Black and white photograph - Senior Boys, 1919"Attached to photograph" Back Row - L to R: William O'Brien, Harold Little, Wilfred Pump, Jack Wakeham, Lothair McKenzie, Harold Wilson, Evan Wigley, Arthur Blood 2nd Row - L to R: Clarence Burns, Jack Pratt, George Eastwood, Noel Bonsack, Harold Hunt, Walter Kraefft Front Row - L to R: Leslie Kay, William Meyland, Geoffrey Dickson, Leopold Pratt. Teacher: ----- And Typed below photograph, "Ringwood State School Senior Boys - 1919". Written below smaller print, "Ringwood State School. Senior Boys approx. 1919. Back row - William O'Brien, Harold Little, Wilfred Pump, Jack Wakeham, Lothair McKenzie, Harold Wilson, Evan Wrigley, Arthur Blood. Sitting - Clarence Burns, Jack Pratt, George Eastwood, Noel Bronsack, Harold Hunt, Walter Kraefft. Kneeling - Leslie Kay, William Meyland, Geoffrey Dickson, Leopold Pratt".

The Ballarat University College became the University of Ballarat in 1994, and Federation Univeristy Australia on 01 January 2014.Colour photographed framed in a blond timber frame of 20 men and three women who made up the Ballarat University College Council in 1990. The 1990 Council was made up of J.D. McClure, Bob Morrell (Secretary), David Fisken, M.J. Lee, Dr D. Hamilton, Stafford McKnight; Dr Frank Hurley; J.A. Parkin, Professor J.R. Poynter, Dr R.K. Watson, J. Malone, Walter M. Lonie, T.J. Harrison, Associate Professor K.W. Ogden, J.V. Thomas, J.E. Pollock, Liz Sheedy, Dr Bill Pryor, Professor John Sharpham (Director), E. T. Oppy (President), Shirley Falkinder (Vice President), Ian Gordon (Immediate Past President), Mary Akers, M.W. Boyce, Professor I.S. Ferguson, Ms. A.V. Primus. Inset within the mount - "Ballarat University College Council - August, 1990" " Standing [L-R] Mr. J.D. McClure, Mr R.T. Morell (Secretary), Cr. A.C.D. Fisken, Mr. M.J. Lee, Dr. D. Hamilton, Mr. S.W. McKnight; Dr F.T. Hurley; Mr. J.A. Parkin, Professor J.R. Poynter, Dr. R.K. Watson, Mr. J. Malone, Mr. W.M. Lonie, Mr. T.J. Harrison, Associate Professor K.W. Ogden, Mr. J.V. Thomas, Mr. J.E. Pollock. Sitting: [L-R] Ms. E.E. Sheedy, Dr W.J. Pryor, Professor J.R. Sharpham (Director), Mr. E. T. Oppy (President), Mrs. M.S. Falkinder (Vice President), Mr. I.A. Gordon (Immediate Past President), Mrs M.T. Akers. Absent: Mr M.W. Boyce, Professor I.S. Ferguson, Ms. A.V. Primus. ballarat university college, j.d. mcclure, bob morrell (secretary), david fisken, m.j. lee, d. hamilton, j.r. poynter, r.k. watson, j. malone, w.m. lonie, t.j. harrison, k.w. ogden, j.v. thomas, j.e. pollock, liz sheedy, bill pryor, john sharpham, e. t. oppy, shirley falkinder, ian gordon, mary akers, m.w. boyce, i.s. ferguson, a.v. primus., lonie, walter lonie, university women, stafford mcknight, frank hurley, j.a. parkin

