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Bendigo Military Museum
Headwear - STEEL HELMET, C. 1939 - 45
The item was worn by an S DUNLOP 2/4th Batt AIF.Steel Helmet, painted khaki colour, khaki coloured cotton webbing chin strap, liner is leather and canvas, size 7.On inner liner in black print, “DUNLOP/7/2/4”steel helmets, headwear, -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Geoff Grant, 7/04/1956 12:00:00 AM
Black & White photo of M&MTB tram No. 1033 at North Fitzroy tram depot, prior to going on an AETA tour on 7/4/1956. Tram showing destination of "SPECIAL", has auxiliary board of "AETA", an AETA tour board on front bumper and panel on front dash "SOLVE TRAFFIC CONGESTION, MOVE PEOPLE NOT VEHICLES". Trams 1027 and 1029 in depot fan and others with numbers obscured. See also Reg item 1620.2 for negative of this item.On rear in btm rh corner, "Geoff Grant, 7 Apr 1956 Victoria"trams, tramways, melbourne, north fitzroy depot, aeta, tours , tram 1033 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 3, George Bishop, Dec. 1971
Black and white photographs of Bendigo No. 7 at Golden Square terminus 12/1971. Photos by George Bishop. .1 - Tram at terminus, with two ladies boarding the tram .2 - ditto without ladies .3 - view rear number of the tram and Billy Rodda's Golden Square Hotel. No. 7 has two SEC roof advertisements for electric cooking.On the back of two of the photos in ink No. 7, Golden Square/ G. Bishop photo" On the rear of .3 is a label "No. 7 at Golden Square Bendigo, December 1971"tramways, trams, bendigo, golden square, tram 7 -
Glenelg Shire Council Cultural Collection
Souvenir - Ticket - C.E.M.A Music Group Portland, Victoria 1974, 'South Pacific', Dec-74
Ticket to CEMA music group's 'South Pacific' Dec 2 - 7 1974, duck egg blue, black printBack: '7/12/76 C-8', hand written in pencil -
Melbourne Tram Museum
Photograph - Set of 7 medium size photographs - Wattle Park MMTB, Melbourne & Metropolitan Tramways Board (MMTB), 1960s
Set of 7 photographs, probably by the MMTB of Wattle Park. 1 - Night photo of the chalet 2 - view looking across to the chalet with people picnicking 3 - One of the former W2's at the park. 4 - General view of the park with people. 5 - Another view with one of the W2's in the view, 6 - View with the golf course 7 - General view with mature trees.Yields information about Wattle Park during the 1960s, which was owned and maintained by the MMTB.Set of 7 black and white photographs.tramways, mmtb, wattle park, golf -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Jim Connor, River Bend House, 130 Laughing Waters Road, Eltham, 7 September 2013
Laughing Waters Walk, 7 Sep 2013 This Society excursion was a follow up to the Laughing Waters Story told to us by Jane Woollard at our Annual General Meeting in March 2013. It involved a walk commencing from the corner of Laughing Waters and Overbank Roads along Laughing Waters Road to its eastern end and returning partly over the same route - a total distance of about 2.5km. On the way we visited the two artist in residence properties, River Bend and Birrarung, to view the houses on them that are associated with Alistair Knox, Gordon Ford and others in the local mud brick and artistic community. We also able to walk around the derelict ruin which was once home to Gordon and Sue Ford, Boomerang House. An unexpected afternoon tea was offered to us by the artists in residence at Birrarung House and we had a brief opportunity to view inside the house. River Bend was designed and built by Alistair Knox for Rosemary and Bill Cuming in 1968. It sits in a deep cutting on a steep slope above the Yarra River and features floor to ceiling windows and glass doors set into mission brown timber frames and walls of reclaimed bricks in pinkish hue. Rosemary laid the brick paving around the house, a copy of the shell paving found in the ancient French town of Colmar, where the family had lived for a period. The kitchen was equipped with a 1960s stove as well as a cast iron wood stove reclaimed from Rosemary's sister's home in Armadale. Max and Tini Huygens, migrants from Holland, purchased the property in 1975 and named it Tilwinda from an Aboriginal word meaning 'hole in a rock'. In late 1981 Tini died after a short illness, but Max continued to live at Tilwinda until he moved to a retirement village in 2000 and the property was sold to Parks Victoria. Renamed River Bend, the property became part of the Laughing Waters Artist in Residency Program in 2008. Nillumbik Shire Council upgraded the property in 2012 with solar panels, a heat pump for hot water and double glazing to improve the comfort of the artists in residence and make the house more energy efficient. For a more in-depth description of the property and biographies of the various artists in residence commencing from 2008 to 2015, see Jane Woollard's book, "Laughing Waters Road; Art, Landscape & Memory in Eltham" published 2016.2013-09-07, activities, artists in residence, eltham district historical society, heritage excursion, jim connor collection, laughing waters road, river bend house -
