The building is the Bulla Community Centre, which replaced an older hall that was situated in the Bulla Sports Ground precinct in Greene Street. Over the years many community activities have been staged within the precinct such as district school sports, local dances and community social group functions.A black and white photograph of a brick building with large windows and a return verandah.bulla community centre, bulla township

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria). This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). MMBW detail plan No.1562, in contrast to No.1561 includes the names of a large number of houses: in Barkers Road: ‘Ashwick’, ‘Owasso’, ‘Anadiha’, ‘Eurobin’, ‘Carlsruhe’, ‘Arlington’ and ‘Altyre’. Unnamed but clearly represented on the plan is what was then known as the ‘Auburn Heights Recreation Club’, which at this stage included a Bowling Green, a Croquet Green and two Tennis Courts. On the plan, Brougham Place, as it was then known, is represented. It was later renamed Daniell Place. The aforementioned Arlington is now the junior campus of Preshil. melbourne and metropolitan board of works, detail plans, mmbw 1562, cartography

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 12. View from the Victorian bank of the river showing in the foreground a levee bank along the New South Wales side of the river with connecting wings back to the higher ground, May 1923. The first stage in the construction of the Dam foundations was carried out inside the levee bank which was at a sufficient height to protect from floods the work going on inside. A length of 300 feet of the Dam was left at a low elevation to allow of the river flowing over it in the second stage of the operations and at the ends of the concrete was brought up above flood level. To divert the river, a Coffer Dam was built across the old bed above and below the Dam site and tying into the end of the concrete wall built inside the levee bank. This completely surrounded the remainder of the site of the Dam and south wing wall, including an area of 12½ acres.hume reservoir australia, river murray waters scheme, hume reservoir construction

The Ruyton Reporter (formerly known as Ruyton Reports) captures the essential Ruyton Girls' School experience for the broader school community. It has been produced since 1986.The record has strong historic significance as it pertains to one of the oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. It also gives insight into the types of activities and events undertaken at Ruyton Girls' School during the period of its production. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Black and white newsletter printed on paper with staple binding. 8 pages.Front Page: Vol. 3 No. 1 / Vol. 3 No. 1 April, 1988 / Registered by Australia Post / Publication No. VBH8187 / R / RECTE ET FIDE LITER / RUYTON / 1878 - 1988 Reports / From Ruyton Girls' School / 12 Selbourne Road, Kew. 3101 / Telephone (03) 819 2422 / Stage One / Well / Underway / S2/7 /ruyton girls' school, ruyton, school, students, newsletter, ruyton reports, ruyton news, kew, victoria, melbourne, girls school

By 1910 revenue from the Beech Forest railway was $15,500, working expenditure $12,000, with a net loss (including interest charges) of about $4,000. This and the following year were the lowest net losses ever experienced. Passenger journeys rose steadily, outwards goods traffic rose to a record 12,959 tons (in 1911), and inwards goods traffic was a record 3,359 tons.. The railway station possessed a goods shed, stock race and yards, engine shed, coal stage, crew cabins, a refreshment room, and a four-roomed station building, with the station staff to match. Beech Forest was the principal despatch centre at this stage for split timber. Bill Devitt laid a timber tramway to the Beech Forest railway station to cart the palings for on-shipment..B/W. 177mm x 271mm. A general view from the eastern end of Beech Forest station in 1910. Note the Goods Shed, three tracks with No.3 Road having a NU louvre van and loaded NQR wagons, timber stacks to the left, and Devitt's Tramway with unloaded trolleys at the lower left. To the right, crew cabins with shops and houses in the background.beech forest; railways; timber; tramway;

Built by J D McHaffie as a Shepherd's Hut in the 1850 - 60s. At one stage called Julyan's Cottage. Finlay Julyan born there, owned by various families. At one time by H Grayden and R McKinley. Privately owned now. (Noted on the caption that it was built by John Evans about 1870??)Small wooden building on corner of Lyall Street and Ventnor Beach Road. Brick chimney still in situ.local history, photographs, buildings - historic, coloured photograph, john cook, phillip island, settlers home

In the late 40s and 50s country music was very popular in Australia. In a relatively short time from the late 50s, rock & roll had supplanted other genres of popular music, dominating the city stages and radio and TV airwaves. Country music remained popular in regional country areas.This item is an example of music popular in the 1940's and 1950's in country Australia. The phonograph disc record was the primary medium used for music reproduction until late in the 20th century, replacing the phonograph cylinder record. Records were still the most popular medium even when new formats such as compact cassette were mass-marketed. By the late 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the vinyl record left the mainstream in 1991.A 78 rpm black gramophone record. On the A side is Ninety-Nine Ways, sung by Johnny Frank and on the b side is Gone by Rex Turner. It is a W. & G. Elected Release from the Aberbach Album Series.WC - XPN Aberbach 395 Aust Pty Ltd gramophone-record music-country

