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Kew Historical Society Inc
Badge - Fundraising Button, Australian Natives Association, Wattle Day For Children’s Charities, 1914-1920
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ button featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised.Wattle Day / For Children’s Charitieswattle day, patriotic buttons, badges -
Kew Historical Society Inc
Badge - Fundraising Button, Australian Natives Association, Wattle Day For Children’s Charities, 1914-1920
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ badge featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised."Wattle Day: For Children’s Charities"wattle day, patriotic buttons, first world war (1914-18), badges -
Kew Historical Society Inc
Badge - Fundraising Button, Women’s Day: Women’s Hospital 27th June 1919 [&] Queen Victoria Hospital, 1919
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A pressed metal fundraising button released in 1919 to support the Royal Women’s and Queen Victoria Hospitals. In June 1919, The Argus reported that a ‘A well attended public meeting was held at the Town Hall yesterday afternoon to complete arrangements for the Button Day on June 27 in aid of the Women’s and the Queen Victoria Hospital. The Button Fund committee desires it to be known that several busy city sections are still vacant and that further offers of help in the sale of buttons will be welcomed’. It would appear that different buttons were released on the same day to support different hospitals in various urban and rural locations in Victoria."Women’s Day / Women’s Hospital 27th June 1919 [&] Queen Victoria Hospital"patriotic buttons, first world war (1914-18), royal womens hospital, queen victoria hospital, button fund -
Kew Historical Society Inc
Badge - Fundraising Button, Women’s Hospital Appeal 1923, 1923
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A postwar fundraising button featuring a simple design using white text in a red boarder with and central blue cross. In February when the buttons were sold, The Argus reported that: ‘Each suburban municipality has formed a committee under its mayoress, to assist in the button distribution, and local committees in the country are also working for the success of the appeal. Kiosks are prohibited in the city streets, but many suburban councils have granted permission for their erection. In addition to buttons, many kinds of saleable articles will be obtainable at the kiosks.’"Women’s Hospital Appeal 1923"royal womens hospital, fundraising buttons, badges -
Brighton Historical Society
Bag, Bookmaker's bag, circa 1960s-1990s
Bags such as this one were used by bookmakers to collect and securely hold punters' bets at racing events. This bag belonged to Charlie Cox, a second-generation Australian bookmaker. His father, George Gordon Cox, ran bookmaking operations primarily during the 1920s and 1930s. After serving in the Air Force during the Second World War, Charlie entered the business during the 1940s, initially fielding at greyhound, trots and gallop meetings. In the early 1960s he moved to Melbourne, where he got his first big financial break when he was offered an interstate license to operate on the rails at all city tracks. He was a leading Melbourne bookmaker on the interstate rails racing circuit from the 1960s to the 1990s, from which period this bag originated.White painted leather bag with metal fastening mechanism. A short painted leather handle is joined to the bag by metal fastening clips.Painted on one side of the bag in black letters: "C.C. COX / INTERSTATE RAILS".bookmakers, horse racing, charlie cox, c. c. cox, interstate rails -
Brighton Historical Society
Bag, Bookmaker's bag, circa 1960s-1990s
Bags such as this one were used by bookmakers to collect and securely hold punters' bets at racing events. This bag belonged to Charlie Cox, a second-generation Australian bookmaker. His father, George Gordon Cox, ran bookmaking operations primarily during the 1920s and 1930s. After serving in the Air Force during the Second World War, Charlie entered the business during the 1940s, initially fielding at greyhound, trots and gallop meetings. In the early 1960s he moved to Melbourne, where he got his first big financial break when he was offered an interstate license to operate on the rails at all city tracks. He was a leading Melbourne bookmaker on the interstate rails racing circuit from the 1960s to the 1990s, from which period this bag originated.White painted leather bag with metal fastening mechanism. A short painted leather handle is joined to the bag by metal fastening clips. A long painted leather strap is joined to the bag by metal fastening clips.Painted on one side of the bag in black letters: "C.C. COX / INTERSTATE RAILS". "C.C. COX" is also painted in black at either end of the shoulder strap.bookmakers, horse racing, charlie cox, c. c. cox, interstate rails -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABIES COAT, Early 1940's
Cream coloured long sleeves hand knitted woollen baby coat with collar. Stocking stitch with three rows of diamond pattern on yolk, on lower skirt and on sleeves. Front opening and hemline edged with moss stitch. Fastened at neck with one pearl button. Cream satin ribbon tie at waist.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby coat -
Whitehorse Historical Society Inc.
