Image of a Tom Roberts painting on front of soft covered book titled The Artists' Camp at Box Hill - Eleanor Finlay, Marjorie MorganFOREWORD by William Dargie Kt., C.B.E., FRSA (London) FRAS (NSW) As one born between two worlds I find it difficult to identify wholly with either Australian art of the late 19th and early 20th centuries or the infinitely varied styles of today. At the beginning of the 1930s, when I first began to take any sort of interest in art, I had the natural feeling of youth that anything that had happened thirty to forty years ago was already far down the dark and backward abysm of time. As for today, all that one of my generation can do is to enjoy what is enjoyable and avert one's eyes and close one's ears against the rest. This is the time of life one realizes that distaste, as well as taste can be cultivated. Well, youth repeats itself in each generation and among the young there will always be .some determined and dedicated to the making of new images of the physical world. All artists throughout history have shared this common experience. All have remembered the suddenly-formed friendships, the sketching expeditions and camps, the first exhibitions, the formation of groups, the 'manifestos' - these last to return in later life all too often as embarrassments - but above all, the enthusiasm. 'Bliss was it in that dawn to be alive but to be young was very heaven'. Thus we can be time-travellers back one hundred and six years to that first plein-air camp set up by Roberts, McCubbin and Abrahams on part of David Houston's property at Box Hill. This was indeed the prelude to all that followed: Mentone and the meeting with the young Streeton painting on the rocks, and Heidelberg later.

There were many vessels named "Endeavour". There are no details attached to this item. The Australian Civil Ensign, or Australian Red Ensign, is simply a red version of the Australian National flag. It is for use only at sea and officially never on land, but can be used by private citizens. It was in use in Australia and overseas during the first half of the 20th century.A coloured print of a painting of a ship (schooner?) in full sail. It is flying a red ensign.on back -' Endeavour"ship transport

Hard back 200 pages with colour paintings and sketches, black and white photographs.raaf pilot experiences flying out of operational bases of europe and the pacific.

Painting, oil on board, of the tall sailing ship 'Polly Woodside' by C Smithflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, oil painting, maritime oil painting, sailing ship polly woodside, polly woodside, tall ship, c. smith, maritime painting, marine artist

Hans Schiebold, lives in Seaford and is a former ship’s captain who migrated to Australia more than three decades ago, Schiebold is fully immersed in his life as an artist. In 2012, he was a finalist of the ANL Maritime Art Prize. This artwork was an entry for the Maritime Art Prize 2014.RealistPainting on Unframed stretched canvas depicting courtyard and Bell tower of MTSV chapelInscribed on stretcher: HANS SCHIEBOLD HOME FROM HOME mission to seafarers victoria, spanish-courtyard, bell tower, artwork, hans schiebold, mission to seafarers, seamen's mission, flinders street, courtyard, bell, tables, arches, artwork-paintings, 2014, maritime art prize

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a painting of 1875 Melbourne Cup winner "Woolamai" owned by Captain Cleelandlocal history, photography, the racehorse "woolamai", black & white photograph, horse racing, woolamai, captain john cleeland, john jenner, bryant west

Invitation to the official opening of Greensborough Centre, from the directors of Roxham Investments to Mr and Mrs John de Man (misspelt Mann). Opening date Monday November 13th 1978. A primary source related to the opening of Greensborough Plaza in 1978.Invitation on cream paper. Cover has copy of 1889 painting of the Village of GreensboroughInvitation to the official opening of Greensborough Centre from the directors of Roxham Investments to Mr and Mrs J De Man (misspelt Mann). Opening date Monday November 13th 1978.greensborough plaza, roxham investments, john de mann

Lt-Col Dixon was Commanding Officer of 4/19 prince of Wales's Light Horse Regiment from 1967 to 1970One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col J P F Dixon EDportrait, dixon