Brown, paper covered printed journal of the British Astronomical Association. Contents include branch reports from Glasgow, Manchester and Sydney. Papers include Uranus (C. Roberts); Planet Uranus (Arthur Henderson); Naked-eye Pairs of Stars (F. Gale); Jupiter in November 1896, (C. Roberts); Observation of Dark Spots on the Planet Jupiter (John Tebbutt); The Great Sun0Spot Group of September 1896 (E. Walter Mainder); Solar Prominences (John S. Townsend); Observations of Leonids (Wililam Anderson); Occulation of Mecury by Venus, 17 May 1737 (A.C.D. Crommelin); Stellar Occulations by Planets (C.T. Whitmell); Canals of Mars Observed at the Moanora Observatory (Lec Brenner); Observations of Ceti (L.A. Eddie). Correspondence reported includes the Herschelian Reflector, Berlin Exhibition, aurora, Aurora Borealis, Liberiaastronomy, observatory, planets, stars, e walter maunder, shackleton, t f furber, pietro baracchi, gh knibbs, wf gale, cj merfield, john tebbutt, mary a orr, fk mcdonall, jogn s townsend

Bendigo Advertiser '' The way we were'' from Monday, March 15, 2004. All together: the 1912 class of Bagshot State School. Front row, from left: Stan Pollard, Roy Martin, Harry Clay, Bartholomew Burke, James Pitson, A. Martin, Sis Pitson. Second row, from left:: Tommy Burke (standing), Ned Stanley (standing). Third row, from left: James Peatling, Les Whatley, Tommy Pitson, Mary Pitson, Doris Clay, Sarah Burke. Fourth row, from left: Aggie Keating, Harold Pitson, teacher Mr. Murphy, Alf Pitson, Robert Clay, Muriel Peatling, Jean Pitson. Back row, from left: A. Martin, Norm Clay, Walter McGauche, unknown, unknown, Molly Reilly. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Black and white photograph of Sturt St. looking west from Town Hall 1906. Shows a ESCo tram hauling an ex-horse trailer . Has some other horse drawn vehicles in photo and a number of pedestrians. Shows the newly formed tramway road surface, poles etc. Has "Snows" store sign on left hand side of photograph and buildings along the north side of the Sturt St. Other buildings shown are William Day & Son, Walter Connell, Anderson & Morse coach builders. On the top of the item is the words "Two Views of Sturt St.". See also Reg Item No. 888 for the same item, but with a typed caption note stuck on the top edge. See Reg Item No. 2784 for the other "Two Views of Sturt St." image.trams, tramways, esco, sturt st., ballarat

Yields information about the view of letter writers about the proposal for a Ballarat Tourist based tramway in 2002.Set of three newspaper clippings about the return or revival of a tourist tramway in Ballarat. .1 - Cartoon by Inkcinct - The Courier Saturday 27 July 2002 - about Eureka Historians commenting on the tram route proposal. .2 - Newspaper clipping - six different letters - from The Courier, Saturday 27 July 2002, first letter titled "Trams were hard for many to board" - written by David Stabb, Doug Wiseman, Shane Canny, Peggy Nijam, M. Parr, Mary Glenane. .3 - Newspaper clipping - six different letters - from The Courier, Wednesday 17 July 2002, first letter titled "Trams are not the best investment", written by Bob Orr, Keith Vanstan, Walter Robson, Tom Evans, Brian Coffey and Pauline Shaw - re Peter Hiscock and the Bridge Mall. Each item has the date, source and page written in ink.ballarat revival, btm, city tramway, bridge st, bridge mall

This is a 1918 Day Book listing some employees/contractors and the day-to-day tasks undertaken by them. There is a separate page for each employee. The book lists such tasks as ‘carting from the Quarry’, ‘tarring Raglan Parade’, ‘tarring at the Gardens’, ‘screening Liebig Street’, ‘working at the Ladies’ Baths’ and ‘general patching’. The names of the employees/contractors include Niven, Thompson, Jewell, Walters, Mooney, Rodgers, Williams, Dunne and Gee. The name ‘McKenzie’ on the first page is the only clue to the identity of the employer/overseer and so far his identity has not been established. The jobs listed suggest that he was either an employee of the Warrnambool Council in the Public Works area or a contractor hired to do the same sort of work. This note book is of great interest as it lists workers and the jobs covered by them in 1918 in Warrnambool and it will be of greater significance when the identity of McKenzie is established.This is a note book with ruled blue and red lines. The cover is black and is a little torn and scuffed. There are some loose pages. The entries in the book are handwritten, mostly in black ink. ‘McKenzie Day Book November 4th 1918’history of warrnambool, mckenzie contractor, mckenzie warrnambool

