim was and still is, to provide help to members and communities when they need it. The friendly societies are non-profit mutual organisations owned by their members. All income is passed back to the members in the form of services and benefits. The Oddfellows are also fundraisers for local and national charities; lodges raise money for local causes, and the society as a whole raise significant amounts for charities. Invitation for Manchester Unity Independent Order of Oddfellows Banquet. Half fold printed in purple ink on cream card. Scalloped edging. Menu listed in centrefold. Toast listed on back cover.Front cover: Bendigo District M.U.I.O.O.F. / A.M.C 1910 / Banquet / in honor of the / Officers and Deputies / town Hall, Bendigo / Wednesday, 15th March, / 8 o'clock p.m. / HIS WORSHIP THE MAYOR OF THE CITY, / COUNCILLOR D. ANDREW, WILL PRESIDE making a nation exhibition, bendigo town hall, councillor david andrew, mayor andrew, city of greater bendigo events, city of greater bendigo community groups -
Ballarat Heritage Services
Photograph, L.J. Gervasoni, Australian Ex-Prisoner of War Memorial, Ballarat, 2014, 04/11/2014
The Trustees of the Australian Ex-Prisoners of War Memorial have defined a Prisoner of War to be a person who was captured by a common enemy and/or interned in a neutral or non-combatant country. To be defined an Australian Prisoner of War, the person needs to be either an Australian Born person serving in the Uniform of an Australian Service; or in the Uniform of a friendly country, or Born Elsewhere and serving in the Uniform of an Australian Service. A Prisoner is a person who has lost personal privileges, suffers deprivation of liberty or is unable to return home or dies in captivity.Colour photograph of a War Memorial designed by Peter Blizzard. The granite wall of the Australian Ex-Prisoners of War Memorial features a listing the names of Australian Prisoners and was opened on the 6th February 2004 by General Peter Cosgrove AM MC to recognise and remember over 36,000 Australians who became Prisoners of War during the Wars of the 20th Century. In 2008 the Memorial became the First Military Memorial of National Significance outside Canberra. The Memorial which was designed by Peter Blizzard OAM, symbolises that all Australian prisoners embarked on a journey to serve away from their homeland and acknowledges the hardship, deprivation, brutality, starvation and disease endured by Prisoners of War during their capture and the scars that many continued to endure upon their repatriation to Australia. Heritage Victoria describes the memorial in the following way" "A JOURNEY OF HONOUR, REMEMBRANCE AND HEALING - The Australian Ex-Prisoners of War Memorial is a dramatic and highly symbolic tribute to the sacrifice made by more than 35,000 young Australian service men and women in four theatres of war. At the heart of the monument is a stark, 130 metre long, highly polished black granite wall, engraved with the names of all Australian prisoners of war. The names on this 'honour roll' are listed in historical order from the Boer War in 1899, through to the Korean War in 1953. It is a testament to the contribution made by so many. Standing sentinel at the centre of the Memorial are six huge basalt obelisks, etched with the names of all the countries where Australians were held prisoner of war. The obelisks stand in a large reflective pool, set back from the central pathway, symbolising the distance that separated Australia's prisoners of war from their homes and their loved ones. Opposite the pool is a larger obelisk flanked by flagpoles and a ceremonial stone on which to lay wreaths. The central pathway is itself symbolic, with each of the paving stones cut in the shape of a railway sleeper. The pathway defines 'the journey' taken by the prisoners of war and the journey visitors take around the monument. At the end of the granite wall where the pathway ends, visitors face a large stone engraved simply 'Lest We Forget'. Water flows from beneath the stone, along the base of the granite wall and into the reflection pool in which the obelisks stand. This cycle of flowing water, symbolising spirituality, healing, cleansing, birth and rebirth, guides visitors on their journey through the Memorial." ballarat, ballarat botanical gardens, peter blizzard, ballarat north gardens, war memorial, prisoner of war, prisoners of war -
Glen Eira Historical Society
Document - Springthorpe Gardens
This file contains two items. Three photocopied images and an extract from Andrew Ward’s 1994 Caulfield Conservation Study about the former Old Melbourne Hospital gates which now stand in Springthorpe Reserve, Neerim Road, Murrumbeena, dated July 1995. Two original black and white photographs, produced by Hermes Studios, and one black and white non-original photograph copy of one of the original black and white photographs, depicting Springthorpe Gardens and Springthorpe gates, date unknown.springthorpe, springthorpe reserve, melbourne hospital, springthorpe j.w. dr., joyous garge, murrumbeena, springthorpe mrs., caulfield city council, caulfield, official buildings, municipal chambers, municipal offices, town halls, local government, arthur street, tuckett street, tyers s.w. cr., old melbourne hospital, gates, architectural features, gothic revival style, springthorpe dr., neerim road, architectural styles, victorian style, gardens, reserves, parks, springthorpe gardens, ward andrew, caulfield conservation study, city of caulfield, hermes studios, carnegie -