Lt-Col McIntyre was the first Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment, serving from 1948 to 1952.One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col A E McIntyre OBE ED (Reproduction)portrait, mcintyre

Lt-Col Williams was Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment from 1975 to 1979One of a collection of portraits of former Commanding Officers of the RegimentFramed, self portrait, oil painting of Lt-Col J F Williamsportrait, williams

Alice Watson completed a course of work at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Her complete folio is held by Federation University Australia. Paintings undertaken at the Ballarat Technical Art School by Edith Alice (Alice) Watson. ballarat technical art school, ballarat technical art school number 10, ballarat school of mines, alice watson, edith alice watson, artwork, flora, alumni, mount cassel, mount william creek

Harry Holmes was from Ascot and was a member of the 18th Company Australian Army Service CorpsColoured painting by A.R. Quinton on a post card from post war England.harry holmes, ship, canal, world war one, holmes family collection, chatham-holmes family collection, henry smerdon holmes

Donated by Steven Spicer, Grandson of prize winner, Mr E.W. Acklom, who lived in 87 Wantirna Road, Ringwood.Gold lettering surrounding coloured photograph of floral arrangement painting by John LextonFIRST PRIZE Awarded to Mr E.W. Acklom Signed by: Mayor R.C. Horman, President of Horticultural Society, (illegible), Town Clerk F P Dwerryhouse. Date 4 March, 1961 Organised by the Ringwood Horticultural and Agricultural Society

Donated by Steven Spicer, Grandson of prize winner, Mr E.W. Acklom, who lived in 87 Wantirna Road, Ringwood.Gold lettering surrounding coloured photograph of floral arrangement painting by John LextonFIRST PRIZE Awarded to Mr E.W. Acklom Signed by: Mayor M. Deuter, Town Clerk F P Dwerryhouse. Date 23 March, 1963 Organised by the Ringwood Horticultural and Agricultural Society

Painting of HMAS Australia 1913-1916 (has damage hole upper right )picture, ww1, ran

Small watercolour painting of a bush scene. location unknown, author and date unknown.artwork, water colour, landscape

An original painting depicting three soldiers carrying weapons patrollong the outside of a buildingpainting, soldiers, vietnam lest we forget

A framed coloured painting of HMAS Parramatta in the foreground and another ship in the background at sea.hmas parramatta, cerberus collection, painting

Painted and used at Internment camp 3.Watercolour painting of "Cairo Courtyard" on wooden board, wide brown wooden frameC. Rippert. On back: "Numurkah Butter Factory, Victoria, Australia. 54 lbs nett. Produced in the district of Numurkah. "Pure Creamery Butter". G. Glockemann - Hornsby. On a sticker "Gemalde" Von Frau Rippert Ruckseite Des Bildes Von Historischem Interesse. Frau Charlotte Rippert, the artist, was a German Lutheran Missionary in Egypt in the 1930's. Interned by British in Cairo and transported to Australia on the Queen Elizabeth, arriving in Sydney, 31 August 1941.c. rippert, internment camp 3, internment camp artists, glockmann family, charlotte rippert

Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour painting of Tatura Internment Camp 4 barracks with brilliant blue sky.Leonhard Adam. Tatura Camp 4 Victoria 19.xii.41tatura, dunera, internee camps, illustrations, watercolour

Water colour painting of the Alcoa Anglesea coal mine. Painted by Jan Robley.Signed by artist Jan Robley.jane robley, alcoa power station, painting

PHOTOGRAPH TAKEN ACROSS THE VALLEY FROM PORT PHILLIP MINE. TWO POPPET LEGS IN LOWER FRASER STREET, CLUNES.BLACK AND WHITE PHOTOGRAPH OF POSSIBLY A PAINTING OR LITHOGRAPH OF CLUNES LOOKING SOUTH WESTCLUNES 1880local history, photography, photographs, buildings

Painting: acrylic on paper. Image depicts a bird in landscape in bright, vibrant colours.