Part of a collection of correspondence and photographs to Gladys Holmes and Byaduk residents during WW1.. War issue envelope for mail from service personnel on ACTIVE SERVICE and must be signed to certify the contents refer only to personal and family items. The Cover may have contained several letters each from the same writer and may be subject to the Censor. Cited in 'Untold Stories & Forgotten Faces' by James Affleck, 'KINGHORN,Walter Stanley, (Byaduk), born 1888, enlisted 26th August 1914. He served in 4th Light Horse Regiment, who fell at the Charge of Beersheba on 31st October 1917, buried at Beersheba War cemetery.. One of fourteen local men killed remembered in an Avenue of Honour. Original document, cover/envelope with 1917 postmark, surname of sender and full address. Portion of fourteen items comprising the Gladys Holmes collection.Buff coloured paper envelope with dark green ink used for instructions and markings. Black ink circular postmark FIELD POST OFFICE/9 JA 17 Blue ink handwritten address and sender's name.Writer: Kinghorn Address: Miss G Holmes/Byaduk/ via Hamilton/ Victoria/ Australia gladys holmes, envelope, kinghorn, ww1, byaduk

This a school text book edited by Walter Logie Forbes Murdoch (1874-1970). He had a distinguished academic career and is regarded as one of Australia’s best essayists. He was a household name to two generations of Australians through his radio broadcasts and syndicated literary columns in several Australian newspapers. He was in Warrnambool early in the 20th century as the proprietor of a private school. In 1904 he left Warrnambool to take up a lecturing position at Melbourne University. He went on to become the foundation Professor of English at the University of Western Australia and later its Chancellor. Murdoch University in Western Australia is named after him. He was knighted in 1964. He published over 40 books. This book is of interest because it was edited by Walter Murdoch, an important figure in Australian literature and a man who played a part in Warrnambool’s history. In 1901 Murdoch came to Warrnambool, going into partnership with James Scott, the proprietor of Warrnambool College. They bought out Stanley’s Warrnambool Grammar School. When Scott retired Murdoch became the sole proprietor of the school. While in Warrnambool Murdoch wrote a school history textbook, ‘The Struggle for Freedom’. He left Warrnambool in 1904This is a hard cover book of 448 pages. It has a dark red cover with gold printed letters on the spine and the printing on the front cover is etched into the cover. It has a Prefatory Note, a Contents page, Sections Three and Four containing extracts from English Literature (the book is the Part Two volume) and advertisements at the back for other books published by Thomas Lothian. The book is bound with glue.On the first page: ‘Ada Sheen, State School Fryerstown’.walter murdoch, warrnambool college (early 20th century), history of warrnambool

John Barnaby was born in 1867 near Rosebud, Victoria. In 1885 he came to Melbourne and started working as a teacher at Caulfield Grammar School. In 1894 John Barnaby entered the Theological Hall at Ormond college. He graduated B.A. in 1895 and finished his theological studies in 1896. He was ordained in 1898 and called to Kew Presbyterian Church. In 1903 he took his M.A. degree. In 1912 he left Kew and was appointed Neil Walter Black Lecturer at Ormond College Theological Hall. Graduated Bachelor of Divinity and also gained a Diploma of Education. Convenor Home Missions Committee until 1923. Superintendent of Group Mission from 1923. Died 12 September 1933B & W half length, seated studio portrait of Rev John Barnaby M.A. printed on buff card.Rev. John Barnaby, M.A. 1898 - 1912john barnaby, presbyterian minister, ormond college theological hall, kew, neil walter black lecturer, home missions committee

