Yields information about Bendigo 16 in Pall Mall and the backgroundBlack and white digital print from scan of a donated negative showing Bendigo 16, Pall Mall, mid 1950's with a person standing in the front doorway. Photographed by John Webster given the markings on the side of the negative. Black and White print made from scan of negative. Original Negative stored with Negatives. Negative scanned at hi res 2/6/2020 and image updated.On left hand side of the negative in ink is "CC36".tramways, trams, bendigo, pall mall, tram 16

Yields information about the early use of Ballarat's bogie trams and Sturt St.Digital image from the Wal Jack Ballarat Album of No. 15 in Sturt St at Lydiard St intersection with the Commonwealth bank building in the background. Note the conductor in the second doorway with his cash tin and another passenger preparing to get off the tram. Image has a printing exposure problem on the right hand side. Printed on matt paper. See image i2 for rear of photograph.On rear in pencil "No. 15 in Sturt St, date forgotten, matt, X6 3.9.46" with CRC Field stamp in bottom left hand corner with number "1137aBx"trams, tramways, sturt st, bogie trams, lydiard st, tram 15

The souvenir packs of cards open up with various photographs inside. Five are published by Nucolorvue Productions, Mentone, Victoria. One set by Murray Views, Gympie, Queensland. Two sets by The Valentine Publishing Co. Pty.Ltd Melbourne. One set of Colour Photographs by Capt.Frank Hurley. The single postcard is by Valentine's "Mail Novelty" Post Card Copyright. One is addressed to 'Mrs. H. Ellis c/- Mr. E. M. Straw, Harcourt, Vic.'Nine packages of photo souvenir postcards from various Australian cities and towns and one single postcard of a Scottie dog peering out of a doorway. It has a lift up flap with mini folded photographs of Lakes Entrance underneath. Other phoyogtaph selected views and fold out photograph packets of: Sydney, Warrnambool, Mildura, Albury, Shepparton Murray Valley, Orbost Adelaide Hills. The Scottie dog card has handwritten in blue ballpoint pen on the back -' You owe me 5/-' All other sets have the publishing details and a description of the area on the back.postcards, photographic postcards, postal stationery

Yields information about the acquisition of Ballarat ESCo 22 and a news story in the Ballarat Courier. Has a strong association with Peter Winspur.Newspaper clipping, cover sheet pages 1,2 47 and 48, of The Courier Ballarat, Monday July 13, 2009 titled "From tram to tool-shed and then back again", of the acquisition of Ballarat ESCo 22 by the BTM. Front cover has a photo of Peter Winspur siting in one doorway. Page 2 has more details and another photo of Peter Winspur standing inside the tram.esco, sebastopol type, btm, tram acquisition

This item has two photographs split horizontally. The top photograph was taken of Camp Street, Beechworth, looking south and the bottom image was taken of Ford Street, Beechworth, looking east.Black and white photograph printed on matte photographic paper. Obverse: Camp Street looking South / Ford Street looking East / Reverse: 1997.3095 / AO3192 / PH 77 / post 1906. / GH. Farley listed 1917-1918. / around 1910. See Camp St. Photo of Coronation arch Showing street lamp beechworth, camp street, ford street, burke museum

Close-up photograph of 4.3 litre 6 cylinder Alvis Wireless Patrol car registration number 174-614 at Russell Street garage with significant damage to the front right hand wheel arch, circa 1937. Over the windscreen is the illuminated "Police" sign and on the roof are metals tubes containing the wireless aerials.police vehicles; transport; motor police branch; alvis car; wireless patrol; russell street

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. See also 2104A-06.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of white rendered house with a car parked on the front lawn of the garden. Other features include an enclosed porch with unpainted brick edging with number "5" on the arched entrance, tiled roof, tall chimneys, striped black and white awnings and a low unpainted brick side fence beside the concrete driveway.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, chimneys, rendered houses, drives, cars, brick fences, striped awnings

Textiles. Basically circular in shape, but cut and hemmed in a geometric 16 sided manner. Edges are cut and hemmed in a drawn fabric manner, and this is repeated in a decorative way, in the centre of the doyley, echoing the outer shape of the doyley. ''Spots'' are embroidered in white thread, as are small flowers and leaves, in an arching shape on each side of the central square.textiles, domestic, pair of pink organza doyleys

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched entrances to the portico on the ground floor with the main entrance door. Above this raised portico is the central tower at the front of the house. villa alba museum, conservation photographs, victorian architecture, porticos, towers, romanesque revival arches

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched entrances to the portico on the ground floor with the main entrance door. The cement render is detailed to resemble stone block work.villa alba museum, conservation photographs, victorian architecture, porticos, towers, romanesque revival arches, cement render