Photograph, Whitehorse Road Sign, C1940s
2 copies of sign on south side of Whitehorse Road opposite Dunlavin Road, Mitcham, looking east. Early 1940s. Note in 1870 the area was known as Air Hill. (See also NP941) Center of shot shows shop on west side of what later became Alexander Street and further east house on the corner of Peel Street.These signs are very similar to those erected in nearby Vermontadvertising signs, whitehorse road, mitcham, dunlavin road -
Kiewa Valley Historical Society
4 Photos framed - Kiewa Hydro Electric Scheme 1940s
These 4 black and white photos are very clear and are of Bogong in the 1940s when the Kiewa Hydro electric Scheme was being constructed. Bogong was the first construction site. Bogong was a township and construction site for the Kiewa Hydro Electric Scheme built by the State Electricity Commission of Victoria. These photos in the early 1940s (during WW2) tell the story of fire, flood and living conditions with the inference of transport being horses in 1940 compared with its development in 1944.1. Tent camp at the 'Junction', Bogong 1940 2. Junction Dam September 1940: floodwaters over coffer dam 3. 'Reservoir' Camp with Bogong Stables in foreground, 1940 4. Junction Dam and Bogong village in August 1944 Each photo has string attached on the back with tape - for hangingSticker on the back of each photo: 'Framing/ Colour Magic / Shop 7, Lismore Central / Carrington Street, Lismore / Phone (02) 6621 3289'bogong township 1940, junction dam 1944, reservoir camp 1940, bogong stables 1940, tent camp at bogong -
Kiewa Valley Historical Society
Papers - Mt Beauty Householders c 1959, SECV Kiewa Hydro Electric Scheme Householders
Mt Beauty was a construction town built by the State Electricity Commission of Victoria during construction of the Kiewa Hydro Electric Scheme from the late 1940s to 1961This is a list of the original occupiers of the homes in Mt Beauty township. Houses were allocated to teachers, medical staff etc. as well as to SEC workers.14 foolscap papers. Title SECV, KHES, Mt Beauty Householders, Alphabetical List, Name, Address and Sec/Allot. See KVHS 1264mt beauty residents, mt beauty householders, secv employees -
Melbourne Legacy
Document - Documents, Receipts
Receipts for items purchased for the new hostel give an authentic picture of organisational requirements. Also shows the type of hand written receipts that were common in the 1940s.Of interest not only because of the items chosen and their prices in setting up Holmbush, but also to see the Myer advertising on the back highlighting their services in that era.Register receipts x 9, beige, black printing, pencilled handwriting. One with an Urgent sticker in red, red printing on verso.residences, holmbush -
Warrnambool and District Historical Society Inc.