John Barnaby was born in 1867 near Rosebud, Victoria. In 1885 he came to Melbourne and started working as a teacher at Caulfield Grammar School. In 1894 John Barnaby entered the Theological Hall at Ormond college. He graduated B.A. in 1895 and finished his theological studies in 1896. He was ordained in 1898 and called to Kew Presbyterian Church. In 1903 he took his M.A. degree. In 1912 he left Kew and was appointed Neil Walter Black Lecturer at Ormond College Theological Hall. Graduated Bachelor of Divinity and also gained a Diploma of Education. Convenor Home Missions Committee until 1923. Superintendent of Group Mission from 1923. Died 12 September 1933Oval, B & W head and shoulders studio portrait of Rev John Barnaby M.A. mounted on buff card.john barnaby, presbyterian minister, ormond college theological hall, kew, neil walter black lecturer, home missions committee

Contents: • The Eltham Avenue of Honour by Jim Connor • Next Meeting –2.00pm Saturday 8th June 2024 • July Excursion - Saturday 6th July – Walter Withers Walk • Robert Hoddle – Chains and Grids in Terra Nullius by Anne Paul • Montsalvat People by Richard Pinn o Arthur Munday (1903-1976) o Sonia Skipper (1918-2008) • Arthur Egglestone Dungey, Eltham’s third policeman by Irene Kearsey • Annual General Meeting – Saturday 13th April 2024 • Flagging Appreciation by Terry Beaton • Eltham Cemetery Stories by Liz Pidgeon o Blanche Emily Shallard, nee Everard, 1905-2002. Local historian and community volunteer • Experience Eltham Cemetery The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 newsletter distributed to members (Digital and A4 photocopy)newsletter, eltham district historical society

[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Three colour photographswalter withers rock, walter withers reserve, mary owen

[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Two colour photographswalter withers rock, walter withers reserve, mary owen

A4 copies of Landata Victoria Historical Search documents - Vol 2574 Fol 514725.Frederick Walter Purches of Ascot Vale, Wholesale Butcher, is now the proprietor of an Estate in Fee-simple - 2,291 acres 3 roods 24 perches or thereabouts, being Crown Allotments 4A, 4B, 11A, 11B, and Crown Sections 5 and 6, Parish of Warrandyte, County of Evelyn. Transfers include The Mutual Assurance Society of Victoria Limited, 15th August, 1896, The President Councellors and Ratepayers of the Shire of Lilydale, 13th March, 1899.

This is a booklet of 16 pages. The cover is buff-coloured and has ornamental patterns and brown printing on the front cover. The pages contain printed text and 24 black and white photographs. Some pages have handwritten annotations.non-fictionThis is a souvenir booklet Souvenir Booklet of Warrnamboolwarrnambool tourism, walter davies bookseller warrnambool

Penicillin is a group of antibiotics derived from Penicillium fungi, including penicillin G, procaine penicillin, benzathine penicillin, and penicillin V. Penicillin antibiotics are historically significant because they are the first drugs that were effective against many previously serious diseases, such as syphilis, and infections caused by staphylococci and streptococci. Penicillins are still widely used today, though many types of bacteria have now become resistant. All penicillins are β-lactam antibiotics and are used in the treatment of bacterial infections caused by susceptible, usually Gram-positive, organisms. The development of penicillin for use as a medicine is attributed to the Australian Nobel laureate Howard Walter Florey, together with the German Nobel laureate Ernst Chain and the English biochemist Norman Heatley A clear glass bottle with a metal fixed top in which the central rubber disc has been pierced by a needle .Front: CRYSTALLINE PENICILLIN / ( SODIUM SALT) G / GLAXO / FOR INJECTION / Use only under medical supervision / 1000000 / UNITS PER VIAL. Left side : Refrigeration unnecessary....MANFD. DEC. 1955 / EXPIRY DEC. 1958 / POTENCY 1667 / IU/MG / BATCH 269. Right side :Contains over 90% / penicillin G / Contains no preservatives / GLAXO LABORATORIES / (AUST.) PTY. LTD. / Melbourne Sydneypharmacy, medicines, penicillin, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, manufactured glass, bottles, glaxo laboratories melbourne

