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Latrobe Regional Gallery
Print, FRAZER, David b. 1966 Foster, Victoria, Primitive People, 1997
Wood engraving Signed and dated 'D. Frazer 97' lower right corner under printed image. Edition 21/35, lower left corner under print. -
Latrobe Regional Gallery
Print, FRAZER, David b. 1966 Foster, Victoria, Over the hills are burning (East Gippsland), 1998
Wood engravingSigned and dated 'D Frazer 98' lower right corner under printed image. Titled 'Over the Hills are Burning (East Gippsland)' centred below print. Edition 7/22, lower left corner under printed image. -
Latrobe Regional Gallery
Work on paper - Print, JONES, Timothy b. 1962 North Wales, arr. Australia 1984, Gippsland, 1985
Wood engravingSigned and dated bottom right beneath printed image, "Jones 85" Edition and title in lower left corner "A/P Gibsland" -
Latrobe Regional Gallery
Work on paper - Print, JONES, Timothy b. 1962 North Wales, arr. Australia 1984, Gippland (sic), 1984
Wood engravingSigned and dated lower right corner below printed image "Tim Jones 1984". Edition and title to the lower left below composition, A/P "Gippland" -
Ringwood RSL Sub-Branch
Souviner Plaque RAAOC
Wood baseRoyal Corps, Australian Army Ordinance. Queen's Crown. -
Hand Tool Preservation Association of Australia Inc
Spokeshave
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.spokeshave, wood -
Hand Tool Preservation Association of Australia Inc
Spokeshave
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.spokeshave, wood -
Hand Tool Preservation Association of Australia Inc
Spokeshave
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.spokeshave, wood -
Hand Tool Preservation Association of Australia Inc
Spokeshave
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.spokeshave, wood -
Hand Tool Preservation Association of Australia Inc
Spokeshave
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.spokeshave, wood -
Hand Tool Preservation Association of Australia Inc
Spokeshave
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.spokeshave, wood -
Hand Tool Preservation Association of Australia Inc
Spokeshave
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.spokeshave, wood -
Hand Tool Preservation Association of Australia Inc
Spokeshave
This item is part of the Thomas Caine Tool Collection, owned by The National Trust of Australia (Victoria) and curated by the Hand Tools Preservation Association of Australia.spokeshave, wood -
Geelong Gallery
Print - Goat and rhodoendron, LINDSAY, Linonel, 1925
Wood engraving -
Bass Coast Shire Council - Art Collection
Sculpture - Wave and Wind Seat, David Fincher
AustraliaWood and ConcreteSigned -
Bass Coast Shire Council - Art Collection
Sculpture - Maregold, David Fincher
AustraliaWood and concreteSigned -
Bass Coast Shire Council - Robert Smith Collection
Sculpture - Grimacing Face with ornamented headdress, Anonymous Fijiian
FijiianCarved wood -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - App. 25 Frappez, frappez, la bonde, Honore Daumier
French 1808 - 1879Wood engraving -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - White Stork 1925, Lionel Lindsay
Wood EngravingSigned on plate and pencil beneath image -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Village/Travel Block Print Shirt, Wendy Powitt, c. 1992
About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8133.1 - The front of the short sleeved shirt has four colour blocks. The bottom two quadrants of the shirt are yellow and cream, the top two are red, above the cream, and green, above the yellow. The collar of the shirt is cream and the cuffs of the shirt are yellow. The back of the shirt is solid green. There are seven buttons with small amounts of colour on them to do up the shirt, and a motif of Australia made up of curving, crosshatching lines on the left of the shirt, sitting over the line between the red and cream colours. 8133.2 - The front of the short sleeved shirt has four colour blocks. The bottom two quadrants of the shirt are yellow and cream, the top two are red, above the cream, and green, above the yellow. The collar of the shirt is cream and the cuffs of the shirt are yellow. The back of the shirt is solid green. There are seven buttons with small amounts of colour on them to do up the shirt, and a motif of Australia made up of curving, crosshatching lines on the left of the shirt, sitting over the line between the red and cream colours. The bottom hem of the shirt is asymmetrical with the back of the shirt longer than the front. 8133.3 - Red fabric sample. 8133.4 - Red fabric sample. 8133.5 - White fabric sample with permanent marker writing "F22630." This sample also has the tag attached. 8133.6 - White fabric sample. 8133.7 - White fabric sample. 8133.8 - Green fabric sample.8133.5 - On tag - "Allan Robison Textiles Design F22853 82m 30 Wangaratta St Richmond Victoria, 3121, Australia Tel 429 - 9600 Fax 427 - 0594"1992 barcelona olympics, sport, athletes, fashion, design, uniform -