Booklet, The story of the red cross, 1940s
This book published by the Australian Red Cross Society has been written by Joan and Daryl Lindsay. The book features the work of many Australian artists in the 1940s. The inscription shows that the book was a prize awarded to Joyce Goodall, a pupil at Warrnambool Technical School. This school commenced in 1913 in Timor Street, Warrnambool, a site now occupied by T.A.F.E. Warrnambool Technical School moved to a Caramut Road site and is now called Brauer College. The book was the James Swan Memorial Prize. Swan had a furniture business in Warrnambool. He was a City Councillor (1922-1936) and Mayor (1926-1928) and Swan Reserve in Raglan Parade is named after him. The donor of the prize, Mrs R. Pattison, was the daughter of James Swan and the wife of Ralph Pattison, Warrnambool Librarian. The winner of the prize, Joyce Goodall (Mrs Joyce Milne) was a member of the Goodall families which have been in the Warrnambool and Mortlake areas since the 1860s. John King was the first Head Teacher of Warrnambool Technical School and remained in that position for 29 years. This book is of interest as all of the names mentioned in the inscription plate in this book have a place in Warrnambool’s history. This is a hard cover book with the pages unnumbered. The cover is yellow with black lettering and the front cover has an emblem of the Red Cross and a laurel wreath in red and black. The cover is partly torn and has been mended with adhesive tape. The contents of the book are largely pictorial and illustrative with some text. The inscription is typed. ‘Warrnambool Technical School, Labor to Efficiency, 9th Dec. 1942, for Proficiency in English, James Swan Memorial Prize, donated by Mrs R. Pattison, Awarded to Joyce Goodall, John King, Principal.’ warrnambool technical school, history of warrnambool, john king, james swan, joyce goodall -
Ringwood and District Historical Society
Archive, Ringwood Primary School Collection of scrapbooks, photos, literature, class photos etc. 1940-1997 (Parent Record)
Ringwood Primary School - Albums of history and school photos from the laying of foundation stone in 1921Collection of nine A3 scrap books documenting Ringwood Primary School, with photos from pre 1940 to 1983 with coloured covers and plastic spines plus one Junior Teachers record book; Ringwood Primary School - Literature and photos pre 1940; Ringwood Primary School - School photos 1940s; Ringwood Primary School - Photos and Literature 1940s and 1950s; Ringwood Primary School - School photos 1950s; Ringwood Primary School - School photos 1970 to 1974; Ringwood Primary School - School photos 1975 to 1979; Ringwood Primary School - School photos 1980 to 1983; Ringwood Primary School - School photos 1983 to 1997 ; Ringwood Primary School - Literature and photos relating to the library and Miss Paddock; Education Department Junior Teachers Record Book for Ringwood Primary School 2997 from 1932 to 1942 +Additional Keywords: Paddock, Janet (Daisy) -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: SWINGING FORTIES
Bendigo Advertiser ''The way we were'' from Monday, January 13, 2003. Swinging forties: Mrs. Tracy's orchestra at the unity Hall, View Street, in the 1940s. Pictured is Geoff Tresize (cornet), Reece Ellston (alto saxophone), Col Balsillie (drums), Charlie Neville (fiddle), Bill Brandy (MC), Paddy Meaghr (vocals) and Blanche Tracy (piano). The names of the other two women in the photo are unknown. Bendigo Advertiser ''The way we were'' from 2003. Swinging forties: this photo appeared in the Way We Were section on January 13. It is of Mrs. Tracey's orchestra at the Unity Hall, View Street in the 1940s. Pictured is Geoff Tresize (cornet), Reece Ellston (alto saxophone), Col Balsillie (drums), Charlie Neville (fiddle), Bill Bradley (MC), Paddy Meagher (vocals) and Blanche Tracey (piano). The other woman pictured is Lily Peake. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Kiewa Valley Historical Society
Folder - Local Area Study of Mt Beauty, Local Area Study of Mt Beauty by a student, David, with acknowledgement to Alex McCullough & Mr C. De-Goi
The History of Mt Beauty is about the unique development of a construction town built in the 1940s by the State Electricity Commission of Victoria during the construction of the Kiewa Hydro Electric Scheme. This history gives an insight into a student's understanding and areas of interest in the development of Mt Beauty.Black plastic cover with three fasteners holding 188 pages with black print, photos and diagrams.'Ticks' have been added by the teacher on many of the pages. On the back of the last page: Teacher's comments and mark 195/200.history of mt beauty, secv, khes, alex mccullough -
Orbost & District Historical Society
silage knife, c. early 20th Century
