Full costume traditionally worn by ladies in country towns of Greece. Recently worn in parades, Greek dances and theatrical performancesHistorical significance for the purposes it was used by Thessaloniki Association in AustraliaBlack and navy blue velvet and silver embroidery panels, button up at the front costume. Part "A" of a four piece costume. Three in possession of Thessaloniki AssociationΠΑΙΔΙΚΗ ΧΑΡΑlady's costume, jacket, greek, βλαχοπούλα, στολή

This photograph demonstrates how churches involved themselves in all aspects of people's lives. The young people in the photograph are dressed for a performance.Black and white mounted photograph of a musical group, with instruments, in the vicarage of Christ Church, Anglican Church, Mitcham. The tallest young man in the back is Alwyn Till. The photograph is mounted.christ church, anglican church, mitcham, till, alwyn

Programme for local Amateur Dramatic club performance in Parish Hall, Linton. Proceeds went to the Red Cross Linton branch.White folded paper, title "The Rector's Adventure . . ." on front, with drawing of the sun with a face. Cast of characters and names of actors inside.Text, front: " PROGRAMME / THE RECTOR'S / ADVENTURE / An entertaining three - / act Comedy produced / by Linton Dramatic Club. " Note handwritten across top inside fold: "During world war 2 about 1942 in aid of Red Cross Linton".linton dramatic club, miss d.smith, clem o'beirne, miss k. nichol, jack collins, miss k. cunningham, h.p. bennett, h. kennedy, l.g. sprake, mr j. megee, miss j. collins

2013 Concept pilot used for media release of VE sedans. Engine is a High performance V6 . ( No V8 available in this model)Built by GMH in Elizabeth (South Australia) as promotional pre release vehicle4 Door sedan .Nitrate (Silver - Grey) Side indicators mounted on vents on front quarter panel. Day running lights together with fog lights lower front bumper. Alloy wheels, pronounced chrome grilleRound Holden emblem both centre grill and boot lid, Calais on LHS Boot lidholden, ve concept, calais

A background article on the history of Cradle Valley Carol, a carol based on the Diamond Valley. Includes information on other DVCS performances.2 pages typed.diamond valley choral society, christmas music, diamond valley, carols, val lennie

Feed back Article to Newspaper July 2nd, 1948 dispelling accusations of people being late comers to the concert held the night before commencing at 8pm. Bendigo residents had not been informed that the concert was going to be broadcast and that the usual minutes grace period prior to the performance was not being observed.bendigo, tourism, theatre performances music

Merle Hall Collection - Bendigo Performance of The Royal Commission into the Australian Economy. 1991. with Gerry Connolly, Magda Szubanski, Marg Downey, Tracy Harvey, Craig Ashley, Sue Ingleton. Media release; Memo; B&W photo of Gerry Connolly; B&W photo of Tracy Harvey.

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for performances in August 1957 of three plays - Sad About Europe by Philip Johnson, Fumed Oak by Noel Coward, The Rose and Crown by J.B. Priestley - in the Kew Recreation Hall. The 4-page programme includes cast lists, and advertisements for local businesses.sad about europe, philip johnson, fumed oak, noel coward, the rose and crown, j.b. priestley, kew repertory players, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.One of five small black and white photographs of members of the cast in The "Q" Theatre Guild's production of Blossom Time in 1957. The were presumably promotional photographs as they are shot in the Royal Botanical Gardens in Melbourne. A newspaper report in the Age on 27 October noted that the performance was held in the Kew Recreation Hall. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.One of five small black and white photographs of members of the cast in The "Q" Theatre Guild's production of Blossom Time in 1957. The were presumably promotional photographs as they are shot in the Royal Botanical Gardens in Melbourne. A newspaper report in the Age on 27 October noted that the performance was held in the Kew Recreation Hall. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.One of five small black and white photographs of members of the cast in The "Q" Theatre Guild's production of Blossom Time in 1957. The were presumably promotional photographs as they are shot in the Royal Botanical Gardens in Melbourne. A newspaper report in the Age on 27 October noted that the performance was held in the Kew Recreation Hall. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.One of five small black and white photographs of members of the cast in The "Q" Theatre Guild's production of Blossom Time in 1957. The were presumably promotional photographs as they are shot in the Royal Botanical Gardens in Melbourne. A newspaper report in the Age on 27 October noted that the performance was held in the Kew Recreation Hall. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.One of five small black and white photographs of members of the cast in The "Q" Theatre Guild's production of Blossom Time in 1957. The were presumably promotional photographs as they are shot in the Royal Botanical Gardens in Melbourne. A newspaper report in the Age on 27 October noted that the performance was held in the Kew Recreation Hall. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