In October 1863 the Rev. James Bickford visited Sale to explore the possibilities of establishing a Methodist cause there. In March 1864 a group of 8 local men petitioned Conference to appoint a minister. The men were: Nehemiah Guthridge, G. Ross, J.H. Walters, J.E. Derrick, G.E. Hawkins, R. Gibbs, J.J. Drew, J. James. The Rev. Henry Baker arrived in the Gippsland Circuit later in 1864. The first Methodist services in Sale were held in the Mechanics Institute, but by July 1865 a Methodist church had been opened for worship. A Sunday School was constructed in 1886. The Sale Methodist Church was renovated at a cost of 2500 pounds in 1951. The new Sale Methodist Church was opened on 25 September 1965.B & W interior view of the new Sale Methodist Church. The image of the apse shows a communion table, cross, font, pulpit and flowers.methodist, sale, rev. james bickford, rev henry baker, gippsland circuit

In October 1863 the Rev. James Bickford visited Sale to explore the possibilities of establishing a Methodist cause there. In March 1864 a group of 8 local men petitioned Conference to appoint a minister. The men were: Nehemiah Guthridge, G. Ross, J.H. Walters, J.E. Derrick, G.E. Hawkins, R. Gibbs, J.J. Drew, J. James. The Rev. Henry Baker arrived in the Gippsland Circuit later in 1864. The first Methodist services in Sale were held in the Mechanics Institute, but by July 1865 a Methodist church had been opened for worship. A Sunday School was constructed in 1886. The Sale Methodist Church was renovated at a cost of 2500 pounds in 1951. The new Sale Methodist Church was opened on 25 September 1965.B & W exterior view of the Sale Methodist Church showing a group of women and girls, hatted and gloved, standing in front of the church.methodist, sale, rev. james bickford, rev henry baker, gippsland circuit

Stories of the backgrounds of a cross-section of City of Boroondara residents focusing on how they came to live in Australia and in the City of Boroondara in particular. Many were based on oral histories. Commissioned by the City of Boroondara, the team behind "From Many Lands" also received a Local History Award, which allowed them to mount a small touring exhibition. Two Surrey Hills people contributed to the book: Margaret Grossman (nee Sarovich) and Zdzislawa (June) Wasylkowski; photo of Walter Ives also included. Sue Barnett interviewed June Wasylkowski; the interview is part of the Surrey Hills Historical Society collection. Both Margaret (Peg) and June were members of the Surrey Hills Historical Society. Martin Foot was a Council staff member at the time of publication.H 24.7 cm(ms) ruth mclean, (mrs) margaret grossman, (miss) margaret sarovich, (mrs) zdzislawa june wasylkowski, immigrants, oral history, boroondara, (mr) walter ives, sue barnett, june wasylkowski

This wedding dress was worn by two Brighton brides, sisters Floss and Vera McMinn, during the Second World War. The McMinn family moved to Brighton from Castlemaine around 1924, when the sisters were still children. Their father, Horace Henry McMinn, was a fruiterer and greengrocer who ran the Fruit Palace at 123 Church Street. Florence May "Floss" McMinn (1912-2007) married William Thomas Vivian on 3 February 1940 at the Brighton Church of Christ. Her sister Vera was her bridesmaid. Vera Olive McMinn (1918-2006) wore the same dress two years later when she married Geoffrey Walter Holmes on 15 August 1942 at Scotch College Chapel.Cream silk wedding dress with a long train. High neck and long sleeves. Yoke with horizontal pintucks and self-covered buttons. Side zip.wedding dress, 1940s, wartime bride, florence may mcminn, florence may vivian, vera olive mcminn, vera olive holmes