Minnie Tittell Brune was born in 1875 and died in 1974. She was an American actress, little known in her own country, but a major figure in the history of the Australian stage. The peak of her career coincided with an Antipodean tour from 1904 to 1909. She was brought to Australia by J. C. Williamson, A sepia postard whowing a seatedwoman in elaborate costume. She is American actress Minnie Tittle Brunechatham-holmes family collection, tittell brune, actress, theatre

This is a photograph of The Avenue leading to the Sunbury Asylum. it is lined with pine trees and post and rail fences. At some stage oak trees were also planted along the avenue. In the late 1990s the trees along the west side of The Avenue were removed as a result of housing development. They were later replaced.A black and white photograph of a tree lined avenue Unmounted.Written on the photo: Asylum Avenue/ Sunburysunbury asylum, trees, fences, the avenue, george evans collection

The people are looking at a photographic display mounted by the former members of the Sunbury & District Heritage Association. The event was the Sunbury Fair, which was staged on the Sunbury Village Green every year in March. A parade through the town took place in the morning and in the afternoon, community groups mounted displays on the Village Green. The Sunbury Fair was a popular community annual event that had wide support in the town.A coloured photograph of people looking at a display of photographs in an outdoor area.sunbury fair, sunbury & district heritage association, village green

The people are looking at a photographic display mounted by the former members of the Sunbury & District Heritage Association. The event was the Sunbury Fair, which was staged on the Sunbury Village Green every year in March. A parade through the town took place in the morning and in the afternoon community groups mounted displays on the Village Green.The Sunbury Fair was a popular annual community event amongst the townspeople.A coloured photograph of people looking at a display of photographs in an outdoor area.sunbury fair, village green, sunbury & district heritage association

Houghton in Princess Street Kew was an early Victorian cottage at one stage owned by a relative of the Beath family in nearby Ivy Grange. Their is a chapter on Houghton in Rogers, Dorothy (1961) Lovely Old Homes of Kew. At the time of then photo, accomodation for war widows had been built on a portion of the site.Colour photograph of participants at a local fundraising stall in Kew in 1971.At the home of Connie Howells Mar 18 1971. Curry luncheon in aid of C.A.A. Kitty's Garden Stall.houghton - kew (vic), vasey house -- kew (vic), houses -- princess street -- kew (vic.)

The sons and daughters of Thomas and Frances Henty were notable settlers, initially in Western Australia, then in Launceston and finally in Victoria. A number of significant mansions in Kew were owned at various stages by members of the immediate family and or their descendants. The Boroondara General Cemetery includes a number of memorials of or to Henty family members.Original colour positive photograph of a Hindson family grave in the Boroondara General Cemetery. This is one of a number of photographs taken c.1987 of graves/headstones of descendants of the Henty family of Victoria. This particular grave is located in Section C/E C 1117A and holds the remains of John Hindson, Alice Hindson, William Francis Hindson. [Alice Hindson was the daughter of Francis Henty]. Other members of the Hindson family are recorded on the grave but are not listed as buried at the site in the Boroondara General Cemetery records of burials. henty family, boroondara general cemetery, john hindson, alice hindson, william francis hindson

The sons and daughters of Thomas and Frances Henty were notable settlers, initially in Western Australia, then in Launceston and finally in Victoria. A number of significant mansions in Kew were owned at various stages by members of the immediate family and or their descendants. The Boroondara General Cemetery includes a number of memorials of or to Henty family members.Original colour positive photograph of a Henty family grave in the Boroondara General Cemetery. This is one of a number of photographs taken c.1987 of graves/headstones of descendants of the Henty family of Victoria. This particular grave is located in Section PRES A 1227 and holds the remains of Myrtle Irena Henty, Venus Walker Henty, Ivor Arthur Henty, the children of Mr & Mrs AJ Henty.. henty family, boroondara general cemetery, myrtle irena henty, venus walker henty, ivor arthur henty