St Kilda Historical Society
Photograph, Don Taggart
Don Taggart aged 7 and a 1/2. Ex president of the St Kilda Historical Society. Avid researcher of Elwood history.black and white photograph, unmounted, original, good conditionOn back: Don 7 and a half -
Ballarat Tramway Museum
Photograph - Colour Photograph/s set of 2, Carolyn Dean, 7/11/1992 12:00:00 AM
Yields information about the first operation of the horse tram in Wendouree Parade by the BTPS and has a strong association with those involved.Colour photo of Horse Tram No. 1 at Carlton St. terminus, on 7 November 1992. Tram standing for photographs. On Agfa paper. 745.1 - ditto Wendouree Parade - used for publication in November 1992 issue of Fares Please! Item records - under the control of Bernard Armstrong and Edward Kennedy. Horses were Ajax and Herc. See November 1992, Fares Please!On rear "25 7.11.92, Photo C.Dean" in blue ink. 745.1 - ditto, "23 7-11-92"horse tram no. 1, tramcars, reconstruction, btps, tram 1 -
National Wool Museum
Shearing cutter
Metal shearing cutter with three points,"7/ Pat 8647 Cooper EB15449"7/ Pat 8647 Cooper EB15449shearing -
Ballarat Tramway Museum
Slide - 35mm slide/s, Travis Jeffrey, c1962
Agfa plastic mount (blue base, white cover) with a photo of Bendigo 7, in McCrae St, near Arnold St. at the end of the double line track. Note the "End of Section" sign on the pole. Tram has the destination of North Bendigo. Photo taken c1962. Tram has a "The Age" sign on the front cab panel."BES 7" in penciltramways, trams, bendigo, mccrae st, signs, tram 7 -
Lara RSL Sub Branch
Newspaper - Daily Express UK Newspaper Dated 7/6/1944 - D_Day Continues - Tanks 10 Miles In, UK Newspaper
Daily Express UK Newspaper Dated 7/6/1944D_Day ContinuesDaily Express UK Newspaper Dated 7/6/1944 D_Day Continues - Tanks 10 Miles In , No Longer any Opposition on The Beaches , No Fightersd_day continues - tanks 10 miles in, no longer any opposition on the beaches, no fighters -
Tatura Irrigation & Wartime Camps Museum
Uniform - Australian Army Shirt, Shirt, 1913
Australian Army historicKhaki cotton Army shirt , Tag in neck .....1913, Made in Australia, Size 7. Long Sleeves, 3 Button front opening, 2 button close chest pocketsNeck tag ....1913, Made in Australia, size 7 -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, Celebrating 25th anniversary, 7/01/2000 12:00:00 AM
Newspaper clipping from the Ballarat Courier of 7/1/2000 featuring two photographs taken on 26/12/1999 during the 25th anniversary celebrations of the operations of the tramway by the BTM. Item within the People and places section. The first photo - Gavin Young standing in the doorway of tramcar No. 40. The second - Mr. Matthew Hutchison holding his son Henry inside a tram - possibly No. 13 - see also item 1290. "7 Jan 1999 Courier" in black ink, top right hand corner - date was actually 2000.trams, tramways, btm, visitors, 25th anniversary -
Ballarat Tramway Museum
Photograph, Wal Jack, Photograph of Bendigo No. 22 decorated for the Queen's visit (Royal visit), 7/03/1954
Shows the decorations applied to the tram. Photographed on the Bendigo tram depot access track with a crewman standing inside the drivers door. Black and White prints contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details.Yields information of a decorated tram for the 1954 Queens visit.Photograph of No. 22 decorated for the Queen's visit (Royal visit) at the depot 7-3-1954. Printed on Ilford paper. See Reg Item 5779 for a photo of the same tram on the depot access track. See image i2 for rear of photograph. On the rear in blue ink "SEC Bendigo No 22 decorated for Queen's visit, outside depot 7-3-54" with Wal Jack copyright stamp in the top right hand corner.trams, tramways, bendigo, royal visit, decorated trams, depot, tram 22 -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 703/2, 24 July 1948
24/7/48. "The new building rises to displace the Old Pavilion which is soon to be demolished." "The new building is nearly finished." THK"24/7/48." Plant Research Laboratory.plant research laboratory, e. m. gibson collection -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Jim Connor, Boomerang House, 195 Laughing Waters Road, Eltham, 7 September 2013