Kiewa Valley Historical Society
Slate - School, early 1900
Historically this school writing slate pre-dates paper and electronic writing pads. This was used for non permanent written communication within or outside the classroom. It use was mainly as a quick temporary method and could be easily erased by cloth or fingers. As it could be used repeatedly without additional cost and was therefore a very cheap method of teaching and learning outdoors as well as indoors. This was especially relevant to country schools and outdoor excursions. It was fairly robust but could shatter if allowed to fall on the ground.This item evolved from a form of communication, that of primitive engravings on stone. This tablet was a refined writing/drawing pad that did not require any electronic/battery power input. This writing slate was so useful in an era where relative isolation (Kiewa Valley Schools) from electronic and cheap writing pads was the reality and the norm. This was a time when the hand writing and hand drawing was a basic form of non spoken communication. Students used this slate pad to reinforce their skills which would come in handy when they needed to produce temporary notices on slate information boards, e.g. rail/bus-time/route alterations.Writing slate used for Primary School classes. Wooden frame. Has hole in frame and string threaded through to allow it to be hung on a hook or nail.slate pads, chalk boards, school learning utensils -
Flagstaff Hill Maritime Museum and Village
Book - Novel, H Rider Haggard, author, Heart of The World, 1894
H. Rider Haggard (1856-1925) (Sir H. Rider Haggard), a British author, wrote fiction and non-fiction works and had letters and articles published in newspapers and journals. His novel, Heart of the World, was an adventure set in Mexico. This book is part of the Pattison Collection at Flagstaff Hill. The book was published in 1895 by the British firm George G Harrap & Co. Ltd. of London, a firm that specialised in high-quality publishing with many of the books containing fine line drawings.The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.Heart of The World Author: H Rider Haggard (Sir H. Rider Haggard) Publisher: George G Harrap & Co. Ltd. Date: 1894 The red hardcover book has gold embossed lettering on the spine and cover. The Fly page has a logo of flying horse, it also has inscriptions on a label and stickers. This book is part of the Pattison Collection.Label "PAT FIC HAG" Sticker: "Warrnambool Public Library" covered by a sticker "Corangamite Regional Library Service" Inscription: "1300" Logo: [Flying horse or winged horse]flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, george g. harrap and company, h rider haggard, 1985 novel, sir h. rider haggard, heart of the world, fiction, adventure, 1894, flying horse logo, winged horse logo -
Melbourne Tram Museum
Newspaper - Newspaper clipping, The Age Newspaper, Domain Road trams may be gone for good, 26-03-2023
Article written by the Age transport Reporter, Patrick Hatch. Discusses the possible non-return of trams to Domain Road following the opening of the new tram interchange at ANZAC station. Tram route 8 from Coburg to Toorak was axed when Domain Road closed to St Kilda Road in 2017, and it was combined with route 55 to create a new 58 route. which travels 400 metres further south along St Kilda Road and tuns eastward along Toorak Road.Newspaper clipping from the Age titled: "Domain trams may be gone for good"tramways, trams, route 8, route 58 -
Flagstaff Hill Maritime Museum and Village
Book - Novel, H Rider Haggard, author, Queen of The Dawn, 1925
H. Rider Haggard (1856-1925), a British author, wrote fiction and non-fiction works and had letters and articles published in newspapers and journals. His novel 'Queen of the Dawn' was published in 1935. Thenovel's cover and Fly page display hieroglyphics, which suggest that this story was set in Egypt. The book is part of Flagstaff Hill's Pattison Collection. The book was published by the British firm Hutchinson & Co. operated for almost 100 years 1887-1985, before it underwent several mergers. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.Queen of The Dawn: A love tale of old Egypt Author: H Rider Haggard Publisher: Hutchinson & Co 1st Published in 1925 Green hardcover book with hieroglyphics on the cover, inscriptions on the label and stamps. Part of the Pattison Collection. Label text: "PAT FIC HAG" Stamp, red ink: "W'bool Public Library" Sticker: "Corangamite Regional Library Service" Handwritten: "1298" Hieroglyphics, two, with translations: "Beautiful ascendress of pyramids" and "Great mistress of the dawn"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, h. rider haggard, 1925, hutchinson & co., queen of the dawn -
Bendigo Historical Society Inc.