Used in the farming industry around Orbost to cut silage or hay. Used to cut compacted hay or silage prior to the baling of hay or silage, until the late 1940s.A typical tool from the Orbost farming industry pre 1950.A large coarsely serrated flat metal blade set with two wooden handles.silage-knife agricultural-implemement -
Orbost & District Historical Society
gramophone record, 1949
Galway Bay was a hit around the world for the American singer Bing Crosby in the late 1940s. Crosby was very popular in Australia and had planned to visit Australia in 1949.The phonograph disc record was the primary medium used for music reproduction until late in the 20th century, replacing the phonograph cylinder record—with which it had co-existed from the late 1880s through to the late 1920s. Records were still the most popular media even when new formats such as compact cassette were mass-marketed. By the late 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the vinyl record left the mainstream in 1991. This item is representative of the music popular in the mid 20th century.Double sided black disc with a single central hole. A side is Galway Bay. B side is My Girl's An Irish Girl. Both are vocal with orchestra by Bing Crosby. On the central label is Y6121 and detailed information of the maker, Columbia Gramophone Company (Aust)., in gold print on black background.Pressed - WL4583T20Aphonogram-record vinyl crosy-bing music-irish -
Ballarat Base Hospital Trained Nurses League
Sheila Prendergast Photo Album 1941-1944, commenced training June 1941
L-R: Srs Dulcie Lacey, Phyllis Bradby, Ellen Orr, Ruth Tippett, Jean McGready, Nr Alice Fechner, 1940s, Ballarat & District Hospitallacy, lacey, bradby, orr, tippett, mcgready, fechner, prendergast, 1940s, ballarat, hospital -
Melbourne Legacy
Photograph - Portrait, Legatee, 194
A portrait of a Legatee that had rejoined to serve in the second World War. The caption for the photo has been lost. The portrait was in an album of photos taken in the 1940s (mostly 1945). A record of a legatee enlisting to serve in the second World War.Black and white portrait of a unnamed legatee who re-enlisted in WW2. Part of a photo album with blue leather look back and front cover. From one of 20 pages with black and white photos.legatee, portrait -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE BRASS BAND - 1930, 1930
Large Photograph - black and white. Taken sometime in the 1930s. 27 Bandsmen in 4 rows. Bass drum in the centre with a kettle drum on either side. Drum placed on a carpet. The man holding the drumsticks, sitting front row on chair, right hand side of photo is Leonard James Exell. Photo sent in by Leonard James Exell daughter Glenda Sundstrom. Red markings on back, unclear.organization, club/society, golden square brass band., golden square brass band. 1930 -
Australian Racing Museum
Racebook, Victoria Racing Club, 1946
Un-numbered page race programme for the Victoria Racing Club Autumn Meeting First Day Saturday 2 March 1946. Front cover has a white background with green and white writing, and a green and yellow 1930s art deco design with the VRC insignia in the middle top. Back cover has a white background with green writing, and a yellow border, explaining the railway arrangements. -
Melbourne Legacy
Photograph, Girls Legacy Classes
A black and white photo of the girls' classes at Legacy House in the late 1940s being addressed by a Legatee. It was used in the publication to commemorate the 25th Anniversary of Legacy in 1948 (see item 00939). The girls are wearing their cotton tunics that were provided by Legacy for each girl in the classes. They appear slightly different colours in the photo - only green ones are currently held in the Legacy collection.The girls appear to be listening to a Legatee and the blackboard behind them says 'A Merry Xmas to all' so it appears to be taken in December. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. Melbourne Legacy held Annual Demonstrations to showcase their skills. The photo was donated to Legacy from the family of Marjorie and Jacobina (Jackie) Bristol, sisters who were both junior legatees in the 1930s and 1940s after their father passed away, he was a World War 1 veteran. A note with the photo says Marjorie is 8th from the left. Jacobina later became Jackie Wood who passed away in April 2020, and Marjorie became Marjorie Bachmann and she passed away in 1986. Also donated were girls' green tunic uniform, a souvenir handkerchief, a junior legatee certificate and a $100 Legacy badge. These are catalogued separately at 01948 to 01952.A record of a group of junior legatees at a Girls' Class showing their uniforms.Black and white photo of a group of junior legacy girls in their gymnastics outfits at Christmas.Stamped 'Commonwealth of Australia. Department of Information' in purple ink on reverse. Handwritten '4319/5' in pencil.junior legatee, girls' classes, uniform -
Warrnambool and District Historical Society Inc.