The sons and daughters of Thomas and Frances Henty were notable settlers, initially in Western Australia, then in Launceston and finally in Victoria. A number of significant mansions in Kew were owned at various stages by members of the immediate family and or their descendants. The Boroondara General Cemetery includes a number of memorials of or to Henty family members.Original colour positive photograph of a Balfour family grave in the Boroondara General Cemetery. This is one of a number of photographs taken c.1987 of graves/headstones of descendants of the Henty family of Victoria. This particular grave is located in Section PRES A 0058 and holds the remains of James Balfour and his wife Frances Charlotte Henty. James Balfour was a Scottish-born Australian merchant and politician, member of the Victorian Legislative Assembly 1866 to 1868 and of the Victorian Legislative Council from 1874 to 1913. In 1859, he married Frances Charlotte, eldest daughter of Hon. James Henty, M.L.C. They had 11 children, nine of whom survived him.henty family, boroondara general cemetery, james balfour, frances charlotte henty

The sons and daughters of Thomas and Frances Henty were notable settlers, initially in Western Australia, then in Launceston and finally in Victoria. A number of significant mansions in Kew were owned at various stages by members of the immediate family and or their descendants. The Boroondara General Cemetery includes a number of memorials of or to Henty family members.Original colour positive photograph of two Henty family graves in the Boroondara General Cemetery. This is one of a number of photographs taken c.1987 of graves/headstones of descendants of the Henty family of Victoria. The scrolled headstone at left is located at Section C/E D 0241 and its grave contains the remains of Herbert William (Willy) Henty, Frances Emma Henty, May Lillian Henty. The headstone at right is located in Section C/E D 0245 and its grave holds the remains of Edith Mary (Lettie) Embling (nee Henty), Florence Emily Henty, Arthur Frederick Henty, 'Stillborn Skamp'. henty family, boroondara general cemetery, herbert william (willy) henty, frances emma henty, may lillian henty, edith mary (lettie) embling (nee henty), florence emily henty, arthur frederick henty, 'stillborn skamp'

The sons and daughters of Thomas and Frances Henty were notable settlers, initially in Western Australia, then in Launceston and finally in Victoria. A number of significant mansions in Kew were owned at various stages by members of the immediate family and or their descendants. The Boroondara General Cemetery includes a number of memorials of or to Henty family members.Original colour positive photograph of a Hindson family grave in the Boroondara General Cemetery. This is one of a number of photographs taken c.1987 of graves/headstones of descendants of the Henty family of Victoria. This particular grave is located in Section C/E C 1117A and holds the remains of John Hindson, Alice Hindson, William Francis Hindson. [Alice Hindson was the daughter of Francis Henty]. Other members of the Hindson family are recorded on the grave but are not listed as buried at the site in the Boroondara General Cemetery records of burials. henty family, boroondara general cemetery, john hindson, alice hindson, william francis hindson

The sons and daughters of Thomas and Frances Henty were notable settlers, initially in Western Australia, then in Launceston and finally in Victoria. A number of significant mansions in Kew were owned at various stages by members of the immediate family and or their descendants. The Boroondara General Cemetery includes a number of memorials of or to Henty family members.Original colour positive photograph of Edward Henty's obelisk in the Boroondara General Cemetery. This is one of a number of photographs taken c.1987 of graves/headstones of descendants of the Henty family of Victoria. The obelisk is located at Section C/E D 0201 and its grave contains the remains of Edward Henty, Anna Maria Henty. henty family, boroondara general cemetery, edward henty, anna maria henty

The sons and daughters of Thomas and Frances Henty were notable settlers, initially in Western Australia, then in Launceston and finally in Victoria. A number of significant mansions in Kew were owned at various stages by members of the immediate family and or their descendants. The Boroondara General Cemetery includes a number of memorials of or to Henty family members.Original colour positive photograph of Edward Henty's obelisk in the Boroondara General Cemetery. This is one of a number of photographs taken c.1987 of graves/headstones of descendants of the Henty family of Victoria. The obelisk is located at Section C/E D 0201 and its grave contains the remains of Edward Henty, Anna Maria Henty. henty family, boroondara general cemetery, edward henty, anna maria henty

The sons and daughters of Thomas and Frances Henty were notable settlers, initially in Western Australia, then in Launceston and finally in Victoria. A number of significant mansions in Kew were owned at various stages by members of the immediate family and or their descendants. The Boroondara General Cemetery includes a number of memorials of or to Henty family members.Original colour positive photograph of Edward Henty's obelisk in the Boroondara General Cemetery. This is one of a number of photographs taken c.1987 of graves/headstones of descendants of the Henty family of Victoria. henty family, boroondara general cemetery, edward henty, anna maria henty

Studio portrait of Ballarat railway family in the 1920s with Michael Taffe Senior in his Head Porter uniform, and son John as Station Master beside him with Michael Jnr behind his father and Patrick rear right facing the latter two being Assistant Station Masters at that stage.On Mounting board: "Thornton" Studios Ballarat.