Magazine - Bendigo Teacher's College. Magazine
Bendigo Teacher's College, along with the Ballarat Teacher's College were the first non-metropolitan teacher colleges. The Bendigo College was established in 1926 and operated out of the Long Gully Primary School. DUring the depression, from 1930 to 1945 the college closed because of the economic climate. The college reopened in 1945 in temporary accommodation adjacent to the Camp Hill Primary School. In 1959 the college moved into purpose built premises in Osbourne St., Flora Hill where it remained until closing in 1973."Pheonix Celebrites for 1956". Photographs of teachers attending the Bendigo Teacher's College in 1956, some loose photographs. Blue light card cover showing some foxing, pages stapled. Fifteen photographs of teacher's groups attending the B.T.C. in 1956photographs of student teachers, list of attendee student teachers at b.t.c. in 1956 -
Kiewa Valley Historical Society
Rake - Tea Tree, mid to late 1900's
This "homemade rake" is constructed from a branch of a tea tree. This item demonstrates that in the mid to late 1800's the isolation of the Kiewa Valley was more pronounced than during the early 1900's. The availability of gardening implements to the residences within the Kiewa Valley was scarce to non existence. with the upgrading of roads into the valley and the boost to the Valley's population (S.E.C. Kiewa Valley Hydro Electricity Scheme) transport into the valley, firstly via commercial Hawkers in their mobile caravans and later by commercial trucks. This "home made" rake is very significant because it highlights the ingenuity of local farmers and graziers in overcoming the semi isolation of the Kiewa Valley and its regions from the commercial availability of gardening implements enjoyed by gardeners in the towns and cities of the 1800's and the early 1900's. This "home made" garden rake highlights the ingenuity of the "Australian" character per se. A slice of this ingenuity can be seen by the amount of inventions, per capita, produced within Australia throughout its history.Handle is a long, stripped branch of tea tree. The head of the rake is a 2.3 cm. wide piece of wood, compressed between two 0.5 cm. pieces of metal joined with bolts, nuts and rivets. The holes drilled into the wood hold metal tines 10.5 cms. high. There should be 16 tines but 4 are missing. This type of rake is/ was used in dairiestimber, dairy, farm, rural, implement -
Flagstaff Hill Maritime Museum and Village
Ceramic - Stoneware Container, 1900 to 1940
Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s. Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Stoneware circular container with wide opening, brown top and off white base. Handholds moulded on each side glazed finish, cracks in base.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, container, stoneware container, kitchen storage, kitchen ware -
Flagstaff Hill Maritime Museum and Village
Ceramic - Stoneware Bottle, 1890-1940
Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s.Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Brown salt glaze stoneware bottle None (possibly made by Royal Doulton UK)flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, bottle, stoneware bottle, storage, kitchen ware, salt glazed, stoneware, shipwreck coast -
Flagstaff Hill Maritime Museum and Village
Ceramic - Jug, 1900 - 1940
Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s.Item's significance and origin of manufacture is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past. Stoneware jug badly cracked and repaired with handle and short neckNoneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jug, stoneware jug, earthenware jug, kitchen storage -
Flagstaff Hill Maritime Museum and Village
Ceramic - Jug, 1920-1940
Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthenwares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s. Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Brown Stoneware jug with short neckThe number "1" under neck flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jug, stoneware jug, salt glaze -
Flagstaff Hill Maritime Museum and Village
Ceramic - Stoneware Container, 1900 to 1940
Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthen wares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s. Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Stoneware circular container with wide opening, brown top and off white base glazed finish Marked "1" on brown glazed rimflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, container, stoneware container, kitchen storage, kitchen ware -
Frankston RSL Sub Branch
Helmet, Steel M1917
An example of the World War 1 standard USA Army battle helmet issued to infantry troops. This version was known as the M1917 Helmet and is based on the British Brodie helmet with minor modifications. This steel helmet is painted matte khaki, with sawdust added to the exterior finish to provide a non-reflective surface. The brim, which is fitted with an outer steel rim, varies in width from 32 mm at the front to 35 mm at the sides and rear. The helmet inner liner is incomplete. A buff coloured webbing chinstrap, which is attached to the liner frame on each side has an adjustable sliding clip.nilww1, brodie helmet, usa -
Ballarat Tramway Museum
Photograph - Black and White photograph/s - mounted, Richards & Co Ballarat, c1915
Mounted black and white photograph of 34 uniformed ESCo Ballarat employees and nine non-uniformed employees / officers in a room. Date on rear of photo mounting is 1915. See also Reg. Item 708 and Negative N13. Image 1 of the photograph and part of the mounting. Print 185H x 250W. Mounting is cardboard with a depressed photo mount area. Cardboard has a light manila colour finish. On the bottom left hand side is the photographers name "Richards & Co., 23 Sturt St Ballarat". Image 2 - mounting and photograph showing general condition of the mounting.On rear of the mounting in pencil "1915" .trams, tramways, esco, employees, group photo -
Ballarat Tramway Museum
Slide - 35mm slide/s, Dave Macartney, Dec. 1968
White cardboard mount, 35mm slide, from the Association of Railway Enthusiast's film strip titled "Provincial Tramway Film Strip" of Bendigo scrubber tram on the depot fan, Bendigo with the SEC workshops in the background. The film strip notes (Reg. Item 2560), provided the following caption details: "Ballarat and Bendigo each had a single scrubber car on their non passenger roster. Here the Bendigo car stands outside the depot fan one morning to head out onto the "NORTH BENDIGO" line. - Dec. '68 (Dave Macartney) See image btm2588p.tif for high level scan of image. Stamped on base of slide "11797" and written in ink on top edge "Bendigo Scrubber Depot"tramways, trams, are, film strip, scrubber tram, depot, scrubber -
Ballarat Tramway Museum
Pamphlet, The Forest City Electric Co. Limited England, "Automatic Tramway and Crossing Signals", c1948
Yields information about the types of tramway signals available for use on tramways systems. The type BY was used by the SEC in Ballarat and Bendigo.Four page Pamphlet or Brochure Forest City ATS1, printed brochure with illustrations "Automatic Tramway and Crossing Signals" – four types noted. Four types: 1. Tramway type "C: Car counting signal, up to 10 cars 2. Tramway type "BY" - non car counting signals 3. Level crossing signal operated by approaching cars 4. Turning Warning signals with notes on rear page of the set up for automatic control signals for rail crossings on roads, docks etc. Date stamped by SEC 20/9/1949 on front cover.Has “218” in biro in bottom left hand corner.trams, tramways, forest city signals, level crossings, signals -
Melbourne Tram Museum
Newsletter, "Public Transport Worker", Dec. 1986
Newsletter, A5 centre stapled, 16 pages, December 1986 produced by Rank and File workers, non union Executive, workers to note concerns that they considered the union executive was not following, titled "Public Transport Worker" Notes a big vote (41% for rank and file workers) at recent union election, East Keilor needs trams - includes a map, the hump (Preston), Chapel Street tram services, Domain Interchange, La Trobe St services, management issues, issues with the Union, Kew Depot. See also Reg item 1395 and 2963 for other similar documents.trams, tramways, unions, light rail, new tramway, keilor, the hump, chapel st, la trobe st, domain interchange