Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Montrose Cottage was build c1856 by John Alexander, builder. He was a Scottish stone mason. It was built with bluestone and hand-made bricks. It is on the Historic Buildings Register, National Trust (Victoria). It is important as a substantial and very early stone cottage. The house is now open to the public. It also provides short term accommodation - self contained apartments. Card produced for Christmas. It has a brief history of the Cottage inside.Thick textured paper, folded. Mustard section with black print. Black and white drawing of cottage."Best Wishes for Christmas and the New Year"zilles printers, ballarat, christmas card, montrose cottage

Martin KING (1957 - ) Born Melbourne This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print Editioned lls '2/36' Signed lrs 'King'artist, artwork, printmaking, parallel prints, martin king

colored printed map on paper lined onto linen backingprinted "Rider & Mercer's Plan of the Ballarat & Sebastapol Gold Mines Scale 30 Chains to One Inch"gold mines, mine allotment map, mining leases, ballarat, sebastopol, rider and mercer, golden shaft co, prince of wales and bonshaw united, leviathan gold mines, holst and co, speedwell co, sebastopol plateau, rothschild co, tower hill co, south plateau, south star co, band of hop and albion consols, prince regent co, chenhall and co, despza, buninyong estate, one eye hully, winter's freehold, luplau plateau, e. morey, carrill's quartz

A small manual with red cloth board cover and black printnon-fictionThis is a manual issued by the Victorian Railways to all Diesel Locomotive drivers. Every driver was required to be conversant with and follow the instructions. The book had to be carried by the driver when on duty and to be produced on request. Diesel locomotives were introduced into Victoria from 1955 onwards.railways victoria, railways victoria handbooks and manuals, diesel locomotives

Item in the collection re Regt Sgt Major Edgar Frederick Dawson DCM, No 4472 57th Batt AIF. Refer Cat No 893, for his service history.Certificate from the Kangaroo Flat District Soldiers Memorial and Welcome Home League, presented to R.S.M E.F Dawson D.C.M Certificate: Black and dark brown print, background illustrated in colour with blue, red and white flags (Australian & British), and native flora. Frame: timber, mid brown stain with gold painted inner edge, decorative edge - glass front.Black printdocuments - certificates, name accessories, civic momentoes - presentation

Eight pages printed on both sides, edges bound with varying colours of bias binding. Each page has coloured drawings of various animals e.g. sheep and lambs, little pussy, the cow, nanny goat, ducks, fat pig, pussy's wash day and others. Some pages are stained due to age. Pages attached at spine with straight machine sewing.Printed in Japan

Framed PrintRAAF Association Gippsland Branch. / Appenine Attack April 1945 by John Mutsaers. / Pilot Alan Murray Graham (Aust). / Limited edition Print 83/400 signed by Artist.

MEDIUM: Inkjet print of original drawing (scale 1:1), archival inks.

Time-Life Books insert of typical Sloop style boatsColoured print of a typical Sloop by Time-Life Books- un-named boatRefer Notes section for detailstypical sloop drawing

The pennant was part of the collection owned by Helen Veitch when she was a student at the Ballarat Teachers' College in 1948. The Ballarat Teachers' College was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry of the School Tent: A History of State Education in Ballarat", 1974, p73-4.)lBlue wool felt pennant with a yellow felt edge with 2 loops stitched to the side edge. The pennant is printed in yellow with the words 'Ballarat Teachers' College' and Coat of Arms.Printed - Ballarat Teachers' College & Coat of Armsballarat teachers' college, pennant, helen veitch

Thirty four page knitting pattern book featuring black and cream printed graphics and text. The colour cover shows a woman wearing a red knitted top and cardigan.front: [printed] Knitwear Classics / By / Evelyn Bellamyknitting, pattern, fashion, knitwear, evelyn bellamy

Paper relief printSigned and dated lower right beneath composition "J. Taylor 1973" Edition and title inscribed in lower left below print, 2/25 "Negative Yellow"

Black and white print of W2 220 parked on the depot access tracks at North Fitzroy depot. It has the destination of East Preston Bell St. The tram has adverts for Black and White scotch whiskey and road safety messages re stop and give way signs. In the background is the sub-station at this location. It was unusual to see a W2 class at this location. Has a print date of 8/1975 on the rear.Yields information about W2 220, the second W class tram built.Black and White photographs - printed on plain paper with photographers stamp and notes on rear.Has stamp of David Menzies on rear. and in ink details of photo.tramways, trams, mmtb, w2 class, tram 220, north fitzroy depot