Hat, School W'bool High School, Early 1930s
This is a Warrnambool High School cap from the 1930s. Warrnambool High School was established in 1907 with a farm site in Merrivale and it was also in several sites in the main town area, with the longest occupancy in Hyland Street. In 1961 the school moved to its present location in Albert Park (Grafton Road). The High School amalgamated with Warrnambool North Technical School in 1995 to form Warrnambool College. Malcolm Goodall, the owner of the cap, was born in 1917 and died in 2010. He lived in Coulstock Street and he worked in the tinning department of Nestles. The Goodall family has been in the Warrnambool area since the mid 1850s including being at the farm, ‘Wanstead’ in East Warrnambool and at Framlingham in the 19th century where William Goodall was the manager of the aboriginal settlement. This cap is of interest as an example of the boys’ uniform at Warrnambool High School in the 1930s and as a memento of Malcolm Goodall. His ancestors were pioneers in the Warrnambool district.This is a boy’s cap made of dark green cloth with octagonal sections and a cloth button on top. The peak is edged with navy and cream cord. The centre front of the cap has a school badge with the school initials and motto. The inside of the cap is lined with black cloth with a cream centre and has the cap seller’s business details and the name of the owner of the cap. Some of the printed material here is indecipherable. The stitching is worn in some places. W.H.S. Sine Labore V. Becker Boys Shop & Hosiery Parlour Warrnambool Name: M. Goodall warrnambool high school, goodall family, history of warrnambool -
Kew Historical Society Inc
Clothing, Floral Crepe Georgette Summer Dress, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family. Long floral green crepe georgette dress.women's clothing, dresses, australian fashion - 1930s -
Kew Historical Society Inc
Clothing, Floral Crepe Georgette Summer Dress, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family.Long cream and orange floral crepe georgette evening dresswomen's clothing, australian fashion - 1930s, fashion and textiles collection, rosemary smart -
Wodonga & District Historical Society Inc
Financial record - Kalamazoo - Acme Visible Card Book used in the J. Mann & Sons General Store in Wodonga, c. 1930s
Part of the 'Mann' collection in the Wodonga Historical Society, used for accounting in the J. Mann & Sons General Store in High Street, Wodonga in 1934-35. J. Mann and Sons was first established as a farm produce store in 1921. The range of products was extended in the 1930s and included groceries and hardware, as well as the first petrol bowser in Wodonga outside the store. After WWII, the premises were extended and the range of products continued to increase. In the 1960s the Mann Family opened a new supermarket in Wodonga, in addition to the hardware business, providing steel, plumbing and industrial supplies, and they employed over 100 people at one stage. With changes in the retail industry, the Mann Family sold the main hardware business to Bunnings and the produce business to the Kelly brothers in 2006. Local significance due to its use in the J. Mann & Sons General Store in High St, Wodonga and association with the prominent Mann family. National significance as kalamazoos were manufactured by an Australian company and used in the 1930s for accounting purposes by local businesses.Visible card book or kalamazoo used by the accounts department of J. Mann & Sons General Store, High Street, Wodonga, in 1934-35 for customers with surnames from K to P.Details for each customer provided on individual cards. "KALAMAZOO - ACME / Visible Card Equipment / THE "RAPID SIGHT" METHOD / Kalamazoo (AUST.) LTD. / SYDNEY - MELBOURNE - BRISBANE - ADELAIDE"mann, accounting, financial record, high street wodonga, wodonga, commerce, business, kalamazoo, general store, j. mann & sons -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, SSP Sheffield Silver Plate & Cutlery Co. Ltd, About 1913 to early-1930s