Laughing Waters Walk, 7 Sep 2013 This Society excursion was a follow up to the Laughing Waters Story told to us by Jane Woollard at our Annual General Meeting in March 2013. It involved a walk commencing from the corner of Laughing Waters and Overbank Roads along Laughing Waters Road to its eastern end and returning partly over the same route - a total distance of about 2.5km. On the way we visited the two artist in residence properties, River Bend and Birrarung, to view the houses on them that are associated with Alistair Knox, Gordon Ford and others in the local mud brick and artistic community. We also able to walk around the derelict ruin which was once home to Gordon and Sue Ford, Boomerang House. An unexpected afternoon tea was offered to us by the artists in residence at Birrarung House and we had a brief opportunity to view inside the house. Gordon Ford and photographer Sue Winslow were married in 1965. They set up home in an old log cabin on the property Gordon had purchased in 1954 on Laughing Waters Road. Situated between the Yarra River and Overbank Road, Gordon had built a small mud-brick shack on the river and a pontoon. Over the decades the shack has been locally referred to as “the love shack”, the “rooting shack” or simply “Gordon’s shack”. Gordon and Sue commissioned local builder Graeme Rose to do a wattle and daub renovation and extension to the old log cabin on the north side of Laughing Waters Road. The work had only just been completed in 1965 when a bushfire swept through the area and destroyed the cabin. Gordon and Sue relocated to his property, Fulling, in Pitt Street, Eltham. In 1970 work started on a new house at the Laughing Waters property. Originally known as the Banana House, it is now known as Boomerang. Designed by Alistair Knox, the mud-brick house includes iron window grilles made by Matcham Skipper that puncture the curved mud walls. The grilles were made from ‘off-pressings’ from the Sidchrome tool works in Heidelberg. Gordon, Sue and family moved into the house in 1972. Their marriage fell apart and Sue moved to Sydney with the children around the same time Gordon commenced building Birrarung just below Boomerang on the Laughing Waters Road block. After the Fords moved out, Boomerang it was rented out to various share households of students, musicians, artists and environmentalists for twenty-four years. Gordon Ford sold Birrarung and Boomerang to Melbourne Water in 1999. The Laughing Waters Artist in Residence Program was developed as a partnership between Parks Victoria and Nillumbik Shire Council. Boomerang was deemed unfit for habitation so was used as a day studio only. By 2001 Boomerang was in a poor state of repair and by 2002 the last artist in residence was to use the house as a studio. Nillumbik Shire Council had been granted funds from the Melbourne Community Fund to restore both Boomerang and Birrarung but it was apparent in early 2003 that the funds would be insufficient to restore both houses. Boomerang was infested with termites which presented a risk to any occupants and so the decision was made to close Boomerang and concentrate funding on Birrarung. Boomerang was fenced off for safety and to prevent intrusion and remains ‘caged’ today (2023). However, it is readily apparent the property has been occupied by squatters over the years. By 2023 it was clear that the squatters had abandoned the property and sections of the roof structure have given away in some areas and collapsed internally. For a more in-depth description and history of the property and that of Gordon and Sue Ford, see Jane Woollard's book, "Laughing Waters Road; Art, Landscape & Memory in Eltham" published 2016.2013-09-07, activities, eltham district historical society, heritage excursion, jim connor collection, laughing waters road, boomerang house, gordon ford -
Ballarat Tramway Museum
Slide - 35mm slide/s, Wal Jack, 7/04/1962 12:00:00 AM
Photo of 10 trams in Lydiard St., with No. 20 at north end for Australian Railway Historical Society visit on 7-4-1962. Taken from west side of Lydiard St. looking south. Photo includes Vauxhall and Morris built cars. No. 20 fitted with dash canopy lights, small white strip, and has an ad for 'The Age' on front panel. Destination shown is 'Special'. Photo is over exposed.'SEC Ballarat ARHS Specials, 10 trams in Lydiard St. Nth. 7/4/62.' in blue ink.tramways, trams, lydiard st., specials, arhs, tram 20 -
Stawell Historical Society Inc
Photograph, Cato Lake -- with palms & trees -- Coloured
Coloured Postcard Murray Views No. 7. Cato Park Stawell Victoria. The three black and white photos are missing the larger palm tree on the right in the foreground. The view is of the lake surrounded by trees and bench seating. One colour post card Murray View No 7 Cato Park Stawell Victoria plus two similar black & white photos one smaller the other an enlargement. Also a small B&W photograph in Album 14, p28. The post card is a view of a section of the lake surrounded by willows, 2 tall pine trees and one large palm tree on the right. The lake is also surrounded by 3 concrete & wood bench seats with maybe a 4th in the distance. Murray View No 7 Cato Park Stawell Vic. On the back "Post Card Real Photograph produced in Australia by Murray View, Gympie, Q".stawell -
National Wool Museum
Book, Practical warp gaiting
"Practical warp gaiting"- W Middlebrook, "Textile Manufacturer" Monograph No 7"Practical warp gaiting"- W Middlebrook, "Textile Manufacturer" Monograph No 7textile industry - education textile machinery, textile manufacturer, warping, weaving looms, textile industry - education, textile machinery -
Whitehorse Historical Society Inc.