Colour print of "Heatherlie" House at 20 Seaby St.Colour Print of "Heatherlie" House 20 Seaby St Stawell. Image showing the front of house, garden, fence and surrounding trees.stawell building

Colour print of Weston Bate speaking at the launch of Ballarat horse tram No. 1 following its reconstruction by the Museum. Alongside in uniform is the BTPS President, Richard Gilbert. Tram 33 is in the background. Photo by Warren Doubleday on 7-11-1992. See also item 4086 for the actual launch photo.Yields information about the launch and the first operation of the horse tram in Wendouree Parade by the BTPS and has a strong association with those involved.Colour print with plain back.tramways, horse tram, tram 1, launch, btps, tramcars, reconstruction

Colour print showing L class 104 on the depot fan at the time of a tour to celebrate 80 years of the Prahran and Malvern Tramways Trust. Has a "Malvern Depot Celebrating 80 years 1910-1990", auxilary board, a destination of "Prahran" and a run number in the driver's window "M80". Photographer unknown.Yields information about a celebration of the 80th anniversary of the commencement of operations by the PMTT.Colour print on plain paper."Page 18" in ink on rear.pmtt, tram 104, l class, trams, tramways, tours

This is a collection of articles that have been printed in the Hawthorn Historical Society newsletters. Purchased in memory of Sue Slonek. illus., portraits. 82p This is a collection of articles that have been printed in the Hawthorn Historical Society newsletters.glenferrie, hawthorn, coffee palaces, (mr) john wilton collings, clothing and dress, eight hour day, ruth dwyer, (mr) james palmer

This print of Christ is slightly smaller than the original 1927 oil painting by Herbert Beecroft, which is titled “Christ” and measures, in centimetres, 60 high by 50 wide. The original is displayed at John Wesley’s House & The Museum of Methodism in Islington, England. The title of the print is taken from the Holy Bible, from the New Testament book of Luke, chapter 22 verse 61, which is a famous Christian account of Jesus being betrayed by Peter, which leads to Jesus’ crucifixion; “And the Lord turned, and looked upon Peter. And Peter remembered the word of the Lord, how he had said unto him, Before the cock crow, thou shalt deny me thrice.”. The print was published in 1942 by the National Sunday School Union in England, now known as the National Christian Education Council. The NSSU was established in Britain in 1803 to promote Sunday Schools in Britain and overseas. The organisation produced many publications including training manuals and materials for Sunday School teachers. Herbert Beecroft 1864-1951, also known as Lawrence Herbert Beecroft, was an early 20th-century artist. He and his wife emigrated from England to Sydney, Australia, in 1905. He worked as a painter, illustrator, miniaturist ‘lightning cartoonist’, and lecturer. From 1927 Beecroft painted a series of portraits of Jesus Christ, prints of which made many worldwide sales. He entered a miniature portrait in the 1921 inaugural Archibald Prize competition. It was one of forty-one entries but the title was unknown. It is highly probable that it was JF Archibald, the person who endowed the prize, first awarded in 1921. This print of Christ, originally painted by Herbert Beecroft, represents the social movement in the early 20th century to educate all children in good morals and Christianity.A religious portrait of the artist’s impression of Jesus. The print is in a gilt timber frame behind glass. The frame has eyelets and wire for hanging. The backing paper lifts to reveal a handwritten pencil inscription. The portrait shows a male figure from the waist up facing the viewer but turned slightly to his right. He has long wavy blond hair, a moustache and a beard. He wears a blue-grey robe over a collarless white shirt. The background is red-brown. It is the artist’s impression of Jesus. The whole frame-mat has script text above and below the print, giving its title, and details of the publisher and producer. This print was produced from an original 1927 oil painting by Herbert Beecroft. It was published in 1942 by The National Sunday School Union in London and produced by Frost & Reed Ltd. England. Handwritten script on the mat; “Published in 1942 by the National Sunday School Union, 4 Black Friars Lane, London, EC4. Produced by Frost & Reed Ltd., Bristol & London. Printed in England. Copyright.” and, “The Lord turned and looked upon Peter … and Peter remembered” Signature on bottom left “Herbert Beecroft” In pencil on backboard under back paper “H 89 / 12”. Pen on white tape “155”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, print, religious, vintage, 1942, herbert beecroft, lawrence herbert beecroft, archibald prize winner, early 20th-century, artist, oil painting, luke 22:61