Born on the 22nd October 1852 or 1849 St Ives Cornwall, in 1896 Thomas and Mary Elizabeth moved to Melton. Mr Lang’s previous school was Coliban SS No 1920. Mr Lang was the Head Teacher at Melton until 1917. In 1910 he was a Committee Member Melton Mechanics Institute and Public Library atits establishment. He was a Life Member of the Melton Mechanics Institute In 1875, he married Mary Elizabeth Coates on the 30th December at the home of Mrs Coates, Thomas Lang of Norton’s Creek aged 26 andMary Elizabeth aged 24 of Armstrongs. They had 9 children, Thomas.J. Lang, George William, Jessie, Maude, Effie, Walter, Horace, Eva and James. Passed away in 1927. Black and white photo of Langlocal identities, education

Sending postcards to family and friends including short messages was a common form of communication in the early 20th century from 1905 to the 1940s. Many were collected and kept in albums. This scene is viewed looking north along Main Road from near Bridge Street. The old Baker’s shop (Burgoyne’s store) on the corner of York is on the right. Also visible is the footpath dug by hand c.1906 between Yoirk Street and Bridge Street. On the left is ‘Derril’ or more commonly known as the Gahan House after it was purchased by Walter Ernest and Alice Miriam Gahan in 1924, on the western side of Main Road near the present-day site of Shillinglaw Cottage where they remained till about 1960 when Walter died. The house was demolished in 1968 during the widening of Main Road. In the distance on the bend is the Shillinglaw cottage with the Shillinglaw trees out front of the cottage. On the eastern side at the top of the hill (visible immediately to the left of the bakery) is the new St Mary’s Catholic Church on Henry Street near Main Road. The church site was relocated c.1912 from further south along Main Road (near Wingrove Cottage) in order to be more central to the congregation following the shifting of the township away from Little Eltham and closer to the railway station. It was subsequently destroyed by fire in 1961. On the back of the postcard is written: Printed Post Empire Care - correspondence - Address only - stamp Written in ink: 15 ? 1920 Many happy of the day I hope you and ? will have a very pleasant trip ? a great time when you reach England. ? & best wishes from your sincere friend E Harper?This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Sepia Postcard 9 x 14 cm 35mm positive transparencyshire of eltham pioneers photograph collection, eltham, main road, gahan house, bakery, footpath, postcard, shillinglaw cottage, shillinglaw trees, st marys catholic church, york street, michael aitken collection