Article, Cr Rawlings retires, 1/07/1992 12:00:00 AM
Resignation of Andrew Rawlings.Resignation of Andrew Rawlings, Councillor for North west Ward on 7 Aug 1992.Resignation of Andrew Rawlings.local government, rawlings, andrew, city of nunawading -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, 703/3, 24 July 1948
24/7/48. "The new building rises to displace the Old Pavilion which is soon to be demolished." "The new building is nearly finished." THK"24/7/48". Administration Building under construction.administration building, construction, e. m. gibson collection -
Frankston RSL Sub Branch
Cap, Driver
Army khaki cloth peaked cap of Dorothy Margaret Fullerton VF 515848 who was a driver in the Australian Womens Army Service. She joined the army in 1944. The cap size is 6 7/8.D.M. Fullerton VF 515848 6 7/8 -
Ringwood and District Historical Society
Photograph-B&W, Hill's Dairy, Canterbury Road, Ringwood 1989-The Barn, 6/07/1989
Hill's Dairy, Canterbury Road, Ringwood 1989-The Barn (exterior view). The roof support posts on the left are those in picture 7 (6502-005)The Barn / The roof support posts on the left are those in picture 7 (6502-005) -
Melbourne Tram Museum
Photograph - Colour Print, 7/11/1983 12:00:00 AM
Colour print of SW2 in St Kilda Road on a Gardiner Road service at the junction for the South Melbourne lines, Nolan St. Dated 7-11-1983. Printed on Fujicolor paper. Tram has advertisements for RESI building society on the front of the tram, Peter Jack cigarettes and National Australia Bank on the side panels.On rear in ink "W2 388 cnr. St Kilda Rd and Nolan St. 7-11-83. To Perth 1985 (Windsor Hotel, South Perth)trams, tramways, st kilda rd, nolan st, w2 class, tram 388 -
Stawell Historical Society Inc
Photograph - A.I.F, Soldier George E Carter in Uniform 1917 -- Studio Portrait
G E Carter Soldier in Uniform Rollingstone England June 7 1917G.E. Carter. 7/6/1917 Rollestone Englandstawell ww1 -
Tatura Irrigation & Wartime Camps Museum
Uniform - Australian Army Shirt, Shirt, 1913
Australian Army historicKhaki cotton Army shirt , Tag in neck .....N244, Made in Australia, 1943, Size 7. Long Sleeves, 3 Button front opening, 2 button close chest pocketsNeck tag ....N224, Made in Australia, size 7, 1943 -
Melbourne Tram Museum
Slide, Keith Kings, 7/04/1969 12:00:00 AM
35mm Kodak white cardboard colour slide by Keith Kings of W3 664 at Essendon Depot, shortly after withdrawal from service. Taken 7/4/1969. Has adverts for Courage beer, Alitalia and White cough mixture?Keith Kings stamp and number "52-31", with details of exposure. "MMTB W3 664 with weather blinds down, shortly after this class relegated to spare only?" "Essendon Depot 7/4/1969".trams, tramways, w3 class, stored trams, essendon depot, tram 664 -
Melbourne Tram Museum
Slide, Keith Caldwell, 22/07/1982 12:00:00 AM
Kodachrome Colour slide, cardboard, by Keith Caldwell dated 22-7-1982 of Transport Art tram by Mirka Mora W2 243 passing Flinders St Station, en route to Coburg, route 1.In ink "Melbourne Tram 243 (22-7-82)"trams, tramways, w2 class, route 1, east coburg, transporting art, tram 243 -
Kew Historical Society Inc
Photograph - Alma and Silvia Figuerola, D'Estaville, The Age, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.This photographic is part of a series that is historically and aesthetically significant, in that they record the appearance of an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a Melbourne artist who lived in Kew.D'Estaville, Barry Street, Kew. The facade facing Barry Street. The original front of the property faced Studley Park Road where the front door is still located. This is a newspaper photograph, part of a series on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Annotation on reverse: "View showing side of mansion there is a wing running from left hand side. / Owner with her sister Silvia and "the Head".alice figuerola, australian artists, d'estaville, 7 barry street -- kew (vic.) -
Kew Historical Society Inc
Photograph - Alma Figuerola in the drawing room of D'Estaville, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in her drawing room at D'Estaville, Barry Street, Kew, holding her pet dog while gazing into the fireplace. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Stamp of The Age on reverse.australian artists, d'estaville -- 7 barry street -- kew (vic.), alma figuerola, melbourne artists -- twentieth century