A brochure produced in 1978 by the Royal Geographical Society, offering "by private invitation only" the opportunity for interested parties to purchase a print of the Bark 'Endeavour', in 24 karat gold and silver, of a very limited production run. The print was offered at $270 in 1978 - at not insignificant sum.Ornate paper and ink 3-page advertising brochure, in landscape orientation, from The Royal Geographical Society. The brochure is advertising the release of a commemorative framed silhouette print of the Bark 'Endeavour' in celebration of the 250th anniversary of the birth of Captain James Cook. Page 1 of the brochure consists of the Royal Geographical Society ensign at the top of the page and an introductory description of the commemoration, which is adorned above and below, with ink flourishes of curlicues and scrolls. Page 2 depicts an image of the framed silhouette print on offer. Page 3 contains 3 columns of text which briefly describe Captain Cook's travels, the work of the artist involved in producing the print and terms and conditions for ordering and purchase of the print. Page 1: 'To commemorate Captain James Cook's epochal voyages of discovery, on the 250th anniversary of his birth, the Royal Geographical Society presents' 24 karat, james cook, endeavour, royal geographical, commemorative, memorabilia, souvenir

Eight page booklet with blue, black and white printed text and graphics. Front cover shows an image of a large factory building. front: [printed] YENNORA / The New Era in Sydney Wool Marketingproducts, agriculture, animal breeding, animal husbandry, vaccination, health

Photograph shows single truck VR tram 2 first fleet with destination showing St Kilda, immediately in front of sister car with same destination (number obscured) and trolley poles on both cars are raised. Driver of VR 2 stands at controls with no driver windscreen and conductor stands on side running board. Numerous adults are shown aboard both trams and at sides and rear of cars with trees in the background. Yields information of Railways tramcar 2 first fleet Black and white photograph with number 9 showing in lower left corner of print from previous collection. Stamp and notes on rear Blue biro note ' MMTB Print (from TMSV collection?). victorian railways, single truck, st kilda, tram 2, first fleet

Slide. Fortuna Hustlers Gold Mine ( Railway Reserve), right of centre, railway goods shed and railway station at top of image.Mitchell and Mollison Streets and Railway Place in image. Shop in Mitchell Street has 'F. Futterer', printed above verandah.No. 28 printed on bottom of slidemine, gold, fortuna hustlers(railway reserve), bendigo mines-jack hattam collection

Green flyer advertising the R.S.L. (Bendigo Sub-Branch) Diggers Carnival Grand Exhibition of Flowers held on the night of Friday, December 3rd, (no year printed). There were 14 competitive Sections for flowers. Prizes are detailed. At the end is mentioned a cookery competition.Cambridge Press Print, Bendigo.event, social, exhibition of flowers, r.s.l. bendigo collection - rsl diggers carnival grand exhibition of flowers, bendigo horticultural society, relief patriotic fund, club building fund, cambridge press print

Donated by Brighton resident and journalist Janifer Price.Cream coloured Miss Young Liberal sash printed in metallic gold and with gold-coloured fringing at either end.Printed, metallic gold on white acetate: Miss / YOUNG LIBERAL / 1966miss young liberal, sash, liberal party of australia, young liberal movement, beauty pageant

This is a story of Catherine McMahon, whose home is featured on the coverorange card cover with black and red print above black border, below is a B?w photo of a cabin. On Front cover in red print: below black and white . authors Names.stawell

Used for writing text with some permanence. Advertisement of the RTBU is printed on one side.A recent item advertising the RTBU.Black, cynlindrical retractable pen with the text "RTBU" and the union's phone number for its Victorian branch printed in white.public transport, rtbu, unions

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. The Museum's Decorative Arts & Design collection includes artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).‘Oak Tree’ pattern. Sample of original Morris & Co wallpaper, designed circa 1896 by John Henry Dearle (1859–1932). Oakleaf and acorns in pale blue on cream ground. Sample manufactured ca.1920–ca.1930. Printed border : OAK TREE / MORRIS & COdecorative arts & design, wallpapers -- morris & co, john henry dearle, wall coverings – history, wallpapers – history, interior decoration – history

Former Pleasant Creek Hospital site. Sometimes referred to as Pleasant Creek Special School and sometimes Pleasant Creet Training Centre.Yellow Cardboard Cover with Green PrintPLEASANT CREEK SPECIAL SCHOOL STAWELL No. 4549 Bold Print - 50th Anniversary Celebration November 13th and 14th, 1987 1937 - 1987stawell education