This pamphlet provides comprehensive information on Memorials around Ballarat dating from May, 1917.Avenues of Honour are unique to Australia and found particularly Victoria. The Ballarat Avenue of Honour is of national importance as the longest and earliest known memorial tree planting of its type.This is an information pamphlet printed on both sides and folded into 3 sections. The headings are written in green and there is a black and white photograph of the Arch of Victory and the Avenue of Honour on the first fold. Over the page, there is a large diagram down the middle of the page, 2 black and white pictures of the righthand side and 2 sketches on the lefthand side of the page.None.john garner, doctor john garner, arch of victory, avenue of honour, heritage information guide, matilda l. thompson, tilly thompson, e.lucas &co pty.ltd, memorial wall project, memorial rotunda and roll of honour, memorial cairn and cross of remembrance, avenue trees and memorial plaques, ballarat city council., john garner collection, gardens, ballarat

The brick old Murray River Sawmill office was demolished around 1975. This photograph is of the side of the building taken from behind. It shows a corrugated lean-to and a window or door way that appears to be blocked off. There is a large crack in the brick work wall beside this doorway. Part of the back of the front brick facade is visible behind a brick chimney. This relates to photographs P000106, P000107.Sawmills in the Echuca area were historically and socially significant being a large employer in the area. The Murray River sawmill was one of the biggest and longest operating sawmills in the area.Black and white photograph of the old Murray River Sawmills building, taken from the road. Shows view from a rear side, with a window and corrugated iron lean-to. Part of back of facade can be seen as well as the chimney.On back of the photograph in pencil "Old Murray R Sawmills bldg, in from road." In black pen "Old office demolished c.1975" stamped in blue ink "0932"murray river sawmills, echuca, sawmills, echuca, vicotria, pullicino, j

This is a picture of the original Town Hall building built in High Street in the 1890's. It was designed by renowned Bendigo Architect W.C .Vahland. This picture was taken in 1979 when the Echuca Library was housed there. The Echuca Library operated out of this building from 1965 up to 2013 when the new library was built. In this photograph there are two people standing in the doorway and two cars parked in the street.This photograph is significant because it shows the first Town Hall building built in High Street in the late 1890's. The building was designed by W.C Vahland and was also used as the Law Courts before the Law Court building was built in Law Court Place. This building has also been used as the High School, while the Echuca High School was being built in the 1920's it was also used as a Kindergarten and the town Library operated there from 1965 to 2012 when the new Library was built. The Shire of Campaspe Information Technology Department has been housed there from 2012 up to the Present.A coloured photograph, in postcard size, of the original Town Hall building of Echuca, taken in 1979, when the building was being used as the Echuca Library.echuca town hall, echuca library, vahland, w.c

This photograph depicts the interior of the dining room of the Manse with the 6 chairs and table decorated with flowers. Behind the table is the arched cast iron fireplace (lost) with mantelpiece with a clock and candelabras. On the left side we can see the corner of the oak console and on the right another cupboard and a framed painting. The photograph also shows the wooden floor covered with rugs. Unfortunately it has been carpeted in the late 20th century.This photograph is a rare view of the Manse and the private life of a chaplain. It also depicts the original and now heritage listed arts and crafts furniture dating from around 1909.Black and white interior photograph of the dining table and chairs taken in the Manse room. Chaplain's quarter: dining roomreverend john reginald weller (1880-1969), manse, table, chairs, mantelpiece, fireplace, weller album, dining suite

Postcard containing a 3 x 3 panel of 9 images of Ballarat Tourist locations - Ballarat Trams featuring tram 27 in the later SEC Colour scheme, Begonias, Arch of Victory, Curiosity Shop, Gardens hot house, Kryal Castle, Sovereign Hill and the Reptile Park. Produced by Rose Stereograph Co. of Glen Waverly, No. 1679. Tram 27 was repainted in an early SEC Colours during 1984.Yields information about Ballarat tourist attractions during the early 1980s.Postcard - plain edges, divided back, 9 images of Ballarat Tourist locations.ballarat, trams, tramcars, btps, tourism, tram 27, gardens

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. See also 2104A-10.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of white rendered house with unpainted brick features. Other features include a square enclosed porch with two decorative arched entrances with steps, tiled roof, green and yellow striped awning, the word "eight" written on the front of the house, concrete paths and driveway and a low unpainted brick fence beside the driveway.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, rendered houses, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, chimneys, brick fences, striped awnings

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of cream rendered house with unpainted brown brick features. Other features include an enclosed porch with a porthole opening and stepped arched entrance and "29" on the porch wall. Other features of the property include a tiled roof, chimney with a circle decoration and low unpainted matching brown brick side fence in the foreground. murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered house, brick features, porthole windows, decorated chimneys, brick fences