The Ballarat School of Mines produced an annual students' magazine from 1899 - 1966. Contents include, School Council, Members of Staff, 1st Corbould Scholarship, Australian Speech, Art Lending Library, Literary Society, football, Boys' Junior Technical School, Bullarto Camp Reunion, John Leckie, Stan Hillman, Girls' Junior Technical School, Parliament House, Ballarat North Junior Technical School Images include: Craig's Royal Hotel, Peter Robinson, John Thomas Huyton Clelland, John Wolfe, Bernie Gallagher, Nelson Hails, John Gowan, Beverley Selkirk, Pat Collier, Barry Singleton Mara Jekabsons, Bill Widdop, Neil Brogden, frank Pomeroy, Laurence Trevan, Neville Bunning, Jim McKay, Malcolm Hausler, Josephine Young, George Lewis, Alan Clarke, Norman Leckie, Andrew Atkins, Lorette Davey, Noel Flood, Denis Bryan, SMB Football Team, SMB Athletics Team, SMB Baseball Team, SMB Basketball Team, SMB Tennis Team, Athletic Champions, R. Ross, I. Beaumont, R. Parker, G. Waller, John Rash, J. Sarah, J. Walters, P. Rowe, L. Drummond, R. Whitcher, ATC Flight No 24, BJTS Football Team, BJTS Swimming Team, BJTS Tennis Team, BJTS Athletics Squad, BJTS Cricket Team, BJTS Softball team and coach, W. Sawall, L. McDonald, K. Penna, J. Clarke, K. Rogers, Mr Wilson, F. Holmes, graham Manning, Andrew Brumby, Kevin Rogers, Graham Walters, Yellow soft covered students' magazine of 92 pages. keith alexander, brian bellingham, neil brogden, bernie gallagher, john gowan, francis hunting, teng hor khoo, teng seong khoo, norman leckie, boon thiam lu, brian mclennan, peter russell, harry singleton, chookiate sirivingse, laurie trean, john wolfe, ballarat school of mines, peter robinson, john thomas huyton clelland, d. w. brown, n. bunning, jim mckay, barry singleton, malcolm hausler, josephine young, george lewis, alan clarke, andrew atkins, lorette davey, noel flood, denis bryans, john mckenzie, robert skewes, ian fraser, walter reimann, pat collier, ralph hepburn, peter m. robinson, a. bethune, j. lane, d. colbourn, w. etty, b. bellingham, n. hails, t. white, p. agrums, w. widdop, f. pomeroy, b. singleton, j. mckay, j. pollock, r. cutter, d. vendy, j. wolfe, p. collier, w. bowtell, r. hepburn, w. wynd, p. menz, b. dunstan, j. gowan, l. groat, g. westwood, j. erdmanis, a. rock, k. alexander, p. walker, w. reimann, n. delosa, b. mclennan, a. clarke, g. wilson, t. coad, j. caldwell, d. chung, r. champneys, j. mckenzie, b. paterson, j. cowan, somnam nandhabiwat, w. spencer, p. schoutens, d. treller, gayle peterson, denise lockett, carmel dobbyn, margaret ayars, raymond jenkin, l. nester, w. eyers, r. ross, g. dreever, r. ross, i. beaumont, r. parker, g. waller, j. rash, j. sarah, j. walters, p. rowe, l. drummond, r. whitcher, r. ingle, i. pollock, p. bilney, i. collier, l. thomas, g. leslie, p. schoutens, a. morris, g. wells, b. mcgregor, j. bedggood, k. spencer, j. vincent, j. elliott, j. whitten, g. higgins, g. le couteur, h. mcdougall, g. wise, m. allen, d. pattie, i. collinson, c. kearns, g. severino, g. smith, n. smith, f. tolliday, r. williams, d. coldicott, m. hewitt, g. higgins, c. ludbrook, j. simpson, glenys spielvogel, norma davies, dawn ridgeway, carmel dobbyn, beverley davis, j. crouch, kathleen harris, j. walters, jan hunter, j. carroll, c. jenkins, lesley cutts, h. vagg, irene horgan, graham manning, andrew brumby, kevin rogers, graham walters, k. howell, n. malthouse, l. deppler, g. manning, n. nugent, b. antonio, r. mccarthy, mr morrison, r. mckenzie, w. wakeling, j. clarke, l. mayne, n. bromley, a. brumby, a. abrams, k. penna, r. button, p. linane, f. holmes, n. yean, mr love, miss atkins, p. cochrane, i. quick, mr mitchell, b. flynn, r. brown, k. penna, j. mcmahon, g. turnbull, n. skewes, d. vowles, d. blake, mr nuttall, g. borchers, i. greenbank, d. evans, j. whelan, j. milne, w. sawall, d. ward, r. rundell, mr ellerton, m. foy, l. reed, c. tilgals

1. Portrait, full length of a soldier standing at ease. He is holding a single rifle with bayonet fixed. He has a peaked cap and the 3"webbing belt on. he is standing in a yard of some sort. Corrugated iron shed in back ground. 2. Portrait, full length of a soldier. Standing legs apart. He is holding a riding crop. he has a leather covered watch. He has one chevron on his left forearm above that are crossed flags. He is wearing a leather bandolier. He has a peaked cap. 3. Group portrait of Australian soldiers on a ship. 13 men - bare headed and slouch hats and 3 peak caps. In the bottom foreground is a small monkey. 4. Group portrait of soldier patients and nurses. 11 men and 4 nurses. The three in front are seated.1. xx 2. On rear - To Dear Auntie from Walter McGillivray. 3. On rear - Thomas Robert Jones 6 Bn 1914, 5 Re-inforcements. No. 1982 23 years Tom Jones and mates. 4. On rear - Edwin W Jones 3511 46 Bn "Snap of some of the ward taken in the garden. I am on the very end, taken the first day I was allowed out of bed," On front is a card and name Ned.passchendaele barracks trust, photographs, ww1