This electroplated silver teaspoon was made by the Sheffield Silver Plate & Cutlery Company Limited from about 1913 to early-1930s. It was recovered from an unknown shipwreck in the coastal waters of Victoria in the late 1960s to early 1970s. The shipwrecks in the area range from around the 1840s to the early-1930s. It is part of the John Chance Collection. Sheffield manufactures produced high quality silverware products. In the mid-1700s a cutler, Thomas Boulsover, invented a process to fuse copper between two sheets of silver, which could still be like solid silver then the edges were bound in silver. Items made this way are now referred to as Old Silver Plate. The modern method of electroplating has a much thinner layer of silver. The firm Sheffield Silver Plate and Cutlery Co. Ltd. was established in 1913 by Mappin & Webb to make spoons and forks using the American Wilzin process, which was a failure. In 1923 the company was incorporated then re-financed and reverted back to the older production method for electroplating. The maker’s stamp usually had the letters “S.S.P. & C. Co Ltd EPNS” and often included an octagon stamp with “SSP”. The firm had the registered trademarks of ‘SILCUTA’ and ‘SILTONA’ and has also used the name ‘Sheffield Nickel & Silver Plating Co. Ltd.’ The firm had manufacturing Works at Priestley Street, Sheffield from 1913 until the 1960s. They also had a London office in 1919 at Atlantic House, 40a Holborn Viaduct, London, E.C.1., then in 1921 at Union Bank Buildings, Charterhouse Street, E.C.1. The company was dissolved in 2000, the last office address being 23 Albemarle Street London, W1S 4AS. Although this spoon is not linked to a particular shipwreck, it is recognised as being historically significant as an example of cutlery, possibly from a passenger’s luggage or imported for use in Colonial Victoria in the 19th to early 20th century. The spoon is the only example in Flagstaff Hill’s collection that is connected to the manufacturer Sheffield Silver Plate and Cutlery Co. Ltd., historically significant also, as in 1939 the same manufacturer was a recognised supplier to the British Government. The spoon is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Spoon; teaspoon, nickel plated silver, discoloured to brown. Old English design. Inscription on handle. Made by Sheffield Silver Plate & Cutlery Co Ltd., Sheffield. Spoon has dimpled surface, nicks and dents. Embossed logo within sunken elongated octagon [SSP] Embossed letters following logo, “S S P C & CO LTD EP/NS” flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, sheffield, cutlery, eating utensils, electroplate, silver plate, silverware, flatware, antique flatware, old english flatware pattern, spoon, teaspoon, silver flatware, dining, silver plated, epnns, sheffield silver plater & cutlery, ssp, ssp & c co ltd, 20th century silverware -
Greensborough Historical Society
Article and Photograph, All Saints Anglican Church Greensborough, 2018_
Information and photographs of All Saints' Anglican Church Greensborough from the 1940s and 1950s. Includes a hand drawn map of the original site on the corner of Main Street and Grimshaw Street.This photograph and text was copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Article and photograph sourced from social media.all saints anglican church greensborough -
Greensborough Historical Society
Oral History, John Gibson et al, The Big Paddock: Eric Barclay / as told to John Gibson, 1940o
Eric Barclay relates his life in Greensborough from the 1940s, living in Grace Park. The story was written from an interview by John Gibson. Photographs courtesy of Eric Barclay.A primary source relating to life in rural Greensborough mid-20th Century.10 pages, text and colour and black and white photos.eric barclay, grace park -
Eltham District Historical Society Inc
Photograph, Possibly members of Alford or Braithwaite or Baddeley(?) family
Photo depicts ten people standing alongside a car on a road, probably taken late 1940s. Other photos in the set mention surnames Alford, Braithwaite and possibly Baddeley.Black and white photograph printed with white borders (one of a set of five).