Tennis Australia
Racquet, Circa 1910
Wood tennis racquet branded 'The Match' by Geo. Bussey & Co. Wood frame, bare grooved wood handle. Tape and string whipping around shoulders. Gut strings. Head slightly warped. Materials: Metal, Wood, Guttennis -
Flagstaff Hill Maritime Museum and Village
Accessory - Walking Stick, William Dale, early 1900's
In the words of the Donor, Betty Stone, "This walking stick was made by William Dale from wood obtained from his property Bluestone Quarries situated at Wangoom, Warrnambool. William Dale, the son of William Booth and Hannah (nee Broadbent) Dale was born on 8 July 1828 in Saddleworth, Yorkshire, England. He emigrated to Australia in 1852 and seven years later purchased twenty acres of land in the shire of Wangoom, Warrnambool where he operated a quarry known as The Dale Bluestone Quarries. According to family legend, when William and his wife Elizabeth (nee Chamberlain) first moved into their bluestone cottage on the property, it was surrounded by dense bush that abounded with wildlife. William Dale used this walking stick in his later years. Although physically bent after years of toil, his grandchildren remembered him wheeling his barrow and walking with his stick around the quarries when aged well over eighty years. William Dale died at his residence on 14 December 1913 aged 85 years." (Note: For additional information please refer to Betty Stone’s book “Pioneers and Places - A History of three Warrnambool Pioneering Families” ie. Chamberlain, Dale and Lees Families) This item is associated with the families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The handmade walking stick was made from local resources.Walking Stick, polished wood with grain and knots showing. Brass tip, 'J' shaped handle. Made by William Dale in the early 1900's of wood from his property, "Dale Bluestone Quarries", Wangoom, Warrnambool. From the 'Chamberlain Dale and Lees Collection'.flagstaff hill, warrnaflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, mbool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, dale bluestone quarries, william dale, walking aid, walking stick, mobility aid -
Flagstaff Hill Maritime Museum and Village
Snatch Block
Snatch Block, 1 sheave wood block with hook. Wood is stained medium brown.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Block
1 sheave wood block with loop painted white. Wood plate both sidesflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Port Melbourne Historical & Preservation Society
Photograph - Guests, wedding of Violet Wood, 1946
Photograph of guests at wedding of Violet Wood, featuring 6 of the 11 Wood children, 1946.families, henry wood, laurie wood, lionel wood, alf wood, maurie wood, bill wood, ernie wood, les wood, des wood, vic johnson, frank king, leo doige, jim mcintosh, jim king, ron robinson -
Tennis Australia
Racquet, Circa 1965
Dunlop 'Marty Riessen' wood tennis racquet. Materials: Metal, Wood, Leather, Vinyltennis -
Bendigo Military Museum
Photograph - PORTRAIT WW1, FRAMED, Post WW1
Thomas William Francis No 2584. Enlisted on 7.7.1915 in 4th reinforcements 29th Batt AIF age 25 years 6 months. Embarked for Eygpt 14.3.16, embark for France 16.6.1916, reported missing 19/20.7.1916, listed as KIA 20.7.16 (Fromelles) no known grave. The photo is one of a number that originally hung in the "Gallery of Honour" foyer of the Soldiers Memorial Institute Pall Mall Bendigo now the Bendigo Military Museum. In 2008 a mass grave was found with 250 remains in. On 12.4.2013 it was announced that the remains of Thomas Francis had been identified. Francis is now buried in the new Pheasant Wood Military Cemetery. Refer Cat No 8003.Portrait photo B &W of a soldier in uniform, Great coat and peak hat re T.W Francis. Photo is set in a grey background with a dark stained wood frame."Pte T.W Francis 29th Batt D Coy A.I.F, enlisted July 1915, embarked March 1916. Killed in Action July 1916". brsl, smirsl, fromelles -