This card was one of four items given to every family of a deceased soldier of the British Commonwealth. Families received a memorial plaque, a message from the King, a memorial scroll and a "Where Australians Lie" card and grave photograph or a booklet if the deceased has no known grave. This "Where Australians Lie" card was sent to the brother of Pte W. Williams No. 1442, 2nd Battalion AIF, who was killed on Gallipoli on 29th August 1915, aged 24. Walter enlisted age 23 No 1442 on 27.11.1914 in 2nd reinforcements 2nd Bn AIF, embarked for Egypt 11.2.1915, transferred to Stretcher Bearers 8.4.1915, hospital 9.6.1915 with twisted instep, rejoin unit Gallipoli 13.7.1915, KIA 29.8.1915. Refer also for photo, medals, other Cat No’s 1859P & 1860Folded four page light purple coloured card. Front features an embossed Rising Sun Badge, a title (Australian Imperial Force) and a two line border, all in purple. Inside on the left hand side is a pro forma in purple lettering with spaces for handwritten details. The right hand side features a black and white photograph of a grave marked with a cross with metal name plaques attached. Four crosses feature in the background. The photograph is bordered by a purple line. On the back page is a pro forma in purple lettering with spaces for handwritten details.Handwritten in black ink on inside left page, "WILLIAMS W. 1442 Private 2nd Battalion Browns Dip Cemetery Plot 2. Row. C. Grave 2 Port Chanak Gallipoli 3 copies". HAndwritten in black ink on back, 'Brother Mr S. T. Williams Australia".memorabilia, grave photographs, memorial cards, service record

Stubley's Furniture Store late 1950s. The Stubley Group began in 1946 when Purcell Stubley purchased a site with petrol bowsers in Main Street from 'Snowy' Jessop. In 1948 Purcell began building the new Stubley Motors, working round the old site to keep the business operating. It was completed in 1951. The Group expanded into other areas such as this Furniture store. [Syd Thompson Fruit Shop was here in early 1950s, Syd lived in the house at back. He coached Boxing]. This became the Welkay Store in the 1960's and owned by Walter Kenyon. The Welkay store moved opposite to 100 Main Road on 6/9/1966, ref: Diamond Valley News Page 9. Soon after the store would have been demolished to make way for 'The Valley Building' still on the site in 2018.Digital copy of black and white photographpurcell stubley, stubley motors, stubley group greensborough

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. While the page heading says "architect: Walter Burley Griffin", in fact Edward F. Billson designed it.From the Victorian Heritage Register Database - Citation for 45 Balaclava Road https://vhd.heritagecouncil.vic.gov.au/places/35562 (as at 12/10/2020) The house at 45 Balaclava Road, Caulfield North has architectural importance as an early example of the work of Edward F. Billson, whose work demonstrated the influence of the internationally distinguished American architect Frank Lloyd Wright and his one time colleague, Walter Burley Griffin with whom Billson worked in partnership for a period. It is presumed to be the earliest important example Billson's work and attains special importance as an early example of modern architecture in Australia, the earliest work of Griffin preceding it by only five years.Page 29 of Photograph Album with four photographs of close up views of architectural details of a window and doors including three interiors and one exterior view.Hand written: Neg 263 [under top left photo] / Neg 269[under top right photo] / Neg 261 [under bottom left photo] / Neg 267 [under bottom right photo] / 29 [bottom left]trevor hart, caulfield north, balaclava road, edward f. billson, frank lloyd wright, walter burley griffin, modern architecture, 1910's, gables, double storey houses, windows

Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian doll and clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen.Doll dressed in authentic Bavarian costume. Black wool hat trimmed with gold lace and dried flowers. Gold coloured skirt on dress with sash. Bodice is black with traditional embroidery. White long sleeves with lace trim at cuffs. She is holding a basket with dried flowers."Merry Christmas Else-Lore" on baseelse oertel, else lore hukins, friedel dehnel, dressmaker, chef, camp 3