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Two black and white photographs of two men dressed in suits standing together and shaking hands in one photo. They are standing in a music bowl with a ceiling consisted of six arches descending in size toward the back. Around the stage is a tiered platform of seating. Workmen can be seen working in the background. The man on the right is Frank Wright.frank wright, conductor, music bowl, stage

Black and white photograph: two wheel gig, shafts, covered overhead. Wheels have heavy wooden spokes. Ornate arched timber supporting side 'windows' No lamps visible. On display at Golden Days Historical Exhibition 1960. This could be the gig allegedly owned by the Bendigo Historical Society, whereabouts now unknown. (28.11.17)bendigo, history, golden days historical exhibition

Dark green linen hard cover book with black embossed decoration on the cover and a arch shaped panel of blue, white, pink, red and green flowers. Gilt stamp on the front cover and gilt text on the spine. 278 pages. Black and white illustrations. Biographical sketches of female missionaries by Mrs Emma Raymond Pitman. non-fictionlondon missionary society, female missionaries

Bendigo Advertiser ''The way we were'' from 2000. Success: Robert Cousen had a thriving business in View street, Bendigo in the early 1900's. He was a pork butcher and made his own small goods and cured his own bacon and hams. In the photo, Robert Cousen is in the white coat standing in the doorway of his shop. His two carts are in the front of the shop. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Black and white photograph on brown mount of group of people. Five males and seventeen females on steps. Notice in left doorway of building states, 'Supreme Insolvency---' Licensing, '---sessions etc'. There is also a copy of photo in plastic sleeve). Inscriptions: on back - circular rubber stamp 'Royal Historical Society of Victoria, Bendigo Branch'. History: James Lerk n.d 'On the steps of the Public Offices, Williamson St., Bendigo'.cottage, miners

Slide. Bendigo Views. View of a lounge room with a light green fireplace with a gas heater in it. To the right of the fireplace is an armchair with bookshelves behind it. To the left of the fireplace is another armchair with bookshelves behind it. On top of the bookshelf is a model of the Sydney Harbour Bridge. In the corner is a doorway with another cupboard on the left. On the mantlepiece are pictures and above it is clock and a round picture on each side. Behind the clock is a patterned area. There are other objects hanging on the wall.slide, bendigo, bendigo views, bendigo views

Yields information about the intersection of Grenville and Sturt St, its use, the appearance and the shelter at this location.Black and White photograph of No. 17 crossing Grenville St from Bridge St, about to pass the tram shelter with a young man in the doorway. Tram has the destination of Gardens via Sturt St West and an Electric Cooking roof advert. Shows the tram stop and the Bridge St signal controller. Another tram is waiting for the 17 to clear the track. Photo by Charles Craig possibly early 1970's. trams, tramways, sturt st, grenville st, signals, shelters, tram stops, tram 17

The hotel was built some time shortly after 1842 by John Cahill, who arrived in the colony in 1842 from Thurles in Tipperary, Ireland. The building although much altered with render covering the original \blue stone structure is on the south-west corner of Macedon and Jackson Streets. The hotel was called the Ball Court because Cahill also had a hand-ball court set up behind the hotel.Originally five hotels were built along Macedon Street between Jackson Creek and Evans Street. The Ball Court Hotel is the only one still standing and operating as a hotel.A non-digital black and white photograph with a cream border of man and three ladies standing outside a single story blue stone hotel building with a corner entrance. AS well as the corner entrance there is another doorway on the RHS along with three narrow windows and three other windows on the other side. One of the ladies is holding a little child. Two trees surrounded by tree guards are on each side of the photograph.Ball Court Hotel, John Cahillball court hotel, hotels, sunbury, macedon street, jackson street, ball court