Bendigo Military Museum
Literary work - STORY BOARD - FRAMED - WW1, Bendigo District RSL Sub - Branch Inc. et al, c2008/09
Refer Cat No. 1280. "JACK GRINTON No. 1038". 38th Battalion - refer Cat No. 1280 for his service history.Story Board - framed. Story board - black print on white and pale blue background on synthetic paper adhered to backing board. Illustrated - four black and white photographs. Frame - metal with wood backing board."A Camera on the Somme". "Portraiture and Remembrance", Photographs - Top left - "Jack Grinton, France 1918 - 19" Top Right - "Australian soldiers and French civilians 1918-19". Middle Right "Field grave of Lance Corporal Risbey (38th Battalion) killed in action 29 September 1918, France 1919". Bottom right - "Vaire Wood field cemetery, France 1919"framed accessories, camera on the somme, ww1, 38th bn, grinton, risbey -
Flagstaff Hill Maritime Museum and Village
Equipment - Lead line
The lead line or hand lead is a simple navigational instrument used as a depth finder to measure the depth of water under the ship’s keel and to take samples of the sea bed. The long line may be marked at regular intervals with tags of different coloured and textured fabric, such as rope, leather and cloth. Each tag was a code to represent a certain depth. The leadsman’s eyes and hands could distinguish the depth easily as he drew in the lead line, day or night and in poor weather conditions. A standard set of codes for the tags was used so that the depth of the sea could be easily and quickly read. The measurement used was a Fathom, which equals 1.83 metres. The codes were: - 2 fathoms = 2 strips of leather 3 fathoms = 3 strips of leather 5 fathoms = white duck fabric 7 fathoms = red bunting fabric 10 fathoms = leather with a hole 13 fathoms = blue serge fabric 15 fathoms = white duck fabric 17 fathoms = red bunting 20 fathoms = 2 knots The lead weight could be between 7 -14 pounds (3.5 – 6.5kg) and the rope would be approximately 25 fathoms (45m). The hollowed-out end of the weight would hold a stick substance such as tallow or wax, which would pick up samples from the sea bed which would show whether the vessel was close to, or far away from, the shore. The leadsman would stand at the front of the vessel and cast the lead line into the sea. When it hit bottom he would note the tag marker nearest the surface of the water and call out his finding. Then he would haul it up again and examine the kind of matter that adhered to the end of the weight, whether it be sand, mud, gravel, or the colour of it. This information would be given to the ship’s helmsman or navigator and would help indicate the proximity to the land.This handheld lead is an example of early marine navigational equipment used by sailors to travel the seas to measure the depth of the water and sample the nature of the seabed. It helps to understand the history and progress made from the very basic to the sophisticated technology of today.Lead line, sounding line or depth finder. The long length of rope has a heavy lead weight attached to the end. Coloured fabric tags are tied onto the rope at regular intervals, representing different depths. The concave base of weight holds sticky substances such as tallow or beeswax, providing an adhesive surface to collect samples of sea bed like sand, shells or pebbles. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, lead line, depth finder, hand lead, sounding lin, leadsmane, navigation instrument, leadline, hand lead line -
Whitehorse Historical Society Inc.
Leisure object - Lotts Tudor Blocks 4, 1920s
The Tudor Blocks sets included new blocks that were interchangeable with the other Lott's bricks, but had with one profiled surface with a single colour of paint on the raised surface, which gave the appearance of the panels of a wood-framed Tudor building, or of leaded windowsLarge cardboard box containing many blocks & four "trees". A book of illustrations of models. The Tudor Blocks sets included new blocks that were interchangeable with the other Lott's bricks, but had with one profiled surface with a single colour of paint on the raised surface, which gave the appearance of the panels of a wood-framed Tudor building, or of leaded windows.Lott's Tudor Blocks new series illustrations of models. Boxes 1-6, price1/6, Lotts Bricks Ltd, Watford England. Note: Price 1/6 means one pound 6 shillingstoys, lotts tudor blocks, building blocks