Glenn Spencer kept every MBMF Programme. The third Music 'Muster' was held in 2002. The Music Muster Programs are from 2002 to 2006. It was called The Music Festival from 2003 to 2016. It consisted of invited artists to perform over the April Anzac Day long weekend. There were several venues each offering entertainment from 9 am to midnight with slight variations over the years. The Music Festival went into recession after 2016 due to the inability to form a committee especially after the heavy rain and lack of venues that occurred in 2016.The Music Festivals were held annually in Mt Beauty and Tawonga from 2000. It involved a committee, sponsors, volunteers, artists and audience. It benefitted the community with an influx of visitors who helped the economy and also 'spread the word' thus making each Music Festival better than the last. Organising the event became more difficult and like many other music festivals in Victoria, the event went into recession. Booklets - Each A5 booklet has a title, date, price and different coloured cover. Each has 40 black and white pages and includes the names of the artists and a blurb on each of them. In the centre there is a program including venues, artists and times for their performance on each of the three days that the festival runs.mt beauty music festival, entertainment, mt beauty music muster

By 2000 the School’s confidence in staging theatrical productions had grown to the point where it could confidently stage Les Misérables at the Athenaeum Theatre. The production involved a cast and crew of over 140 current students, staff and Old Michaelians and almost sold out eight performances. 2001: St Michael’s becomes the first School to stage a production in Melbourne’s Athenaeum Theatre with the performance of Les Misérables

A recording of Cradle Valley Carol, a carol based on the Diamond Valley. This performance by the Diamond Valley Choral Society was recorded in December 1989.1 audio cassette in clear plastic caseHandwritten on cassette: "Cradle Valley Carol. Robson/Lennie. DVCS Rec Dec 1989".diamond valley choral society, christmas music, diamond valley, carols, val lennie

A recording of a Winter concert performance by the Diamond Valley Choral Society. Performed on 21/07/1985, at St John's Church Heidelberg.1 audio cassette, 6 printed programs and advertising flyerHandwritten on insert: "Winter concert 21.7.85. DVCS and Eltham"diamond valley choral society, concerts, st john's church of england heidelberg

A recording of Shire of Diamond Valley Carols, December 1991. This performance is by the Diamond Valley Choral Society. Includes minutes of review meeting.1 audio cassette in clear plastic case, program and minutes.Handwritten on cassette: "Carols master 1991 + 1993".christmas music, carols, shire of diamond valley, diamond valley choral society

Musical performance by University of Ballarat Arts Academy students, 2007. It was to held in Her Majesty's Theatre, Ballarat over eight nights. Red poster advertising the show "Anything Goes" Image of sailor and girl within a life buoyDates of production and venue. Sponsors Director, staging, etc

Students on stage dressed as Maccabees for a Chanukah performance, Shakespeare Grove, 1960s. Please contact [email protected] to request access to this record.judaism, celebration, visual and performing arts, drama, 1960s

A puppet performance performed on a stage behind the main school building, Shakespeare Grove, 1960s. Students are dressed in costume, possibly for Purim.shakespeare grove, celebration, visual and performing arts, purim, drama, music, festival

Letter from Deutsche Oper Berlin to Mr Hemmings, being happy to welcome Mrs Davies to Berlin and help with tickets to performances.Foolscap photocopy, discoloured, one page

The Kew Recreation Hall was opened in 1880. For eighty years it was a major venue for concerts, performances, dances and civic events. It was demolished in 1960.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Front view, from Wellington Street, of the former Kew Recreation Hall. The 1880 weatherboard building has a long covered entrance leading to the gabled facade. A smaller gabled room protrudes from one side of the facade. At this stage, the decorative features: gables, brackets, finials, etc were still preserved. The triple window would have been a major source of light for the interior. It appears to have an upper balcony in front of the window. Annotation verso: "28. Kew Recreation Hall prior to demolition. Built about 1880."dorothy rogers, kew recreation hall, buildings -- wellington street (kew)

The Kew Recreation Hall was opened in 1880. For eighty years it was a major venue for concerts, performances, dances and civic events. It was demolished in 1960.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Oblique view, from Wellington Street, of the former Kew Recreation Hall. The 1880 weatherboard building has a long covered entrance leading to the gabled facade. A smaller gabled room protrudes from one side of the facade. At this stage, the decorative features: gables, brackets, finials, etc were still preserved. The triple window would have been a major source of light for the interior. It appears to have an upper balcony in front of the window. Annotation verso: "Kew Recreation Hall. Built ca. 1880 (Photo prior to demolition in 1960".dorothy rogers, kew recreation hall, buildings -- wellington street (kew)

Santa and his helpers, including Humphrey B Bear, share the stage with the orchestra and choir during the 1983 Carols by Candlelight performance.B/W photograph of RVIB Carols by Candlelight stage and performerscarols by candlelight, humphrey b bear

The Kew Recreation Hall was opened in 1880. For eighty years it was a major venue for concerts, performances, dances and civic events. It was demolished in 1960.This is an historically and culturally significant municipal photograph from Kew dating from 1906. The photograph has architectural significance as it is the only known, authenticated photograph of the interior of the Recreation Hall in Wellington Street before it was renovated. The Recreation Hall was of statewide significance as a centre of social activity in Kew from 1880-1960. The Mayor (Cr T.G. Jellis) and the Mayoress in the audience at a mayoral concert in the Kew Recreation Hall in Wellington Street. [Inscription on mount] "Mayoral Concert, Recreation Hall, Kew, 31st July 1906. Cr. T. G. Jellis Mayor." [Plaque] "Presented by Mayor T.G. Jellis, Mayor 1905-6"cr. t.g. jellis, mayors of kew, kew recreation hall (interior)