Stokes Place was part of the Stokes Orchard Estate which was developed from the break-up of the the orchard owned by Frank Stokes who lived on the northeast corner of Nyora Road and Eucalyptus Road. His daughter Beryl advised that the Shire had levied a rate assessment on individual parcels of land within the orchard which became unaffordable resulting in its sub-division and sell off. The Stokes Orchard Estate was developed by Macquarie Builders in two stages starting with stage 1 in 1976. Stokes Place was part of Stage 2 in 1979. The Estate was bounded between Nyora Road, Eucalyptus Road, Diosma Road and Stokes Place. The original orchard only just reached the left most portions of Stokes Place and did not go fully up to Diosma, rather to just beyond the extant of Stokes Place. Stokes Place was known within the family as "The Oats" as that is where they grew oats. Frank Stokes moved to Eltham c.1945 after visiting Harold Bird to view his orchard, located diagonally opposite Stokes Orchard from the intersection of Eucalyptus Road, Pitt Street and Nyora Road. It was on Harold Bird's recommendation that Frank purchased the land.The Stokes Orchard Estate collection is typical of housing developments of the late 1970s and 1980s. It was one of the earliest estates in Eltham following the nearby Woodridge Estate development.Digital filestokes place, eltham, stokes orchard, stokes orchard estate, streets, houses

This letter was written by Henry Davis, editor of the Warrnambool Standard, to Joseph Archibald, curator of the Warrnambool Museum. Dated 11 October 1883, it refers to Davis’s recovery of a saturated volume of ‘Longfellow’s Poems’ from the sea at Loch Ard Gorge. The retrieval of this book, and its possible connection with one of the survivors from the LOCH ARD shipwreck in 1878, prompted Archibald’s letter of 1 December 1883 to Eva Carmichael, and Eva’s reply of 21 January 1884 (No, it was not her book). Miss Carmichael’s reply to Archibald’s inquiry (2290.4) and the water-damaged book itself (541) are both in the Flagstaff Hill collection along with this letter from Davis, which connects the two. The Davis letter reads: “Dear Sir, ― This book was found by me in the waves which broke on the sands [….] the Gorge where Tom Pearce rescued Miss Carmichael after the wreck of the ill-fated ‘Loch Ard’. I ran in with the receding waves and picked up the soddened volume, and, coincidentally, the first illustrations that met my gaze, on parting its dripping pages, was that portraying the fair maiden in the ‘Wreck of the [Hersperus’.] On the Bluff, 200 feet above me, were the dead forms of Mrs and one of the Misses Carmichael, whilst [by] them, stiff and [….] were two gentlemen passengers [by] the wreck[ed] [v]essel]. Having just left them before [….] [my] capture in the Gorge, you may imagine [m]y feelings on alighting upon, under such circumstances, Longfellow’s beautiful and sympathetic poem. Yours truly, H.W. Davis.” The book referred to here is The Poetical Works of Henry Wadsworth Longfellow, 1877, Nimmo, London. It is on display under glass in the Great Circle Gallery at the Maritime Village, alongside a typed transcript of the Davis letter. A 1996 audit of the rare book collection at Flagstaff Hill notes: “Inscribed ‘Loch Ard June 1 1878’ in pencil within ― believed to be a salvage from the shipwreck”. The letter is connected to the salvaged items from the 1878 LOCH ARD shipwreck, which is of State significance ― Victorian Heritage Number S417Letter from H. Davis, editor of the Warrnambool Standard, to J. Archibald, curator of the Warrnambool Museum. It was handwritten in ink on “Standard Office, Warrnambool” letterhead note paper, and dated 11 October 1883. The cursive script appears carelessly written and the original single sheet of paper is in poor condition (torn and creased). At some stage the original document has been backed with stiff cardboard and then sealed in a clear plastic cover.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, loch ard, longfellow’s poems, eva carmichael, joseph archibald, henry davis, warrnambool standard

black and white copy of hand drawn image mounted on board: image shows Leviathan Coach, being pulled by 8 horses ( visible ) , men sitting on top. On bottom of board: The Leviathan Coach carried over 50 passengers, drawn by 22 horses. Image used for display purposes.The building in the centre of the sketch shows signs -Baths Hotel Stables / Australian stage Company Cobb & Co Coach officesbusiness, transport, cobb & co., cobb & co., transport

