Makes comparisons between Australian cities and American and European cities. Melbourne and Sydney are heading in the same direction as Los Angeles. A possible future the city containing entertainment and culture, with the suburbs having open space and gardens but with access to city life.Typewritten (c copy), quarto, 3 pagescity, cities, suburbs, melbourne, sydney, american cities, european cities, urban planners, robin boyd, manuscript

Describes Canberra as a city that has minimal architectural character, as it is mainly characterised by its natural landscape and roadways. The new phase in Canberra refers to several civic projects that will serve to define Canberra as a national capital.Original manuscript of the article 'A New Phase for Canberra' published in Sunday Australian, 05.09.1971.Typewritten (c copy), quarto, 9 pagescanberra, urban planning, walter burley griffin, capital circle, capital hill, campbell park, australian architecture, harry seidler, robin boyd, manuscript, national capital

Boyd discusses the achievement of Moshe Safdie in the design and dream of Habitat 67. He outlines the history, philosophy and sociological objective of cluster housing.Original manuscript published as 'Experimenting with boxes: Habitat's cluster' in Architectural Forum Vol.126, No.4, May 1967 pp. 35-41.Typewritten (p/copy), quarto, 9 pageshabitat 67, moshe safdie, expo 67, le corbusier, urbanism, unite d'habitation, reyner banham, alison and peter smithson, kenzo tange, clusters, russian apartments, cluster housing, robin boyd, manuscript

This is a manuscript associated with the Royal Australian Institute of Architects Convention, "Civic Architecture, the Architect and Society" which discusses city development. Boyd argues that an Australian architectural style is growing with the contemporary generation of architects departing from international modern architectural influences from which they studied. Boyd explains how a pattern of Australian architecture can be seen through materiality and the expression of structure.Typewritten (c copy), foolscap, 4 pages (two copies)Minor handwritten edit on both copiesroyal australian institute of architects, convention, technology, australian cities, urbanism, australian architecture, international modern architecture, walkabout, robin boyd, manuscript

An attempt to define Melbourne's character. Boyd sketches a history of Melbourne's architectural periods. He muses on the importance of public taste as necessary for periods of architectural flourish. He thinks Australia is in a "trough between the waves of progress."Typewritten, foolscap, 5 pagesmelbourne, urban conservation, robin boyd, manuscript

Hardcover w/ Dust JacketReview of the book by John M. Johansen in Forum May 1969city planning -- history; urbanism; urban ecology (sociology), walsh st library

The Letter pages contain two letter - one by Jorn Utzon and the second by Serge Chermayeff architect in New Haven). Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded. A reprint from The Architectural Forum letters pp 89-91.sydney opera house, utzon, sydney opera house project, walsh st library

Robin Boyd contributed an article to this book, pp. 31-45.Hardcover w/ Dust Jacketurban beautification, australian environment, walsh st library

mapssecondary school education, aboriginal english, queensland education system, language and education

N/AJodi Wiley is a local artist who works in acrylic to create detailed images of trees found in urban and suburban environments. “Trees are ordinary features of our everyday landscape. And yet when the light hits them at certain times of the day, the colours and textures that are illuminated can make us gasp in awe if we are truly paying attention". 'Afternoon Light' was highly commended in the 2015 Nillumbik Prize, judged by Melinda Martin, Director of Linden New Art, Melbourne.Detailed, cropped view of a tree trunk, warm earth colours and tonesWhite, hand painted 'J' in bottom right cornerwiley, acrylic, art, painting, trees, landscape