Built in 1953, the Rice House was leading Melbourne architect Kevin Borland's first commssion and was one of two houses of its kind. The design of the shell-like structure was inspired by the Arch of Ctesiphon, built in the second century south of Baghdad. Cement with a waterproofing agent was applied in layers to a form of regularly spaced timber arches covered in hessian. This ctesiphon system was developed in the United Kingdom by engineer J.H. de Waller in 1947. Commissioned in 1951 by Harrie and Lorna Rice, after Harrie, then an art student, met Borland at The Age Small Homes Service. Borland suggested they buy land in Eltham because at that time it was the only council in Melbourne that would grant a permit for such an innovative house. Covered under Victorian Heritage. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p157 Inspired by an ancient arch in Iraq, a house stands on top of a hill in a private position, off Ryans Road, Eltham. One of only two houses of its kind, it was leading Melbourne architect Kevin Borland’s first commissioned house, which he built in 1953. The shell-like structure, partially screened by giant trees and cacti, was inspired by the Arch of Ctesiphon south of Baghdad, built in the second century.1 Cement with a waterproofing agent was applied in layers to a form of regularly spaced timber arches tightly covered by hessian. This ctesiphon system was developed in the United Kingdom by engineer J H de Waller in 1947. This house was the first of three such structures built in Victoria, of which only one other remains, although substantially altered.2 It is the Wood House and supermarket, at the corner of Cleveland Road and High Street Road, Ashwood, designed by Robin Boyd in 1952. The Rice House demonstrates Kevin Borland’s innovative and experimental work. It is an outstanding example of the post-war period of experimentation in domestic architecture in Melbourne – by Robin Boyd, Kevin Borland and others – for The Age Small Homes Service from 1947 to 1953. This was partly an expression of late-Modernism and also necessitated by the post-war shortage of building materials. In Eltham, the post-war shortage of building materials largely resulted in mud-brick houses. Examples of Borland’s public work include contributions to the Olympic Swimming Pool in Melbourne and the Preshil Junior School in Kew. After more than 50 years of living in the house, Harrie and Lorna Rice still love it. Facing north-east with large windows overlooking the garden and two courtyards, it is well lit and benefits from a through breeze. The couple commissioned the extraordinary house after Harrie, then an art student, met Borland in 1951 at The Age Small Homes Service. Harrie was so impressed by the recently graduated Borland’s enthusiasm, that he asked him to design them an interesting house for a low budget.3 The unusual design presented several hurdles for the young couple before they could construct it. Borland suggested that they buy land in Eltham, because at that time it had the only council in Melbourne that would allow such an innovative house. Another hurdle was to gain finance for this remarkable house. The State Savings Bank Manager refused finance on the grounds that it was ‘unliveable’ and a ‘disgrace’. Fortunately, through a family connection, the couple borrowed money from the National Bank. But they discovered years later, that the bank’s evaluation stated the two ‘concrete sheds’ were of no value!4 The house built in off-white concrete, consists of two sections. The main house has four arches supported by brick and concrete walls that create a series of inter-connected rooms. Inside, the ceiling follows the roofline. Originally this section was only ten square metres, because of building restrictions at the time. But in 1973 Borland added two rooms and a carport. The second structure of two arches was originally a garage and a studio for art teacher Harrie Rice. To accommodate the growing family, in the mid 1950s, Borland converted the second structure into two children’s bedrooms, a kitchenette, a bathroom and a living room. The two structures were originally linked by a covered way of suspended draped-concrete, but this collapsed in the 1980s. The design has several maintenance problems. Cracks developed where two halves of the shells were joined. Then the material sprayed over the cracks became brittle, causing leaks. Fortunately Harrie found another material he could use. The valleys between the arches collect water, requiring annual painting with a waterproof material to prevent leaking. Lorna framed the house with native and exotic plants, which provide privacy and as a bonus, the garden attracted the rare Eltham Copper Butterfly.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, rice house, ryans road

This photograph shows the Echuca Moama bridge crossing the Murray River in the early 1970's. This photograph shows the Echuca Moama bridge in the early 1970's. It shows one of the rounded arches on the bridge. The rounded arches were the original arches and were at one stage replaced by square arches, but then replaced again by rounded arches.A rectangular coloured photograph of the Echuca Moama bridge taken from the Victorian bank, sometime in the early 1970's. One round bridge arch can be seen and a tall electricity pole can also be seen on top of the bridge. The vegetation on the Victorian bank is short and cropped. Some dead branches lie on the ground in the left foreground.There are none.echuca moama bridge, murray river, victorian bank

The Siddeley Street institute, designed by renown architect Walter Butler was built in 1907. The foundation stone was laid in February 1907 by Lord Northcote and the institute was opened in December the same year.The Siddeley Street Seamen's Institute is the first central structure to be built in central Melbourne on the banks of the Yarra River as the shipping was moving from Hobson's Bay to the city centre. Originally planned and budgeted for in the mid 1880s and petitioned by Ships masters in 1897 this was a long awaited project for the Mission.Sepia toned photograph depicting the Siddeley Street facility under construction. There are two women dressed in white wearing picture hats and carrying either cloaks or coats to the right of the photograph and a group of five men standing in a row beside them. They are all standing in front of the entranceway with arched windows to either side all of which is covered in scaffolding.Pencil mark on reverse of photograph: "2"siddeley street institute, australian-wharf, 1907, walter richmond butler (1864–1949), seamen's institute, seamen's mission, ladies, lhlg, officers, seamen, sailors, seafarers, mission to seafarers, scaffolding, anne treverton goldsmith (nee lobb