This work was originally published in serialised form in the Bathurst Free Press around the turn of the century by Charles White and afterwards syndicated to other newspapers and still later reached the galley-proof stage of publication. The text for this edition was obtained from a copy of the Ovens Register 1904-1905, held by the Burke Museum, Beechworth, Victoria. This edition includes some preliminary material, glossary, notes, index and bibliography prepared by Peter A Jones.maps, b&w photographs, b&w illustrationscharles white

Diggers & Mining: Diggers & Mining.Slide reads: And nearly all of the illustrations we have been able to find depict only the three main fields of this early period - Ballarat, Castlemaine, and Bendigo. However, the picture they give may be taken as fairly typical of the other diggings of the time, and, in some respects, of the early stages in the development of other fields later in the gold era. Markings: 55/ 994:LIF 1. Used as a teaching aid.hanimounteducation, tertiary, diggers & miners

The context in which the hat was made and worn assists in establishing its potential historic significance. 'Bailliere's Victorian Gazetteer and Road Guide containing the most recent and accurate information as to every place in the Colony' (1870), describes the village of Vaughan as being located on the road from Daylesford to Castlemaine. In 1870 the Vaughan was deemed to be entirely a gold mining area, gold having been discovered in the district in 1853. Intriguingly the entry in the Gazetteer claims that the electoral division of Vaughan began at the junction of the Middleton Creek and the Loddon River, so perhaps the cap might have belonged to a member of a significant local family. In 1870, Vaughan had a population of about 1000 persons and included almost 300 dwellings. Articles from newspapers, published on Trove refer frequently to a Mr Middleton as a litigant in court cases before the Vaughan Court in the 1860s. By the 1870s, the Mt Alexander Mail, in an article on ‘Mining: The Pioneer Wheel’ describes the success of Mr Middleton and his Middleton’s Reef Gold Quartz Mining Company, which had built the largest water wheel in the Colony. The wheel was 20’ in diameter and 2’ wide. Quartz mining as practiced by companies such as Middleton’s had become necessary after the exhaustion of alluvial quartz mining deposits in the 1860s. So we can probably establish a link between the cap and a significant mining identity in the period in which the article was made. The historical significance of the cap is only one part of the story. Caps such as the Middleton example can also be items of aesthetic significance as they were typically, examples of women’s work, using published patterns in magazines such as the Ladies Home Magazine. While women might follow or adapt a published pattern, their choice of materials reflected what was available locally. The fine hand stitching on this example is evidence of high quality domestic needlework. The maker crafted the cap from five triangular pieces of cotton cloth, each piece lined with a faded yellow net. The net provides some stiffening for the cap and has a functional purpose in that it anchors the hand-stitched, looped design of yellow silk ribbon that decorates the surface of the cap. Gentleman’s smoking (lounging) cap believed to have been made in c.1860-69. The conical hat is made of a dark green cotton fabric embroidered with narrow ribbon of a paler green silk. The unlined rimless hat is made of four pieces of fabric. There is no evidence of the hat at one stage featuring a tassle. The original donation record noted that the cap had been made for, and was worn by, a Mr Middleton, of Vaughan in Central Victoria. Nilhats, smokers hats, men's clothing

Part of "Woolcock Gallery Collection". Exhibition CEMA 1989.Studies of leaves and flowers. Three studies of leaves, one cluster on a stem and two in detail. Three studies of flowers a different stages of development: two showing the pink and green petals emerging from the green calyx and and one showing six stamen surrounding the stigma and style of a pistil. At the top right of the image is a study of a seed, green with pink surrounding petals. On the far left centre is a view of a stem with green leaves and flowers.Front: Styphelia adscendus Golden Heath 6/9/71 (lower left) (pencil) CEW/71 (green pencil) (lower centre of image) 40 (pencil, erased) (lower right) Back: 2 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, botanical drawings

One of a group of photographs, including three within a published photo collage , taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, Dower later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines, railways and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Mount Dandenong Office.The photo collage is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's public transport network in the years preceding and during World War 1.Photo collage, published in The Leader newspaper in 1913, to commemorate the opening of the Malvern to Kew Tramway. The numbered photos are: 1. Kew Railway Gates at Glenferrie. 2. Burke Road Terminus. 3. Final Stages. 4. Ladies at the Official Opening. 5. The Acting Mayoress of Kew Cutting the Ribbon at the Kew Boundary. 6. Mayor and Councillors at the Kew Terminus. 7. The Cutting the First Ribbon. 8. Guests at the Hawthorn Town Hall.Inscribed in ink by Edgar J Dower top left: "The 3 top photographs were taken by E J Dower. No.3 Cotham Road Kew near Glenferrie Road"theme -- connecting victorians by transport and communications, theme -- travelling by tram