Reinis Zusters OAM was born 15 October 1918 in Odessa, Ukraine, of Latvian parents. Zusters’ father died before he was two years old and he was raised in an orphanage from an early age. He had one sister. He studied Art at the Riga Technical College, Latvia, from 1935 to 1940. He married Aldija Kapteinis, and they had a daughter, Rudite (born 1942 in Riga). After World War II the Zusters family were refugees. They reached Western Australia in 1950, where they stayed for 6 months before moving to Canberra, ACT. In 1952, Zusters moved from Canberra to Pennant Hills in Sydney with his second wife, Arija Biks. Their daughter Laura was born in Sydney in 1956. In 1966, Zusters met his future third wife, Venita Salnajs. In 1969, Zusters bought a house in Greenwich, Sydney. He married Venita on September 17, 1976, and they moved to Wentworth Falls in the Blue Mountains. Zusters died on 8 October, 1999 at Wentworth Falls, and was cremated at Rookwood Crematorium, Sydney. His ashes are buried in the Latvian section of Rookwood Cemetery. Zusters studied at the Technical College of Riga (Latvia), and at East Sydney Technical College, Australia. He was influenced by his Latvian cultural heritage, and admired the artist Voldemars Tone (1892-1958). Shortly after arrival in Australia, Zusters became a draughtsman with the Department of Works and Housing in Canberra. Later he was appointed chief designer with the Australian-American architectural firm Austin-Anderson, at St. Leonards, Sydney. Zusters practised as a full-time professional artist from 1968. Zusters was a prolific painter, predominantly in oils. He produced many large landscapes, including triptychs of the Blue Mountains. His landscapes were mountain scenes prepared in the manner of Jackson Pollock and completed with washes and pale glazes of colour. His cityscapes featured a rich paint surface and sharp-edged thickness of paint applied with a palette knife, layer upon layer. He painted urban scenes of Sydney, inland Australian scenes, and several major portraits including Sir Winston Churchill’s gardener (purchased by Art Gallery of NSW). He made many small informal portrait-drawings of friends. His usual signature was “Zusters”. His work is represented in numerous public and private collections in Australia and abroad. He won numerous prestigious awards in Australia, Japan and USA and was honoured with the Order of Australia Medal in 1994.

Video of artist painting the facade of a concrete warehouse into a ‘Trompe-l’oeil’ landscape painting using fire extinguishers as paint brushes. The warehouse slowly disappears into the landscape.

Graphite frottage series of 12, drawings on paperNot signed. Not dated. new york, frottage, street, urban, trace

Graphite frottage drawing on paperNot signed. Not dated.frottage, text, words, urban

Silkscreen print'THE ROYAL NUCLEAR SHOW 6' lower left corner. Not signed. Not dated. nuclear technology, nuclear power, power, police, political, crowd, urban, carnival

Oil on linen-gippsland, twilight, local, suburban, sky, urban structures, shadows, clouds, street lights

Dogs illegally off-leash are chasing wild life in Antonio Park. No. 21 Wattle Valley Road will be converted into parkland to support wildlife.No. 490 - 500 Burwood Highway, Vermont South is for sale again after selling for almost $30 million two years ago. Heritage protection applies to the building and garden.wild life, antonio park mitcham, wattle valley road, mitcham no. 21

Description of Bellbird Dell as a haven for residents and habitat for birds.Description of Bellbird Dell as a haven for residents and habitat for birds.parks and reserves, osman, anne, brandenburg, john p, baker, barbara, george road, vermont south, philip street, vermont, nurlendi road, bellbird dell

67 page document on the results of surveys done on Ballarat passenger services in late 1977 and early 1978, dated 2/78. Has survey forms, procedures, questionnaire, results etc. Table of contents, appendices. Printed onto duplicating paper. Single metal paper fastener in top left hand corner.trams, tramways, ballarat, bus services, surveys

Newspaper cutting that advertises applications for the provision of bus services in Bendigo and Ballarat to replace the urban tramway systems.Newspaper clipping from the Tenders/Holidays Section of a Melbourne Newspaper, Dec 1970, possibly the Melbourne Sun or The Age, advertising for applications for replacement bus services to the trams in Ballarat and Bendigo. Issued by the Transport Regulation Board. Notes that detailed plan of bus services available from the Board's Offices, cnr of Lygon and Princes Sts Carlton and a closing date of 21 Jan. 1971. Signed by B. P. Kay as Secretary. closure, bus services, ballarat, bendigo, transport regulation board

Tunstall was originally the name of Nunawading Railway Station. Tunstall opened on 4 June 1888 and was renamed on 1 November 1945. An historically significant advertising map that can be used to ascertain the extent of urban development in 1929 in the areas of Nunawading, Blackburn and Mitcham.A map of Mitcham, Tunstall and Blackburn found on the reverse of a real estate subdivision plan published by R. L. Jarrett of Elizabeth Street. This promotional street map is overprinted with the business address of the sponsors and advertising. Map overlaid in red print: "Drake & Co. / (N. Armstrong, Prop.) / Estate and Financial Agents / next Mitcham Station / Established 1914. Open all day Saturday. / Phones: Office, Box Hill 289 J. / Private, Vermont 10."real estate agents, mitcham, tunstall, blackburn, road maps, drake & co, new zealand insurance co ltd